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Pembuatan Karakter Animasi “Halo Saya Disabilitas” untuk Memperkuat Isu Disabilitas pada Sektor Pendidikan Hadiprawiro, Yulianto; Susanti, Dewi Indah; Hidayati, Atiek Nur; Saptodewo, Febrianto; Dawami, Angga Kusuma
Presisi Jurnal Pengabdian Masyarakat Vol. 2 No. 2 (2023): 2023
Publisher : PT. Lancar Media Komunikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar

The issue of disability in the education sector still has not had much influence on changing the stigma towards Children with Special Needs (ABK) with disabilities in the education sector. Through the animated characters in the service "Hello I am disabled" it is an effort to understand the personal character of people with disabilities in the school education sector. This paper uses a descriptive-qualitative perspective on the process of creating animated characters for the animation "Hello I'm Disabled". The result of this paper is a process of dedication to the form of animated characters that have a strong identity in displaying visual constructions with depictions of disabilities.

Analisis Karya Lukis Berjudul “Kakak dan Adik” Berdasarkan Sudut Pandang De Witt H. Parker Ricky, Yusnita Nur; Dawami, Angga Kusuma
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 15 No. 1 (2023)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v15i1.3737

The object of this research is the painting entitled “Kakak dan Adik” by Basuki Abdullah. To obtain theoretical results, the analysis is carried out by applying an aesthetic approach using the aesthetic form theory proposed by DeWitt H. Parker. This analysis is carried out with the aim of knowing the concepts or ideas and meanings that shape the beauty of the object used, the color chosen, and overall messages to be conveyed through this painting. These beauty can be seen through six principles regarding aesthetic forms in works of art, namely: The principle of Organic unity, the priciple of theme, the principle of thematic variation, the principle of balance, the principle of evolution, and the principle of hierarchy. Then from the use of these six principles, it was found that every element in the painting “Kakak dan Adik” indeed contains the values of beauty. That things can be seen from how these elements need each other in explaining the overall meaning of empathy for compassion and humanity. This feeling emerged when the painter was in a frenzy of social change which was the impact of changes in the nation’s economis system at that time.

Peran Logo dalam Membangun Identitas Visual Dawami, Angga Kusuma
CITRAWIRA : Journal of Advertising and Visual Communication Vol. 6 No. 1 (2025)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/citrawira.v6i1.7021

Logo memainkan peran krusial dalam membentuk identitas visual sebuah perusahaan atau organisasi. Sebagai simbol yang merepresentasikan entitas, logo lebih dari sekadar gambar—ia adalah alat komunikasi visual yang membangun asosiasi kuat antara merek dan konsumen. Proses desain logo tidak hanya berfokus pada estetika, tetapi juga pemahaman yang mendalam tentang visi, misi, dan tujuan entitas yang diwakili. Artikel ini menggunakan metode analisis deskriptif kualitatif, dengan mengkaji literatur tentang fungsi logo, tipe-tipe logo, dan pengaruhnya terhadap persepsi konsumen. Logo yang dirancang dengan baik dapat memperkuat identitas visual korporat dan meningkatkan daya ingat konsumen terhadap merek. Desain logo yang efektif mampu menciptakan asosiasi emosional yang mendalam, memperkuat citra merek, dan memengaruhi keputusan pembelian, sehingga penting bagi perusahaan untuk memastikan logo mereka mencerminkan nilai-nilai inti dan relevansi dengan audiens yang ditargetkan.

Zine art and deaf identity in Indonesia: a practice-led phenomenological exploration of inclusive visual expression Imam, Chairol; Dawami, Angga Kusuma; Marwanto, Aris Budi
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 20 No. 1 (2025)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v20i1.6405

Deaf individuals primarily rely on visual modes of communication such as sign language, which also function as powerful expressions of cultural identity. Despite this, their representation within the arts remains limited, particularly in Indonesia, where access and inclusion are still developing. This study explores how visual art, specifically zine-making, can serve as an inclusive and culturally grounded creative space for the Deaf community, emphasizing the interaction between Deaf identity, sign language, and visual expression. Rooted in a constructivist epistemology, this research is grounded in the belief that knowledge is actively constructed through interaction, experience, and meaning-making. To support this philosophical stance, the study employs three interrelated methodologies: Practice-Led Research to guide the artistic process and creative exploration; Aesthetic Phenomenology to examine the lived and embodied experiences of visual creation and reception; and Actor-Network Theory (ANT) to analyze the relational dynamics among human and non-human actors involved in the zine-making process. Through collaborative artistic engagement with Deaf individuals and reflective documentation of their interactions, the study reveals that zines function not only as artistic outcomes but also as inclusive communication tools that bridge the Deaf and hearing worlds. Visual elements inspired by BISINDO (Indonesian Sign Language) operate as symbolic markers of Deaf identity, while the integration of grapyak, a Javanese cultural value emphasizing hospitality, supports the formation of inclusive aesthetics rooted in local traditions. This research contributes to the field of disability arts by demonstrating how zine-making can serve as a site of cultural dialogue, visual empowerment, and artistic inclusion. It also provides a model for integrating local cultural values into inclusive visual practices.

