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All Journal RUANG: JURNAL LINGKUNGAN BINAAN (SPACE: JOURNAL OF THE BUILT ENVIRONMENT) SPEKTRUM INDUSTRI CHEMICA Jurnal Teknik Kimia Jurnal Sosioteknologi Jurnal Dinamika Sosial Budaya CHEESA: Chemical Engineering Research Articles Jurnal Kesehatan Journal of English Education and Teaching (JEET) The Indonesian Design Journal Gestalt : Jurnal Desain Komunikasi Visual Kibas Cenderawasih : Jurnal Ilmiah Kebahasaan dan Kesastraan Wimba: Jurnal Komunikasi Visual Jomantara International Journal of Art and Culture Indonesian Journal of Chemical Engineering Jurnal Pengabdian Kesehatan Beguai Jejama Jurnal Pengabdian Widya Dharma Proceeding of the International Conference on Global Education and Learning

Imam Santosa

Universitas Ahmad Dahlan

Author-ID : 286036

Arts Humanities Chemical Engineering, Chemistry & Bioengineering Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Education Energy Engineering Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Materials Science & Nanotechnology Medicine & Pharmacology Nursing Public Health Social Sciences Other

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Kajian Interaksi dan Persepsi Visual pada Game Cut The Rope dan Angry Birds untuk Mengetahui Challenge Based Immersion Elizabeth Elizabeth; Intan Rizky Mutiaz; Imam Santosa
Wimba : Jurnal Komunikasi Visual Vol. 5 No. 1 (2013)
Publisher : KK Komunikasi Visual & Multimedia Fakultas Seni Rupa dan Desain Institut Teknologi Bandung

Technological progress supports the development of digital game, so that, through people's lifestyle that relies more and more on wireless devices, games become mobile, easy to access, likable and popular. Accordingly, the purpose of this study is to find the relation between games and its players in regards to the communication process and interactive pattern that exist in Cut The Rope and Angry Birds as mobile physics game.This research is an explorative field analysis that uses Creswell case study divided into literature study, case identification, primary data collection and interpretation as the synthesis of the whole. The result of this research is focused on the visual perception and interaction between players and two researched objects.The result shows that visual element, game play, puzzle-like character and sound effect are the most influential aspects of the games since they are considered suitable to the condition and the ability of the casual game players. Besides that, it is known that visual perception is a representation of the function of a common-theme-object with its interpretation that fits the context in a game. Therefore, visual interaction between the players and the researched games are based on four crucial factors: theme, game play, physics movement and simplified presentations of the visual elements. Through the perceptive process, similar kind of games would create a bonding, called challenge based immersion experience, in which this involvement demands the players to understand rules of the games. Such interaction is not influenced by playing time duration and usually does not cause an addiction to the games. Hence, it is clear that the concept of a mobile game has to be understandable through the games' highly comprehensible way, rules, and purpose.This research is mostly focused on the study of the visual aspect of a mobile game, so others still have the chance to do deeply study of the other three crucial aspects of the mobile game: game play, puzzle-like character, and sound effect.

Konsep Plesetan sebagai "Visual Pun" Lokal pada Media Promosi Luar Ruang Usaha Kuliner Masyarakat Yogyakarta Sudjadi Tjipto; Imam Santosa; Naomi Haswanto
Wimba : Jurnal Komunikasi Visual Vol. 4 No. 2 (2012)
Publisher : KK Komunikasi Visual & Multimedia Fakultas Seni Rupa dan Desain Institut Teknologi Bandung

In Yogyakarta form of humor in communicating called the (language) plesetan. Interesting phenomenon occurs when plesetan that was originally a lingua franca is then used as an advertising concept culinary business. Actorsâ culinary business with the help of graphic design utilizing digital printing technology in producing a media campaign with the concept of a plesetan. The research methods used in this study play purely descriptive phenomenology methodology pioneered by Edmund Husserl. Data was collected through field observations by documenting the work of the media campaign culinary business in Yogyakarta and surrounding areas. Interviews were conducted to reveal the informant lived experience of a first person perspective. With this method are expected to be found in the explanation of the concept of Javanese plesetan culture. Then also sought various forms of plesetan in the media and the promotion of outdoor culinary business in Yogyakarta. From the initial observations that have been made assumed plesetan performed by the high level of culinary competition. Found an interesting proof of the theory that good plesetan will continue spoofed.

