Garuda - Garba Rujukan Digital

FUNGSI RAGAM BAHASA PENJUAL IKAN DI PASAR OKA LAMAWALANG, KECAMATAN LARANTUKA, KABUPATEN FLORES TIMUR Rikardus Pande Pande; Rikardus Pande
JURNAL ILMIAH BAHASA DAN SASTRA Vol. 8 No. 1 (2021): JIBS : JURNAL ILMIAH BAHASA DAN SASTRA
Publisher : Fakultas Bahasa dan Sastra Universitas Kanjuruhan Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21067/jibs.v8i1.6202

This article describes the diversity of languages formed by the development of society in various aspects of life which includes various social activities, such as trade, government, health, education, and religion. The variety of languages has functions such as the variety of languages used by fish sellers in Oka market, Lamawalang, Larantuka District, East Flores Regency which grows and develops especially among speakers of the fish seller community. This variety of languages can be found when fish sellers offer their fish to buyers where there is language contact, between Indonesian and local languages. The functions of various languages used by fish sellers in the Oka Lamawalang market, Larantuka District, East Flores Regency with the Oka Lamawalang dialect include (1) instrumental (directive) functions, such as seducing, convincing, and asking, (2) interactional or interaction functions, such as asking , forms of interaction in the form of rejection and forms of agreement interaction, (3) representational or representational (declarative) functions such as showing and expressing, (4) personal functions, such as joy and disappointment.

Makna Ungkapan Adat dalam Upacara Kawen Gate Masyarakat Desa Boru Kedang Kecamatan Wulanggitang Yuliana Gekeng Kedang; Rikardus Pande; Yoakim Yolanda Mario Leu
Social Science Academic Vol. 1 No. 2 (2023)
Publisher : Institut Agama Islam Sunan Giri Ponorogo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37680/ssa.v1i2.3464

This research article aims to describe the meaning in the expression marriage gate in Boru Kedang Village, Wulanggitang District. The kawen gate ceremony or traditional marriage uses traditional expressions as a distinctive language that contains useful meanings that show community identity. This study uses the basis of semantic theory. The method used is a qualitative method with a qualitative descriptive approach. The research data is oral data in the form of expressions in the kawen gate ceremony. Sources of data for informants are traditional leaders. Data collection was carried out by interviewing and documentation techniques. Data analysis uses data selection techniques, data presentation, and conclusion drawing. Data processing using research results. The meaning of traditional expressions in the traditional kawen gate ceremony in Boru Kedang, Wulanggitang District, East Flores Regency, consists of denotative meaning and connotative meaning, namely (1) denotative meaning in the expression of the stages of baung basa (know the house), (2) denotative meaning in the expression of the stages of bataan biat (return visit), (3) denotative meaning of the expression in the stages of pana laran tadan kila (exchanging rings), 4) denotative meaning of the expression in the stage of wua malu gere (penghataran belis), (5) denotative meaning of the expression at the stage of dokang turu (delivering the bride to the aisle), (6) the connotative meaning of the expression of the stages of baung basa (know the house), and, (7) kusang hebo (washing hair).

Analisis Kesalahan Sintaksis pada Teks Deskripsi Siswa Kelas VII SMPK St. Isidorus Lewotala Tahun Ajaran 2022/2023 Sofiana Maria Peria Kelen; Rikardus Pande; Pilipus Wai Lawet
Social Science Academic Vol. 1 No. 2 (2023)
Publisher : Institut Agama Islam Sunan Giri Ponorogo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37680/ssa.v1i2.3534

