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All Journal Interaksi : Jurnal Ilmu Komunikasi Jurnal Pekommas Jurnal Ilmu Komunikasi Jurnal Ilmu Sosial dan Ilmu Politik (JISIP) Jurnal Representamen JAST : Jurnal Aplikasi Sains dan Teknologi Reformasi : Jurnal Ilmiah Ilmu Sosial dan Ilmu Politik Jurnal Komunikasi Nusantara Jurnal Komunikasi Nusantara Tuturlogi: Journal of Southeast Asian Communication Sosial : Jurnal Ilmu-Ilmu Sosial Biokultur juremi: jurnal riset ekonomi Lenvari: Journal of Social Science The Sunan Ampel Review of Political and Social Sciences Marsialapari: Jurnal Pengabdian Kepada Masyarakat
Sulih Indra Dewi, Sulih Indra
Universitas Tribhuwana Tunggadewi
Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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Journal : Jurnal Pekommas

 1 
Sobat Ambyar: The Phenomenon of Fans, Social Media, and Modern Campursari Music in Popular Culture Fathul Qorib; Sulih Indra Dewi
Jurnal Pekommas Vol 6, No 2 (2021): Oktober 2021
Publisher : BBPSDMP KOMINFO MAKASSAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30818/jpkm.2021.2060209

Abstract

The popularity of the local Javanese music “Dangdut Campursari” increased dramatically from 2019 to 2020. Didi Kempot, who is nicknamed the God Father of Broken Heart, is a new phenomenon in Javanese music in the country. This research wants to see how the modern Campursari dangdut lovers “Sobat Ambyar” describe the identity of their community and see this phenomenon from the perspective of popular culture which includes trends, adaptability, and pop music consumerism. We documented Sobat Ambyar’s chat on social media, they managed and conducted in-depth interviews with the Instagram fanbase admin @sobatambyar. The results of this study indicated that Sobat Ambyar identifies themselves with the feelings, attitudes, and emotions of the songs sung by Didi Kempot. These identities tend to be sad and they are proud of that sadness. This Campursari has become a new commodity for industry and is popularized through the ways of modern culture which is simulated and marketed. Based on these findings, this study suggests that Sobat Ambyar remain authentic so that they can block mass culture that the younger generation is not aware of.Keyword : Fans, Instagram, Modern Campursari Music, Sobat Ambyar. 
Sobat Ambyar: The Phenomenon of Fans, Social Media, and Modern Campursari Music in Popular Culture Qorib, Fathul; Dewi, Sulih Indra
Jurnal Pekommas Vol 6 No 2 (2021): October 2021
Publisher : Sekolah Tinggi Multi Media “MMTC” Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56873/jpkm.v6i2.3960

Abstract

The popularity of the local Javanese music “Dangdut Campursari” increased dramatically from 2019 to 2020. Didi Kempot, who is nicknamed the God Father of Broken Heart, is a new phenomenon in Javanese music in the country. This research wants to see how the modern Campursari dangdut lovers “Sobat Ambyar” describe the identity of their community and see this phenomenon from the perspective of popular culture which includes trends, adaptability, and pop music consumerism. We documented Sobat Ambyar’s chat on social media, they managed and conducted in-depth interviews with the Instagram fanbase admin @sobatambyar. The results of this study indicated that Sobat Ambyar identifies themselves with the feelings, attitudes, and emotions of the songs sung by Didi Kempot. These identities tend to be sad and they are proud of that sadness. This Campursari has become a new commodity for industry and is popularized through the ways of modern culture which is simulated and marketed. Based on these findings, this study suggests that Sobat Ambyar remain authentic so that they can block mass culture that the younger generation is not aware of.Keyword : Fans, Instagram, Modern Campursari Music, Sobat Ambyar. 
Co-Authors Aini, Fica Aida Nadhifatul Akhirul Aminulloh Albet, Pransiskus Alimin Alimin, Alimin Ana, Selvia Roos Anang Sulistiono Ayu Liskinasih Carmia Diahloka Carmia Diahloka Dewi Dora Dinar Primasti Dinar Primasti Dwi Nita Aryani Efendi , Erfan Ellen Meianzi Yasak Ellen Meianzi Yasak Fakhris Arbi Fansier Hamdja Fathul Qorib Hamdja, Fansier Husen Bin Tahir I Gusti Bagus Wiksuana I Putu Dharmawan Pradhana Iswardani, Kurnia Khusnul Abid Marcy Adiningsih Djamilay Maria Elisabet M Marlianto, Marlianto Muhammad Mahesa Ramadhan Muhammad Tohirin Munawara . Ni Kadek Yosi Febrianti Ni Putu Yunita Anggreswari Niken Paramita Nurhana, Riza Prima Januaria Kehi Rinata, Asfira Rachmad Rinata, Asfira Rachmat Silvian Jati Putra Soeparto Suhartatik Suriadi . Tania Zahirah Salwa Tarra, Mustika Teguh Widodo Teo Filus Fredik Umari, Firdha Yuni Lasari Zein, Khoiruz Zusana E. Pudyastuti