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<![CDATA[MENTERI AGAMA DALAM BINGKAI MEDIA DI MASA PANDEMI COVID-19 : Analisis Framing Robert Entman Mengenai Wacana Menteri Agama dalam Penanganan Covid-19 Pada Kompas.Com dan Detik.Com ]]>
<![CDATA[Nur , Jamiluddin]]>;
<![CDATA[Hildansyah, Irdan]]>
<![CDATA[ Jurnal AlifLam Journal of Islamic Studies and Humanities Vol 2 No 1 (2021): Alif Lam ]]>
Publisher : <![CDATA[STAI Darul Kamal NW Kembang Kerang ]]>
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DOI: 10.51700/aliflam.v2i1.226
<![CDATA[This study aims to see the framing carried out by the online media Kompas.com and Detik.com against the Minister of Religion of the Republic of Indonesia, Yaqut Cholil. This study uses a qualitative research approach. Thus, this study looks at the meaning of individual or group problems in human life. This study uses Robert Entman's analytical model to identify Kompas.com and Detik.com framing. data collection is done by making observations via the internet. The researcher saw news about the Minister of Religion in the period of June and July. After making observations, the researchers collected and documented the data from the observations. The researcher then selected news relevant to the Minister of Religion and the handling of the Covid-19 virus in Indonesia. The next researcher analyzed the relevant news using Robert Entman's framing analysis model. The results of this study indicate that Kompas.com frames the Minister of Religion as a person who has the capacity to invite all religious leaders and major mass organizations to participate in preventing the transmission of COVID-19. The Minister of Religion is also framed as a person who has the power to make relevant regulations to prevent the spread of the virus. Meanwhile, Detik.com frames the Minister of Religion to be more concerned with technical matters, such as meat distribution and slaughtering sacrificial meat. It does not appear that the Minister of Religion has the power to make substantial policies. The power of the Minister of Religion is shown to be limited to technical prohibitions. The analysis of Entman's model is not sufficient to explain the reality of media holistically. Not all news provides moral judgment and problem solving. This limitation makes this study need other analytical tools to explain the phenomenon, although it is not very well established. Further in-depth research with other analytical tools is needed to get a more comprehensive picture of framing.]]>
<![CDATA[Menteri Agama Dalam Bingkai Media Di Masa Pandemi Covid-19: Analisis Framing Robert Entman Mengenai Wacana Menteri Agama dalam Penanganan Covid-19 Pada Kompas.Com dan Detik.Com ]]>
<![CDATA[Jamiluddin Nur]]>;
<![CDATA[Irdan Hildansyah]]>
<![CDATA[ Alif Lam: Journal of Islamic Studies and Humanities Vol 1 No 2 (2021): Alif Lam: Journal of Islamic Studies and Humanities ]]>
Publisher : <![CDATA[STAI Darul Kamal NW Kembang Kerang ]]>
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DOI: 10.51700/aliflam.v2i1.226
<![CDATA[This study aims to see the framing carried out by the online media Kompas.com and Detik.com against the Minister of Religion of the Republic of Indonesia, Yaqut Cholil. This study uses a qualitative research approach. Thus, this study looks at the meaning of individual or group problems in human life. This study uses Robert Entman's analytical model to identify Kompas.com and Detik.com framing. data collection is done by making observations via the internet. The researcher saw news about the Minister of Religion in the period of June and July. After making observations, the researchers collected and documented the data from the observations. The researcher then selected news relevant to the Minister of Religion and the handling of the Covid-19 virus in Indonesia. The next researcher analyzed the relevant news using Robert Entman's framing analysis model. The results of this study indicate that Kompas.com frames the Minister of Religion as a person who has the capacity to invite all religious leaders and major mass organizations to participate in preventing the transmission of COVID-19. The Minister of Religion is also framed as a person who has the power to make relevant regulations to prevent the spread of the virus. Meanwhile, Detik.com frames the Minister of Religion to be more concerned with technical matters, such as meat distribution and slaughtering sacrificial meat. It does not appear that the Minister of Religion has the power to make substantial policies. The power of the Minister of Religion is shown to be limited to technical prohibitions. The analysis of Entman's model is not sufficient to explain the reality of media holistically. Not all news provides moral judgment and problem solving. This limitation makes this study need other analytical tools to explain the phenomenon, although it is not very well established. Further in-depth research with other analytical tools is needed to get a more comprehensive picture of framing.]]>
<![CDATA[KETUA KPK DALAM BINGKAI MEDIA PADA KASUS KORUPSI GUBERNUR PAPUA DI MEDIA CNNINDONESIA.COM DAN DETIK.COM ]]>