PENERAPAN POLA BERPIKIR DESAIN DALAM KAMPANYE IDENTITAS VISUAL DISABILITAS DI KLATEN DAN JAKARTA dawami, angga kusuma
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 17 No. 1 (2025)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v17i1.7090

Penelitian ini berfokus pada penerapan Design thinking dalam pembuatan kampanye visual disabilitas, khususnya di Klaten dan Jakarta. Tujuan penelitian ini adalah untuk menggali pola berpikir desainer dalam menciptakan karya desain yang efektif, inklusif, dan dapat diakses oleh penyandang disabilitas. Melalui lima tahapan design thinking—Empathize, Define, Ideate, Prototype, dan Test—penelitian ini menganalisis perancangan logo, maskot, animasi, dan poster yang bertujuan untuk meningkatkan kesadaran sosial dan mempromosikan kesetaraan bagi disabilitas. Dengan pendekatan kualitatif, penelitian ini menggunakan wawancara dan studi literatur untuk mengidentifikasi tantangan yang dihadapi oleh desainer dalam menghasilkan karya visual yang memenuhi kebutuhan aksesibilitas. Hasil penelitian ini menunjukkan bahwa berpikir desain yang terstruktur dan proses interaktif sangat penting dalam menciptakan desain yang mampu menyampaikan pesan dengan jelas dan efektif.

Mengkaji Karya Lukisan Jepang “The Great Wave Off Kanagawa” Menggunakan Kajian Teori Clive Bell Nuraini, Rosida; Dawami, Angga Kusuma
Magenta | Official Journal STMK Trisakti Vol. 9 No. 2 (2025): Magenta : Jurnal ilmiah Komunikasi dan Media
Publisher : Pusat Penelitian dan Pengabdian Masyarakat (P3M) Sekolah Tinggi Media Komunikasi Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61344/magenta.v9i2.162

Ukiyo-e literally means "modern painting" or paintings with themes of everyday life. One painter who is very famous for his artistic works of natural landscapes is Katsushika Hokusai. When he was old enough, Hokusai spent it creating a collection of paintings known as Thirty-Six Views of Mount Fuji (Fugaku sanjûrokkei) or thirty-six views of Mount Fuji. One of his works in the series, entitled Kanagawa-oki Nami Ura or as it is also known as "The Great Wave Off Kanagawa", is very global because the artist succeeded in making his work unique, where he represents the view of large waves accompanied by Mount Fuji using a combination of colors and techniques. unique. Significant Form, according to Clive Bell, is a relationship and combination of lines or colors that aesthetically creates a form. In his book, Clive Bell emphasizes that the quality that makes a work of art exist and without which it does not exist is called significant form. The Great Wave Off Kanagawa includes the theory put forward by Clive Bell, which is that from lines, choosing colors that are aesthetically pleasing can create aesthetic shapes.

Revitalization of Nusantara Traditional Fashion: Integration of Sanggit Aesthetics and Design Thinking for the Preservation of Nusantara Culture Sunarmi, Sunarmi; Dawami, Angga Kusuma; Utami, Linda
Journal of Social Research Vol. 4 No. 10 (2025): Journal of Social Research
Publisher : International Journal Labs

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55324/josr.v4i9.2769

The challenge of preserving traditional clothing such as jarik, kebaya, sarong, batik, songket, and weaving is increasingly marginalized by modernity and globalization. The main goal of this paper is to design and realize traditional fashion works based on virtual technology that are adaptive and contextual without losing their philosophical meaning and cultural value. The aesthetic approach of the archipelago in this study uses the concept of Sanggit work—a creative principle in traditional art that emphasizes the revitalization and adaptation of cultural values—as a strategy for revitalizing traditional clothing. This research also employs the Design Thinking method in five stages (Empathize, Define, Ideate, Prototype, and Test), strengthened by the Sanggit aesthetic approach, which emphasizes cultural revitalization in a contemporary form. The beauty of traditional fashion forms full of religious values is summed up as a concept of beauty that not only preserves visual heritage but also transforms it into ethical values and cultural identity. Five samples of traditional clothing from various regions—Central Java, Minangkabau, Maluku, Osing Banyuwangi, and Dayak Ngaju—formed the basis for the creation of the work. The results of the research, which went through the Sanggit process, produced traditional clothing originally used for ceremonial purposes, revitalized as work clothes and party clothes without eliminating the nuances and symbols of the archipelago's culture.

