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All Journal Jurnal Sendratasik Rekam : Jurnal, Fotografi, Televisi Animasi Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora Channel : Jurnal Komunikasi Jurnal Orasi ETTISAL Journal of Communication JADECS (Journal of Art, Design, Art Education and Culture Studies) Jurnal Studi Komunikasi Persepsi : Communication Journal Jurnal Invensi (Jurnal Penciptaan dan Pengkajian Seni) IRJE (Indonesian Research Journal in Education) Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora (KAGANGA) Wacana: Jurnal Ilmiah Ilmu Komunikasi NUSANTARA : Jurnal Ilmu Pengetahuan Sosial Jurnal Pemberdayaan: Publikasi Hasil Pengabdian Kepada Masyarakat Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Ultimacomm: Jurnal Ilmu Komunikasi Humaniora Jurnal Riset Komunikasi Jurnal Penelitian Sosial Ilmu Komunikasi Communicare : Journal of Communication Studies JURNAL PUSTAKA KOMUNIKASI Tonil, Jurnal Kajian Sastra, Teater dan Sinema Kumawula: Jurnal Pengabdian Kepada Masyarakat Source: Jurnal Ilmu Komunikasi Warta Ikatan Sarjana Komunikasi Indonesia Mediakom : Jurnal Ilmu Komunikasi Literatus Jurnal Ilmiah Ilmu Komunikasi Communique Jurnal SASAK : Desain Visual dan Komunikasi COMMICAST MEDIASI Jurnal Kajian dan Terapan Media, Bahasa, Komunikasi CITRAWIRA : JOURNAL OF ADVERTISING AND VISUAL COMMUNICATION Jurnal PIKMA : Publikasi Ilmu komunikasi Media dan Cinema International Journal of Science and Society (IJSOC) Jurnal Kajian Seni JURNAL PARADIGMA: Journal of Sociology Research and Education Jurnal Indonesia Sosial Sains Lektur, Jurnal Ilmu Komunikasi Jurnal Kawistara CHANNEL: Jurnal Komunikasi INJECT Interdisciplinary Journal of Communication Orasi: Jurnal Dakwah dan Komunikasi
Adiprabowo, Vani Dias
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Tolerance and Pluralism Between Religious People in the Film Kos-Kosan Arya Andryan Dimas Prasetya; Vani Dias Adiprabowo
Jurnal Penelitian Sosial Ilmu Komunikasi Vol 8, No 2 (2024): Volume 8 Nomor 2 Tahun 2024
Publisher : UNIVERSITAS PAKUAN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33751/jpsik.v8i2.9867

Abstract

This study examines the values of tolerance between religious communities as reflected in the short film "Kos-Kosan" by Paniradya Kaistimewan. This research was carried out to explore the representation of tolerance in everyday life, reflecting the social and cultural conditions of Indonesian society in accepting religious differences and encouraging socio-religious inclusion. The research method used is descriptive qualitative. Namely, the researcher describes in depth what was obtained from observations about the film. This research aims to determine the harmony between explicit and implicit meaning in the narrative, dialogue, and scenes in the short film "Kos-Kosan" with three indicators. This study underlines the critical role of films in reflecting and promoting the values of inter-religious tolerance and pluralism. The content analysis shows that films from various genres and cultures can be a powerful medium for strengthening inclusive messages about respecting religious differences and working together across religions.
The challenge of local culture representation in the movie "Welcome to Jogja" Khozinatul Asror; Vani Dias Adiprabowo
Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Vol. 9 No. 1 (2025): April
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/satwika.v9i1.34673