Perancangan Permainan Digital Kisah Dewa Ruci sebagai Media Pengenalan Wayang bagi Remaja Miki Tjandra; Irfansyah Irfansyah; Imam Santosa
Wimba : Jurnal Komunikasi Visual Vol. 4 No. 1 (2012)
Publisher : KK Komunikasi Visual & Multimedia Fakultas Seni Rupa dan Desain Institut Teknologi Bandung

Teenagers today are more interested in modern western cultures and have gradually loosing respects for their own traditional cultures. Many of them have already started to forget the stories and arts of wayang. One form of modern culture that is increasingly favored by teenagers is digital game that presents diverse contents and ease of access as it can be played on a variety of electronic devices. This project is trying to reintroduce Indonesian wayang culture in the form of digital game to regain the interest of the teenagers. The story introduced in the game design is based on the legend of Dewa Ruci from the myths of wayang purwa. The story resolves around Bima and his journeys to find the water of life. The design method incorporates data collecting, data analysis and game design process. Fullerton's iteration method is applied in the process of game development. The methods used for data mining are based on the descriptive methods, implementing researches on the narratives and characters found in Dewa Ruci story both visually and philosophically, along with the substances of the story respectively. Data collections are derived from literatures and interviews. Information gathered such as Bima's heavy coarse features and his vicious Pancanaka, attributes such as Bima's poleng cloth and Candrakirana armlets, sacred mantras such as Jalasengsara and Bayu Braja, and Bima's adversaries confronted along the paths in finding the water of life are analyzed and developed into various visual assets in the game. The model of the game which is being developed is an action adventure side-scrolling platformer with a distinctive iconic character style, utilizing visual concepts derived from traditional shadow puppet's performance.

Kajian Emotional Branding dan Budaya Etnik Sunda pada Restoran Tradisional Sunda (Studi Kasus: Restoran Sindang Reret dan Restoran Bumbu Desa) Monica Hartanti; Imam Santosa; Alfonso Ronald Koapaha
Wimba : Jurnal Komunikasi Visual Vol. 4 No. 1 (2012)
Publisher : KK Komunikasi Visual & Multimedia Fakultas Seni Rupa dan Desain Institut Teknologi Bandung

Emotional Branding is an incorporated four strategic key factors, such as relationship, sensory experience, imagination, and vision. These four key factors create a "dialogue" among one brand and its consumer which fulfill their needs as well as their desires. This research aim for a determination of the branding strategies used in two Sundanese restaurants. The analysis focused on the corporate identities from two Sundanese restaurants as well as their tangible and intangible identities that regarded to the Sundanese culture. Data were collected through several observations, evaluations, and interview completed through a Focus Group Discussion. Afterward, the data were compiled and analyzed through the theory of Emotional Branding and the study of Sundanese culture. Therefore, this research is considered as a Qualitative Descriptive Analysis research. The findings of this research show that the a corporate identities of these two restaurants has been using the Sundanese ethnic culture for a while till today. A local ethnic culture considered as one of the trends in the branding design which involve several parties (especially designers) to process the design components in such a way that the local ethnic culture is not turned into a merely "cosmetic" of brand identity. Through Emotional Branding, someone could make Sundanese's culinary as a lifestyle by promoting the authenticity of its tradition supported by the four factors that exist in Emotional Branding.

Simbol dan Makna Bentuk Naga (Studi Kasus: Vihara Satya Budhi Bandung) Harry Pujianto Yoswara; Imam Santosa; Naomi Haswanto
Wimba : Jurnal Komunikasi Visual Vol. 3 No. 2 (2011)
Publisher : KK Komunikasi Visual & Multimedia Fakultas Seni Rupa dan Desain Institut Teknologi Bandung