KAJIAN SEMIOTIKA CHARLES SANDERS PEIRCE KARYA LUKIS SILVIE MAHDAL "THE GARDEN OF SELF-LOVE": SEMIOTIC STUDY OF CHARLES SANDERS PEIRCE'S PAINTING SILVIE MAHDAL "THE GARDEN OF SELF-LOVE" Seren Dipity May Putri; Angga Kusuma Dawami
Arty: Jurnal Seni Rupa Vol. 13 No. 1 (2024): Regular Issue
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v13i1.1030

ABSTRAK Penelitian ini menggunakan Semiotika Charles Sanders Peirce oada sebuah Karya Lukis dari Silvie Mahdal “The Garden of Self-love”. Penelitian ini bertujuan untuk mengetahui dan memberikan informasi mengenai makna semiotik sesuai teori Charles Sanders Peirce yang terdapat pada salah satu lukisan seniman bernama Silvie Mahdal “The Garden of Self-love”. Metode yang digunakan pada penelitian ini adalah metode deskriptif kualitatif karena secara keseluruhan menjelaskan bagaimana proses pembentukan tanda dan pemaknaan tanda-tanda yang ada melalui pendekatan semantic pada karya ini. Data yang digunakan adalah data sekunder. Hasil penelitian ini menunjukan bahwa pesan atau makna yang akan disampaikan dalam bentuk gagasan karya seni lukis ini mengenai cinta diri atau self-love yang seharusnya dilakukan di kehidupan sehari-hari agar lebih mengerti, menerima dan menghormati dirinya sendiri serta merasakan dampak positif dari cinta diri. Berdasarkan penelitian ini dapat disimpulkan bahwa setiap tanda yang terdapat pada lukisan berdasarkan warna, arsir dan gelap terang memiliki makna sesuai dengan cinta diri. Tanda-tanda dan pesan tersirat yang ada pada karya seni tersebut menurut penulis tergambarkan dan tersampaikan dengan baik, ditambah pengalaman estetis yang diberikan dengan sentuhan realisme khas Silvie Mahdal menjadikannya mudah dan menyenangkan untuk diterima oleh khalayak. ABSTRACT This study uses Charles Sanders Peirce's semiotics on Silvie Mahdal's painting "The Garden of Self-love". This research aims to find out and provide information about the semiotic meaning according to Charles Sanders Peirce's theory found in one of Silvie Mahdal's paintings "The Garden of Self-love". The method used in this research is the descriptive qualitative method because it explains how the process of sign formation and the meaning of existing signs through a semantic approach in this work. The data used is secondary data. The results of this research show that the message or meaning that will be conveyed in the form of the idea of this painting is about self-love or self-love that should be done in everyday life to understand better, accept and respect themselves and feel the positive impact of self-love. Based on this research, every sign in the painting based on color, shading and light darkness has a meaning following self-love. According to the author, the signs and implied messages in the artwork are well depicted and conveyed, plus the aesthetic experience provided with a touch of realism typical of Silvie Mahdal makes it easy and fun to be accepted by the audience.

Pemberdayaan Perkumpulan Penyandang Disabilitas Klaten (PPDK) Melalui Branding dan Pemasaran digital untuk Peningkatan Pemasaran Produk Karya Difabel Susilo, Dahlan; Yuliyanto, Arif; Dawami, Angga Kusuma; Ashsidiq, Muhammad Fadhlan Ravi
Jurnal Pelayanan dan Pengabdian Masyarakat (Pamas) Vol 9, No 4 (2025): Jurnal Pelayanan dan Pengabdian Masyarakat (PAMAS)
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat (LPPM Universitas Respati Indonesia)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52643/pamas.v9i4.7068

The main problem faced by PWDs called Perkumpulan Penyandang Disabilitas Klaten (PPDK) in Klaten is the limited access to information and marketing opportunities for their products, resulting in the products being known only at the local level. Therefore, training on adequate product photography and the use of digital platforms such as social media and websites are essential to increase the visibility of their products in the global market. This community service aims to increase the empowerment of people with disabilities in Klaten through the application of branding and pemasaran digital strategies in marketing products made by difables. The service method applied includes training on product photography, utilization of cloud servers for data and information management, and pemasaran digital to introduce products made by people with disabilities to the wider community. The results of this service are expected to improve the quality of product photos, expand market reach, and build a strong brand identity for difable products. The success of this training is important to open wider economic opportunities for people with disabilities and increase public awareness about the importance of equality in economic opportunities. In conclusion, pemasaran digital and branding are key to strengthening the position of people with disabilities in a larger and global market

Analisis Karya Lukis Berjudul “Kakak dan Adik” Berdasarkan Sudut Pandang De Witt H. Parker Ricky, Yusnita Nur; Dawami, Angga Kusuma
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 15 No. 1 (2023)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v15i1.3737

The object of this research is the painting entitled “Kakak dan Adik” by Basuki Abdullah. To obtain theoretical results, the analysis is carried out by applying an aesthetic approach using the aesthetic form theory proposed by DeWitt H. Parker. This analysis is carried out with the aim of knowing the concepts or ideas and meanings that shape the beauty of the object used, the color chosen, and overall messages to be conveyed through this painting. These beauty can be seen through six principles regarding aesthetic forms in works of art, namely: The principle of Organic unity, the priciple of theme, the principle of thematic variation, the principle of balance, the principle of evolution, and the principle of hierarchy. Then from the use of these six principles, it was found that every element in the painting “Kakak dan Adik” indeed contains the values of beauty. That things can be seen from how these elements need each other in explaining the overall meaning of empathy for compassion and humanity. This feeling emerged when the painter was in a frenzy of social change which was the impact of changes in the nation’s economis system at that time.

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