This article aims to describe the types of syntactic errors in the descriptivetext of class VII SMPK St. Isidorus Lewotala. The problem discussed is what are the types of syntactic errors in the description text of class VII students of SMPK St. Isidorus Lewotala. Language errors are basically caused by the person who uses the language in question, not the language he uses. The theory used is the theory of language errors put forward by Setyawati with three possible causes of language errors, namely being influenced by the language that was previously mastered, the language user's lack of understanding of the language he uses, and language teaching that is inappropriate or imperfect. The method used is a qualitative descriptive method and the approach used is a qualitative approach. The source of the data in this study were class VII students of SMPK St. Isidorus Lewotala. The data collected is in the form of phrases, sentences which are included in the types of syntax errors in the descriptive text. Data collection techniques were carried out using observation and documentation techniques. Data analysis was carried out by identifying errors, classifying errors, presenting data and drawing conclusions. This research was conducted at SMPK St. Isidorus Lewotala, Lewotala village, Lewolema sub-district, East Flores district. The results of this study indicate that there are four types of syntactic errors in the field of phrases consisting of: 1) inappropriate use of prepositions, 2) inappropriate wording, 3) excessive use of elements, and 4) double pluralization. There are five types of syntactic errors in the field of sentences, including: 1) sentences without a subject, 2) stump sentences, 3) excessive use of conjunctions, 4) use of foreign terms, and 5) use of unnecessary question words.

Makna Upacara Koke Bale pada Masyarakat Desa Lewomuda Fransiska Pulo Betan; Rikardus Pande; Pilipus Wai Lawet
Social Science Academic Vol. 1 No. 2 (2023)
Publisher : Institut Agama Islam Sunan Giri Ponorogo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37680/ssa.v1i2.3554

This study aims to describe the meaning of the koke bale ceremony in Lewomuda Village, Demon Pagong District. Koke bale is a series of traditional ceremonies that are carried out before the community prepares the land to start the planting process. The theory used in Koke Bale's research is semantic theory. This study also uses qualitative methods supported by data collection techniques, namely interviews, observation and documentation. The results of this study indicate that the koke bale ceremony is a traditional ceremony held in Lewomuda Village, Demon Pagong District. There are eleven important parts in the process of carrying out the koke bale ceremony, namely: kote mada, take koke, tane tenane, take tada, mara, towe lodge, ura mau, butung kewura, goleng, eat together, and hode ilu. In the koke bale ceremony, there are five meanings namely, (1) religious meaning, (2) brotherhood meaning, (3) respect meaning, (4) success meaning, and (5) self-protection meaning.

The Role of Social Cohesion of the Beledan Koke Bale in Strengthening the Character of the Lewokluok Indigenous Community in East Flores Rikardus Pande; Mariana Marta Towe; Elisabeth Ene Lein; Vinsensius Crispinus Lemba
KREDO : Jurnal Ilmiah Bahasa dan Sastra Vol. 9 No. 2 (2026): JURNAL KREDO VOLUME 9 NO 2 TAHUN 2026
Publisher : Universitas Muria Kudus

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24176/kredo.v9i2.16847

strengthening the character of the Lewokluok indigenous community in East Flores. Sociosemiotic theory as a scalpel for the meaning and social function of carved motifs on beledan koke bale. The research uses a qualitative descriptive method to examine the symbolic meaning of beledan in the lives of the Lewokluok indigenous community. Data was collected through in-depth interviews, participatory observation, and FGD with traditional leaders. The data was analyzed using the Miles and Huberman interactive model, which includes the stages of data reduction, data presentation, and drawing conclusions. The study results show that there are 18 beledan on the koke bale, representing the identities of 16 indigenous tribes. Each beledan has carved motifs that contain symbolic meanings related to leadership and courage, struggle, fertility and love, religiosity, family ties, love, service, solidarity, as well as health and survival. Meanwhile, the social cohesion that is conveyed through the beledan koke bale plays a role in strengthening the character of the Lewokluok indigenous community in three main ways: (1) to be a symbol of collective identity that fosters a sense of togetherness, love for others, and respect for ancestral heritage; (2) strengthening social solidarity so as to form a character of mutual trust between ethnic groups, a tolerant attitude towards diversity; and (3) deepening spirituality that fosters a humble character, gratitude, inner peace, and empathy in community life.

