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All Journal Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Jurnal Pendidikan Sosiologi dan Humaniora Catharsis Wahana Dedikasi : Jurnal PkM Ilmu Kependidikan Prima Abdika: Jurnal Pengabdian Masyarakat Jurnal Ilmu Sosial, Humaniora dan Seni TACET Jurnal Pendidikan dan Kajian Seni
Asfar Muniir, Asfar
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Arts Humanities Decision Sciences, Operations Research & Management Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Social Sciences Other

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RITME PERMAINAN MUSIK KELOMPOK TAWANG MUSIK DI STASIUN TAWANG SEMARANG DALAM MEMPERTAHANKAN EKSISTENSI Muniir, Asfar
Catharsis Vol 3 No 2 (2014)
Publisher : Catharsis

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Abstract

Seni khususnya seni musik mengalami perkembangan yang cukup pesat. Hal ini bias dilihat dari semakin banyaknya jenis aliran musik seperti dangdut, pop. rock, jazz, country, kroncong dan lain sebagainya, Selain banyaknya jenis aliran musik yang berkembang, juga semakin banyak bermunculan group / kelompok musik di kota-kota hampir di seluruh Indonesia.Hal ini menimbulkan persaingan antar kelompok musik yang membuat masing-masing kelompok harus mencari cara untuk tetap eksis di dunia hiburan musik. Irama permainan musik kroncong yang inovatif dan juga tetap menjaga keaslian musik kroncong serta manajemen yang baik dalam kelompok Tawang Musik membuat kelompok ini tetap eksis di dunia hiburan musik Kota Semarang sampai sekarang. Penelitian ini menggunakan metode kualitatif dengan pendekatan Deskriptif artinya, dalam penelitian kualitatif seorang peneliti harus mampu menjelaskan semua bagian yang bisa dipercaya dengan informasi yang didapat serta tidak menimbulkan kontradiktif dengan interpretasi yang disajikan. Hasil penelitian menunjukkan bahwa dengan irama permainan musik kroncong yang menghibur dan inovatif serta manajemen grup yang baik dapat membuat kelompok musik Tawang Musik eksis dan terus berkembang dalam dunia hiburan musik Kota Semarang. Peneliti menggunakan teori fungsi manajemen George Terry, yang didalamnya mencakup perencanaan, pengorganisasian, penggerakkan serta evaluasiArt , especially the art of music has developed quite rapidly . It may be seen from the increasing number of musical genres such as dangdut , pop . rock , jazz , country , kroncong etc. , In addition to the many musical genres that evolved , is also a growing number of emerging groups / music groups in cities across Indonesia.Hal almost raises competition among groups of music that makes each group must figure out a way to exist in the world of entertainment music . Kroncong music rhythm game and also innovative while maintaining the original music and sound management kroncong in Tawang Music group makes this group still exist in the world of music entertainment Semarang until now . This study uses qualitative descriptive approach means , in qualitative research the researcher must be able to explain all the parts that can be trusted with the information received and does not give rise to contradictory interpretations presented . The results showed that the rhythm music game kroncong entertaining and innovative as well as good management group can make music groups Music Tawang exist and continue to thrive in the world of music entertainment Semarang . Researchers used the theory of management functions George Terry , which also includes the planning , organizing , mobilizing and evaluation
EKSISTENSI TARI JEPIN TAMMBONG ENAM DI DESA KARIMUNTING KECAMATAN SUNGAI RAYA KEPULAUAN KABUPATEN BENGKAYANG Dalamus, Renny Basajo; Ismunandar, Ismunandar; Muniir, Asfar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 9, No 1 (2020): Januari 2020