Vihara Satya Budhi merupakan salah satu peninggalan artefak budaya Cina yang memiliki bentuk arsitektur Cina . Sistem Hongshui dan konsep YinYang merupakan kunci dalam membangun tempat ibadat. Naga yang merupakan ornamen terpenting dalam klenteng memiliki kedudukan yang tinggi, bahkan posisi naga pada atap menjadi identitas bangunan Cina, karena memberikan makna bahwa bangunan tersebut merupakan bangunan penting, seperti istana dan kuil peribadatan. Kedudukan dan posisi naga pada kuil peribadatan merupakan satu hal yang menarik untuk diteliti. Penelitian ini mencoba melihat bentuk naga yang ada pada Vihara Satya Budhi, Bandung melalui telaah historis dan budaya untuk mencari dan untuk mengetahui kedudukan simbol dan makna bentuk naga yang ada pada Vihara Satya Budhi. Adanya migrasi masyarakat Cina ke Indonesia turut memberikan pengaruh dan perubahan pada visualisasi naga, namun hal ini tidak berdampak kepada bangunan klenteng yang tetap berpegang teguh pada ketentuan yang telah ditetapkan oleh leluhur bangsa Cina. Naga merupakan simbol kekuasaan karena sejak dulu sudah disamakan dengan kedudukan kaisar. Selain kekuasaaan, naga juga merupakan simbol kebaikan dan keberuntungan. Temuan penelitian ini adalah kedudukan naga pada atap bangunan klenteng merupakan simbol identitas dari bangunan peribadatan Cina. Selain pada atap posisi naga pada tiang merupakan bentuk yang sering dijumpai. Hal ini merupakan gambaran bahwa masyarakat Cina diharapkan tidak melupakan kebudayaan leluhur. Dan posisi naga pada tempat dupa juga memiliki arti bahwa naga sebagai pemberi keberuntungan kepada umat manusia patut disembah.

EKSTRAKSI ABU KAYU DENGAN PELARUT AIR MENGGUNAKAN SISTEM BERTAHAP BANYAK BERALIRAN SILANG Imam Santosa; Endah Sulistiawati
CHEMICA: Jurnal Teknik Kimia Vol 1, No 1 (2014): Juni 2014
Publisher : Universitas Ahmad Dahlan

As an agricultural country, Indonesia has natural resources are very abundant, one of which is wood. Wood ash from household and industrial waste has not been used, whereas according to Pitman high potassium content. The solubility of potassium carbonate in high water, so effective when extracted with water. However, high humidity in Indonesia drying wood for fuel so low that allegedly affect the quality of the ash obtained. In this research, the extraction of wood ashes with water using a solvent system gradually many wing cross.The experimental study was conducted in a laboratory of Universitas Ahmad Dahlan, Yogyakarta. The procedure used is the extraction of wood ash 200, 300, and 400 grams with 1000 ml of solvent water for 5 minutes using a glass beaker, filtering with the aid of a vacuum pump, and acidi alkalimetri analysis using 0.1 N HCl residual solids by filtration and then in water contacted again and so do the same thing 5 times. Raw materials are derived from wood ash combustion for drying of the wood cutting industry and water used in the form aquadestilata.Extract wood ash derived from the combustion for drying small normality sawmill industry. The results of the analysis can be made curve that describes the operating line and curve logarithmic form of the equation of equilibrium in the form of linear equations. Moreover, it can be made a graph illustrating a series of 5 stages of operation which is a combination of single phased extraction.

Peran Bahasa Indonesia Sebagai Pemelihara Perbatasan Wilayah Negara Imam Santosa
Kibas Cenderawasih : Jurnal Ilmiah Kebahasaan dan Kesastraan Vol. 5 No. 2 (2009)
Publisher : Balai Bahasa Provinsi Papua

Indonesia-PNG border poeple consist of some etnict. They lives on the good relation without friction or conflict. Language is used by them is Indonesian language, it uses on interaction between etnic. On the other word, Indonesian language in the borser of Indonesian-PNG can role as the keeper of the border zone can grow their nationality to Indonesian.