Analisis Madilog Dalam Logika Mistika Kebudayaan Lamaholot: Perspektif Tan Malaka Gregorius Tuli Aran; Pilipus Wai Lawet; Rikardus Pande
Walada: Journal of Primary Education Vol. 5 No. 3 (2026): Walada : Journal of Primary Education
Publisher : cendekia citra gemilang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61798/wjpe.v5i3.1206

Penelitian ini bertujuan untuk menganalisis aspek Materialisme, Dialektika dan Logika (Madilog) perspektif Tan Malaka dalam logika mistika kebudayaan Lamaholot terkhsusnya pada masyarakat di kecamatan Lewolema. Penelitian ini menggunakan pendekatan kualitatif deskriptif dengan sumber data utama tokoh adat dan tokoh masyarakat di kecamatan Lewolema dengan maksud tidak semua masyarakat Lamaholot di kecamatan Lewolema dijadikan narasumber. Pemilihan informan ini ditentukan berdasarkan teknik purposive sampling atau bertujuan. Data penelitian ini berupa ritual yang dideskripsikan dalam bentuk wacana. Pengumpulan data yang dilakukan pada penelitian ini menggunakan teknik wawancara dan studi dokumentasi. Data tersebut dianalisis menggunakan teori materialisme, dialektika dan logika dalam prespektif Tan Malaka. Hasil penelitian menunjukan bahwa analisis materialisme, dialektika dan logika perspektif Tan Malaka dalam logika mistika kebudayaan Lamaholot meliputi ranah abstrak dan konkret yang termuat dalam ritual (1) Depa Dua dan Beretek Manuk pada masyarakat Sinar Hading, (2) ritual Pau Kaka Bapa pada masyarakat Bantala, (3) ritual Agu’at pada masyarakat Ile Padung, dan (4) ritual Hode Ura Wai pada masyarakat Baluk Hering.

BENTUK DAN MAKNA MAJAS PERSONIFIKASI DALAM NOVEL SRIMENANTI KARYA JOKO PINURBO Maria Evisiana Bulu Latan; Imelda Oliva Wissang; Rikardus Pande
LEARNING : Jurnal Inovasi Penelitian Pendidikan dan Pembelajaran Vol. 6 No. 4 (2026)
Publisher : Pusat Pengembangan Pendidikan dan Penelitian Indonesia (P4I)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51878/learning.v6i4.15318

Joko Pinurbo's stylistic character uniquely blends diction simplicity with deep poetic nuance. Examining personification figures of speech is essential to uncovering aesthetic dimensions and reflective messages within fictional texts. This study aims to describe the form and meaning of personification figures of speech in the novel Srimenanti by Joko Pinurbo. This study uses a qualitative descriptive method with a stylistic approach. The source of research data is the novel Srimenanti by Joko Pinurbo, while the research data are in the form of words, phrases, sentences, and quotations containing personification figures of speech. Data collection was carried out through reading, recording, and identifying relevant data using purposive sampling. Data analysis was carried out using an interactive analysis model covering data reduction, data display, and conclusion drawing. The results show that personification figures of speech in the novel Srimenanti are classified into three forms: (1) personification based on feelings or emotions (7 data), (2) personification based on human actions (7 data), and (3) personification based on cognitive abilities (7 data). The meaning of personification reflects: (1) the character's life experiences, (2) psychological conditions of inner alienation and loneliness, and (3) human relationships with the environment as well as existential reflections on life, love, and mortality. ABSTRAK Gaya bahasa Joko Pinurbo memiliki kekhasan dalam memadukan kesederhanaan diksi dengan kedalaman makna puitis. Kajian terhadap majas personifikasi menjadi sangat esensial guna membongkar dimensi estetis dan pesan reflektif yang tersembunyi di balik teks fiksi. Penelitian ini bertujuan untuk mendeskripsikan bentuk dan makna majas personifikasi dalam novel Srimenanti karya Joko Pinurbo. Penelitian ini menggunakan metode deskriptif kualitatif dengan pendekatan stilistika. Sumber data penelitian adalah novel Srimenanti karya Joko Pinurbo, sedangkan data penelitian berupa kata, frasa, kalimat, dan kutipan yang mengandung majas personifikasi. Teknik pengumpulan data dilakukan melalui membaca, mencatat, dan mengidentifikasi data yang relevan dengan teknik purposive sampling. Analisis data dilakukan dengan model analisis interaktif yang meliputi reduksi data, penyajian data, dan penarikan kesimpulan. Hasil penelitian menunjukkan bahwa majas personifikasi dalam novel Srimenanti terbagi menjadi tiga bentuk: (1) personifikasi berbasis perasaan atau emosi (7 data), (2) personifikasi berbasis tindakan manusia (7 data), dan (3) personifikasi berbasis kemampuan kognitif (7 data). Makna majas personifikasi merefleksikan: (1) pengalaman hidup tokoh, (2) kondisi psikologis berupa keterasingan dan kesepian batin, serta (3) hubungan manusia dengan lingkungan dan perenungan eksistensial mengenai kehidupan, cinta, dan kematian.

