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All Journal Jurnal INSANIA LITE: Jurnal Bahasa, Sastra, dan Budaya Language Circle : Journal of Language and Literature Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora BAHASA DAN SASTRA Poetika: Jurnal Ilmu Sastra Record and Library Journal English Review: Journal of English Education ATAVISME JURNAL ILMIAH KAJIAN SASTRA Patrawidya: Seri Penerbitan Penelitian Sejarah dan Budaya SeBaSa: Jurnal Pendidikan Bahasa dan Sastra Indonesia Paramasastra: Jurnal Ilmiah Bahasa Sastra dan Pembelajarannya Arif: Jurnal Sastra dan Kearifan Lokal Journal of Education for Sustainability and Diversity Susastra : Jurnal Ilmu Sastra dan Budaya Jurnal Kawistara
Aprinus Salam
UGM
Religion Arts Humanities Decision Sciences, Operations Research & Management Education Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

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Yasadipura I: Politik nasionalisme pujangga Jawa dalam Babad Giyanti Fitria, Ajeng Aisyah; Aprianto, Hendra; Salam, Aprinus
Patra Widya: Seri Penerbitan Penelitian Sejarah dan Budaya. Vol. 25 No. 2 (2024)
Publisher : Balai Pelestarian Kebudayaan Wilayah X

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52829/pw.487

Abstract

Yasadipura I (1729-1803) dikenal sebagai pilar kebangkitan kesusastraan Jawa. Sebagai pujangga Jawa, Yasadipura I memperlihatkan kepiawaian dalam karya-karyanya salah satunya dalam Babad Giyanti. Untuk menggali wacana ideologi dalam karya sastra, digunakan dua teori, yaitu materialisme historis dari Terry Eagleton dan pandangan dunia dari Lucien Goldmann dengan metode deskriptif kualitatif. Dari analisis didapat hasil sebagai berikut. Pertama, ideologi kolonialisme dan kapitalisme Hindia Belanda yang menekan Kasunanan Surakarta menciptakan dua ideologi berupa individualisme dan patriotisme. Hal tersebut diperlihatkan dengan tindakan mengkritisi para penguasa melalui ideologi Islam-Jawa oleh Yasadipura I. Kedua, pandangan dunia Yasadipura I direpresentasikan sebagai subjek yang politis. Posisi Yasadipura I sebagai pujangga dikonstruksi oleh posisinya sebagai santri sekaligus priyayi membentuk pandangan kontradiksi, yaitu sebagai pujangga Kasunanan Surakarta, tetapi secara tersirat subjek berpihak pada Pangeran Mangkubumi. Dari keberpihakan pada kubu kontra kolonial memunculkan ideologi nasionalisme yang muncul atas dasar politik nasionalisme demi mengamankan Surakarta yang lemah kala itu.
"KRIMINALISASI TERKONTROL” TERHADAP BENTUK DAN IDEOLOGI DALAM BEBERAPA FIKSI DETEKFIF INDONESIA KONTEMPORER Salam, Aprinus; Zuliana, Rina
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 13, No 2 (2024): Susastra: Jurnal Ilmu Susastra dan Budaya (Desember 2024)
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v13i2.162

Abstract

Crime is one of the essential substances in detective fiction. This study examines the issue of crime in relation to the state, society, and individuals. It selects four detective novels: Tiga Sandera Terakhir (2015), Negara Kelima (2015), 24 Jam Bersama Gaspar (2017), and Dua Dini Hari (2019). In these novels, crime is not merely framed as an investigative model that culminates in solving a mystery; rather, it is also portrayed as an issue involving hierarchical relationships between social classes and gender. In this context, detective fiction is connected to both social and ideological phenomena. The ideology and aesthetic form of detective fiction are shaped and influenced by a mode of production and the dominant ideology within a given regime. It is undeniable that material structures significantly affect the ideology and aesthetics of contemporary Indonesian detective fiction. Crime, as a central theme in detective fiction, becomes a force linked to the context of power, which not only governs but also plays a role in enabling crime itself. The issue of crime in detective fiction does not merely represent human-to-human transgressions but also systemic crimes facilitated by the presence of various institutions. The tendency to produce such texts is undoubtedly driven and influenced by the contextual factors and issues within the text. However, authors still engage in a form of "controlled criminalization," taking into account several considerations, as will be explored in this study.Keywords: State, Crime, Ideology, Aesthetic Form, Contemporary Indonesian Detective Fiction "CONTROLLED CRIMINALIZATION" OF FORMS AND IDEOLOGIES IN SOME CONTEMPORARY INDONESIAN DETECTIVE  FICTIONAbstrakKriminalitas merupakan salah satu substansi penting dalam fiksi detektif. Tulisan ini melihat persoalan kriminalitas dalam relasi-relasi antara negara, masyarakat, dan individu. Kajian ini memilih empat novel detektif berjudul Tiga Sandera Terakhir (2015), Negara Kelima (2015), 24 Jam Bersama Gaspar (2017), dan Dua Dini Hari (2019). Dalam novel-novel tersebut, masalah kriminalitas tidak hanya dibingkai sebagai model investigasi yang berakhir pada pengungkapan misteri kejahatan, melainkan juga sebagai persoalan yang melibatkan hubungan hierarkis antarkelas hingga gender. Dalam konteks ini, fiksi detektif telah dihubungkan sebagai gejala sosial sekaligus ideologis. Ideologi dan bentuk estetika fiksi detektif tersebut dibentuk dan dipengaruhi oleh suatu corak produksi dan ideologi dominan dalam suatu rezim. Hal ini tidak dipungkiri bahwa struktur material sangat berpengaruh terhadap ideologi dan estetika fiksi detektif Indonesia saat ini. Bagaimana kriminalitas sebagai tema utama fiksi detektif menjadi kekuatan yang dihubungkan dengan konteks kekuasaan yang menjalankan dan turut mengoperasikan terjadinya kejahatan itu sendiri. Persoalan kriminalitas dalam fiksi detektif tidak hanya merepresentasikan kejahatan antarmanusia, melainkan kejahatan yang telah tersistem karena kehadiran institusi-institusi yang lainnya. Kecenderungan pemroduksian teks ini tentu ditengarai dan dipengaruhi oleh faktor dan permasalahan kontekstual dari teks. Namun begitu, pengarang tetap melakukan semacam “kriminalisasi terkontrol” karena mempertimbangan beberapa hal seperti dapat dilihat dalam kajian.Kata Kunci: Negara, Kriminalitas, Ideologi, Bentuk Estetika, Fiksi Detektif Indonesia Kontemporer
PESONA MORAL SASTRA POPULER PASCA TAHUN 2000-AN Satriani, Irma; Ramadhani, Andi Reski; Salam, Aprinus; Dewi, Anita Candra
SEBASA Jurnal Pendidikan Bahasa dan Sastra Vol 8 No 1 (2025): SeBaSa
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/sbs.v8i1.29306