Abstract

The Special Region of Yogyakarta is renowned for its rich cultural heritage and historical significance in Indonesia. It is also a source of inspiration for numerous cinematic works. Despite the abundance of films depicting Yogyakarta, previous studies have not thoroughly elucidated its cultural significance. This research employs a qualitative methodology to examine the cultural elements of Yogyakarta as portrayed in the film "Welcome to Jogja." The objective of this study is to explore the cultural values of Yogyakarta as implied in the film. The data collection methods included observation, documentation, and a literature review of prior research. This study identifies and analyzes the representation of Yogyakarta's cultural values as reflected in the film "Welcome to Jogja." The findings indicate that the film offers a comprehensive depiction of Mataraman Javanese culture through visual and symbolic elements such as lurik clothing, dance, jemparingan, Labuhan Parangkusumo rituals, karawitan, and batik. These cultural icons are presented through props and courtyard designs. The film not only showcases the aesthetic beauty of Javanese culture but also invites the audience to comprehend the profound meanings underlying it all. Consequently, this research contributes to the understanding and appreciation of Yogyakarta's cultural richness and promotes regional cultural heritage in the film industry context.   Daerah Istimewa Yogyakarta merupakan salah satu kota di Indonesia yang terkenal dengan kekayaan budaya dan sejarahnya. Yogyakarta juga diketahui sebagai kota yang menjadi sumber inspirasi berbagai karya film. Oleh karena banyaknya film mengenai Yogyakarta pada beberapa kajian sebelumnya tidak secara kompherensif menjelaskan budaya Yogyakarta. Melalui pendekatan kulaitatif, penelitian ini akan menguraikan mengenai beberapa budaya di Yogyakarta yang ada pada Film “Welcome to Jogja”. Penelitian ini bertujuan untuk menggali nilai budaya Yogyakarta yang tersirat dalam film tersebut. Dengan pengumpulan data melalui observasi, dokumentasi dan studi literatur berdasar penelitian terdahulu, penelitian ini mengidentifikasi dan menganalisis representasi nilai budaya Yogyakarta yang tercermin dalam film "Welcome to Jogja". Hasil penelitian menunjukkan bahwa film ini menghadirkan representasi budaya Jawa Mataraman yang kaya melalui elemen visual dan simbolis seperti baju lurik, tari, jemparingan dan ritual Labuhan Parangkusumo, karawitan, membatik. Ikon visual tersebut muncul dalam bentuk properti dan desain pelatarannya. Film ini tidak hanya memperlihatkan keindahan budaya Jawa, tetapi juga mengajak penonton untuk memahami makna mendalam di baliknya. Dengan demikian, penelitian ini memberikan kontribusi dalam memahami dan menghargai kekayaan budaya Yogyakarta, serta mempromosikan warisan budaya daerah dalam konteks industri perfilman.
MITOS DAN PATRIARKI DALAM TRADISI ADAT BATAK DI FILM CATATAN HARIAN MENANTU SINTING: TELAAH SEMIOTIKA ROLAND BARTHES Putri Vinalia Harahap; Vani Dias Adiprabowo
Lektur: Jurnal Ilmu Komunikasi Vol 8, No 3 (2025): Lektur: Jurnal Ilmu Komunikasi
Publisher : Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/lektur.v8i3.24535

Abstract

The Batak ethnic group is known for upholding traditional customs and cultural values passed down through generations. Even in the modern era, many Batak communities continue to adhere to cultural norms and believe in various ancestral myths that shape their daily lives. This adherence often fosters patriarchal attitudes and leads to intergenerational tensions, particularly between parents and younger generations who adopt more modern perspectives. This study aims to analyze the representation of Batak customs in the film Catatan Harian Menantu Sinting by exploring its denotative, connotative, and mythological meanings through Roland Barthes’ semiotic framework. The research employs a qualitative descriptive method with content analysis techniques, supported by literature review and visual documentation focused on scenes that portray Batak cultural practices. The findings reveal that the film illustrates how Batak traditions—such as gender roles, the expectation of having male offspring, and prohibitions against interethnic marriage—are still observed in contemporary society. The film highlights generational conflicts that reflect shifting values and the challenges of maintaining traditional norms amidst societal change. Ultimately, the film serves as a cultural mirror that captures the tension between tradition and modernity in today’s Batak community.
Sustainable Fashion Values as a Personal Branding Strategy on @Sashfir’s Tiktok Account Sadida, Fila; Dias Adiprabowo, Vani
Humaniora: Journal of Indonesia Culture and Society Vol. 17 No. 1 (2026): Humaniora: Journal of Indonesian Culture and Society (In Press)
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v17i1.13940

Abstract

This research examines the rising demand for sustainability in the fashion industry and how social media platforms, particularly TikTok, provide a space for content creators to embed sustainable values into their personal branding. The research addresses a gap in academic discourse on the strategic application of sustainability principles to shape digital identity. The central question explored is: how does the TikTok account @sashfir integrate sustainable fashion values into its personal branding strategies? Using a qualitative instrumental case study approach, this research applies Montoya and Vandehey’s personal branding theory. Data are collected through content observation on TikTok, focusing on visual identity, product selection, and consistency in presenting sustainability practices. The findings reveal that @sashfir consistently constructs a self-image centered on sustainable fashion, as evidenced by eco-conscious product choices and authentic communication. The branding strategy prioritizes visual coherence and message consistency but lacks strong emotional engagement, which limits its depth of influence. The originality of this research lies in its focus on integrating sustainability into personal branding on creative platforms such as TikTok, a topic that remains underexplored in the academic literature. This research suggests that sustainability can be strategically implemented to build authentic, meaningful personal branding, particularly for creators seeking to align with environmental consciousness. However, as this research focuses on a single case, further research involving multiple creators and audience analysis is recommended to enrich the findings and strengthen the generalizability of the conclusions.
Kanca Wingking: reinterpreting the identity of Javanese women through video installation art Dias Adiprabowo, Vani
Jurnal Studi Komunikasi Vol. 9 No. 3 (2025)
Publisher : Faculty of Communications Science, Dr. Soetomo University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25139/jsk.v9i3.10254