ANALISIS MAKNA SIMBOLIK TRADISI WETE WU’U PADA MASYARAKAT DESA RIANGKOTEK KECAMATAN LEWOLEMA Maria Yosephina Uni Aran; Yoakim Yolanda Mario Leu; Rikardus Pande Rikardus Pande
TEACHING : Jurnal Inovasi Keguruan dan Ilmu Pendidikan Vol. 6 No. 4 (2026)
Publisher : Pusat Pengembangan Pendidikan dan Penelitian Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51878/teaching.v6i4.15905

Modernization and generational transitions pose significant risks to the preservation of agrarian oral traditions in the Lamaholot region, while empirical documentation addressing the philosophical essence of harvest rituals remains scarce. This situation demonstrates a conceptual gap between the ongoing mechanical performance of rituals and the profound appreciation of their underlying cultural values. This study aims to identify and describe the symbolic meanings embodied in the Wete Wu’u customary tradition among the community of Riangkotek Village, Lewolema District, East Flores Regency. A descriptive qualitative design was employed, grounded in the triadic semiotic framework of Charles Sanders Peirce. Data were collected through field observations, in-depth interviews with customary elders (ata klake), and documentary studies of ritual artifacts. The findings reveal that ritual paraphernalia operates as an integrated sign system linking representamen, objects, and interpretants. Eight primary material symbols convey fundamental existential values: wete (foxtail millet) represents food security and gratitude, elephant tusks signify lineage honor, gold chains and stones (kaka bapa) symbolize perseverance, chickens and sacrificial blood embody spiritual purification, candlenuts represent generative fertility, white feathers validate ritual sanctity, and traditional palm arak cements communal solidarity. In conclusion, the Wete Wu’u tradition represents the cosmological philosophy of the Riangkotek community, sustaining a sacred equilibrium among humanity, the natural cosmos, and ancestral spirits. ABSTRAK Modernisasi dan pergeseran generasi memicu ancaman kepunahan pemahaman terhadap tradisi lisan agraris di wilayah Lamaholot, sementara dokumentasi ilmiah mengenai nilai filosofis ritual panen masih sangat terbatas. Kondisi ini memperlihatkan adanya kesenjangan antara keberlangsungan ritual fisik dan pemaknaan nilai luhur yang melandasinya. Penelitian ini bertujuan untuk mengidentifikasi dan mendeskripsikan makna simbolik yang terkandung dalam tradisi adat Wete Wu’u pada masyarakat Desa Riangkotek, Kecamatan Lewolema, Kabupaten Flores Timur. Penelitian ini menggunakan pendekatan kualitatif deskriptif dengan kerangka analisis semiotika model triadik (triangle of meaning) Charles Sanders Peirce. Data dihimpun melalui observasi langsung, wawancara mendalam bersama pemangku adat (ata klake), serta studi dokumentasi artefak ritual. Hasil penelitian menunjukkan bahwa entitas perlengkapan ritual berfungsi sebagai sistem tanda terpadu yang memadukan tanda (sign), objek (object), dan penafsir (interpretant). Delapan simbol material merefleksikan nilai-nilai fundamental, yaitu wete (jewawut) melambangkan ketahanan pangan dan rasa syukur, gading gajah melambangkan kehormatan trah, rantai emas dan batu (kaka bapa) menyimbolkan keteguhan hidup, ayam serta darah ayam merepresentasikan kurban penyucian spiritual, kemiri menandakan kesuburan regenerasi, bulu ayam putih menyimbolkan pengesahan sakral, dan tuak arak merekatkan ikatan kekerabatan sosial. Simpulan penelitian menegaskan bahwa tradisi Wete Wu’u merupakan representasi falsafah kosmologi masyarakat Riangkotek yang menjaga keselarasan sakral antara manusia, alam semesta, dan leluhur.

