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All Journal Gorga : Jurnal Seni Rupa Academica Arty: Jurnal Seni Rupa Panggung Pantun: Jurnal Ilmiah Seni Budaya Jurnal Budaya Etnika Jurnal Kajian Seni PARAGUNA : Jurnal Ilmiah Pengetahuan, Pemikiran dan Kajian Tentang Seni Karawitan Panggung Jurnal Bahasa Rupa
Sukmawati Saleh
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Religion Arts Humanities Education Environmental Science Social Sciences Other

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Minimalist Art and the Iconization of Trees in Waiting for Godot Irianto, Adhy Pratama; Timmerman, Benny Yohanes; Saleh, Sukmawati
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 9 No. 1 (2024): Interdisciplinary Explorations in Cultural Expression: From Traditional Arts to
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v9i1.3273

Abstract

The minimization of performance art is aimed at presenting human darkness and innocence in a philosophical interpretation. This is what Samuel Beckett presented in his 1953 performance Waiting for Godot. Art minimization makes the number of props less, but is able to visualize the desired thematic of the script. This minimalism, which is supposed to display simplicity, becomes more “luxurious” due to the presence of iconic things from absurd performances. In the midst of the minimalist, gloomy, and arid decorations in Waiting for Godot, the tree becomes the center of attention. This tree becomes something very iconic and will strongly remind the audience of the show. The process of something becoming iconic is called iconization, which is a “deliberate” process. Beckett allegedly deliberately iconizes the tree, with a number of realities in the text (textual) and the reality of the performance (atmospheric). This iconization and minimization is intended to make the performance more basic and simple, less philosophical and metaphysical. This article is the result of an analysis of several texts written by Samuel Beckett.
Cultural Diplomacy in Films by Garin Nugroho Muhammad Abdul Aziz Arif Bawono; Saleh, Sukmawati
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 9 No. 2 (2024): The Role of Art and Culture in Shaping Social, Historical, and Psychological Di
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v9i2.3503

Abstract

This article conducts an in-depth examination of Indonesian cultural elements in Garin Nugroho’s films, using Joseph Nye’s theory of cultural diplomacy as a conceptual framework. Through the analysis of films such as “Daun Di Atas Bantal” and “Opera Jawa,” the article aims to identify and explore the local cultural elements that Nugroho integrates into his film narratives. This research focuses on how Garin Nugroho presents traditional Indonesian cultural elements and how this contributes to international understanding of Indonesia’s cultural richness. By applying the theory of cultural diplomacy, the article highlights the importance of cultural representation in films as a form of soft power capable of building a positive image of Indonesia on the global stage. The study also discusses how Garin Nugroho’s films play a role in cultural diplomacy, serving not only as a medium of entertainment but also as an educational tool and cultural promotion. The article supports the hypothesis that cultural diplomacy plays a crucial role in building understanding and appreciation of a nation’s cultural wealth, as well as strengthening international relations through cultural exchange. Thus, this article functions not only as a critical analysis of Garin Nugroho’s films but also as a case study demonstrating how cultural diplomacy can be effectively used to promote and introduce Indonesian culture to international audiences. The findings of this research are expected to contribute to film studies, cultural diplomacy, and the development of future strategies for promoting Indonesian culture.  
The Influence of Visual Art in Irwan Jamal’s Theatre Artistic Vision Oktavianti, Yeni Sari; ., Jaeni; Saleh, Sukmawati
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 9 No. 2 (2024): The Role of Art and Culture in Shaping Social, Historical, and Psychological Di
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v9i2.3604

Abstract

Irwan Jamal, the founder of the Pictorial Theatre and the Casanova Theatre, is an artist who has studied several art disciplines at once, including theatre, visual arts, literature, and music. Genetic influences from his father’s family, who are skilled in drawing, as well as his education and experience in theatre, have resulted in a form of theatre that is rich in visual expression. This is based on Sigmund Freud’s theory of primary creativity which grows and becomes the foundation of one’s creativity. This article will also discuss and analysed the influence of the visual arts on Irwan Jamal’s vision of theatrical creations in terms of the several works he has directed, both theatrical productions as well as films and music videos. Irwan Jamal’s artistic vision and expression, which was later categorized as a form of “expressionist theatre” was very strongly influenced by the fine arts that Irwan Jamal also studied. The method used to analyse Irwan Jamal’s works (theatre and music videos) will also use the formal structure criticism method, which is usually used for the analysis of a painting. The presentation of critical works uses the method introduced by Edward S Feldman.
Kotekan Technique As An Idea For The Creative Process In Music Creation Ardiansyah, Aris; Mohamad Rudiana; Sukmawati Saleh
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 9 No. 2 (2024): The Role of Art and Culture in Shaping Social, Historical, and Psychological Di
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v9i2.3655