Abstract

The identity of Javanese women has long reflected constructions by patriarchal cultural narratives, with the concept of Kanca Wingking confining them to domestic roles and subordinating them to men. This study investigates how video installation art represents and deconstructs that discourse. The research examines how visual, auditory, and interactive elements challenge the gendered symbolic order by employing a qualitative approach that integrates Julia Kristeva's semiotic theory and Foucauldian discourse analysis. The researcher collected data through a literature review and visual documentation of Javanese cultural representations. The findings demonstrate that video installation art not only symbolises patriarchal control, through elements such as the puppeteer's voice and the manipulation of women's expressions, but also subverts it by turning the audience into active participants in exposing and questioning those norms. From a Foucauldian perspective, the work reveals how domestic spaces and bodily representation function as instruments of discipline and surveillance, yet simultaneously open discursive space for agency and resistance. The study concludes that video installation art serves as both an expressive and political medium, offering critical interventions into the cultural construction of Javanese womanhood.
Analisis Visual dalam Film “Sang Prawira”: Estetika Visual Dwi Edi Hartono; Vani Dias Adiprabowo
INVENSI Vol 10, No 1 (2025): Juni 2025
Publisher : Graduate School of the Indonesia Institute of the Arts Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/invensi.v10i1.11585

Abstract

Seni sinema merupakan medium yang mengintegrasikan gambar bergerak dan elemen audiovisual untuk menyampaikan pesan dan emosi melalui estetika visual. Film “Sang Prawira”, menawarkan peluang menarik untuk menganalisis elemen-elemen visualnya secara mendalam. Penelitian ini bertujuan untuk mengeksplorasi bagaimana elemen visual seperti komposisi gambar, penggunaan warna, pencahayaan, dan pengaturan set digunakan untuk memperkuat narasi serta menciptakan pengalaman visual yang emosional dan artistik. Pendekatan kualitatif deskriptif digunakan dengan melakukan observasi mendalam terhadap adegan-adegan kunci untuk mengidentifikasi pola, simbolisme, dan interaksi antar elemen visual. Hasil penelitian menunjukkan bahwa komposisi gambar dalam film ini menonjolkan aspirasi besar dan konflik emosional tokoh utama, sementara palet warna dan pencahayaan memperkuat suasana emosional di setiap adegan. Desain set yang kaya dengan budaya Batak Toba memberikan konteks visual yang autentik, dengan simbolisme seperti Danau Toba dan ulos yang menambahkan dimensi budaya pada cerita. Kesimpulan penelitian menegaskan bahwa estetika visual bukan hanya elemen pendukung tetapi juga alat utama dalam menyampaikan pesan naratif yang kompleks. Visual Analysis in the Film Sang Prawira: Visual Aesthetics ABSTRACTThe art of cinema is a medium that integrates moving images and audiovisual elements to convey messages and emotions through visual aesthetics. The film Sang Prawira provides an intriguing opportunity to analyze its visual elements in depth. This study aims to explore how visual elements such as composition, color usage, lighting, and set design are employed to strengthen the narrative and create an emotionally and artistically engaging visual experience. A qualitative descriptive approach was adopted by conducting in-depth observations of key scenes to identify patterns, symbolism, and interactions between visual elements. The findings reveal that the film's composition highlights the protagonist's aspirations and emotional conflicts, while the color palette and lighting enhance the emotional tone of each scene. The set design, enriched with Batak Toba cultural elements, provides an authentic visual context, with symbolism such as Danau Toba and ulos adding cultural dimensions to the story. The study concludes that visual aesthetics are not merely supporting elements but primary tools for delivering complex narrative messages.  
User-Generated Content Sebagai Branding Destinasi Gunungkidul di Youtube Two Mad Explorers Oktavia Dwi Anggreini; Vani Dias Adiprabowo
WACANA: Jurnal Ilmiah Ilmu Komunikasi Volume 25, No. 1 June 2026
Publisher : Universitas Prof. Dr. Moestopo (Beragama)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32509/wacana.v25i1.5718