ANALISIS FUNGSI DAN MAKNA TUTURAN RITUS ADAT BAU LOLON PADA PEMBANGUNAN LANGO BELE DI DESA HELANLANGOWUYO KECAMATAN ILE BOLENG Selviana Barek Sanga; Rikardus Pande; Sirilus Karolus Keroponama Keban
TEACHING : Jurnal Inovasi Keguruan dan Ilmu Pendidikan Vol. 6 No. 4 (2026)
Publisher : Pusat Pengembangan Pendidikan dan Penelitian Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51878/teaching.v6i4.15908

The relentless currents of modernization and rapid social transformation threaten to erode younger generations' understanding of oral traditions, particularly sacred ritual speech embedded with local indigenous wisdom. This generational disconnect represents a critical empirical gap that jeopardizes cultural transmission within the Lamaholot community, underscoring the urgent need for systematic documentation and linguistic-cultural analysis. This study aims to analyze and describe the functions and meanings of ritual speech in the Bau Lolon customary rite during the construction of Lango Bele in Helanlangowuyo Village, Ile Boleng District, East Flores Regency. Employing a qualitative descriptive design, the data were examined through Roland Barthes' semiotic perspective. Primary data sources were gathered from key informants, including traditional customary leaders (tuan tana), clan elders, and community figures actively engaged in the rite, supplemented by authentic audio recordings of ritual speech (koda). The findings reveal that the Bau Lolon speech embodies seven core functions: ancestral veneration, supplication for protection, invocation of communal prosperity, symbolic delegation of labor, affirmation of Lango Bele's institutional centrality, summoning of ancestral spirits, and petitions for divine blessings coupled with social solidarity. Semiotically, the narratives operate across denotative, connotative, and mythical dimensions, reflecting a harmonious cosmology connecting humanity, the Supreme Being (Rera Wulan Tanah Ekan), ancestors, and nature. In conclusion, the Bau Lolon rite serves as an enduring pillar of cultural identity and collective solidarity that reinforces communal cohesion. ABSTRAK Arus modernisasi dan transformasi sosial berpotensi mengikis pemahaman generasi muda terhadap kekayaan tradisi lisan, khususnya tuturan ritual sakral yang sarat akan kearifan lokal. Fenomena degradasi pemaknaan ini menjadi kesenjangan nyata yang mengancam transmisi budaya masyarakat Lamaholot, sehingga dokumentasi dan kajian mendalam terhadap sastra lisan menjadi sangat mendesak untuk dilakukan. Penelitian ini bertujuan untuk menganalisis dan mendeskripsikan fungsi serta makna tuturan dalam ritus adat Bau Lolon pada tahapan pembangunan Lango Bele di Desa Helanlangowuyo, Kecamatan Ile Boleng, Kabupaten Flores Timur. Penelitian ini menggunakan pendekatan kualitatif dengan metode deskriptif serta menerapkan pisau bedah semiotika Roland Barthes. Sumber data utama diperoleh dari informan kunci yang meliputi tokoh adat (tuan tana), tetua suku, dan pemuka masyarakat yang terlibat langsung dalam ritual, didukung dokumen rekaman tuturan adat (koda). Hasil penelitian menunjukkan bahwa tuturan ritus Bau Lolon menjalankan tujuh fungsi utama, yaitu penghormatan kepada leluhur, permohonan perlindungan, permohonan kesejahteraan, penyerahan pekerjaan, penegasan kedudukan Lango Bele, pemanggilan leluhur, serta permohonan berkat dan solidaritas sosial. Dari perspektif semiotika, tuturan tersebut terstruktur atas makna denotatif, makna konotatif, dan mitos yang merefleksikan kosmologi sakral relasi harmonis manusia dengan Tuhan (Rera Wulan Tanah Ekan), leluhur, dan alam. Kesimpulannya, ritus Bau Lolon merupakan manifestasi identitas kultural dan pranata sosial kolektif yang berfungsi meneguhkan kohesi sosial masyarakat Lamaholot.

