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All Journal Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Jurnal Pendidikan Sosiologi dan Humaniora Wahana Dedikasi : Jurnal PkM Ilmu Kependidikan Jurnal Cerano Seni: Pengkajian dan Penciptaan Seni Pertunjukan Jurnal Ilmu Sosial, Humaniora dan Seni TACET Jurnal Pendidikan dan Kajian Seni
Regaria Tindarika
Program Studi Pendidikan Seni Tari dan Musik FKIP Untan, Pontianak
Arts Humanities Decision Sciences, Operations Research & Management Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Social Sciences Other

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STRUKTUR GERAK TARI SELODANG MAYANG DI KERATON KESULTANAN KADRIYAH PONTIANAK KALIMANTAN BARAT Utami, Riana; Fretisari, Imma; Tindarika, Regaria
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 9, No 7 (2020): Juli 2020
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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Abstract

AbstractThis research is motivated by the desire of researchers to describe the structure of the Selodang Mayang dance movement. This research uses a descriptive method in a qualitative form and uses an ethnochoreological approach, with data sources in the form of Selodang Mayang Dance. The speakers in this study were Syarifah Zainab Asgaf, Syarifah Fadlon Alkadrie and Syarifah Faizah Alkadrie who knew about Selodang Mayang dance at the Kadriyah Sultanate Palace in Pontianak, West Kalimantan. Data collection techniques such as observation, interviews and audio-visual material. The data validity testing technique used is the extension of observation and source triangulation. Based on the analysis of the data it was concluded that the structure of the Selodang Mayang dance movement in the Kadriyah Sultanate Palace in Pontianak, West Kalimantan as follows: The name Selodang Mayang dance was taken from the property names namely shawl and mayang. Selodang Mayang dance is a group dance. There are 3 types of motion that are described based on the smallest part first, namely the motive motions, motion phrases, sentences of motion and groups of motion that become a unified whole of motion in the Selodang Mayang dance. The motion in Selodang Mayang dance is identical with double step or double foot or usually called jogog dance.Keywords: Dance, Motion structure, Selodang Mayang
FUNGSI TARI NGANTAR PANOMPO DALAM UPACARA ADAT NAIK DANGO PADA SUKU DAYAK KANAYATN Tindarika, Regaria; ., Ismunandar; Fretisari, Imma
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 4, No 3 (2015): Maret 2015
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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Abstract

Abstark: Penelitian ini bertujuan untuk mengetahui fungsi tari Ngantar Panompo dalam upacara adat Naik Dango pada suku Dayak Kanayatn. Metode yang digunakan adalah metode deskriptif dengan bentuk kualitatif, dengan sumber data Agus Frengki, Saena, Laitus dan Adang yang mengetahui tentang tari Ngantar Panompo dan upacara adat Naik Dango. Data tersebut adalah hasil wawancara, observasi, dan dokumentasi. Hasil analisis data menunjukkan bahwa fungsi tari Ngantar Panompo adalah sebagai ritual terakhir atau penutup dalam upacara adat Naik Dango. Tari Ngantar Panompo adalah tari yang bersifat ritual, tujuannya untuk meringankan beban dengan memberikan Panompo atau upeti berupa hasil pertanian dan peternakan untuk tuan rumah yang mengadakan upacara.   Kata Kunci: Fungsi, Tari Ngantar Panompo, Naik Dango. Abstract: The aim of this research is to known the fungtion of Ngantar Panompo Dance in Naik Dango Traditional Ceremonies on Dayak Kanayatn. The method that is used in this research is descriftive in from qualitative, when the source of the data are coming from Agus Frengki, Saena, Laitus and Adang which are known fully about Ngantar Panompo dance in Sungai Ambawang District. Moreover, the writer used interview, observation and documentation as the technique. The result of data analysis showed that the fungtion of Ngantar Panompo dance is the last rites or closing in Naik Dango Traditional Ceremonies. Ngantar Panompo dance is a ritual dance, aims to ease the burden by giving tribute or Panompo in the form of agricultural and livestock for host the ceremony.   Key word: Fungtion, Tari Ngantar Panompo, Naik Dango.
FUNGSI TARI SELODANG MAYANG DI ISTANA AMANTUBILLAH KABUPATEN MEMPAWAH Saputri, Suri; Ismunandar, Ismunandar; Tindarika, Regaria
TACET Jurnal Pendidikan dan Kajian Seni Vol 2, No 1 (2023): April 2023
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/tacet.v2i1.73097