<![CDATA[Hildansyah, Irdan]]>;
<![CDATA[Nur, Muhammad Jamiludin]]>;
<![CDATA[Pauji, Resa Restu]]>
<![CDATA[ Jurnal Common Vol. 6 No. 2 (2022): Common ]]>
Publisher : <![CDATA[Program Studi Ilmu Komunikasi Universitas Komputer Indonesia ]]>
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DOI: 10.34010/common.v6i2.8646
<![CDATA[This study aims to look at the framing carried out by the online media CNN Indonesia.com and Detik.com on the corruption case of the Governor of Papua, Lukas Enembe. This study uses a qualitative research. Thus, this study looks at the meaning of individual or group problems in human life. This study uses Robert Entman's analysis model to identify the framing of CNN Indonesia.com and Detik.com. Data collection was carried out by observing through online media. Researchers saw news about Lukas Enembe in the November period. The researcher then selected news that was relevant to the development of the Lukas Enembe corruption case. The results of this study indicate that CNN Indonesia.com framed the chairman of the KPK, Firli Bahuri, for violating law enforcement ethical standards. Firli Bahuri is also framed as a figure who gave privileges for the corruption suspect meanwhile he has never done it before. Meanwhile, Detik.com's framing of Firli Bahuri has violated the ethical standards of law enforcement. The portion of the news about Lukas Enembe and how his status and health condition is less than the circumstance of the meeting with Firli Bahuri. Detik.com also did not show the information provided by the KPK regarding Firli Bahuri's involvement in the meeting. Entman's model analysis is not sufficient to explain media reality comprehensively. Not all news offers moral choices and problem solved. Due to these limitations, this study requires other analytical tools to explain this phenomenon. A more in-depth investigation with other analytical tools is needed to get a more complete picture in terms of framing. Keywords: Framing, Firli Bahuri, KPK, Lukas Enembe.]]>
<![CDATA[Denotative and Connotative meaning in Among Us Look Alike meme ]]>
<![CDATA[Baruno Anggada Prabu]]>;
<![CDATA[Andang Saehu]]>;
<![CDATA[Irdan Hildansyah]]>
<![CDATA[ IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 12 No. 2 (2024): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite ]]>
Publisher : <![CDATA[Institut Agama Islam Negeri Palopo ]]>
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DOI: 10.24256/ideas.v12i2.6115
<![CDATA[Memes as an entertainment media have become a way to communicate with people of this era as a way to deliver a message or to retell the events of today or the past. The Among Us is one amongst many memes existed on the internet, once starting of as a small community exclusive to enthusiasts to something that ordinary people can enjoy whether it is from things that relate to them as of playing the game or something sensational that spreads into everyday objects, thus created subgenre “Among Us Look Alike”. The method chosen for this research is descriptive qualitative with an addition of parts needed to construct the meme. The researcher uses Roland Barthes’ theory to analyze the data. The researcher also explained the Denotative and Connotative meaning in the Among Us Look Alike meme. The researchers selected two memes for this analysis in Among Us memes based on the appearance of the Among Us character in the image. The result show that the Denotative meaning of the data are what to be expected from the object itself, and Connotative meaning of the data are varied and explained deeper into the context, such as the first data explaining the office culture and speculate on where the image is happening to how the image with the context presented to be in an office culture preceded the Among Us games by few months and the second data explaining the post-apocalyptic event and how the trace of Among Us character survived due to its material and how it shares the same material as the currency of the post-apocalyptic zone of “Fallout” game. The data showed that the images have both Denotative which is the literal description of the object and Connotative which range from just knowing the basic context of the meme, which is to know what parts needed to manifest the figure into deeper subjective meaning of the image.]]>
<![CDATA[Intertextual Irony of Post-9/11 American Social Structure in Mean Girls (2004) by Mark Waters: English ]]>
<![CDATA[Syahrevi Khairani]]>;
<![CDATA[Yoga Sudarisman]]>;
<![CDATA[Irdan Hildansyah]]>
<![CDATA[ Journal of English Development Vol. 5 No. 1 (2025): Journal of English Development ]]>
Publisher : <![CDATA[Prodi Tadris Bahasa Inggris ]]>
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DOI: 10.25217/jed.v5i1.5266
