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All Journal HUMANIKA Nusa: Jurnal Ilmu Bahasa dan Sastra Japanese Literature SulukIndo Poetika: Jurnal Ilmu Sastra JURNAL BAHASA, SASTRA DAN PEMBELAJARANNYA Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya ENDOGAMI Jurnal Ilmiah Kajian Antropologi Anuva: Jurnal Kajian Budaya, Perpustakaan, dan Informasi Jurnal Ilmiah FONEMA : Jurnal Edukasi Bahasa dan Sastra Indonesia Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia Jurnal Sastra Indonesia SASDAYA: Gadjah Mada Journal of Humanities Wicara
REDYANTO NOOR
Fakultas Ilmu Budaya Universitas Diponegoro Jl. Prof. Soedarto, Tembalang, Kec. Tembalang, Kota Semarang, Jawa Tengah 50275
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

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Journal : HUMANIKA

 1 
PROSES KREATIF PENGARANG CHICKLIT DAN TEENLIT INDONESIA Noor, Redyanto
HUMANIKA Vol 22, No 2: Desember 2015
Publisher : Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (200.48 KB) | DOI: 10.14710/humanika.22.2.10-24

Abstract

An author creative process  includes the issue of why and how the author wrote the novel. Among the chicklit and Teenlit novelists there are similar supporting factors, namely talent, hobby, intelligence, and daily life experience around them. The Supporting factors are then combined with skills, methods and storytelling which spontaneous and honest.They never thought about storytelling techniques when writing a novel. They do not think about the structure of fiction such as the grooves, figure-characterizations, backgrounds, storytelling, and so on.The creative process of the authors can not be separated from the influence of life in their surrounding environment that provides reality as a source of inspiration to write the story. The reality is in the form of social problems, personal problems, society, humanity, divinity, and so on. All sorts of information and experience are gained through association and access to information technology. All are quickly and simultaneously enrich the treasury of their knowledge so that they can talk anywhere, anytime, and about anything. Thus, the young chicklit and Teenlit novelists become successful and famous is not in a sudden and without a process. Nor because special facilities given by publisher or certain parties, but through hard work. Lot of terms and conditions that they can meet through their struggle.Thus, it can be concluded that the creative process of chicklit and Teenlit novelist is a blend of natural talent, hobby, intelligence, and life experience, supporting by intelligence, hard work, a wealth of experience, breadth of relationships, social sensitivity, the ability of storytelling and writing skills.
PROFIL PENERBIT NOVEL CHICKLIT DAN TEENLIT INDONESIA Noor, Redyanto
HUMANIKA Vol 20, No 2: DESEMBER 2014
Publisher : Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (379.466 KB) | DOI: 10.14710/humanika.20.2.82-92

Abstract

Literary works are cultural objects of industrial products. Speaking about the production of literary works meant dealing with laws (systems, mechanisms, and strategies) imposed by the institution concerned-producing, ie the publisher. Therefore, publisher institution (chicklit novel and Teenlit) will create a typical industrial laws, which differ from the laws of other publisher institutions. Systems and mechanisms production of chicklit and Teenlit novel consist of the publisher profile, script acquisition (recruitment), script editing (editing), and script distribution (distribution). Publisher profile includes the publisher history, the publisher specifications and product diversification, as well as the publisher contact. In the modern business communication, publisher identity is as important as product identity. Consumer’s trust is built through the image depiction of products and publisher, thus publisher profile becomes the main reference for consumers. Therefore, in the publisher profile description, it always emphasized its excellence experience (history) in publishing the kind of novel as mentioned before, the specifications and features of products they produce, as well as the tools and the modern systems- mechanisms production (worker qualification, printing machines, management). In relation to the publisher profile, some publishers, Elex Media Komputindo, GagasMedia, and Gramedia Pustaka Utama, have been uniquely designing and presenting (honest, intelligent, and "hanging") and convince the society of readers, especially the readers of Teenlit and chicklit novel.
KRONIK FILMEDIA’S RECEPTION TOWARDS FLORIAN GALLENBERGER’S COLONIA Hanifi, Muhammad Luthfan; Noor, Redyanto
HUMANIKA Vol 27, No 1 (2020): June
Publisher : Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/humanika.v27i1.29469

Abstract

This paper analyzes the audience’s reception of Colonia, a 2016 film by Florian Gallenberger. As a popular work, Colonia is a docudrama film that presents historical events happened in Chile during the coup of General Augusto Pinochet in 1973. The problems analyzed in this article are the reception process of respondents and the quality of Colonia as popular films. The film is chosen for the study as it received five nominations from German Film Awards 2016 and won Bavarian Film Awards 2016 for Best Production category, but it only has a rating of 26% from 47 reviews by Rotten Tomatoes. The respondents involved in this study are members of Kronik Filmedia of Diponegoro University. Kronik Filmedia is the university film club that focuses on producing short films and appreciating films by conducting film discussions. The purpose of the study is to describe the reception processes of respondents who are affected by their horizon of expectations and to prove that not all of popular works are low literature. The theory used in this paper is the Aesthetic of Reception theory by Hans Robert Jauss. The main concept of this theory is horizon of expectations. Horizon of expectations is a reader’s preferences from the previous experiences or readings. For the methodology, this paper uses qualitative research and focus group discussion as the data collecting method. Focus group discussion is a gathering data method by means of interviewing respondents in a forum consisted of five to eight people. Focus group discussion is an effective method to observe a social phenomenon or a case study. The data obtained is then analyzed as texts to draw a conclusion. The research involves eight members of Kronik Filmedia as respondents. The results of the research show the reception of Kronik Filmedia as Colonia can satisfy and even surpass seven out of eight respondents’ horizon of expectations as the film goes to be more ‘interesting’ and ‘thrilling’. All respondents also view that Colonia is worth to be studied and discussed as those of high literature.
STRIVING FOR SUPERIORITY TOKOH HARUMI TAKASUGI DALAM MANGA TAKASUGI SAN CHI NO OBENTOU KARYA NOZOMI YANAHARA (SEBUAH KAJIAN PSIKOLOGI SASTRA ALFRED ADLER) Suryandari, Agustina; Noor, Redyanto; Kistanto, Nurdin Harry
HUMANIKA Vol 28, No 1 (2021): June
Publisher : Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/humanika.v28i1.37360

