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All Journal INFORMASI Jurnal Ilmu Komunikasi Analisa Jurnal Populasi Jurnal Kajian Komunikasi Jurnal Ilmu Sosial dan Ilmu Politik Komuniti : Jurnal Komunikasi dan Teknologi Informasi Al-Albab Proceedings of The International Conference on Social and Islamic Studies Analisa: Journal of Social Science and Religion Asian Journal of Social and Humanities Jurnal Kawistara Jendela Olahraga

Heru Nugroho

Fakultas Ilmu Sosial Dan Ilmu Politik Universitas Gadjah Mada

Author-ID : 2810867

Religion Arts Humanities Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Social Sciences

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COUNTER-HEGEMONY PRACTICE A LA GOJEK DRIVER-PARTNERS’ SELEBGRAMS Irsanti Widuri Asih; Heru Nugroho; Budiawan Budiawan
International Conference on Social and Islamic Studies Proceedings of the International Conference on Social and Islamic Studies (SIS) 2021
Publisher : International Conference on Social and Islamic Studies

Show Abstract | Download Original | Original Source | Check in Google Scholar

The sharing economy business model implemented by Gojek posits its motorbike drivers as partners with the status of independent contractors. However, some empirical studies show the practice of an asymmetrical working relationship and places Gojek's driver-partners as the exploited party. Gojek's business is hegemonic since the exploited practices are wrapped in affective ways, e.g. through the concept of partnerships that glorify freedom and flexibility and the gamification strategy used in the application. In the context of this new emerged business practice, there is a vagueness about the legal status of the driver-partners. This is merely a corporate strategy to avoid the obligation to provide social protections for drivers because of their non-employee status. However, in the midst of hyper-exploitation practices carried out by the corporation, several studies have revealed actions of resistance conducted by driver-partners, ranging from demonstrations, boycotts, to various uses of application modification. In contrast to previous studies, this paper particularly elaborates a form of counter-hegemony action carried out by three Gojek driver-partners who become selebgram (stands for the celebrities of Instagram in Bahasa Indonesia). Their affliction as Gojek driver-partners who often experience income deficiency due to high competitiveness and complicated platform work systems, are used to accumulate social capital and economic capital.

Krimfotainmen: Pelunakan Berita Kriminal di Televisi Liliek Budiastuti Wiratmo; Irwan Abdullah; Heru Nugroho; Hermin Indah Wahyuni
Jurnal Ilmu Komunikasi Vol 13, No 3 (2015)
Publisher : Univeritas Pembangunan Nasional "Veteran" Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31315/jik.v13i3.1464

SIMULASI MISTIK DAN IMPLOSI MAKNA RELIGIUS DALAM SINETRON RAHASIA ILAHI PADA STASIUN TELEVISI TPI Iswandi Syahputra; Irwan Abdullah; Heru Nugroho; Hermin Indah Wahyuni
Jurnal Ilmu Komunikasi Vol 7, No 3 (2009)
Publisher : Univeritas Pembangunan Nasional "Veteran" Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31315/jik.v7i3.23

Simulation of mystic in mystical-religious ‘Rahasia Ilahi’ television movie, broadcasted by TPI, is the main focus of this article. Simulation is a thought from Jean Baudrillard (1929- 2007) about production of media text which does not have any reality background. Theoretically, a simulation ended when human, as the subject, has no control over sign, as the object, which in the end, the both merge and turn into a new reality. The merger of the subject and the object mark the emergence of an implosion. Implosion is an inward explosion as a result of the merger of several thoughts through simulation practice. Mystical simulation in ‘Rahasia Ilahi’ television movie could deliver a new and shallow meaning of religious because it had set off from the truth of text and reality as the context. The new meaning could be that the image of God is cruel. There could also be new meaning of religiosity that faith is constructed by fear, not by the truth of the religious thought. Thereby, simulation had become dilemma because it had two meanings. In one side, it is emancipative because it can deliver sharp critics toward the people of television industry who produce television programme which has no reality basis. In the other side, it has negative side because simulation ended with fatalism which is theoretically assumes that subject has no control over object. Pataphysically, this article would like to recommend that subject should return to the power of imagination, rationality, and spirituality. Human as the subject would never loose and cannot be defeated by any object because as khalifah, human should stand in the front line and leading history.

