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All Journal E-Journal Of Cultural Studies Harmonia: Journal of Research and Education Jurnal Kajian Bali MUDRA Jurnal Seni Budaya Lekesan: Interdisciplinary Journal of Asia Pacific Arts KALANGWAN Segara Widya: Jurnal Penelitian Seni International Journal of Interreligious and Intercultural Studies International Journal of Supply Chain Management Humaniora Abdi Dosen : Jurnal Pengabdian Pada Masyarakat Journal of Music Science, Technology, and Industry (JOMSTI) International Journal of Social Science Journal of Aesthetics, Creativity and Art Management Jurnal Pengabdian Masyarakat Waradin Jurnal Igel: Journal of Dance E-Amal: Jurnal Pengabdian Kepada Masyarakat
Ni Made Ruastiti
Department Of Dance, Faculty Of Arts, Indonesia Institute Of The Arts Denpasar, Indonesia
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Medicine & Pharmacology Public Health Social Sciences Transportation Other

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Journal : International Journal of Social Science

 1 
IMITATING THE EMANCIPATION OF HINDU FEMALE CHARACTERS IN BALINESE WAYANG LEGENDS Gede Yoga Kharisma Pradana; Ni Made Ruastiti
International Journal of Social Science Vol. 1 No. 5: February 2022
Publisher : Bajang Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53625/ijss.v1i5.1307

Abstract

The purpose of this study was to analyze the role of Hindu women based on the legends of the wayang performance. Many post-colonial Balinese Hindu women began to leave their culture. To be more empowered, they do not have to leave their culture. They are still relevant as role models, like Dewi Anjani, Srikandi, and Dewi Kunti's struggle in the legends. The issues are as follows: (1) What is the image of Dewi Anjani, Srikandi, and Dewi Kunti's struggle? What can be learned from the three Hindu female figures in the legends? All the data was collected through documentation, observation, and interviews with informants in Denpasar. Qualitative-interpretative descriptive analysis is supported by applying symbol, hegemony, and deconstruction theory. The results show that Dewi Anjani is a female character who is able to fight for her rights equal to her two brothers. Srikandi is a female character who is able to fight on par with the leader of the knights on the battlefield. Meanwhile, Dewi Kunti was able to show a firm attitude during the Pandawa conflict. The images of the three figures are role models for the reconstruction of post-colonial Balinese Hindu women in responding to the challenges of globalization.
WAYANG KENTONGAN "BELL PUPPET" AS A MEAN OF COMMUNICATION IN EXPERIMENTAL THEATER I Nyoman Sadi; I Nyoman Sedana; Ni Made Ruastiti; I Gusti Putu Sudarta
International Journal of Social Science Vol. 4 No. 4: December 2024
Publisher : Bajang Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53625/ijss.v4i4.9749

Abstract

He actual events of the life of the puppeteer artist with the traditional ritual life conditions of the Balinese people are the reality of life which can be seen as a human effort to optimize conditions that provide gaps in displaying desires/ego and idealized true existence. The situation of consciousness is realized through material reality that is rational and full of ethics and aesthetics in theater art. In the wayang kentongan work, a unique and interesting means of communication is realized in an experimental theater work. Puppet works Kentongan Puppet This is a new innovative wayang puppet made from bamboo in the shape of a kentonganas a means of communication with the community. Work show Experimental Theatre This harmoniously combines the movement of wayang, dance, accompaniment with the natural background of the village environment, the natural road with craftsmanship lighting modern. The work is studied descriptively and in-depth analysis using the social theory of kinship in community life that is able to live side by side, mutual cooperation, mutual care and nurturing. This performance in the form of puppet theater is expected to awaken human awareness of the importance of togetherness and mutual cooperation which has begun to fade due to human egoism. The communication interweaving of this experimental theater work can add to the form of presentation and treasure of Balinese skin puppetry, as a medium for delivering messages of education, philosophy, morals and ethics, kinship, cooperation, and cooperation
Co-Authors Agus Eko Sattvika, I Putu Anak Agung Ayu Mayun Artati Anak Agung Bagus Wirawan Anak Agung Indrawan Anak Agung Ngurah Anom Kumbara Apsari, Ketut Novia Ardika, I Gusti Ngurah Putu Artati, Anak Agung Ayu Mayun Arya Pageh Wibawa Desak Made Suarti Laksmi Desiari,  Made Ayu Dewa Putu Oka Prasiasa Dewi, Irene Nyoman Esterina Pregie Angga Dewi, Ni Luh Diah Candra Edi Sedyawati Eka Putri Suryantari Gede Yoga Kharisma Pradana Gede, Yoga Kharisma Pradana Govardhana, Komang Ojas I Gde Parimartha I Gusti Made Sunartha I Gusti Made Sunartha I Gusti Made Sunartha I Gusti Ngurah Seramasara, I Gusti Ngurah I Ketut Ardhana Ardhana, I Ketut Ardhana I Ketut Muka I Ketut Sariada, I Ketut I Ketut Suda I Made Suastika I Nyoman Sadi I Nyoman Sedana I Nyoman Suarka I Nyoman Sudiana I Wayan Rai I Wayan Suardana I Wayan Suharta, I Wayan Ida Ayu Made Purnamaningsih Ida Ayu Made Purnamaningsih Ida Ayu Made Purnamaningsih Indrawan, Anak Agung Ketut Novia Apsari Ketut Tara Listiawan Komang Ojas Govardhana Listiawan, Ketut Tara MS Prof. Dr. I Wayan Rai . Ni Kadek Suryani Ni Nyoman Kasih Ni Nyoman Manik Suryani Ni Putu Ari Sidiastini Ni Wayan Parmi Ni Wayan Suartini Putu Dyan Ratna, Putu Putu Dyatmikawati Rahmawati, Ni Nyoman Rai S., I Wayan Rino Ega Vebrian Ruta, I Made Sudarta, I Gusti Putu Suminto Suminto Yunus Wafom Yunus Wafom