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Intertextuality in 2024 Indonesian Presidential Debate Memes on X Valkenburg, Odytyas Fanni Anggraheni Dewanti; Chitra, Bima Prana; Erwina, Emmy
TRANSFORM: Journal of English Language Teaching and Learning Vol. 14 No. 3 (2025): September, 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/tj.v14i3.68008

Abstract

The advent of social media has led to changes in the way people communicate. One such change is in the usage of memes, especially among the younger generation. With Gen Z and Millennials making up over 50% of the voters in the 2024 Indonesian presidential election, memes became one way they voiced their opinions on the televised debates held prior to the election. This research aimed to find out how intertextuality impacted the meaning of political memes about the 2024 Indonesian presidential candidate debates. This research employed the qualitative method. The critical discourse analysis by Fairclough was used to analyze the data. The memes were limited only to those that referenced works of literature that were uploaded on the social media platform X on the day of or the day after the first, third, and fifth presidential debates. The findings indicated that intertextuality in memes added a layer of complexity and nuance that allowed the creators to criticize the candidates implicitly through humor, thus circumventing censorship and IET laws. The memes functioned as a mode of political advocacy and public discussion, mainly in the form of criticism of the candidates’ actions during the debates. Criticism of the first and third debates likely contributed to the calmer proceedings of the final debate.
Karakterisasi Arketipal Dr. Gregory House dalam Serial Televisi House M.D Syahnanda, Hendra; Chitra, Bima Prana
Jurnal Pendidikan Tambusai Vol. 9 No. 3 (2025): Desember
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai, Riau, Indonesia

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Abstract

Penelitian ini menganalisis karakteristik arketipikal Dr. Gregory House dalam serial televisi House M.D. melalui kerangka teori arketipikal Carl Jung. Tujuan penelitian ini adalah mengidentifikasi arketip yang diwakili oleh Dr. House dan menganalisis dampaknya terhadap karakterisasi dirinya. Dengan menggunakan metode deskriptif kualitatif, analisis berfokus pada episode-episode terpilih yang menggambarkan konflik internal, hubungan, dan dilema moral House. Temuan menunjukkan empat arketipe yang tidak umum namun dominan yang diwujudkan oleh Dr. House: Wounded Healer, tercermin dalam rasa sakit kronisnya dan empati yang lahir dari penderitaan; Shadow, tercermin dalam perilaku merusak diri dan ambiguitas moralnya; Antihero, tercermin dalam penolakannya terhadap otoritas dan metode tidak konvensionalnya; dan Seeker, tercermin dalam upayanya yang tak kenal lelah untuk mencari kebenaran tanpa memedulikan biaya pribadi. Dampak dari arketipe-arketipe ini memengaruhi rasa sakit kronis House, trauma emosional, ambiguitas moral, dan pengejarannya yang tak kenal lelah terhadap kebenaran. Analisis ini berfokus pada delapan episode terpilih yang menonjolkan konflik batin dan dilema etis House, menggunakan model interaktif Miles dan Huberman untuk menganalisis data. Penelitian ini berkontribusi pada studi sastra dan media dengan menunjukkan bagaimana teori arketipe dapat mengungkap pola psikologis universal dan relevansi budaya yang tertanam dalam narasi televisi kontemporer.
RELIGIOUS ARCHETYPES IN MY NAME IS KHAN MOVIE Chitra, Bima Prana; Erwina, Emmy; Nurtartila, Nurtartila
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 8 No. 3 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

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Abstract

This study aims to explore the representation and function of religious archetypes in the movie My Name Is Khan, directed by Karan Johar and written by Shibani Bathija. Employing Carl Gustav Jung’s archetype theory and Claude Lévi-Strauss’ structuralism as analytical frameworks, this research identifies the recurring religious archetypes that shape the characters and moral structures within the film. The qualitative method was used, focusing on textual and contextual analysis of dialogues and scenes from the movie that reflect archetypal elements. The findings reveal six dominant archetypes—The Great Mother, The Wise Old Man, The Hero, The Angel, The Caregiver, and Sufism. Each archetype serves to strengthen the film’s moral and spiritual message about humanity, compassion, and religious tolerance. The film not only reflects universal archetypal values but also offers a humanistic portrayal of faith amid discrimination. Ultimately, this research demonstrates that My Name Is Khan transcends religious narratives by portraying spiritual resilience, empathy, and universal values of goodness. Keywords: Religious archetypes, structuralism, Jungian theory, spirituality, My Name Is Khan.
RELIGIOUS ARCHETYPES IN MY NAME IS KHAN MOVIE Chitra, Bima Prana; Erwina, Emmy; Nurtartila, Nurtartila
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 8 No. 3 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study aims to explore the representation and function of religious archetypes in the movie My Name Is Khan, directed by Karan Johar and written by Shibani Bathija. Employing Carl Gustav Jung’s archetype theory and Claude Lévi-Strauss’ structuralism as analytical frameworks, this research identifies the recurring religious archetypes that shape the characters and moral structures within the film. The qualitative method was used, focusing on textual and contextual analysis of dialogues and scenes from the movie that reflect archetypal elements. The findings reveal six dominant archetypes—The Great Mother, The Wise Old Man, The Hero, The Angel, The Caregiver, and Sufism. Each archetype serves to strengthen the film’s moral and spiritual message about humanity, compassion, and religious tolerance. The film not only reflects universal archetypal values but also offers a humanistic portrayal of faith amid discrimination. Ultimately, this research demonstrates that My Name Is Khan transcends religious narratives by portraying spiritual resilience, empathy, and universal values of goodness. Keywords: Religious archetypes, structuralism, Jungian theory, spirituality, My Name Is Khan.