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All Journal SELONDING PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora Panggung Gondang: Jurnal Seni dan Budaya Dance and Theatre Review: Jurnal Tari, Teater, dan Wayang Sorai: Jurnal Pengkajian dan Penciptaan Musik Abdi Seni Acintya Tamumatra : Jurnal Seni Pertunjukan Jurnal Kajian Seni Jurnal Mebang Boting Langi: Jurnal Seni Pertunjukan Jurnal Riset Rumpun Seni, Desain dan Media (JURRSENDEM) Jurnal Kawistara Panggung Harmonia: Journal of Arts Research and Education Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik
Kiswanto Kiswanto
Institut Seni Indonesia (ISI) Surakarta
Arts Humanities Decision Sciences, Operations Research & Management Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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Eksperimentasi dan Eksplorasi Instrumen Tiup Bayu Akasa Oleh Mugiyono Kasido Ananda Tri Ariska; Kiswanto Kiswanto
Jurnal Riset Rumpun Seni, Desain dan Media Vol. 4 No. 1 (2025): April : Jurnal Riset Rumpun Seni, Desain dan Media
Publisher : Pusat Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurrsendem.v4i1.8113

Abstract

This study aims to reveal the creative process behind the creation of the Bayu Akasa instrument, an organological innovation based on bamboo by contemporary artist Mugiyono Kasido. Through a qualitative approach using case study methods, this study examines two crucial stages in the creation of the work, namely the material exploration phase and the experimentation with physical techniques. Data was collected through in-depth observation of the subject's performance, documentation of the rehearsal process, and interviews regarding the philosophical and technical aspects of sound production. The results of the study show that: (1) The material exploration stage produced a 2-meter-long aerophone instrument made of petung bamboo with a diameter of 5.9–7.9 inches, designed with an integral three-part system; (2) The experimentation with playing techniques focused on mastering circular breathing or ngunjal, which enables the production of continuous meditative drone sounds without pause; (3) This innovation represents a blurring of the boundaries between choreographic and musical aspects, in which the instrument is no longer treated as a static object but as a somatic extension of the artist's body. These findings confirm that Bayu Akasa is not just an ordinary wind instrument, but a representation of space (Akasa) and breath (Bayu) manifested in a radical performative unity. This research contributes to the development of contemporary organology based on local materials in Indonesia.
Transformasi Multipel dalam Pengembangan Seni Kuda Kepang Kiswanto, Kiswanto
Dance and Theatre Review Vol 2, No 1: May 2019
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1596.278 KB) | DOI: 10.24821/dtr.v2i1.3295

Abstract

This article aims to discourse the perspectives of multiple transformations in the practice of developing performing art of kuda kepang at Turonggo Seto Mardi Utomo group in Boyolali, Central Java. The study of multiple transformations has long been evolving in design and architecture research, but the perspective is rarely encountered in performing arts research which on average still views transformation as a linear or multi-linear process of change. Multiple transformations describe a condition of change made by multiplying or doubling the shape of the kuda kepang art (by taking the same essence, core, or fibre of its structure) into various kinds. The multiplication shows a process of creative development that is triggered by two factors, namely the development of aesthetic and market needs.Keywords: kuda kepang; multiple transformations; traditions; creativity; markets
ORKES KERONCONG ALUNAN SEMUT IRENG SEBAGAI REPRESENTASI BUDAYA PURA MANGKUNEGARAN Amurwaningtyas, Allya Dwi Melati; Kiswanto, Kiswanto
Boting Langi: Jurnal Seni Pertunjukan Vol 4, No 4 (2025): Oktober-Desember
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/bl.v4i4.82062

Abstract

Penelitian ini membahas Orkes Keroncong Alunan Semut Ireng sebagai representasi budaya Pura Mangkunegaran. Latar belakang penelitian berangkat dari fenomena bahwa kelompok musik ini tidak hanya hadir sebagai wadah hiburan, tetapi juga menjadi bagian dari upaya pelestarian tradisi dan nilai-nilai kadipaten. Tujuan penelitian adalah untuk mengungkap bagaimana musik, repertoar, kostum, serta sikap para musisi dipakai sebagai medium representasi budaya. Penelitian ini menggunakan metode kualitatif deskriptif dengan teknik observasi, wawancara, dan dokumentasi. Hasil penelitian menunjukkan bahwa Orkes Keroncong Alunan Semut Ireng menampilkan identitas budaya Mangkunegaran melalui repertoar yang sarat makna historis, kostum yang mencerminkan filosofi kadipaten, serta tata krama musisi yang menegaskan posisi mereka sebagai abdi dalem. Selain itu, inovasi pertunjukan dan kolaborasi musikal memperlihatkan strategi adaptasi agar tetap relevan dengan audiens lintas generasi. Dengan demikian, Orkes Keroncong Alunan Semut Ireng dapat dipahami sebagai medium penting dalam menjaga keberlanjutan tradisi sekaligus memperkuat representasi budaya Pura Mangkunegaran di ruang publik.
Kajian Organologi Pembuatan Gitar Akustik Solid Steel String Model Dreadnought Produksi GuitarUs Klaten Dwi Setyawan; Kiswanto
Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Vol. 5 No. 2 (2023)
Publisher : Program Studi Pendidikan Musik FBS UNP

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/musikolastika.v5i2.131

Abstract

Purpose: This study aims to describe the process of making a solid steel string Dreadnought acoustic guitar produced by GuitarUs and describe the characteristics of this acoustic guitar based on three aspects of sound, playability and craftsmanship, which later this data can be used as a reference in choosing a good quality steel string acoustic guitar. Method: this research uses qualitative research with a grounded theory approach, namely valid, objective and reliable research results presented by researchers based on a combination of observational data extracted from several GuitarUs luthier partners with observational data obtained from GuitarUs. Results and Discussion: The results of the research obtained are that a good, quality Dreadnought solid steel string acoustic guitar must meet the requirements for the three aspects of sound, playability and craftsmanship, which requirements can be fulfilled if in carrying out the production process, a luthier must apply the knowledge of organology and steel string acoustic guitar acoustics.
Co-Authors Amurwaningtyas, Allya Dwi Melati Ananda Tri Ariska Ansari, Isa Aris Dwiyanto Aton Rustandi Mulyana Bambang Sunarto Bondan Aji Manggala Dwi Setyawan Indah Wahyuningsih Indriani, Novita Jantro, Gregorius Sukmambo Bilakso Novianto, Wahyu Prihatin, Wahyu Ramadhan, Raihan Jelang Renaldi Lestianto Utomo Putro Ribeth Nurvijayanto Saka, Putri Ananda Santoso, Iwan Budi Seto, Novan Daru Anggoro Soladi Soladi Soladi, Soladi Sulastuti, Katarina Indah Sunardi Sunardi Tri Joko Wahyu Nugroho Wahyu Nugroho Wahyu Prihatin Wisnu Mintargo Wisnu Mintargo Yonaldi, Andra Yusuf Beny Setiawan