Abstract

This research discusses the function of the Selodang Mayang dance which is in the Amantubillah Palace environment with the meaning of having to hold the marwah of customs to maintain and maintain cultural preservation, the problem found in this research is that this dance can only be performed in the Amantubillah palace not just anyone can dance and witness the Selodang Mayang dance, The purpose of this study is to describe the function of the Selodang Mayang Dance at the Amantubillah Palace, Mempawah Regency. This study used a descriptive method with a qualitative research form using an anthropological approach. The research location was carried out at the Amantubillah Palace, East Mempawah District, Mempawah Regency. The research data sources are Raja Mardan, Deki Prasetya Ardiansyah, and Roby Suhendra. Data collection uses observation, interviews, and documentation. Data analysis techniques using interactive models. Results and discussion a) Selodang Mayang dance at the Amantubillah Palace, Mempawah Regency, b) The function of the Selodang Mayang dance at the Amantubillah Palace, Mempawah Regency as entertainment, c) The function of the Selodang Mayang dance at the Amantubillah Palace, Mempawah Regency as entertainment, d) The function of the Selodang Mayang dance at the Palace Amantubillah Mempawah Regency as a Ritual, e) The function of the Selodang Mayang Dance at the Amantubillah Palace, Mempawah Regency as an educational medium, f) The function of the Selodang Mayang dance at the Amantubillah Palace, Mempawah Regency as a social function.
SEJARAH TARI TOPENG NATUNA DESA TANJUNG KECAMATAN BUNGURAN TIMUR LAUT KABUPATEN NATUNA Budihardini, Sindy Sri; Tindarika, Regaria; Aditya, Mega Cantik Putri
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 12, No 2 (2023): Februari 2023
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v12i2.63270

Abstract

The background of this research is there are two versions that tell about the history of Topeng Natuna Dance which is a traditional dance in Tanjung village, Bunguran Timur Laut Sub-district. This research aims to describe the history of Topeng Natuna Dance, Bunguran Timur Laut Sub-district, Natuna Regency. This research used descriptive qualitative method and it also used historical approach. The techniques of data collection used in this research is interview technique and documentation study technique. Based on the result of this study, the history of Topeng Natuna Dance is close to the first version, namely, Topeng Natuna Dance is original from Tanjung Village, Bunguran Timur Laut Sub-district, Natuna Regency. Based on the mythology, this dance existed before there was religion in society. The mask was used because a group of Topeng Natuna Dance were ashamed of being ordinary people who were invited by the King to come to his residence. This was to treat her daugher who was sick and she needed an entertaiment. Therefore, the dance group came to entertain the princess. Based on the mythology, this dance is become an entertaiment for Natuna citizen. Topeng Natuna Dance has three kinds of movements, such as, hand movement and the movement which use plate and shawl. The various movements and properties that used are an important of the historical mythology, because it is believed can help the princess to wake up from her fainting.
KAJIAN NILAI ESTETIS TARI JEPIN TALI BINTANG DI DESA KALIMAS KECAMATAN SUNGAI KAKAP KABUPATEN KUBU RAYA Putri, Suci Adelia; Ismunandar, Ismunandar; Tindarika, Regaria
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 12, No 2 (2023): Februari 2023
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v12i2.63471

Abstract

Jepin Tali Bintang Dance is a dance that is based on elements of Malay movements. The beauty of this dance needs to be known because there are several objective and subjective assessments. This study aims to describe the aesthetic value contained in the Jepin Tali Bintang Dance through writing and pictures. The method used in this study is a descriptive method with a form of qualitative research and a choreographic aesthetic research approach, as well as semiotic. Data collection techniques using observation techniques, interview techniques, and documentation studies. The technique for testing the validity of the data in this study is the extension of observations and triangulation of sources. Based on the data analysis, it can be concluded that the aesthetic value of the Jepin Tali Bintang Dance can be seen through the harmony of movements, make-up, clothing, and properties used. The tempo of the movements, which tend to be medium and fast, combined with the varied volume of motion and the same energy used, make this dance look dynamic. The harmony of the colors of the clothes and make-up used make this dance look balanced and fulfill the character of a dancer on stage. The beauty of the property is depicted with shapes, colors, and messages that teach kindness to Muslims.
EKSISTENSI TARI LIKURAI SUKU BELU DI DESA BHAKTI JAYA KECAMATAN MELIAU KABUPATEN SANGGAU Nahak, Innocentia Marta Abuk; Istiandini, Winda; Tindarika, Regaria
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 12, No 2 (2023): Februari 2023
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v12i2.62030

