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Analisis Semiotika Makna Kasih Sayang Dalam Lagu “Nina” Karya Band .Feast Arif Musyahadah; Sri Dwi Fajarini
Catha : Jurnal Penelitian Kreatif dan Inovatif Vol. 2 No. 3 (2025): Juli
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/catha.v2i3.127

Abstract

Penelitian ini membahas analisis semiotika terhadap makna kasih sayang dalam lirik lagu "Nina" karya band .Feast. Musik sebagai salah satu bentuk komunikasi massa memiliki kekuatan untuk menyampaikan pesan emosional yang kompleks melalui perpaduan melodi dan lirik. Lagu "Nina" diciptakan oleh Adnan Satyanugraha dan terinspirasi dari kasih sayangnya kepada sang putri, Nina. Penelitian ini bertujuan untuk mengungkap makna kasih sayang dalam lirik lagu tersebut melalui pendekatan semiotika Ferdinand de Saussure, khususnya dengan menganalisis hubungan antara penanda (signifier) dan petanda (signified) serta keterkaitannya dalam struktur sintagmatik dan paradigmatik. Metode yang digunakan adalah deskriptif kualitatif dengan teknik pengumpulan data melalui observasi nonpartisipan dan dokumentasi. Data utama berupa lirik lagu dianalisis untuk mengidentifikasi bentuk ekspresi kasih sayang, yang dalam penelitian ini dibagi menjadi tiga kategori menurut Zubaedi (2005), yaitu cinta, pengabdian, dan perhatian. Analisis sintagmatik dilakukan dengan mengkaji hubungan horizontal antar kata dalam satu bait, sedangkan analisis paradigmatik menggambarkan hubungan makna yang saling menggantikan secara vertikal dalam sistem bahasa. Hasil penelitian menunjukkan bahwa lirik lagu "Nina" sarat akan makna kasih sayang seorang ayah kepada anaknya. Cinta terlihat dari ungkapan syukur dan pengharapan sang ayah untuk pertumbuhan anaknya. Pengabdian tercermin dalam pengorbanan waktu dan tenaga untuk melindungi serta menjaga anak dari kerasnya dunia. Sementara perhatian diwujudkan melalui janji untuk tetap hadir, meski secara fisik terpisah. Lirik lagu ini membentuk satu kesatuan makna yang menyentuh, tidak hanya bagi anak sebagai objek kasih, namun juga bagi pendengar sebagai penerima pesan emosional yang kuat.
INTEGRATION OF DIGITAL COMMUNICATION IN SUSTAINABLE SHARIA FINANCE : CHALLENGES AND OPPORTUNITIES IN THE CYBER MEDIA ERA Kurniawati, Juliana; Fitria Yuliani; Sri Dwi Fajarini
International Journal of Accounting Innovation Vol. 1 No. 2 (2025): June
Publisher : PT ANTIS INTERNATIONAL PUBLISHER

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61796/ijai.v1i2.12

Abstract

Objective: This study aims to examine the challenges and opportunities faced by the Islamic finance sector in utilizing digital communication technology. Method: This article uses a qualitative research method based on a literature review, analyzing the integration of digital communication in Islamic banking services and the implementation of digital technology, as well as opportunities and challenges in the cyber media era. Results: On the one hand, the use of digital platforms expands access to Islamic financial services, increases transparency, efficiency, and community involvement. However, on the other hand, a number of challenges arise, including low digital literacy, cybersecurity threats, and the need for regulations that are in accordance with sharia principles. Novelty: With a deeper understanding, the integration of digital communication can be a strong basis for strengthening inclusive, adaptive, and sustainable sharia finance amidst the changes in the digital era. Utilizing all available resources on the internet for the integration of sharia banking product services, for example creating interesting content on digital media platforms as a means of promotion and education for Indonesian society.
Adaptasi Komunikasi Mahasiswa Perantau: Studi Pada Ippm Semaku Di Universitas Negeri Padang Alpian Syah Nafira; Sri Dwi Fajarini
Jurnal Khabar: Komunikasi dan Penyiaran Islam Vol. 7 No. 2 (2025): Desember
Publisher : STAI Bumi Silampari

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37092/khabar.v7i2.1311

Abstract

This study analyzes the communication adaptation of Semaku migrant students (Seluma, Manna, and Kaur) at Padang State University using Young Yun Kim's Intercultural Communication Adaptation Theory. Using qualitative methods, informants were a group of 15 Semaku IPPM students consisting of 10 migrant students and 5 local students. Data collection techniques included in-depth interviews, non-participatory observation, and documentation. The results of the study indicate that adaptation occurs through a stress-adaptation-growth cycle in three dimensions. 1. Personal communication: Minangkabau linguistic barriers are the main adaptation challenges overcome through code-switching and code-mixing strategies. 2. Social communication: Semaku IPPM functions as a psychological buffer and cultural bridge that facilitates the formation of hybrid identities, but has the potential to trigger ethnic enclosure. 3. Mass communication: digital media becomes an arena for identity negotiation through bilingual captions that expand intercultural interactions. Psychological transformation takes place from social anxiety to resilience until students are able to act as cultural mediators. This study validates Kim's theory in the Indonesian context and recommends inclusive orientation programs, balancing regional organizational support with cross-regional participation, and optimizing digital platforms to support communication adaptation of migrant students.
Analisis Makna Cinta dan Keberanian dalam Lagu “Taruh” Nadin Amizah menggunakan Pendekatan Semiotika untuk Mengungkap Simbol Tersembunyi Dwi Wulandari; Sri Dwi Fajarini
RISOMA : Jurnal Riset Sosial Humaniora dan Pendidikan Vol. 3 No. 5 (2025): September: RISOMA : Jurnal Riset Sosial Humaniora dan Pendidikan
Publisher : Asosiasi Ilmuwan Pendidikan, Sosial, dan Humaniora Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/risoma.v3i5.1132

Abstract

This study explores the meaning of love and courage in the lyrics of Nadin Amizah's song "Taruh". Music serves as a cultural medium that reflects the construction of social reality, and song lyrics often become a space for expressing personal and collective experiences. The song "Taruh" illustrates the emotional complexity present in human relationships, particularly in interpreting the feelings of love intertwined with acts of bravery. This research employs Ferdinand de Saussure's semiotic theory by examining the syntagmatic and paradigmatic relations within the song's lyrics. The descriptive qualitative method is applied, with data obtained through non-participant observation and literature study. The findings indicate that the lyrics of "Taruh" do not portray an idealized version of love; instead, they express a more realistic view of love as something that includes pain, vulnerability, and imperfection. Interestingly, within those imperfections, there is a profound sense of courage—a willingness to endure, to remain, and to accept wounds as a part of emotional life. The syntagmatic analysis highlights how the arrangement of words in each stanza reflects stages of emotional struggle, longing, acceptance, and resilience. On the other hand, the paradigmatic analysis reveals that while alternative words could have been chosen, the selected diction intensifies the emotional nuance without shifting the central message of the narrative. Overall, the song constructs a layered narrative of love, where courage is found not in grand gestures but in silent endurance. This study shows how popular music, through its poetic structure, can communicate complex emotional truths and contribute to deeper cultural understandings of human emotion.