Abstract

The creative process in the creation of musical works is a multifaceted journey that begins with the acquisition of ideas or inspirations. These ideas are transformed into musical concepts, which are then meticulously developed into compositions that are played using a variety of instruments, each representing the unique vision of the creator or composer. This transformation reaches its conclusion in the realisation of the compositions in the form of live performances, which may be experienced as both audio-visual experiences and music recordings. It is also noteworthy that this creative process has the additional function of serving educational purposes. Such activities have the potential to encourage collective action and community engagement, thereby strengthening social solidarity among participants. This research employs an interpretative qualitative methodology, drawing upon literature studies, audio-visual sources, and the empirical experiences of the researcher as both a musician and educator in the field of music. This interpretative approach entails a meticulous examination of selected and organized data through the triangulation of multiple sources. The interpretative phase is enhanced by a synthesis of creative processes and theoretical frameworks, thereby facilitating a comprehensive understanding of the complex relationship between musical creation and its cultural implications. This study illuminates the significance of the creative process in both individual and communal contexts, demonstrating its capacity to shape musical identity and foster social connections.
Soul Of Barekkeng: Transformasi dan Interpretasi Nilai Pangadereng dari Budaya Masyarakat Bugis di Sulawesi Selatan Haruna, Ilham; Caturwati, Endang; Rustiayanti, Sri; Herdiani, Een; Saleh, Sukmawati
PANGGUNG Vol 34 No 4 (2024): Dekonstruksi dan Rekonstruksi Identitas Budaya
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v34i4.3556

Abstract

Soul Of Barekkeng merupakan karya tari kontemporer berbasis tradisi yang merepresentasikan kultur pangadereng masyarakat Bugis, yang telah dimaktubkan pada pappaseng sebagai nilai-nilai adiluhung yang terus ditasbihkan kepada hereditasnya.Perekaciptaan tari yang terinspirasi nilai-nilai kultural pangadereng yang dimanifestasikan dalam pappaseng tentang acca, lempu, warani, dan getteng menjadi novelty. Hal ini bertujuan untuk menghasilkan transformasi dan interpretasi gagasan visual dan artistika dalam wujud tari Soul Of Barekkeng sebagai produk seni. Perekaciptaan ini menggunakan riset kualitatif dan mengelaborasi pendekatan kreativitas oleh Zeng dalam General model of the creative process, yaitu analisis, gagasan ide, evaluasi, sertaimplementasi. Selanjutnya dilakukan pendekatan pengkomposisian tari. Repertoar tari yang memanifestasikan kultur pangaderengmenjadi spirit dalam mengunjungi kembali nilai luhur masyarakat Bugis melalui produk reka cipta dalam wujud bahasa nonverbal. Alih wahana yang bersifat riset dalam kultur pangadereng tersebut dapat menjadi pegangan untuk terus mejaga keberlanjutan nilai-nilai luhur di era futuristik, baik bagi masyarakat Bugis maupun secara universal sebagai perwujudan keberhasilan dan pesan yang harus terus ditransmisikan dalam menata laku kehidupan.
Estetika Fotografi Liam's World Karya Erin Lefevre Rahardian, Adinatasya Luthfiyyah; Saleh, Sukmawati
Jurnal Bahasa Rupa Vol. 7 No. 2 (2024): Bahasa Rupa April 2024
Publisher : Prahasta Publisher (manage by: DRPM Institut Bisnis dan Teknologi Indonesia)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v7i2.1642