Abstract

PROVINSI KALIMANTAN BARAT dan Nahak Marta Abuk, Innocentia. 2022. The purpose of conducting this research is describing the existence of Likurai dance. The study case is about the development and the starting point of the existence of Likurai traditional dance of Belu Tribe in Bhakti Jaya Village, district of Meliau, the regency of Sanggau, West Kalimantan Province. Descriptive methodology in a form of qualitative research and using an anthropology approach. The sources of data were collected using observation, interview, and documentation, with key sources namely, Mr. Dominikus Nahak, Mr. Muhammad Iwanie and Miss Ursula Uluk. Techniques to test validity using extension of observation and Triangulating of compiled data sources was systematically analyzed. Likurai dance is a traditional dance that was originally came from a village called Kereana, Botin Leobele district, the regency of Malaka, East Nusa Tenggara. The dance was introduced by a transmigrant society that was migrated from East Nusa Tenggara to Bhakti Jaya Village, the district of Meliau, Sanggau regency, West Kalimantan in the year of 1992. The dance started to develop and became well-known since 1998 until 2019. The uniformity of the transmigrant society is one of the main reasons behind the sustainability of Likurai dance in Bhakti Jaya Village. On the other, there is a risk that this traditional dance would be fading away due to the lack of the dance personnel and lack of interest in the younger generation as well as lack of assistance and motivation from the local government is feared to be an obstacle to the development of Likurai Dance.
ANALISIS FUNGSI TARI BUKONG DALAM UPACARA ADAT KEMATIAN DAYAK PESAGUAN DI DESA SERENGKAH KECAMATAN TUMBANG TITI KABUPATEN KETAPANG Apriani, Nadella; Istiandini, Winda; Tindarika, Regaria
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 12, No 3 (2023): Maret 2023
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v12i3.63745

Abstract

The traditional death ceremony in Serengkah village Tumbang Titi district, Ketapang regency has several processes that have existed since ancient times, in this traditional death ceremony there is a dance which is commonly called the Bukong Dance. The general objective of this research is to describe the process of carrying out traditional funeral ceremonies in Serengkah Village, Tumbang Titi District Ketapang Regency. Describe the function of the Bukong dance in the traditional ceremony of death in Serengkah Village, Tumbang Titi District Ketapang Regency. The method used in this study is a descriptive method with a qualitative research form, and an anthropological approach. The data contained in this study are facts regarding the ritual process carried out at the time of the traditional death ceremony owned by the Dayak Pesaguan tribe. The data were analyzed qualitatively with Mr. Napolino, Mr. Alipius, and Mr. Khajri who know clearly about the Bukong dance. The data through the results of observation, interviews, and documentation.
THE MOVEMENT STRUCTURE OF THE AJAAT TEMUAI DATAI DANCE OF DAYAK MUALANG TRIBE IN BELITANG HILIR DISTRICT SEKADAU REGENCY WEST KALIMATAN Berlisia, Melisa; Istiandini, Winda; Tindarika, Regaria
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 12, No 1 (2023): Januari 2023
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v12i1.61839

Abstract

The Ajaat Temuai Datai dance is one of the traditional dances owned by the Dayak Mualang tribe. It is necessary to know the structure of the movements in this dance because there are several changes that occur in the movements that make the Ajaat Temuai Datai dance lose its original movement identity. This study aims to describe the movement structure of the Ajaat Temuai Datai dance of the Dayak Mualang tribe in Belitang Hilir District, Sekadau Regency, West Kalimantan. The method used is a descriptive method with a qualitative research form and a choreographic approach. The technique to test the validity of the data used is the extension of observations and source triangulation. Based on the data analysis, it was concluded that the movement structure of the Ajaat Dance Temuai Datai of the Dayak Mualang Tribe in Belitang Hulu District, Sekadau Regency, West Kalimantan is as follows: there are six variations of motion consisting of Herding Meet, Ngelempai, Ngancau Tikai, Dara Kenyalang, Kesulang Inok, Kesulang Male, and closing with a meeting. The Ajaat Temuai Datai dance consists of 29 moving motifs, 6 moving phrases, 2 moving sentences, and 1 moving cluster, which form a complete movement unit of the Ajaat Temuai Datai dance.
BENTUK PENYAJIAN TARI SELODANG MAYANG DI KERATON AMANTUBILLAH KABUPATEN MEMPAWAH Saputra, Agus; Tindarika, Regaria; Satrianingsih, Aline Rizky Oktaviari
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 12, No 11 (2023): NOVEMBER 2023
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v12i11.70780