Abstract

Perjuangan adalah satu hal yang harus terus diusahakan untuk memperoleh keberhasilan. Manga Takasugi san chi no Obentou karya Nozomi Yanahara dengan jelas menunjukkan proses perjuangan seorang perjaka bernama Harumi Takasugi untuk menjadi wali seorang anak di bawah umur. Penelitian ini bertujuan mengetahui bagaimana proses perjuangan tokoh Harumi Takasugi untuk menjadi wali yang bertanggung jawab dalam manga Takasugi san Chi No Obentou karya Nozomi Yanahara. Penelitian ini termasuk penelitian kualitatif dengan pendekatan psikoloi sastra, dengan memanfaatkan teori Striving for Superiority yang dikemukakan oleh Alfred Adler untuk menunjukkan awal kebangkitan seseorang dari rasa inferioritasnya. Data penelitian diambil dari beberapa adegan yang menunjukkan proses perjuangan tokoh Harumi Takasugi dari kondisi inferior sampai mencapai superioritasnya. Hasil penelitian proses striving for superiority menunjukkan dengan jelas bahwa keagresifan, motivasi diri, berpikir positif, rela berkorban, dan bekerja keras menjadikan striving for superiority yang dilakukan tokoh Harumi menjadi motor penggerak untuk mengalahkan perasaan inferiornya dan bahkan kepuasan menjadi kebahagiaan yang dirasakan tokoh Harumi di dalam manga Takasugi san Chi No Obentou karya Nozomi Yanahara.
FORMASI IDEOLOGI DAN NEGOSIASI DALAM CERPEN SIPLEG KARYA OKA RUSMINI: KAJIAN HEGEMONI GRAMSCI Sayekti, Fitria Tungging; Noor, Redyanto; Suryadi, M
HUMANIKA Vol 28, No 2 (2021): December
Publisher : Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/humanika.v28i2.38390

Abstract

Penelitian ini membahas hegemoni berlatar tempat di daerah Bali, dalam cerpen Sipleg karya Oka Rusmini. Bahasan pertama yaitu formasi ideologi apa saja yang dimiliki para tokoh pada cerita melalui kutipan dalam cerpen Sipleg. Setiap tokoh memiliki ideologi yang mempengaruhi pemikiran dan sikapnya kepada orang lain di sekitarnya. Tanpa disadari ideologi yang mereka yakini memunculkan tindakan hegemoni kepada tokoh lain di cerita Sipleg. Penelitian ini bertujuan untuk mengetahui formasi ideologi apa saja yang terdapat di dalam cerpen Sipleg karangan Oka Rusmini. Penelitian ini juga bertujuan untuk mengetahui ideologi apa yang dinegosiasikan oleh pengarang, yang dimunculkan melalui tokoh Sipleg dalam cerpen karangannya. Penelitian ini menggunakan metode deskriptif kualitatif. Pengumpulan data penelitian ini dilakukan dengan cara membaca dan mencatat kutipan dialog dalam cerpen. Formasi ideologi dan negosiasi ideologi dianalisis menggunakan teori hegemoni Gramsci. Oka Rusmini sebagai pengarang memunculkan hegemoni yang dilakukan oleh tokoh lelaki bernama I Wayan Sager memiliki ideologi konservatisme dan anarkisme. Ideologi yang dominan terdapat pada cerita adalah ideologi konservatisme dan ideologi anarkisme. Pengarang memunculkan ideologi baru yaitu ideology feminisme. 
Co-Authors Afnanee Panae Agriza Nur Bayu Akhlish Fuadi Aliffianto, Diaz Restu Amri Fadhilah Ahmad Ary Setyadi ASTI SUSANTI Dhemaseta Reza Nurendra Erfinda Violita Fakhrul Arifin, Fakhrul Hanifi, Muhammad Luthfan Hendrike Priventa Ken Widyatwati Khothibul Umam Kistanto, Nurdin Harry Komariya, Siti Laura Andri Retno Martini Lutfiana Ilma Annisa M Suryadi M. Suryadi Nofansyah syah Novia Permata Silviandari Pratiwi, Anjar Rukma Kawentar Sabilillah, Muhsin Sayekti, Fitria Tungging Sriwahyu Trahutami, Sriwahyu Sukarjo Waluyo Suryadi Suryadi Suryadi, Muhammad Suryandari, Agustina Syafiqa, Luthfia Rahmati Wardani, Diah Ayu Yuliarti, Indah Wahyu