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All Journal E-Journal Of Cultural Studies Jurnal Kajian Bali Communicatus: Jurnal Ilmu Komunikasi Turbo : Jurnal Program Studi Teknik Mesin JUTIK : Jurnal Teknologi Informasi dan Komputer Jurnal Ilmiah Pendidikan dan Pembelajaran Demandia : Jurnal Desain Komunikasi Visual, Manajemen Desain, dan Periklanan Jurnal Nawala Visual JURPIKAT (Jurnal Pengabdian Kepada Masyarakat) Indonesian Gender and Society Journal Paradharma: Jurnal Aplikasi IPTEK Kalpataru Berkala Arkeologi KOMET Jurnal Bahasa Rupa National Journal of Law Jurnal Bahasa Rupa
I Ketut Setiawan
STMIK STIKOM Indonesia
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Journal : e-journal of cultural studies

 1 
FACTORS AND IMPLICATIONS OF REMOVING OF COLONIAL BUILDINGS IN SINGARAJA CITY I Wayan Sumerata; A.A. Ngurah Anom Kumbara; I Ketut Setiawan
E-Journal of Cultural Studies Volume 13, Number 2, May 2020
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2020.v13.i02.p05

Abstract

The swift flow of development and the demands of globalization seemed to be the destroyer of colonial buildings in Singaraja City, so that its existence was increasingly marginalized. This phenomenon is a serious problem because it can have implications for the existence of colonial buildings which are a reflection of historical events. The purpose of this study was to determine the forms and backgrounds of marginalization, as well as the implications of the alienation of colonial buildings in Singaraja City. The method of data collection is done by observation, interviews, and literature study. The theories used in this research are the theory of power relations, hegemony theory, and deconstruction theory. The results showed that the form of marginalization of colonial buildings, namely unfair treatment by the government and the community in the form of monasticism of the condition of buildings that were damaged, both minor, moderate or severe damage, even many of which were demolished were replaced by new buildings with other uses. Although, there are things that are tried to be repaired, but they are patchy so that it looks shabby and removes its authenticity. Factors leading to marginalization include the development of urban communities, the indifference of local governments, and the insistence of global capitalist interests. This condition is related to the practice of power and hegemony which is very strong in the people's mindset, that it seems as if there are no victims. This then has implications, namely the loss of historical evidence, urban identity, and the diminishing love of the younger generation for the importance of cultural heritage. Keywords: colonial buildings, marginalized, power, hegemony, capitalists, city identity
THE DYNAMIC OF CACI MULTIFUNCTION IN MANGGARAI ETHNIC NOWADAYS Karolus Budiman Jama; I Wayan Ardika; I Ketut Ardhana; I Ketut Setiawan
E-Journal of Cultural Studies Volume 13, Number 1, February 2020
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (871.988 KB) | DOI: 10.24843/cs.2020.v13.i01.p02

Abstract

Manggaraian ethnic has a special art named Caci. The art holds and became an identity of the whole of Manggaraian. The art was begun as the ritual of farmer’s land fertility. In its developing, the aesthetic has gone under the multifunction in it show time. The art is not only performing for the shake of the local people culture, but also perform for the political interest as well as the catholic church in Mangggarai. This research used ethnographic method, data collected through the observation, interview, documentation, and triangulation. The research was done in Manggaraian ethnic of Flores. Every Caci performance has its own unique ideology. The ideology goes behind the cultural Caci performance is the ideology of fertility. The ideology goes behind the government interest of Caci performance is capitalism economy and political power. The church ideology is inclusivism through the inculturation languages. Keywords: dynamic, multifunction, caci, ideology, culture identity
GAMELAN SELONDING SACRED FUNCTION IN TENGANAN PEGRINGSINGAN VILLAGE I Wayan Suharta; I Nyoman Suarka; I Wayan Cika; I Ketut Setiawan
E-Journal of Cultural Studies Volume 14, Number 1, February 2021
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2021.v14.i01.p03

Abstract

Gamelan Selonding in Tenganan Village has its own history, its existence is associated with stories that have been passed down from generation to generation.It begins with the discovery of three blades iron plates which is stated as gamelan selonding blade.It is believed to be a piturun not made by human beings, but because of the nature, by the people of Tenganan village called ‘Bhatara Bagus Selonding'.Gamelan Selonding for Tenganan people is very sacred.To maintain its sacredness, it should be adapted to the concept desa, kala, and patra, should not be touched by anyone else, except by a designated group of seven people as Juru Gambel (Balinese musician). Juru Gambel has their responsibility for the sanctity of Selonding gamelan, it cannot be placed at random space and could only be played at specified time. For Tenganan people the Selonding gamelan sacredness is not just an outward statement, but the totality of the integration of thoughts, feelings, words and attitudes, so that the treatment for the Selonding is a form of prostration. Selonding not only honored and sacred, and sanctified, but it fulfills all the vibrations of the Tenganan Village community in meeting space, time, and circumstances. This paper uses a qualitative approach and the writing mechanism analyzes the text which is described to know and understand the sacredness of Selonding gamelan in Tenganan. Keywords: Gamelan Selonding, function, sacred.
Co-Authors A.A. Ngurah Anom Kumbara Alghifari, Nabil Naufal Anang Ansyori Aniek Suryanti Kusuma, Aniek Suryanti Dewa Ayu Ketut Sri Murtini Dewi Natalia, Sang Ayu Made Krisna Evelyn Angelita Pinondang Manurung FERI FITRIYANTO Gede Surya Mahendra I Dewa Made Krishna Muku I Gede Adi Sudi Anggara I Gusti Agung Indrawan I Gusti Ngurah Putu Reksa Antare I Ketut Ardhana Ardhana, I Ketut Ardhana I MADE DEDY SETIAWAN . I Nyoman Anom Fajaraditya Setiawan, I Nyoman Anom I Nyoman Jayanegara I Nyoman Jayanegara I Nyoman Suarka I Wayan Ardika I Wayan Cika I Wayan Srijaya I Wayan Srijaya I Wayan Srijaya, I Wayan I Wayan Suharta, I Wayan I Wayan Sumerata IGN Tara Wiguna Jama, Karolus Budiman Ketut Laksmi Maswari Ketut Sepdyana Kartini Lukito Dwi Yuono, Lukito Dwi Natalia, Sang Ayu Made Krisna Dewi Nelly Rosaline Ni Komang Ayu Leonita Ni Made Mila Rosa Desmayani* Ni Putu Setia Dewi Putra, Putu Satria Udyana Putu Ayu Riyanta Lestari Rochtri Agung Bawono Rochtri Agung Bawono, Rochtri Agung Sang Ayu Made Krisna Dewi Natalia Saraswati, Ni Wayan Sumartini Septiandi, Ari Setiawan, Antonio Henry Surono, Bambang Sutarwiyasa, I Ketut Thalib, Emmy Febriani Wiguna, IGN Tara Yuri Prima Fittryani, Yuri Prima