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Analisis Musikal dan Non-Musikal pada Perjamuan Kudus Gereja Advent Bandar Lampung Nicolaas, Debora Trefy; Barnawi , Erizal; Pamungkas, Bian
Grenek: Jurnal Seni Musik Vol. 14 No. 2 (2025): Grenek: Jurnal Seni Musik (December)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v14i2.68479

Abstract

The Holy Communion is held as a reminder of Jesus' death on the Cross to redeem humans from sin. This study uses a descriptive qualitative method to determine the Musical and Non-Musical Analysis found in the Holy Communion at the Bukit Kemiling Permai Adventist Church. Data were received through observation, interviews, and documentation and processed using musical and non-musical analysis theories. The Holy Communion song "Betapa S'nang Aku Kabarkan" consists of an intro, verse, chorus, and outro, has 2 phrase forms, and 4 motifs, with a 6/8 time signature with a tempo of 120 BPM. "Salib Di Bukit Golgota" consists of a chorus, verse and outro, has 5 motifs and 2 phrases, with a 3/4 time signature and a tempo of 70 BPM. "Mengapa Darah-Mu, Yesus" with a chorus, verse and outro, has 4 motifs and 2 phrases, a 3/4 time signature and a tempo of 60 BPM. “Pada-Mu Allah Ku Puji” consists of an intro and verse, has 3 motifs and 2 phrases, 4/4 time signature with a tempo of 80 BPM. This research was conducted at the Bukit Kemiling Permai Adventist Church, with the support of the Church Council and Congregation, taking place at night and during the day, the musicians do not have special provisions, the costumes used are predominantly white and dark.
Analisis Lagu Bernuansa Jawa pada Perayaan Ekaristi di Gereja Stasi Kabar Gembira Kotabumi Maria Angelika Intan Ristyaloka; Barnawi, Erizal; Pamungkas, Bian
Grenek: Jurnal Seni Musik Vol. 14 No. 2 (2025): Grenek: Jurnal Seni Musik (December)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v14i2.68480

Abstract

One of the most important parts that cannot be separated from the Eucharistic Celebration is the songs accompanying each procession. The songs used in the Eucharistic Celebration have various types. One popular form is the Inculturation song form. This study will discuss the use of the Javanese Inculturation song form used in the Eucharistic Celebration at the Kabar Gembira Catholic Church in Kotabumi using the Qualitative-Descriptive Research model. This study aims to analyze and describe the songs "Aku Mengasih Tuhan", "Bapa Kami Gaya Jawa", and "Ndherek Dewi Mariyah". Data was collected through observation, interviews, and documentation. The data that had been collected was then analyzed using the theory of "Musical Form Science" by Karl-Edmund Prier SJ and the theory of "Javanese Inculturation Music Form" by Ardhana. This study found the Canon musical form in the three songs analyzed. This study also found that the Javanese nuances contained in the songs analyzed can be seen based on the composition or tuning, as well as the language used in the presentation of the song.