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All Journal SELONDING PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora Panggung Gondang: Jurnal Seni dan Budaya Sorai: Jurnal Pengkajian dan Penciptaan Musik Abdi Seni Acintya Tamumatra : Jurnal Seni Pertunjukan Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Jurnal Kajian Seni Jurnal Mebang Boting Langi: Jurnal Seni Pertunjukan Jurnal Riset Rumpun Seni, Desain dan Media (JURRSENDEM) Jurnal Kawistara Panggung Harmonia: Journal of Arts Research and Education
Kiswanto Kiswanto
Institut Seni Indonesia (ISI) Surakarta
Arts Humanities Decision Sciences, Operations Research & Management Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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LAGU SETIA JANJIKU: BENTUK PEMBARUAN MUSIK KERONCONG GAYA ISMANTO Soladi, Soladi; Mintargo, Wisnu; Kiswanto, Kiswanto
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 13 No. 1 (2020)
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v13i1.2841

Abstract

Songs that develop in keroncong music have been classified strictly based on their form, including the keroncong asli, langgam, stambul, and several other forms. The classification has become a very chain rule, as a result the creativity that emerges among keroncong musicians is often considered to be incompatible with the standards or parameters aesthetic of keroncong music by most keroncong music performers. These conditions do not always limit the composers and / or creators of keroncong songs to be creative in producing new products with different styles. One of them can be found in Ismanto's artworks around the 1960s. In one of his songs entitled Keroncong Setia Janjiku, Ismanto seems to have hit the boundaries that have been applied, but has a novelty with a strong character. The findings of this study indicate that the Song Setia Janjiku is a song keroncong asli  that nglanggami.
PENGEMBANGAN VISUAL DRAMA TARI PANJI PADA VIDEO KLIP MUSIK METAL KELOMPOK DJIWOASTRA Manggala, Bondan Aji; Kiswanto, Kiswanto
Abdi Seni Vol. 14 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v14i2.4984

Abstract

Kegiatan pengembangan visual Drama Tari Panji bertujuan untuk merealisasikan konsep dan gagasan visual dalam pertunjukan musik (konser) kelompok Djiwoastra pada karya lagu terakhir yang berjudul “Panji”. Keterlibatan penulis dalam proyek ini adalah sebagai salah satu produser video klip musik, serta  berperan menjadi fasilitator gagasan visual Drama Tari Panji untuk pertunjukan musik kelompok Djiwoastra. Kegiatan dilakukan melalui metode partisipatoris yang berfokus pada upaya penemuan model pendekatan proses dan hasil (produk) kekaryaan seni pertunjukan yang berbasis pada internalisasi keberagaman pengalaman, selera, gaya, dan kompetensi dari para personil dan pendukung karya. Pengembangan visual Drama Tari Panji diharapkan dapat merepresentasikan musik metal Nusantara yang berwujud dalam simbol-simbol visual. Hasil dari kegiatan kekaryaan ini dapat membentuk pengalaman kreatif bagi penguatan ketrampilan kelompok Djiwoastra yang dapat dimanfaatkan lebih lanjut untuk mengatasi permasalahan dan tantangan kreativitas dalam pengembangan visual video klip pertunjukan musik metal Nusantara yang memperpadukan antara estetika Timur dan Barat.
Eksperimentasi dan Eksplorasi Instrumen Tiup Bayu Akasa Oleh Mugiyono Kasido Ananda Tri Ariska; Kiswanto Kiswanto
Jurnal Riset Rumpun Seni, Desain dan Media Vol. 4 No. 1 (2025): April : Jurnal Riset Rumpun Seni, Desain dan Media
Publisher : Pusat Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurrsendem.v4i1.8113

Abstract

This study aims to reveal the creative process behind the creation of the Bayu Akasa instrument, an organological innovation based on bamboo by contemporary artist Mugiyono Kasido. Through a qualitative approach using case study methods, this study examines two crucial stages in the creation of the work, namely the material exploration phase and the experimentation with physical techniques. Data was collected through in-depth observation of the subject's performance, documentation of the rehearsal process, and interviews regarding the philosophical and technical aspects of sound production. The results of the study show that: (1) The material exploration stage produced a 2-meter-long aerophone instrument made of petung bamboo with a diameter of 5.9–7.9 inches, designed with an integral three-part system; (2) The experimentation with playing techniques focused on mastering circular breathing or ngunjal, which enables the production of continuous meditative drone sounds without pause; (3) This innovation represents a blurring of the boundaries between choreographic and musical aspects, in which the instrument is no longer treated as a static object but as a somatic extension of the artist's body. These findings confirm that Bayu Akasa is not just an ordinary wind instrument, but a representation of space (Akasa) and breath (Bayu) manifested in a radical performative unity. This research contributes to the development of contemporary organology based on local materials in Indonesia.
Co-Authors Amurwaningtyas, Allya Dwi Melati Ananda Tri Ariska Ansari, Isa Aris Dwiyanto Aton Rustandi Mulyana Bambang Sunarto Bondan Aji Manggala Dwi Setyawan Indah Wahyuningsih Indriani, Novita Jantro, Gregorius Sukmambo Bilakso Novianto, Wahyu Prihatin, Wahyu Ramadhan, Raihan Jelang Renaldi Lestianto Utomo Putro Ribeth Nurvijayanto Saka, Putri Ananda Santoso, Iwan Budi Seto, Novan Daru Anggoro Soladi Soladi Soladi, Soladi Sulastuti, Katarina Indah Sunardi Sunardi Tri Joko Wahyu Nugroho Wahyu Nugroho Wahyu Prihatin Wisnu Mintargo Wisnu Mintargo Yonaldi, Andra Yusuf Beny Setiawan