<![CDATA[This research explores how the movie Mean Girls (2004) reflects the social structure of post-9/11 America using intertextual irony and stereotypes. Following the 9/11 attacks, American society experienced significant cultural and social shifts that influenced various media, including movies. This study analyzes how the film critiques social hierarchies and collective trauma while examining power dynamics and identity struggles in the context of high school as a microcosm of broader social tensions. The study employs a qualitative descriptive method with a literary sociology approach. The analysis draws on Julia Kristeva's intertextuality theory and Stuart Hall's stereotype theory to examine the interplay between the film's narrative elements and the sociocultural changes after 9/11. Primary data includes scenes and dialogues from the film, while secondary data comprises academic articles and news reports discussing the societal impacts of the tragedy. The findings reveal that the film employs intertextual irony to critique social exclusivity, power struggles, and the reinforcement of stereotypes. It also highlights the pressures of conformity and the challenges faced by marginalized identities. The study underscores the role of media in reflecting societal tensions and facilitating critical discourse on historical and cultural transformations. This research contributes to the academic understanding of popular culture by demonstrating how films like Mean Girls serve as both entertainment and a medium for social critique, particularly in addressing adolescent behavior and social dynamics within a historical context.]]>
<![CDATA[Analisis Ketertarikan Pengguna terhadap Koleksi pada Perpustakaan UIN Sunan Gunung Djati Bandung di Era Digital ]]>
<![CDATA[Aryaniputri, Refia Salsa]]>;
<![CDATA[Zaohariah, Mutia Najwa]]>;
<![CDATA[Hildansyah, Irdan]]>;
<![CDATA[Pauji, Resa Restu]]>
<![CDATA[ Ilmu Informasi Perpustakaan dan Kearsipan Vol 14, No 1 (2025): Jurnal Ilmu Informasi Perpustakaan dan Kearsipan ]]>
Publisher : <![CDATA[Universitas Negeri Padang ]]>
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DOI: 10.24036/jiipk.v14i1.134721
<![CDATA[Permasalahan dalam penelitian ini berfokus pada ketertarikan pengguna terhadap koleksi fisik dan digital serta kesesuaiannya dengan kebutuhan informasi pengguna di Perpustakaan UIN Sunan Gunung Djati Bandung serta sejauh mana koleksi tersebut mampu memenuhi kebutuhan informasi pengguna. Penelitian ini menggunakan metode kualitatif deskriptif dengan teknik pengumpulan data melalui observasi dan wawancara terhadap 20 responden yang dipilih secara acak (simple random sampling) dari total pengunjung perpustakaan selama satu bulan. Hasil penelitian menunjukkan bahwa mayoritas pengguna (85%) masih lebih menyukai koleksi fisik dibandingkan digital, dengan alasan kenyamanan membaca, kemudahan fokus, dan pengalaman interaktif langsung. Sementara itu, 15% responden menyukai koleksi digital karena kemudahan akses dan efisiensinya. Temuan menunjukkan bahwa koleksi yang tersedia belum sepenuhnya memenuhi kebutuhan pengguna, baik dari segi keberagaman bahan, jumlah eksemplar, maupun sistem informasi katalog yang belum optimal.]]>
<![CDATA[Denotative and Connotative meaning in Among Us Look Alike meme ]]>
<![CDATA[Baruno Anggada Prabu]]>;
<![CDATA[Andang Saehu]]>;
<![CDATA[Irdan Hildansyah]]>
<![CDATA[ IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 12 No. 2 (2024): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite ]]>
Publisher : <![CDATA[Institut Agama Islam Negeri Palopo ]]>
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DOI: 10.24256/ideas.v12i2.6115
<![CDATA[Memes as an entertainment media have become a way to communicate with people of this era as a way to deliver a message or to retell the events of today or the past. The Among Us is one amongst many memes existed on the internet, once starting of as a small community exclusive to enthusiasts to something that ordinary people can enjoy whether it is from things that relate to them as of playing the game or something sensational that spreads into everyday objects, thus created subgenre “Among Us Look Alike”. The method chosen for this research is descriptive qualitative with an addition of parts needed to construct the meme. The researcher uses Roland Barthes’ theory to analyze the data. The researcher also explained the Denotative and Connotative meaning in the Among Us Look Alike meme. The researchers selected two memes for this analysis in Among Us memes based on the appearance of the Among Us character in the image. The result show that the Denotative meaning of the data are what to be expected from the object itself, and Connotative meaning of the data are varied and explained deeper into the context, such as the first data explaining the office culture and speculate on where the image is happening to how the image with the context presented to be in an office culture preceded the Among Us games by few months and the second data explaining the post-apocalyptic event and how the trace of Among Us character survived due to its material and how it shares the same material as the currency of the post-apocalyptic zone of “Fallout” game. The data showed that the images have both Denotative which is the literal description of the object and Connotative which range from just knowing the basic context of the meme, which is to know what parts needed to manifest the figure into deeper subjective meaning of the image.]]>
<![CDATA[HYPERBOLIC EXPRESSIONS AMONG NEWLY MOTHERS IN TEXT-BASED VIRTUAL COMMUNICATION ]]>