Abstract

This study aims to describe the form of presentation of Selodang Mayang Dance at the Amantubillah Palace of Mempawah Regency textually and contextually. This research uses a descriptive method with a qualitative form. The approach used in this study is ethnochoreology. A multidisciplinary approach, which seeks to explore the textual and contextual world. The results of this study show that the form of presentation of Selodang Mayang Dance has textual aspects consisting of a variety of movements, accompaniment music, costumes, makeup, performance venues, upper design, floor design, and group composition. then contextually researchers explore the outline of dance history, dance processes, dance development, community characteristics (social), dancer gender, and symbolic in Selodang Mayang Dance. Data collection techniques used in the form of interview techniques, documentation observation and documentation studies. Selodang Mayang Dance is a welcoming dance for important guests who were present at the Robo’-Robo’ event at the Amantubillah Palace of Mempawah Regency. The number of dancers in Selodang Mayang Dance is usually an odd number or at least 5 people who are the wrong dancers carry a property called Selodang Mayang
Sosialisasi Penilaian Portofolio Seni untuk SNPMB Bagi SMA Sederajat di Kabupaten Kubu Raya Aria, Zakarias Aria Widyatama Putra; Nurmila Sari Djau; Imam Ghozali; Mastri Dihita Sagala; Egi Putri Grandena; Muniir, Asfar; Yery Silaban, Chiristianly; Ismunandar, Ismunandar; Tindarika, Regaria; Oktariani, Dwi; Cantik Putri Aditya, Mega; Rizky Oktaviari Satrianingsih, Aline
Wahana Dedikasi: Jurnal PkM Ilmu Kependidikan Vol. 7 No. 2 (2024): Wahana Dedikasi : Jurnal PkM Ilmu Kependidikan
Publisher : Universitas PGRI Palembang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31851/wdk.v7i2.18158

Abstract

Penilaian portofolio seni untuk Seleksi Nasional Penerimaan Mahasiswa Baru (SNPMB) kurang begitu dipahami oleh peserta didik maupun guru pengampu mata pelajaran seni budaya terkait teknis pengumpulan borang keterampilan. Berdasarkan evaluasi yang dilakukan oleh Prodi Pendidikan Seni Pertunjukan bahwa lebih dari 40% calon mahasiswa memiliki kesalapahaman akan instruksi teknis pengambilan video. Selain itu, MGMP Seni Budaya SMA sederajat di Kubu Raya sebagai mitra juga membutuhkan penguatan terkait materi portofolio seni untuk SNPMB sehingga, menjadi tujuan dari kegiatan ini adalah tim Pengabdian kepada Masyarakat (PkM) Prodi Pendidikan Seni Pertunjukan adalah memberikan fasilitasi dalam bentuk sosialisasi kepada MGMP Seni Budaya dan perwakilan peserta didik setiap sekolah. Metode kegiatan menggunakan jenis sosialisasi dengan cara kerja ceramah, diskusi, dan demonstrasi. Indikator ketercapaian kegiatan ini adalah peserta sosialisasi dapat mengisi post-test dengan ambang batas skor minimal 75. Hasil kegiatan adalah peserta kegiatan dapat memahami materi sosialisasi portofolio seni untuk SNPMB yang dibuktikan 80% peserta menjawab post-test melebihi ambang batas skor ketuntasan. Melalui kegiatan ini diharapkan kedepannya dapat menjadi jembatan bagi pihak mitra yang memiliki kebingungan dalam hal teknis SNPMB khususnya dalam portofolio seni.
Co-Authors Aditya, Mega Cantik Putri ALINE RIZKY OKTAVIARI SATRIANINGSIH Anisa Safitri, Nur Apriani, Nadella Asfar Muniir, Asfar Berlisia, Melisa Budihardini, Sindy Sri Cantik Putri Aditya, Mega Dwi Oktariani Egi Putri Grandena IMAM GHOZALI Imma Fretisari Ismunandar Ismunandar . Mastri Dihita Sagala Nahak, Innocentia Marta Abuk Nurmila Sari Djau Parasbanyu, Kalista Fiona Putri, Suci Adelia Rianto, Ridho Ridho, Rianto Saputra, Agus Saputri, Suri Ulhasanah, Nida Utami, Riana Winda Istiandini Yery Silaban, Chiristianly Zakarias Aria Widyatama Putra