Pengaruh Perilaku Budaya Generasi Milleniial Menghadapi Revolusi Industri Terhadap Ruang Hunian Pribadi Dengan Studi Kasus ‘One Room Living’ Mahasiswa Dwi Sulistyawati; Imam Santosa
Jurnal Desain Indonesia. Vol 1 No 1 (2019): Jurnal Desain Indonesia
Publisher : Aliansi Desainer Produk Industri Indonesia (ADPII)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52265/jdi.v1i1.6

Setiap individu atau pribadi sedang menghadapi konflik ketika menghadapi Revolusi Industri yang sedang berkembang saat ini, yaitu antara Das Sein (apa yang kenyatanya terjadi atau realita) dan Das Sollen (apa yang seharusnya terjadi atau yang diharapkan) dalam memahami nilai budaya nasional akibat berubahnya fasilitas berupa seting fisik, dimana pribadi atau individu tersebut melakukan aktivitas dan berperilaku pada hunian ruang ataupun seting fisik dapat merubah perilaku penggunanya. Demikian halnya Mahasiswa sebagai individu atau pribadi pada posisi generasi millennial yang merupakan generasi pada usia produktif yang termasuk lahir pada tahun 1982-2004 (Howe & Strauss) hadir pada pada masa kini. Karena Perkembangan budaya masa kini khususnya bagi mahasiswa generasi Millennial bisa membawa dampak yang cukup signifikan. Sehingga memiliki fenomena budaya yang terjadi dan dialami pada fase kehidupan mereka dalam mempengaruhi kualitas hidup dan lingkungannya dimana dia berada, oleh sebab itu penelitian yang bertujuan untuk mengetahui pola perilaku beraktivitas mahasiswa sebagai pengguna dari latar belakang generasi Millenial dalam perananannya sebagai individu atau pribadi dalam merespon ruang berupa One Room Living ini menggunakan metode Triangulasi dengan sumber, yaitu membandingkan dan mengecek balik derajat kepercayaan suatu informasi yang diperoleh melalui waktu dan alat yang berbeda dalam penelitian kualitatif. Ada dampak kemajuan teknologi pada revolusi industri yang berkembang dan menyebabkan perubahan karakter dan perilaku, karena dimanjakan oleh teknologi maka generasi Millennial mempunyai karakter yang instan, melakukan beberapa kegiatan dalam waktu bersamaan/multi talent. Dengan adanya perubahan karakter dan perilaku masyarakat pada generasi Millennial, maka dibutuhkan sarana dan prasarana sebagai wadah beraktifitas di ruang hunian yang compact dan multi fungsi. Every individual or person is facing conflict when facing the Industrial Revolution that is developing at the moment, namely between Das Sein (what is true or reality) and Das Sollen (what should or should be expected) in understanding national cultural values due to changing facilities in the form of physical settings, where the individual or individual conducts activities and behaves in space occupancy or physical settings can change the behavior of its users. Likewise, students as individuals or individuals in the position of the millennial generation who are the generation of productive age, including those born in 1982-2004 (Howe & Strauss) who are present at present, can have a significant impact so that they have cultural phenomena occurring and experienced in the phase of their lives in influencing the quality of life and the environment in which he is, therefore research that aims to determine the pattern of student activity behavior as users of the Millennial generation background in their role as individuals or individuals in responding to the space in the form of "One Room Living" uses Triangulation method with sources, namely comparing and checking back the degree of trust of information obtained through different time and tools in qualitative research. There is an impact of technological progress on the industrial revolution that develops and causes changes in character and behavior, because it is spoiled by technology, the Millennial generation has instant characters, performs multiple activities at the same time / multi talent. With the change in the character and behavior of the people in the Millennial generation, facilities and infrastructure are needed as a place for activities in a "compact" and multi-functional residential space.

INDIS STYLE SEBAGAI REPRESENTASI KEKUASAAN KADIPATEN MANGKUNEGARAN DI SURAKARTA Dhian Lestari Hastuti; Imam Santosa; Achmad Syarief
Gestalt : Jurnal Desain Komunikasi Visual Vol 2 No 2 (2020): Gestalt : Jurnal Desain Komunikasi Visual
Publisher : Program Studi Desain Komunikasi Visual Universitas Pembangunan Nasional "Veteran" Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33005/gestalt.v2i2.66