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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AbstractThis study aims to describe the existence of Tari Jepin Tammbong Enam in Karimunting village. The problem of this research is related to the existence of Tari Jepin Tammbong Enam and the factors that affect the development of Tari Jepin Tammbong Enam. This study uses descriptive method with a qualitative form and ethnographic approach.  The data source of this study is approach colleted from the interview, the observation draft and the documentation of interviews with Suratmi, Mat’ani and Ruslan. The validity of data in tested by using triangulation techniques of the sources which compiled and analyzed systematically. The result of this study indicates: (1) Tari Jepin Tammbong Enam is still preserved by Sanggar Rukun Bersama since 1995. (2) The support systems of the existence of Tari Tammbong Enam are Sanggar Rukun Bersama, society, and government. (3) The obstacle factors of the existence of Tari Jepin Tammbong Enam is not interested to learn and nowadays young people assume that this kind of dance is outdated. (4) To built the awareness of young generation to involve in regional traditions especially Tari Jepin Tammbong Enam.Keywords: Existence, Tari Jepin Tammbong Enam
BATU BEJAMBAN ( LEGENDA MASYARAKAT PALOH DI KABUPATEN SAMBAS) Jelita, Bela Anggun; Ismunandar, Ismunandar; Muniir, Asfar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 9, No 1 (2020): Januari 2020
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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AbstractBatu Bejamaban by legend of Paloh District, Sambas Regency. Legend is a folk tale that is considered truly happening, whose story is connected with historical figures, has bees flavored with miracles, and the characters special the South Coast Queen visting Paloh’s Kingdom. This becomes a working idea from the dance work Batu Bejamban which is presented in the form of dramatic dance or dance that tells stories. Batu Bejamban choreograph applies and goes throungh some methods, in its making – process such as exploration, processing, application, evaluation, and revision. It is necessary because in writting as weel needs a systematic process simplify the writing in order to make it proper as determined concept. This is not just an enteraining performance, but it consists innovation in developing traditiona dance, educational aspect and as well morality massage. This work is expected to be reference in developing dances from West Kalimantan and could be implemented in art and Culture subject for 2nd grade students in school. Keyword : Batu Bejamban, Legend, Method and Creational Process, Dance Analyzing.
KAJIAN MUSIKOLOGI LAGU BELADON PADA KESENIAN MENDU DI KOTA PONTIANAK Taufan E. P, Muhammad; Ismunandar, Ismunandar; Muniir, Asfar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 9, No 1 (2020): Januari 2020
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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AbstractThe Background in this research content was for created a documentary of  Beladon Song on The Art of Mendu in Pontianak. General problems in this research were : How is the musical accompaniment of Beladon Song on The Art of Mendu in Pontianak description? The Purpose of this research was: 1) Described and denotated the Musical accompaniment and vocal of Beladon Song on The Art of Mendu in Pontianak, 2) Describing music form of Beladon Song on The Art of Mendu in Pontianak. The method that used in this research wasqualitative descriptive method and used musicology approach. The datas of this research were the result of the wich direct observation and interview to the informant about the System of Violin Melody, system of Gendang Panjang, Tawak and Vocal. The Data Analysis doing with the qualitive method, with the informant data, Jerie Anwar, Herman, Ilham Setiawan, S.Sn, and Yoga Kharisma, S.Pd who always active in artistic activity and know about the musical accompaniment of Beladon Song on The Art of Mendu in Pontianak. Keywords: Beladon Song, Mendu, Art of Mendu, Musicologue Study, Pontianak.
