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All Journal Gorga : Jurnal Seni Rupa LITE: Jurnal Bahasa, Sastra, dan Budaya Corak : Jurnal Seni Kriya Busana dan Desain Jurnal Pengabdian Seni Indonesian Research Journal on Education Edulead Pengabdian Seni Dinamika Kerajinan dan Batik: Majalah Ilmiah Jurnal bahasa, sastra, seni, dan pengajarannya
Sugeng Wardoyo
Institut Seni Indonesia Yogyakarta
Religion Arts Humanities Chemistry Computer Science & IT Decision Sciences, Operations Research & Management Education Energy Engineering Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Physics Social Sciences Other

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Revitalisasi Batik Tuban: Eksplorasi Pewarnaan Sogan Sebagai Strategi Peningkatan Nilai Estetis Sugeng Wardoyo; Yonata Buyung Mahendra; Aryo Anggorojati
Corak Vol 15, No 1 (2026): Corak : Jurnal Seni Kriya
Publisher : Corak

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/corak.v15i1.20238

Abstract

Penelitian ini bertujuan mengeksplorasi pewarnaan sogan sebagai alternatif warna khas batik Tuban. Eksotika warna sogan pada sentra batik Tuban merupakan karakter yang unik selain warna wedel. Warna sogan ini dihasilkan dari pohon mengkudu yang spesifikasinya berasal dari bagian akar. Keterbatasan bahan baku akar mengkudu ini menjadi kendala dalam proses produksi skala besar. Upaya revitalisasi batik Tuban dengan berfokus pada peningkatan artistik melalui eksplorasi pewarna soga alami menjdi Solusi alternatif dalam menghadapi tantangan di pasar modern yang didominasi oleh pewarna sintetis. Penelitian ini merupakan penelitian kualitatif yang mengutamakan pendekatan metode Practice-Based Research, dengan serangkaian proses kreatif termasuk eksperimen pencelupan, penyempurnaan motif, dan analisis dampak visual. Temuan ini mengungkapkan bahwa penerapan pewarna soga secara signifikan meningkatkan kedalaman, kekayaan, dan kompleksitas artistik batik, menciptakan gradien warna unik yang sulit ditiru dengan pewarna sintetis. Proses ini tidak hanya melestarikan pengetahuan tradisional tetapi juga menghasilkan produk batik dengan nilai estetika yang unggul, membuka peluan pasar yang menghargai keahlian dan keaslian. Studi ini menyimpulkan bahwa revitalisasi teknik pencelupan tradisional seperti soga adalah strategi yang tepat untuk pelestarian budaya berkelanjutan dan pemberdayaan ekonomi, dan memberikan alternatif warna estetis pada batik Tuban.
Visual metaphor of Guyub Rukun batik motifs: Symbolizing the personal style, spirituality, and fashion identity of Margomulyo Bojonegoro Village Head Sugeng Wardoyo; Tri Wulandari; I Made Sukanadi
LITE: Jurnal Bahasa, Sastra, dan Budaya Vol. 21 No. 2 (2025): September
Publisher : Universitas Dian Nuswantoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/lite.v21i2.12506

Abstract

The purpose of this research was to create a jarik cloth with a visual metaphor of Guyub Rukun batik motifs used by the regional head of Margomulyo village as a fashion identity. The visual metaphor of the Guyub Rukun batik motif reflects Samin's cultural values and noble teachings. This research contributes to the realization of Guyub Rukun jarik cloth as a medium for preserving and strengthening the noble teachings of Samin Margomulyo Bojonegoro in the context of sustainable tradition, culture, and the times. The creation of the jarik was inspired by the value of Surosentiko's Samin noble teachings. The village head is a leadership figure symbolizing harmony and protection of the Margomulyo village community. The Margomulyo village leader has a personal style and spiritual belief in applying the noble teachings of Samin in his leadership to achieve peace, tranquility, togetherness, and prosperity in the community’s social life. The village leader is responsible for preserving the Samin Margomulyo cultural tradition. This research design uses practice-based research, visual metaphor, and vehicle transfer (adaptation). The stages of this research began with observation, data collection, data analysis, and presentation of the analysis results. The results of the analysis were used to conceptualize the design of batik motifs and continued the process of embodiment of the jarik cloth. The result of the design is a prototype of Guyub Rukun jarik as a socio-cultural identity and its main function as the clothing of the Margomulyo village leaders.
Batik Motifs for the Distinctive <i>Jarik</i> of the Samin Community in Reinterpreting the Essence of Samin <i>Surosentiko Pitutur Luhur</i> Wardoyo, Sugeng; Anggorojati, Aryo; Wulandari, Tri
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya
Publisher : citeus

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The Samin community (Sedulur Sikep) in Margomulyo, Bojonegoro, has the value of Pitutur Luhur inherited by Samin Surosentiko, but it has not been represented in the batik jarik motif as a communal identity. This creation-based research aims to explore this value, realize it in the design of written batik, and examine its philosophical meaning as an effort to preserve intangible cultural heritage. The method used is practice-based research with a qualitative approach through literature study (ethical data), participatory observation, and in-depth interviews with elders (emic data). The creation process refers to the stages of experimentation, manekung, and the formation of the work. The result was in the form of three prototypes of jarik batik written with a dye cover technique with napthol dye (dark blue (wedel), brown (sogan), white), displaying the main motif of Wijaya Kusuma flowers combined with supporting motifs as a representation of the principle of Pitutur Luhur. The three designs (Manunggal Jati, Kamulyan Jati, and Margomulyo) reflect the values of unity, wisdom, and communal harmony. This research contributes to the development of the aesthetics of the archipelago, the enrichment of Indonesian batik motifs, and the strengthening of the visual identity of the Samin people through an adaptive and sustainable approach to cultural preservation.
Co-Authors Abdillah, Afifah Ashma' Afifah Ashma' Abdillah Andi Irawan Anggorojati, Aryo Aryo Anggorojati Dewanti, Ratih Artika Dharsono Dharsono Dian Nuzulia Armariena, Dian Nuzulia Fatkhullah, Faiz Karim Guntur, Guntur I Made Sukanadi Isbandono Hariyanto Mega Prasrihamni Primayudi, Kadek Salamah, Masning Sofyan Sauri Supatmin, Supatmin Suryo Tri Widodo Titiana Irawani, Titiana Toto Sunarto Tri Wulandari Tri Wulandari Tri Wulandari Warsono Warsono Yonata Buyung Mahendra Zulkarnain Zulkarnain