Dalam catatan sejarah, kekuasaan Mangkunegaran sangat dipengaruhi oleh berlakunya perjanjian Giyanti dan Salatiga. Kesepakatan tersebut secara langsung mempengaruhi hubungan status sosial dan kekuasaan Mangkunegaran menurut perspektif budaya Jawa. Berdasarkan penelitian pendahuluan, tidak diketahui hubungan antara kekuasaan dan bentuk fisik bangunan Pura Mangkunegaran. Penelitian ini bertujuan untuk mengkaji pola orientasi bangunan, penataan ruang, dan struktur fisik pura tersebut untuk mengetahui pola keterkaitannya dengan perubahan yang terjadi pada kekuasaan Mangkunegaraan sebagai pembawa tonggak suar budaya Jawa. Fokusnya adalah mengidentifikasi penampilan gaya dan bentukan fisik bangunan utama dan pendukung Pura Mangkunegaran. Dengan demikian, penelitian ini menggunakan metode interaksi analitik dalam ranah penelitian kualitatif. Teknik pengumpulan data dilakukan melalui wawancara mendalam, observasi, dan analisis dokumen, dilanjutkan dengan proses triangulasi untuk menjaga objektivitas proses analisis. Hasil penelitian menunjukkan bahwa status 'kadipaten' memposisikan penguasa Mangkunegaran untuk berpikiran terbuka, berpikiran maju dengan tetap memegang teguh budaya tradisional Jawa. Pembentukan gaya Hindia Belanda pada bangunan fisik Mangkunegaran merupakan bentuk akulturasi budaya Jawa dengan budaya barat (Eropa). Ini berfungsi sebagai cara raja-raja Mangkunegaran untuk menyeimbangkan peran kekuatan politik dan budaya dalam hubungan mereka dengan penguasa kolonial Hindia Belanda dan Kasunanan Surakarta.

Study of the Form and Meaning of the Nawa Gapura Marga Raja as an Artefact of the Cirebon Cultural Community: Form and Meaning Nawa Gapura Marga Raja Fadhly . Abdillah; Setiawan Sabana; Imam Santosa
JOMANTARA Vol. 1 No. 2 (2021): Vol. 1 No. 2 July 2021
Publisher : Universitas Pasundan

A work of traditional culture by the geniuses of Cirebon's past, named Nawa Gapura Marga Raja, is one of the historical buildings that are still sacred. There are 9 doors or gates, each of which is gathered in one area of the building. The form and meaning of the number of gates for the author is a very interesting phenomenon to study, its relation to cultural expressions that allow so many symbolic values to be interpreted. This study of form and meaning aims to analyze and gain knowledge related to the form and visual meaning of the gates in this building. To find out the meaning of the physical form of Nawa Gapura Marga Raja, this study uses an art criticism approach from Edmund Burke Feldman with the visual narration method of Gerard Genette. In the process, the research goes through the following stages; literature study, observation, and conducting interviews with related parties. From the results of the analysis, it is understood that the structure of the form and layout of the building is heavily influenced by the spatial concept of primordial culture mixed with a new culture, so that it represents a myth, also has meanings that are closely related to religious teachings, culture and leadership values. Keywords: form, art criticism, visual narrative, meaning, nawa gapura marga raja

Co-Authors Abdillah, Fadhly Achmad Haldani Destiarmand Achmad Haldani Destiarmand Achmad Syarief Acnes Meyta Puspa Agung Nugroho Jati Agus Aktawan, Agus Agus Sachari Alfonso Ronald Koapaha Amillia Amillia Andinni Putri Winata Anis Marjukah APS, Yunizar Rizka Ariani . Arya Aji Saka Cahaya Nugrahani Daria BR Ginting Delvi Aristianingsih Dhian Lestari Hastuti Dhias Cahya Hakika Dila Argatiningtyas Dr. Ahmad Haldani, M.Sn. Dwi Sulistyawati Elizabeth Elizabeth Endah Sulistiawati Endang Eko Djati S Firda Mahira Alfiata Chusna Hamad Khudhair Mohammed Harry Pujianto Yoswara Hersulastuti Intan Rizky Mutiaz Irfansyah Irfansyah Iswan Riyadi Linda Barus Lulu Atul Munawaroh M Pujo Darmo Maryudi Maryudi Mar’atul Husna Maugina Rizki Havier MIKI TJANDRA Mohamad Zaidan Dhiyaurrakhman Monica Hartanti muhammad karami Naomi Haswanto Nawan Prianto Primadata, Ankarlina Pandu Rahayu, Aster Rawuh Edy Priyono Sadikin, Irma Savitri Saka, Arya Aji Sarip Usman Setiawan Sabana Sudjadi Tjipto Tri Utami Tukiyo Winata, Andinni Putri Winda Rohmah Shoffianti Yunizar Rizka APS

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