Abstract

Aesthetics or beauty is found in every photographic work. Apart from the visual aspect, the meaning of a photo is also important in photography aesthetics. Erin Lefevre is a documentary photographer who created a collaborative photo series project with her younger brother who was diagnosed with autism, named Liam. This research examines eight of Erin's photographs from the Liam's World photo series. Qualitative methods and photography aesthetic theory were used in this research. The focus of the analysis lies in the ideational and technical aspects to find the meaning contained in the representation of the daily life of children with autism. The results of the study show that photographers can capture the unique world of autistic children with good visual elements, apart from producing aesthetic work they can also provide in-depth insight into the life experiences of children diagnosed with autism. So, it is hoped that documentary photography will be able to change people's perceptions about autism
Implementasi Teknik Bracing pada Organologi Kacapi indung Karya Endo Suanda Oktaviani andriyanti, Sania Putri; pepep; saleh, sukmawati
Paraguna Vol 11 No 1 (2024): INTERKULTURAL - INTERTEKSTUAL
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Kacapi indung is one of the traditional musical instruments from Cianjur, West Java, known as an important part of the art of Tembang Sunda Cianjuran. Based on its organology, Tembang Sunda Cianjuran is made of Kenanga wood. The object of this research is an analysis of organology with a focus on the implementation of bracing techniques on Kacapi indung performed by Endo Suanda. The method used is descriptive qualitative with an organological approach. Data collection was carried out by means of observation, interviews and documentation. The result of this research is that the bracing technique implemented in Kacapi indung is based on changes in raw materials which were originally made from wood and then replaced by bamboo. Bamboo has a different thickness from wood, requiring Kacapi indung to add bracing so that Kacapi indung can be sturdier and stronger.
INTERAKSI MUSIKAL PEMERAN DALAM GENDING KARESMEN SI KABAYAN JEUNG RAJA JIMBUL Saiful, Abizar Algifari; Saleh, Sukmawati
Jurnal Kajian Seni Vol 11, No 2 (2025): Jurnal Kajian Seni Vol 11 No 2 April 2025
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jksks.101778

Abstract

Gending karesmen Si Kabayan Jeung Raja Jimbul merupakan karya seni pertunjukan hasil kerja kolektif antara dua seniman Sunda, yaitu Wahyu Wibisana (naskah) dan Mang Koko (musik). Salah satu identitas dari gending karesmen, yaitu setiap pemeran melakukan dialog dengan cara dinyanyikan. Kemampuan pemeran tokoh tidak hanya piawai dalam berperan, namun perlu memiliki kemampuan musikal dan kualitas vokal yang mumpuni, maka interaksi yang terjadi di dalam gending karesmen adalah interaksi musikal. Tujuan penelitan ini adalah mengungkap arah interaksi musikal pemeran yang terjadi di dalam gending karesmen Si Kabayan Jeung Raja Jimbul. Metode penelitian yang digunakan adalah kualitatif dengan pendekatan fenomenologi. Data dikumpulkan melalui observasi, wawancara, studi kepustakaan, studi dokumentasi, dan catatan reflektif. Fokus objek kajian pada penelitian ini adalah video rekaman pertunjukan gending karesmen Si Kabayan Jeung Raja Jimbul. Observasi dilakukan pada data video dan manuskrip musik. Ditemukan tiga arah interaksi musikal yang dipengaruhi oleh stimulus pra pentas dan saat pentas, yaitu interaksi musikal pemeran dengan dirinya terhadap lingkungan, interaksi musikal pemeran dengan pemeran lain (tunggal), dan interaksi musikal pemeran dengan kelompok pemeran. Ketiga arah interaksi musikal tersebut, memperjelas identitas khas gending karesmen Si Kabayan Jeung Raja Jimbul sebagai salah satu wujud teater rakyat.
Semiotic Analysis of Kaonashi's Character Transformation in the Movie Spirited Away by Hayao Miyazaki Difitrian, Dinan; Saleh, Sukmawati
Gorga : Jurnal Seni Rupa Vol. 13 No. 2 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v13i2.62309