Abstract

This study analyzes the role of foreign YouTuber content created by @Two Mad Explorers in constructing tourism promotion discourse for Gunungkidul through a descriptive qualitative approach. The study focuses on the video entitled “Sisi Lain Yogyakarta ?? Gunungkidul”, which presents the authentic experiences of foreign travelers exploring various destinations in Gunungkidul. This research examines both visual and verbal elements in the video, as well as audience responses in the comment section, to understand how User-Generated Content (UGC) contributes to destination image formation. The findings indicate that the video constructs a positive destination representation through visual narratives, personal testimonials, and emotional storytelling. The content highlights local identity, transparent and inclusive destination management, clear location signage, and unique geographical features that enrich the tourism experience. Audience responses in the comment section also demonstrate forms of electronic word-of-mouth (eWOM), indicating the potential to influence audience perceptions and travel interest toward the destination. This study confirms that social media, particularly YouTube, has significant potential as an experience-based tourism promotion medium that can organically strengthen destination branding. Therefore, collaboration between tourism stakeholders and digital creators should be optimized to enhance the competitiveness of local tourism destinations.
PERJANJIAN PRA-NIKAH SEBAGAI WUJUD KOMUNIKASI KELUARGA: STUDI KASUS DILAN JANIYAR DALAM PODCAST DENNY SUMARGO Istiana Istiana; Vani Dias Adiprabowo
ORASI: Jurnal Dakwah dan Komunikasi Vol. 16 No. 2 (2025): Desember 2025
Publisher : UIN Siber Syekh Nurjati Cirebon

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24235/orasi.v16i2.22292

Abstract

Penelitian ini membahas perjanjian pranikah sebagai bentuk komunikasi keluarga yang mencerminkan keterbukaan, kesetaraan, dan kesiapan emosional pasangan dalam membangun rumah tangga. Kajian ini berangkat dari fenomena sosial meningkatnya kesadaran terhadap pentingnya perjanjian pranikah, namun masih sering dipersepsikan negatif oleh masyarakat. Tujuan penelitian ini adalah untuk menganalisis bagaimana komunikasi pranikah dapat berperan sebagai upaya preventif dalam mencegah konflik rumah tangga serta menumbuhkan pemahaman bersama mengenai hak dan kewajiban pasangan. Metode penelitian yang digunakan adalah deskriptif kualitatif dengan pendekatan analisis isi terhadap konten podcast Denny Sumargo yang menghadirkan kasus Dilan Janiyar sebagai studi kasus. Data dianalisis melalui tahapan reduksi data, penyajian data, dan penarikan kesimpulan dengan menggunakan teori komunikasi Joseph A. DeVito sebagai kerangka analisis. Hasil penelitian menunjukkan bahwa perjanjian pranikah berfungsi tidak hanya sebagai kontrak hukum, tetapi juga sebagai media komunikasi yang menegaskan keterbukaan dan kesetaraan dalam hubungan. Pola komunikasi kesetaraan terbukti berperan penting dalam menciptakan keadilan, kepercayaan, dan stabilitas emosional dalam relasi pernikahan. Temuan ini memberikan kontribusi bagi pengembangan kajian komunikasi keluarga dan hukum perdata, dengan menekankan pentingnya komunikasi pranikah yang jujur dan transparan sebagai fondasi keharmonisan rumah tangga. Dengan demikian, hasil penelitian ini menegaskan bahwa perjanjian pranikah merupakan manifestasi nyata dari komunikasi keluarga yang berkeadilan dan beretika.
Islamisasi Ternate sebagai Praktik Komunikasi Dakwah dan Komunikasi Antarbudaya Nurul Arzil Ramadani Fokatea; Vani Dias Adiprabowo
Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora Vol. 9 No. 3 (2026): Kaganga: Jurnal Pendidikan Sejarah dan Riset Sosial Humaniora
Publisher : Institut Penelitian Matematika, Komputer, Keperawatan, Pendidikan dan Ekonomi (IPM2KPE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31539/nsdrn974