THE USES OF RELIGIOUS SYMBOLS TO REPRESENT ISLAM (A Study on Religious Soap Opera “Bukan Islam KTP”) Sholihati Siti; Heddy Shri Ahimsa Putra; Heru Nugroho
Analisa: Journal of Social Science and Religion Vol 1, No 1 (2016): Analisa : Journal of Social Science and Religion
Publisher : Balai Penelitian dan Pengembangan Agama Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18784/analisa.v1i1.242

This study is entitled “The Uses of Religious Simbols to Represent Islam (A Study on Religious Soap Opera ‘Bukan Islam KTP’)”. The background of the research is based on the facts of the arbitrary use of symbols in representing Islam which are shown on Indonesian televisions. The pattern of the use of religious symbols, either verbal or non-verbal, symbols are generally explicit, but when they are examined using appropriate methods, they actually contains some implicit meanings. The purpose of this study was to discover how Islam is represented on television religious soap pera using religious symbols and to fid out the dominant ideology behind the representation techniques. To analyze the soap operas which consisted of twenty episodes, the researcher used a semiotic approach of John Fiske on television codes. The results of this study are: (1) the use of verbal symbols to represent Islam potentially creates multiple interpretations when they are spoken by different characters, (2) some religious terminologies are often used by antagonist players to express anger and disappointment, (3) the soap opera is dominated by verbal violence used by both protagonist and antagonist players, while antagonist player use violence both in verbal and non-verbal forms. The fidings about ideology embedded in the soap opera are: (1) capitalist-materialistic ideology, (2) ideology of patriarchy, and (3) violence domination.

EKSPANSI REZIM MEDIS, MEDIKALISASI KEHIDUPAN, DAN PEMBERDAYAAN MASYARAKAT Heru Nugroho
Populasi Vol 4, No 2 (1993): Desember
Publisher : Pusat Studi Kependudukan dan Kebijakan, Universitas Gadjah Mada

Medicalization of life as applied in a depoliticized society would be extremely dangeroussince it tends to create potential medical mal practice in the part of medical doctors towards their patients. To avoid this, repolitization of the society should be created to raise community's critical awareness in understanding the political economy of the medical world in the society. In order to provide equal access to health care, repolitization is a prerequisite in response to medical industrialization and privatization of health care services.

Review Buku "Pemberdayaan Masyarakat Melalui Penelitian Partisipatoris" Heru Nugroho
Populasi Vol 5, No 1 (1994): Juni
Publisher : Pusat Studi Kependudukan dan Kebijakan, Universitas Gadjah Mada

Judul Buku: Riset Partisipatoris Riset PembebasanDiedit oleh: Walter Fernandes dan Rajesh TandonPenerbit: P.T. Gramedia 1993Tebal: 159 halaman.

Komunikasi Visual: Fantasi Tubuh Wanita Kelas Menengah di Instagram Rama Kertamukti; Heru Nugroho; S. Bayu Wahyono
Jurnal Kajian Komunikasi Vol 6, No 2 (2018): December 2018
Publisher : Universitas Padjadjaran

Budaya manusia memberikan perwujudan kecantikan dalam doktrin rasis yang menyingkirkan heterogenitas perbedaan tubuh. Cantik menjadi standar representasi tubuh perempuan yang cantik dan ramping. Instagram memberikan ruang untuk wanita menjadi ramping dan cantik dengan berbagai sumber daya yang menegaskan perbedaan ramping dan gendut, serta menolak adanya representasi liyan terhadap tubuh. Tubuh gemuk akan dilekati oleh bayang-bayang obesitas sehingga gemuk menjadi sindrom bagi kebanyakan wanita. Instagram digunakan wanita kelas menengah untuk berfantasi mengenai tubuh yang dipresentasikan. Instagram dapat memanipulasi tubuh yang “nyata” mengikuti fantasi tubuh ketika memasuki logika Instagram yaitu visual artistik. Pengguna Instagram berfantasi dengan resources yang dimiliki Instagram, mereka berfantasi dengan tubuh ramping yang dipresentasikan di ruang online-feed Instagram. Penelitian ini mengkaji fenomena praktik wanita kelas menengah dalam memperlihatkan perubahan signifikan yang tidak ada batasan ruang dan waktu di ruang Instagram. Analisa yang dilakukan di sini dengan mendasarkan pada teori wacana tekstual. Wacana senantiasa melibatkan kondisi sosial dalam memproduksi dan menafsirkannya. Kondisi-kondisi terkait erat dengan tiga tataran organisasi sosial: situasi sosial, institusi sosial dan tataran sosial secara umum. Melihat wacana sebagai praktik sosial berarti mengkaji teks dalam hal ini visual di Instagram, menganalisis produksi, interpretasi serta mendalami hubungan teks, proses dan kondisi-kondisi sosial baik konteks situasional-institusional serta tatanan masyarakat. Dua akun yang diteliti @putrilellyana dan @rosakusumaazhar menghadirkan wacana wanita mengenai tubuh. Kenyataan yang termanifestasikan dua akun ini bahwa konsumsi dan produksi dalam arena Instagram memberikan pembentukan pola realitas sosial. Instagram menjadi alat pembentuk konstruksi sosial, sekaligus pembentuk wujud kuasa kebenaran dalam realitas sosial, Instagram membuat ruang kendali keseragaman norma-norma kehidupan.