Abstract

Personal morality is one of the important things in the existence of literature, not least in popular literature. Popular literature in Indonesia displays different moral faces from time to time. One of the dilemmas of moral issues is in presenting issues of ethnicity, religion, race, inter-group (SARA), and sex. This study questions how popular literature after the 2000s presents the morality of ethnicity, religion, violence, inter-group, and sex. These differences are possible because Indonesian society is increasingly educated and literate on the one hand, and when social media technology takes over "immoral things". This causes popular literature to manage the remaining morals that have been taken by social media more exclusively. This study will present several popular literature (novels) after the 2000s purposively. This study uses the theory of the concept of popular literature with a qualitative method of descriptive-analytical approach. The results of this study show that with the strengthening of the middle class in Indonesia which is increasingly educated and literate, its popular literature displays a more elegant “middle-class moral charm” in dealing with issues of ethnicity, religion, race, inter-group (SARA), and sex.
New Order Era Children’s Literary Mode of Production in Indonesia: Interaction and Articulation Sari, Norma Atika; Salam, Aprinus
Journal of Education for Sustainability and Diversity Vol. 3 No. 3 (2025)
Publisher : Angstrom Centre of Education

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.57142/jesd.v3i3.859

Abstract

The New Order era was the golden age of children's literary production in Indonesia, both in the form of books or magazines. The 1973 Presidential Instruction Book Project (Inpres) was one of the government programs that made the terms of quantity it has skyrocketed. In addition, the trend of magazine publishing as a result of press industrialization also confirmed this claim. The question that then arises is: what are the characteristics of the children's literary mode of production and how is the structure of interaction and articulation with other constituents? The basic premise of the hypothesis in this research is that children's literature is not a genre that is innocent and emerges organically. By using qualitative descriptive method and applying Eagletonian materialistic critical theory, researchers found that there are two children's literary modes of production; (1) the mode under the state patronage which is the dominant ones, and (2) the subordinate mode of production in the private sector. The interaction between both that historically coexisted was synchronic and negotiative. Both articulate the ideology of New Order developmentalism which is identical to poverty alleviation through “hard work” using the aesthetics of realist texts. In the subordinate mode of production, hidden social criticism is found where the state is not present in the efforts to eradicate poverty represented by the characters in the text. The New Order's control mechanism in determining children's literary mode of production was through Issuance Permit (SIT).
KING'S THE STAND: DWELLING NECROPOLITICS IN PANDEMIC'S LEGACY Poetri, Maharanny; Salam, Aprinus
English Review: Journal of English Education Vol. 13 No. 2 (2025)
Publisher : University of Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/erjee.v13i2.11837

Abstract

This research examines Stephen King's The Stand through the lens of Achille Mbembe's necropolitics and the pandemic narrative approach, analyzing how the novel portrays a pandemic as a state of siege. The research reveals that the pandemic in The Stand serves not only as a source of fear and societal disruption, highlighting human mortality and the fragility of social structures, but also as a catalyst for necropolitical governance, where sovereignty operates through the control of life and death, utilizing fear to maintain dominance. Utilizing a qualitative methodology focused on character interactions, control mechanisms, and depictions of death, the research demonstrates how the post-pandemic landscape in the novel reflects a slow social and political death, alongside physical demise. Additionally, this work implicates King's negotiation of humanity as an aspiration for peace, effectively neutralizing the pervasive fear of necropolitical implementation during a pandemic, as perceived at the time of the novel's release.
Arena and (Re)Stabilization of Reog Bulkiyo Dance Cultural Production Salam, Aprinus; Maulana, Alfian
Jurnal Kawistara Vol 14, No 2 (2024)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.92385