<![CDATA[Dian Budiarti]]>;
<![CDATA[Agry Pramita]]>;
<![CDATA[Irdan Hildansyah]]>
<![CDATA[ Linguistik Indonesia Vol. 42 No. 1 (2024): Linguistik Indonesia ]]>
Publisher : <![CDATA[Masyarakat Linguistik Indonesia ]]>
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DOI: 10.26499/li.v42i1.541
<![CDATA[The present study examined the use of hyperbolic expressions in a text-based virtual communication context, specifically in an Indonesian newly mothers’ online chat room. The study employed a descriptive qualitative method to analyze 60 utterances containing hyperbolic expressions taken from the Mom Sharing WhatsApp group. Simak and catat methods were implemented to observe and take notes on the hyperbolic expressions used by the mothers identified based on McCarthy & Carter’s (2004) characterization. The collected data were then categorized into 7 forms of hyperbole proposed by Claridge (2010), and the possible functions behind the use of this figurative language were analyzed qualitatively based on the overall contexts. Results reveal that 6 forms of hyperbole were used in the chat room, namely single-word hyperbole, phrasal hyperbole, clausal hyperbole, numerical hyperbole, the role of superlative, and comparison. Furthermore, the expressions were found to serve various functions, namely to express emotions, to concretize the message and evoke imagination, to create humour, and to establish group identity. These findings contribute to the ongoing discourse on the use of hyperbole in everyday communication.]]>
<![CDATA[Analisis Perkembangan Teknologi Informasi pada Sistem Online Public Access Catalog di Perpustakaan UIN Sunan Gunung Djati Bandung ]]>
<![CDATA[Zahra, Firdza Rahmania]]>;
<![CDATA[Zidan, Mohamad Alfan]]>;
<![CDATA[Amanda, Amelia]]>;
<![CDATA[Hildansyah, Irdan]]>
<![CDATA[ UNILIB : Jurnal Perpustakaan Vol. 16 No. 2 2025 ]]>
Publisher : <![CDATA[Direktorat Perpustakaan Universitas Islam Indonesia ]]>
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<![CDATA[Perkembangan teknologi informasi telah mengubah cara perpustakaan menyediakan layanan informasi, termasuk melalui penerapan sistem Online Public Access Catalog (OPAC) sebagai sarana pencarian koleksi secara digital. Namun, Perpustakaan UIN Sunan Gunung Djati Bandung masih menggunakan versi lama dan belum menyesuaikan dengan perkembangan teknologi saat ini. Penelitian ini bertujuan untuk menganalisis perkembangan teknologi informasi pada sistem Online Public Access Catalog (OPAC) dengan menggunakan teori difusi inovasi dari Everett M. Rogers (1995) sebagai kerangka analisis. Metode yang digunakan adalah deskriptif kualitatif dengan pengumpulan data melalui observasi, wawancara, dan dokumentasi terhadap pustakawan serta enam pemustaka terpilih dari total 28 pengguna. Hasil penelitian menunjukkan bahwa keunggulan OPAC relatif telah dirasakan pengguna dalam efisiensi pencarian informasi, namun masih terdapat keterbatasan pada aspek compatibility, complexity, dan observability karena minimnya fitur visual yang interaktif. Selain itu, belum tersedia mekanisme uji coba sistem dan tenaga teknis yang kompeten. Disimpulkan bahwa pengembangan OPAC memerlukan pembaruan berbasis teknologi modern, peningkatan kompetensi pustakawan, serta penyediaan tim teknis agar sistem dapat berfungsi optimal dan relevan dengan kebutuhan pengguna di era digital.]]>
<![CDATA[The Practice of Flaming Football Supporters on Ganjar Pranowo's Instagram Account ]]>
<![CDATA[Hildansyah, Irdan]]>;
<![CDATA[Hkikmat, Mahi M.]]>
<![CDATA[ Jurnal Kajian Jurnalisme Vol 7, No 1 (2023): KAJIAN JURNALISME ]]>
Publisher : <![CDATA[Journalism Study Program, Faculty of Communication Sciences, Universitas Padjadjaran ]]>
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DOI: 10.24198/jkj.v7i1.46656
<![CDATA[FIFA (the Federation Internationale de Football Association) withdrew Indonesia from hosting the World Cup U-20 2023. This cancellation caused many peoples to be disappointed. Indonesian national team supporters expressed disappointment in Ganjar Pranowo's Instagram comments because of his stance and statement regarding his refusal of the Israeli national team to compete in Indonesia. This research explores the behavior of Indonesian football fans on Instagram using the SIDE model. This research uses netnography or virtual ethnography because this research focuses on activities in cyberspace. In cyberspace, there is a term called cyberculture. The flaming practice was not come up from a heated debate, but the flaming comments have been keen since users visited Ganjar Pranowo's Instagram account, not creating a space for discussion. Excessive fanaticism or lack of self-control sometimes makes users become actors in flaming production. In addition, anonymity is also a factor in deindividuation occurs. Flaming behavior was found when the apparent norm of previous commenters was being flamed. This research focuses more on the process of user deindividuation using the SIDE model; since this research was conducted in cyberspace, further research can be conducted offline to investigate this behavior.]]>
