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Tuturan Ekspresif dalam Film Sachertorte Karya Sutradara Tine Rogoll Maulida Qotrumnada; Sri Megawati
Journal of Culture, Literature and Foreign Language Teaching Vol. 2 No. 2 (2025)
Publisher : Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/jclf.v2i2.2546

Abstract

Penelitian ini bertujuan betujuan untuk mendeskripsikan (1) bentuk tuturan ekspresif dan (2) fungsi tuturannya dalam Film Sachertorte karya sutradara Tine Rogoll. Penelitian ini merupakan penelitian deskriptif kualitatif. Subjek penelitian ini yaitu film remaja Sachertorte. Objek penelitian ini yaitu semua tuturan ekspresif antara Karl dengan Miriam, Karl dengan Franziska Sawallisch, Karl dengan Matze, Karl dengan Herr Schwartz, dan Franziska Sawallisch dengan Herr Schwartz yang terdapat dalam Film Sachertorte. Pengumpulan data penelitian menggunakan metode simak dan teknik sadap. Uji validitas menggunakan validitas semantis dan uji reabilitas dilakukan reliabilitas interrater dan intrarater. Analisis data penelitian menggunakan padan dan metode agih. Hasil penelitian menunjukkan bahwa (1) bentuk tuturan yang produktif dalam Film Sachertorte yaitu tuturan langsung literal (direkte wörtliche Strategie) sejumlah 86 data dan tuturan tidak langsung literal (indirekte wörtliche Strategie) sejumlah 62 data, dan (2) fungsi tuturan ekspresif yang produktif dalam film Sachertorte yaitu fungsi untuk mengungkapkan kekesalan (Belästigung) sejumlah 40 data, fungsi untuk mengungkapkan keingintahuan (Neugier) sebanyak 34 data, fungsi untuk mengungkapkan harapan (Hoffnung) sebanyak 27 data, fungsi untuk mengungkapkan kepercayaan (Vertrauen) sebanyak 27 data, dan fungsi untuk mengungkapkan kebahagiaan (Glück) sebanyak 21 data. Kata Kunci: Film, Pragmatik, Tuturan Ekspresif
Linguistic Landscape and the Representation of European Union Power in Robert Menasse’s Novel Die Hauptstadt Megawati, Sri; Triyono, Sulis; Mala, Nila Viayanti
Journal of Language and Literature Studies Vol. 6 No. 2 (2026): June
Publisher : Lembaga Penelitian dan Pemberdayaan Masyarakat (LITPAM)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/jolls.v6i2.4757

Abstract

Linguistic landscape research has increasingly moved beyond the inventory of public signage toward the interpretation of how visible language, naming practices, and semiotic arrangements construct social and political meanings. However, literary texts remain underexplored as semiotic environments in which public space can be narrated, selected, and ideologically organized. This article examines how European Union (EU) power and legitimacy are represented through a narrated linguistic landscape in Robert Menasse’s novel Die Hauptstadt. Using a qualitative interpretive textual design, the study treats the novel as the primary data source and integrates linguistic landscape theory, multimodal social semiotics, and Critical Discourse Analysis (CDA). Data were collected through systematic close reading and keyword-assisted searching of the PDF text to identify excerpts containing Brussels/EU toponyms, institutional labels, bureaucratic discourse, written-display references, multilingual routines, and legitimacy-related terms. The excerpts were documented in an excerpt log, translated when necessary, coded in two cycles, and interpreted through Fairclough’s textual, discursive, and social dimensions. The findings show that the novel represents EU authority as a semiotic achievement produced through spatial anchoring, institutional naming, bureaucratic classification, multilingual routines, and image-management discourse. At the same time, this authority is destabilized by counter-semiotic disruption, street-level contestation, and moral-memory motifs. The study concludes that Die Hauptstadt constructs Brussels as a narrated semiotic landscape where EU power becomes visible, persuasive, and fragile because legitimacy depends on signs, discourse, and public interpretation. The article contributes to linguistic landscape scholarship by demonstrating how fiction can function as an analytical site for examining narrated public space and political authority.