Abstract

Contestation among traditional art performances, in the technology and information era, creates complex and diverse challenge to the dance of Reog Bulkiyo. In 1999, the dance had to be stopped following the regeneration and economical problem. Although Reog Bulkiyo has been performed again since 2009, the conditions which makes this dance can be produced is still inexplicable. This article attempts to explain why dance experiencing production and activity stagnation. Pierre Bourdieu’s cultural production theory is used to analyze this problem, while ethnographic qualitative is used as the method. This study found that Reog Bulkiyo dance is in the arena of traditional dance art which has a double-tiered structure. The first structure leads to popular culture, while the second structure leads to art culture. In the first structure, Reog Bulkiyo dance group uses relational capital with relatives, social and Islamic groups to survive in the midst of competition with other popular arts. The dance then gains a relationship with the academy and the state which provides relational, cultural, and symbolic capital in the form of granting intangible cultural heritage status. These two relations give Reog Bulkiyo dance group the opportunity to maintain its cultural production.
The Position and Aesthetic Form of Indonesian Detective Fiction after the 1980s within the Landscape of Indonesian Literature Salam, Aprinus; Zuliana, Rina; Mustofa, Ali
POETIKA Vol 13, No 2 (2025): Issue 2
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v13i2.93755

Abstract

After its golden age in the 1980s, Indonesian detective fiction experienced a period of decline during the 1990s. In the following decades, many young writers emerged with their own detective works. However, despite its long history, post-1980 Indonesian detective fiction has continued to receive limited scholarly attention. Its position within academic literary studies remains less prominent compared to other genres that are more frequently discussed in Indonesian literary discourse. This research addresses the problem of how Indonesian detective fiction after the 1980s is positioned within the landscape of Indonesian literature, how the aesthetic forms and ideologies of detective works from each decade are manifested, and how post-1980 Indonesian detective fiction not only transforms in terms of form and position but also becomes a negotiation arena between social, political, and cultural discourses. The study employs a sociological approach to literature, by using Pierre Bourdieu’s theory of the literary field and Terry Eagleton’s aesthetics of ideology, this study offers a novel perspective on how Indonesian detective fiction after the 1980s negotiates market pressures, symbolic capital, and cultural discourse. The findings reveal that, after the 1980s, Indonesian detective fiction shifted from a semi-heteronomous to a semi-autonomous position within the literary field, as seen in the works of S. Mara Gd. (1990), E.S. Ito (2005), and Sabda Armandio (2014). Aesthetically and ideologically, the genre transformed from linear, moralistic narratives to experimental, metafictional, and reflective forms that critique power, history, and social values. Consequently, post-1980s Indonesian detective fiction functions as a negotiation arena where social, political, and cultural elements interact, turning popular entertainment into a medium of social critique. 
Tracing the traces of doxa: Socialization and internalization in Kampung Pentigraf Indonesia Harendika, Melania Shinta; Salam, Aprinus; Sudibyo, Sudibyo
LITE: Jurnal Bahasa, Sastra, dan Budaya Vol. 21 No. 1 (2025): March
Publisher : Universitas Dian Nuswantoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/lite.v21i1.11516

Abstract

This study scrutinizes the personal and collective doxa in Kampung Pentigraf Indonesia (The Indonesian Pentigraf Village or KPI), a community started by Tengsoe Tjahjono. This study applies Bourdieu’s theory of the field of cultural production as the frame to observe how Tjahjono’s personal beliefs, or personal doxa, are spread to the members of KPI and hence converted as collective doxa. This study uncovers how Tjahjono’s values shape the community dynamics by exploring socialization and internalization practices in KPI. The findings show that the personal doxa rooted in Tjahjono’s symbolic capital reinforces social structures in KPI, where his power drives the community’s practices. This study emphasizes the role of social sanctions in preserving the community’s principles to guarantee that the Pentigrafs written by the KPI members obey the rules. Moreover, the study discovers how vertical and horizontal interactions in the community contribute to social reproduction, allowing KPI standards to be passed down to new members. This study contributes to understanding how literary communities play a role in cultural production, proposing insights into the dynamics of symbolic power and the practices of socialization and internalization in a minor but highly organized creative setting.
Co-Authors Ali Mustofa Aprianto, Hendra Dewi, Anita Candra faruk faruk Fitria, Ajeng Aisyah Harendika, Melania Shinta Hat Pujiati Irma Satriani, Irma M. Hafidzulloh, S.M, M. Hafidzulloh, S.M Maulana, Alfian Mayesti, Nina MUHARRINA HARAHAP, MUHARRINA Poetri, Maharanny Ramadhani, Andi Reski Ratna Noviani Saeful Anwar, Saeful Sari, Norma Atika SM, M. Hafidzulloh Sudibyo Sudibyo Zuliana, Rina