BENTUK DAN MAKNA MAJAS PERSONIFIKASI DALAM NOVEL SRIMENANTI KARYA JOKO PINURBO Maria Evisiana Bulu Latan; Imelda Oliva Wissang; Rikardus Pande
LEARNING : Jurnal Inovasi Penelitian Pendidikan dan Pembelajaran Vol. 6 No. 4 (2026)
Publisher : Pusat Pengembangan Pendidikan dan Penelitian Indonesia (P4I)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51878/learning.v6i4.15318

Joko Pinurbo's stylistic character uniquely blends diction simplicity with deep poetic nuance. Examining personification figures of speech is essential to uncovering aesthetic dimensions and reflective messages within fictional texts. This study aims to describe the form and meaning of personification figures of speech in the novel Srimenanti by Joko Pinurbo. This study uses a qualitative descriptive method with a stylistic approach. The source of research data is the novel Srimenanti by Joko Pinurbo, while the research data are in the form of words, phrases, sentences, and quotations containing personification figures of speech. Data collection was carried out through reading, recording, and identifying relevant data using purposive sampling. Data analysis was carried out using an interactive analysis model covering data reduction, data display, and conclusion drawing. The results show that personification figures of speech in the novel Srimenanti are classified into three forms: (1) personification based on feelings or emotions (7 data), (2) personification based on human actions (7 data), and (3) personification based on cognitive abilities (7 data). The meaning of personification reflects: (1) the character's life experiences, (2) psychological conditions of inner alienation and loneliness, and (3) human relationships with the environment as well as existential reflections on life, love, and mortality. ABSTRAK Gaya bahasa Joko Pinurbo memiliki kekhasan dalam memadukan kesederhanaan diksi dengan kedalaman makna puitis. Kajian terhadap majas personifikasi menjadi sangat esensial guna membongkar dimensi estetis dan pesan reflektif yang tersembunyi di balik teks fiksi. Penelitian ini bertujuan untuk mendeskripsikan bentuk dan makna majas personifikasi dalam novel Srimenanti karya Joko Pinurbo. Penelitian ini menggunakan metode deskriptif kualitatif dengan pendekatan stilistika. Sumber data penelitian adalah novel Srimenanti karya Joko Pinurbo, sedangkan data penelitian berupa kata, frasa, kalimat, dan kutipan yang mengandung majas personifikasi. Teknik pengumpulan data dilakukan melalui membaca, mencatat, dan mengidentifikasi data yang relevan dengan teknik purposive sampling. Analisis data dilakukan dengan model analisis interaktif yang meliputi reduksi data, penyajian data, dan penarikan kesimpulan. Hasil penelitian menunjukkan bahwa majas personifikasi dalam novel Srimenanti terbagi menjadi tiga bentuk: (1) personifikasi berbasis perasaan atau emosi (7 data), (2) personifikasi berbasis tindakan manusia (7 data), dan (3) personifikasi berbasis kemampuan kognitif (7 data). Makna majas personifikasi merefleksikan: (1) pengalaman hidup tokoh, (2) kondisi psikologis berupa keterasingan dan kesepian batin, serta (3) hubungan manusia dengan lingkungan dan perenungan eksistensial mengenai kehidupan, cinta, dan kematian.

Title

Found 15 Documents
Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title Search

Found 15 Documents Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title

Found 15 Documents
Search