Dekonstruksi Wacana SARA Negara dan Implikasinya Terhadap Kemajemukan Masyarakat Indonesia Heru Nugroho
Jurnal Ilmu Sosial dan Ilmu Politik Vol 1, No 2 (1997): NOVEMBER
Publisher : Faculty of Social and Political Sciences, Universitas Gadjah Mada

tidak tersedianot available

Garda Terdepan Penjaja "Komoditi Budaya": Pemandu Wisata dan Biro Perjalanan dalam Industri Pariwisata Heru Nugroho
Jurnal Ilmu Sosial dan Ilmu Politik Vol 1, No 1 (1997): JULI
Publisher : Faculty of Social and Political Sciences, Universitas Gadjah Mada

tidak tersedianot available

Pembelaan pada Persebaya dan Glorifikasi Bonek dalam Pemberitaan Jawa Pos tentang Konflik Persebaya dan PSSI Fajar Junaedi; Heru Nugroho; Sugeng Bayu Wahyono
Komuniti: Jurnal Komunikasi dan Teknologi Informasi Volume 10, No. 1, Maret 2018
Publisher : Universitas Muhammadiyah Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23917/komuniti.v10i1.5941

Relasi olahraga dan media telah menjadi isu yang signifikan, meskipun jurnalismeolahraga sering disebut sebagai jurnalisme mainan karena sifatnya yang tidak seriusdibandingkan dengan jurnalisme politik dan ekonomi. Namun demikian, olahragabukan sekadar apa yang terjadi di arena olahraga, namun berkelindan dengan beragamaspek lain, mulai dari ekonomi, politik dan sosial. Konflik yang terjadi antaraPersebaya dan PSSI sepanjang tahun 2009 sampai dengan 2017 membuktikan bahwaolahraga bukan hanya apa yang terjadi di lapangan hijau namun berkelindan denganaspek politik. Oleh Jawa Pos, berita tentang konflik Persebaya dan PSSI tidak lagidikemas dalam jurnalisme mainan, namun ditempatkan di halaman muka yangbiasanya diisi berita politik dan ekonomi. Di sekitar pelaksanaan Kongres PSSI padatahun 2016 dan 2017, Jawa Pos secara massif mengalokasikan halaman korannyauntuk memberitakan tentang Persebaya dan Bonek yang memperjuangkan pengakuankembali Persebaya oleh PSSI. Jawa Pos dalam berbagai pemberitaannya secaraeksplisit membingkai keberpihakan kepada Persebaya dan sekaligus membingkaiBonek sebagai fans yang memiliki loyalitas dan militansi tinggi dalam membelaPersebaya. Bonek dalam pemberitaan Jawa Pos mengenai konflik Persebaya dan PSSIdiglorifikasi sebagai pahlawan yang memperjuangkan Persebaya. Keberpihakan JawaPos pada Persebaya dan Bonek berujung pada pembelian saham PT PersebayaIndonesia oleh PT Jawa Pos Sportindo, sebuah perusahaan yang menjadi bagian darikonglomerasi Jawa Pos.

Co-Authors Ahmad Rithaudin Aminuyati Arie Sujito Asih, Irsanti Widuri Budiawan Fajar Junaedi Godefridus Samderubun Heddy Shri Ahimsa Putra Hermin Indah Wahyuni Ibnu Mujib Mujib Irwan Abdullah Irwan Abdullah Iswandi Syahputra Liliek Budiastuti Wiratmo Nur Endah Januarti Rama Kertamukti S. Bayu Wahyono Sholihati Siti Suharko Suharko Tito Ari Pratama

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