Abstract

Islamization in Ternate has often been discussed as a historical process of religious expansion, trade, and sultanate politics, but it has rarely been examined as a communication process. This study aims to analyze the Islamization of Ternate from the perspectives of da’wah communication and intercultural communication. This research uses a qualitative descriptive design with a literature study method. The data were collected from academic books, journal articles, historical documents, and previous studies relevant to Islamization, da’wah communication, intercultural communication, and Ternate society. The findings show that Islamization in Ternate developed gradually through spice trade networks, social interaction, religious education, and the political authority of the sultanate. Sultan Zainal Abidin and Sultan Babullah strengthened Islamic values through governance, while Muslim scholars such as Datu Maulana Husein delivered Islamic messages through persuasive and culturally adaptive da’wah. This study concludes that Islamization in Ternate succeeded because Islamic messages were communicated through dialogical, adaptive, and culturally accommodative approaches. The findings imply that da’wah communication becomes more effective when it respects local culture, builds social trust, and uses communication strategies that fit the cultural context of society. Keywords: Da’wah Communication, Intercultural Communication, Islamization, Ternate Sultanate.  
Narrative Branding Strategies on TikTok for Digital Culinary Heritage Sustainability: A Case Study of a Yogyakarta-Based MSME Haniffah Nurul Eka Anisawati; Vani Dias Adiprabowo
INJECT (Interdisciplinary Journal of Communication) Vol. 11 No. 1 (2026)
Publisher : FAKULTAS DAKWAH UIN SALATIGA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18326/inject.v11i1.5694

Abstract

Few studies have examined how strategic communication on TikTok can promote Indonesia's culinary heritage amid the dominance of global food trends. The entry of various foreign foods into Indonesia, driven by globalization, has shifted local gastronomy. This study examines the role of TikTok in promoting sustainable local gastronomy, using the @bakpiajuwarasatoe.id account as a case study. This account actively markets bakpia products as part of Yogyakarta's culinary heritage. The research method used is a descriptive qualitative case study approach. Data collection techniques include observing TikTok content, conducting semi-structured interviews with the account manager, and analyzing user interactions to understand the communication strategies in place. Data were analyzed thematically to identify patterns in visual storytelling, audience interaction, and brand collaboration. The study results show that the @bakpiajuwarasatoe.id account demonstrates how TikTok features can be strategically used through visuals, live broadcasts, and platform trends. The main conclusion offers strategic insight into how local culinary brands can leverage social media to strengthen cultural identity and market presence amid global competition. This study provides a theoretical contribution by offering new insights into the use of social media as a tool for sustainability diplomacy in promoting local cuisine. Practically, the findings can guide culinary MSMEs and academics in developing digital communication strategies to preserve sustainable gastronomy and raise awareness of local culinary potential and cultural heritage in shaping Indonesia's food future.
Co-Authors Agimnastiar, Muhammad Agung Widodo Amrullah, Arif Fauzan Ananda, Vidya Anggraeni, Nur Halimah Ardiansyah Sriaji Triwibowo Ardika, Ervito Rani Arfiantiningrum, Inana Dwi Arya Andryan Dimas Prasetya Aryati, Putri Aulia Fitri Ramadhani Dimas Cahya Wiguna Dwi Edi Hartono Dzulfikhram, Muhammad Fajar Dwi Putra Dwipa Fitrinanda An Nur Gymnastiar Danang Prayoga Hamzah, Ami Haniffah Nurul Eka Anisawati Ichwani, Agnessia Ikhsan, Yuan Jauhari Inana Dwi Arfiantiningrum Istiana Istiana Istiana, Istiana Kharisma Alfi Khozinatul Asror Lalu Muhammad Robby Hakiki Marsiana Wibowo Mauludin, Mohamad Alvian Mohamad, Rafidei Muhammad Nazhifuddin Fikri Muhammad Yasir Muhammad Yasir Muzakki, Haikal Noor Wicaksono, Chandra NOVITASARI Nurul Arzil Ramadani Fokatea Oktavia Dwi Anggreini Paderan, Mark Prasetya, Arya Andryan Dimas Prayogi Setya Natanegara, Mochammad Putri Vinalia Harahap Rachma Aulia Hantarti Rachmalia Hasna Savryaninda Rendra Widyatama Rifaqi, Dela Aufa Rosada, Anisa Amrina Ryan Habil Utama Sabri Sabri Sadida, Fila Sanofi, Zuhairi Savryaninda, Rachmalia Hasna Setiyani, Dinda Pramesti Dwi Sumarlan, Iman Sumiasih, Estri Sydham Firmansyah, Aris Thaheer, Nazhif Dzaky Thoharoh, Sulystia Triwibowo, Ardiansyah Sriaji Valen Anandayan Wahyuni Lestari Wicaksana, Wily Taqwa Widiani, Ninda Zeni Putri Pinasti