Claim Missing Document
Check
Articles

Found 2 Documents
Search

Music in Perumah Begu Ritual of Karo Tribe (Study of Form and Music Functions) Esra Pt Siburian
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 2, No 2 (2019): Budapest International Research and Critics Institute May
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v2i2.265

Abstract

This study wants to examine the phenomenon of the ritual of summoning the spirits of people who have died in the Karo community which involves the presence of musical sounds in the stages of the procession. What is interesting in this case is how the form of ritual, and the form of music used in accompanying each stages of the procession of Perumah Begu rituals will be studied in depth. The method used in this study is descriptive qualitative, that are the steps to make field research, interviews, studio work, and analyze data. Techniques of analysis data are carried out by the process of systematically analyzing and compiling data that obtained from interviews, field research, and studio work, then conducting data sections and organizing data into categories, describing them into units, synthesizing, arranging into patterns, choose which ones are important, and will be studied, and make conclusions so that they are easily understood by themselves and others. Based on the study, it can be concluded that the findings are as follows: 1) Perumah Begu’s ritual is a culture of summoning spirits or ghosts of deceased people to solve problems with their families that have not been completed until the day of his/her death. This ritual was carried out on the first night after the body was buried. This ritual is led by a shaman or (guru si baso) as a media that can mediate between the spirit world and the human world. The implementation is divided into three stages: the preparation, implementation and closing. 2) The musical accompaniment used in the Perumah Begu’s ritual is the gendang lima sendalanen ensembles. In general, the gendang lima sendalanen ensembles is known by three forms of reportoar known as: a) Simalungun rayat b) Odak-odak, c) Patam-patam. 3) The connection of the three forms of music reportoar above are very binding on Perumah Begu's ritual journey from the beginning to the end. Each form has its role and function in the Perumah Begu's ritual that is carried out by the Karo community.
Character Formation Based on North Sumatra Local Wisdom Through Orchestral Learning in Music Education Study Program, Universitas Negeri Medan Adina Sembiring; Uyuni Widiastuti; Octaviana Tobing; Esra Siburian; Hendy Obed Sembiring; Ewin Johan Sembiring
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 2, No 4 (2019): Budapest International Research and Critics Institute November
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v2i4.594

Abstract

The objectives of this study are to: (1) Producing character building based on North Sumatra local wisdom through orchestral learning in Music Education Study Program,  Unimed; (2) Producing orchestral learning that can shape the character of students in the Music Education Study Program; (3) Producing characters that are formed through orchestral learning in Music Education Study Program,  Unimed. It is expected that the existence of research on the topic of orchestral learning in Music Education Study Program,  Unimed  can shape character based on local wisdom in North Sumatra