Abstract

This research aims to analyze the symbolism of Kaonashi's character in the animated film "Spirited Away" by Hayao Miyazaki using a semiotic approach from Charles Sander Peirce's theory. This approach was chosen to reveal the deep meanings contained in Kaonashi's character through signs, objects, and interpretants contained in the movie. Semiotic analysis will show how these characters reflect internal and social conflicts, as well as how interactions with the environment affect character development. This research enriches the understanding of character design in animated films and its contribution to deeper and more meaningful narratives. The research method used is descriptive qualitative by analyzing data obtained from films, art books, behind-the-scenes videos, and various additional sources. The results show that Kaonashi's character undergoes three main stages of transformation that reflect changes in his identity and the meaning he carries. In the first stage, Kaonashi is depicted as a lonely and ignored figure, who simply stays on the bridge of the spirit world. In the second stage, Kaonashi becomes greedy and loses control while in the spirit bath, showing the negative impact of greed and the need for recognition. In the third stage, Kaonashi finds peace and acceptance at Zeniba's house, showing the transformation to a calmer and more accepted identity. The conclusion of this study is that Kaonashi represents emptiness, loneliness, and confusion of direction as interactions with the environment affect character development, as in the lives of people around the world.KEYWORDSsemiotics, character transformation, spirited awayAUTHORSDinan DifitrianSukmawati SalehREFERENCESAbramovitch, S. (2021). Hollywood Flashback: œSpirited Away Broke Records and Made Oscar History. Hollywoodreporter.Com. https://www.hollywoodreporter.com/movies/movie-news/spirited-away-film- oscars-records-history-1235052088/ Blazer, L. (2015). Animated Storytelling: Simple Steps For Creating Animation and Motion Graphics. Peachpit Press. Dewi, F. N., & Mutiaz, I. R. (2023). MUATAN BUDAYA CHINA DALAM DESAIN KARAKTER YUN JIN GAME GENSHIN IMPACT. Gorga : Jurnal Seni Rupa, 12(2), 295. https://doi.org/10.24114/gr.v12i2.49133 Halim, B., & Yulius, Y. (2023). ANALISIS SEMIOTIKA FERDINAND DE SAUSSURE PADA FILM œSELESAI. Gorga : Jurnal Seni Rupa, 12(1), 63. https://doi.org/10.24114/gr.v12i1.41423 Kartini, K., Fatra Deni, I., & Jamil, K. (2022). Representasi Pesan Moral Dalam Film Penyalin Cahaya. SIWAYANG Journal: Publikasi Ilmiah Bidang Pariwisata, Kebudayaan, Dan Antropologi, 1(3), 121“ 130. https://doi.org/10.54443/siwayang.v1i3.388 Khaira, F., Jamarun, N., & Minawati, R. (2022). Mise En Scene Dalam Film Surat Kecil Untuk Tuhan. Gorga : Jurnal Seni Rupa, 11(2), 288. https://doi.org/10.24114/gr.v11i2.37425 Miyazaki, H. (2002). The Art of Spirited Away. VIZ Media LLC. Nismoro, R. (2024). Analisis Perilaku Karakter Marisol Dalam Film A Man Called Otto Sebagai Representasi Kepedulian Sosial. 3, 26“46.Sasmita, U. (2017). Representasi Maskulinitas dalam Film Disney Moana (Analisis Semiotika Charles Sanders Pierce). Jurnal Online Kinesik, 4(2), 130.Selby, A. (2013). Animation. Laurence King Publishing. Tinarbuko, S. (2008). Semiotika komunikasi visual. Jalasutra. Weels, P., & Moore, S. (2016). The Fundamentals of Animation (2nd Editio). Fairchild Books. Wibowo, I. S. W. (2013). Semiotika komunikasi : aplikasi praktis bagi penelitian dan skripsi komunikasi (2nd ed.). Mitra Wacana Media. Yumielda, V. D., & Efi, A. (2023). Istano Basa Pagaruyung: The Functional Values of the Building Toward its Residents, The Social Community, and Educational Elements. Indonesian Research Journal in Education |IRJE|, 7(2), 450“465. https://online-journal.unja.ac.id/irje/article/view/28298 Yumielda, V. D., & Zulkifli, Z. (2022). Kajian Semiotika Peirce Pada Karya Seni Lukis di Sanggar Seni Rupa Simpassri. Visual Heritage: Jurnal Kreasi Seni Dan Budaya, 5(1), 28“38. https://doi.org/10.30998/vh.v5i1.6524 Yuniati, N. I. D., & Chudari, I. N. (2021). Analisis Nilai-nilai karakter dalam animasi riko the series sebagai alternatif pembelajaran karakter. Didaktika, 1(3), 469“478. https://doi.org/10.17509/didaktika.v1i3.38109
Co-Authors Abizar Algifari Saiful Aldri Frinaldi Andri Setiawan Aris Ardiansyah Arthur S. Nalan Cahya Cahya Dewi, Ananda Aulia Difitrian, Dinan Een Herdiani Endang Caturwati Gardapandawa, Budi Setiawan Haruna, Ilham Imam Setyobudi Irianto, Adhy Pratama Jaeni Jaeni Jayawarsa, A.A. Ketut Krismayanty, Mayang M. Iqbal Fauzi Mohamad Rudiana Muhammad Abdul Aziz Arif Bawono Munir Salham Nalan, Arthur S. Nurhayati Mansyur Oktaviani andriyanti, Sania Putri Oktavianti, Yeni Sari pepep Rahardian, Adinatasya Luthfiyyah Retnawati, Nina Rudi Hartono Rudi Hartono Rudi Hartono, Rudi Hartono Rustiayanti, Sri Saputra, Firman Adi Timmerman, Benny Yohanes Wastap, Jaeni B windyagiri, sony Yanti Heriyawati