MANAJEMEN PRODUKSI SANGGAR KIJANG BERANTAI DI KOTA PONTIANAK Alrinaldi, Alrinaldi; Djau, Nurmila Sari; Muniir, Asfar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 12 (2019): Desember 2019
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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AbstractThis research was motivated by the interest of researcher to examine the management of production in the Kijang Berantai gallery. The purpose of this research was to describe the production management of Kijang Berantai gallery. The method used in this research was descriptive method with a qualitative research form. The approach used in this research was the sociology approach. Data collection techniques in this study used observation, interview and documentation techniques while the data collection tools used in this research were observation guidelines, interview guidelines, camera and notebook. Testing the validity of the data of this research used source triangulation technique. Data analysis techniques in this research were data reduction, data presentation and conclusion drawing. The results of this study indicated that one of the Kijang Berantai gallery programs was to hold dance and music performances performed by implementing art production management so the art performances run smoothly and effectively. Key words: Art Production, Kijang Berantai Gallery, Management
POLA TABUHAN KESENIAN BEREGUNG PADA MASYARAKAT DAYAK PAUS DI KECAMATAN SEKAYAM KABUPATEN SANGGAU Asri, Multi Jum; ., Ismunandar; Muniir, Asfar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 6, No 3 (2017): Maret 2017
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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Abstrak:Penelitian ini ditujukan karenakurangnya pengetahuan masyarakat terhadap pola kesenianBeregungdan bagaimana bentuk penyajian musik iringan Beregung pada masyarakat Dayak Paus.Penelitian ini menggunakan metode disktiptif. Bentuk penelitian yang dilakukan adalah kualitatif. Pendekatan yang digunakan adalah pendekatan musikologi, teknik pengumpulan data yaitu observasi, wawancara dan dokumentasi. Penelitian ini menggunakan triangulasi sumber, narasumber data yaitu Ligorius nian, Anon dan Hary Fandinus.Hasil penelitian ini: (1) Musik Beregung yang dimainkan pada acara gawai panca terdiri dari satu bagian yaitu dengan menggunakan birama 4/4 dan pola tabuhan sederhana yang tidak terlalu bervariasi, (2) Alat musik yang dimainkan pada musik Beregung yaitu Gong, Kenong dan Ketobung dengan tempo Moderato. Kata Kunci:Pola Tabuhan, Beregung, Dayak Paus. Abstract:This research is intended because lack of public knowledge of the patterns and how Beregung art form of presentation of musical accompaniment on the Dayak community Beregung Paus.This study uses deskriptif. The research is qualitative. The approach used is a musicological approach to data collection techniques used are observation, interview and documentation. This study using triangulation sources, data source Ligorius nian, Anon and Hary Fandinus. The results of this study: (1) Music Beregung played on gawaipanca event consisting of one part by using a 4/4 time signature and pattern simple wasp that is not too varied, (2) the instrument is played musical Beregung namely Gong, kenong and Ketobung with a Moderato tempo. Keywords:Pattern Waspof Art, Beregung, Dayak Paus.
STRATEGI SENIMAN PUCKMUDE DALAM MEMPERTAHANKAN EKSISTENSI TERHADAP PERKEMBANGAN MUSIK DI KOTA PONTIANAK Nanda, Gilang Ocktantrio; Istiandini, Winda; Muniir, Asfar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 9, No 3 (2020): Maret 2020
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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 AbstractThis research aims to describe the existence, factors that influenced, and efforts to maintain the existence of Puckmude music artists. The method that used is descriptive method. Describing the existence of Puckmude was obtained through observation and interviews with interviewees, and documenting Puckmude's activities.The results showed that Puckmude still exists today (2018). The Factors that affecting the existence of them are financial, lack of appreciation, the globalization, and lack of assistance from the local government.Efforts to maintain existence by growing regeneration for the young generation, increasing income, assistance from the government and utilize the internet sites as promotional media. The results of this research are expected to be a reference for further research on independent music. Keywords: Puckmude , Existence, Independent Music
PEMBELAJARAN GITAR KLASIK DI YAMAHA MUSIC SQUARE (YMS) KOTA PONTIANAK Ardiansyah, Rikky; Ghozali, Imam; Muniir, Asfar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 11 (2019): Nopember 2019
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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AbstractLearning was a process of someone to gain knowledge but, it required a stimulus that help in the process. The stimulus could be obtained from formal and non-formal type of education. Music course was one of non-formal typed of education which can improve student?s talents and skills in playing musical instruments, for example was Yamaha Music Square (YMS). Yamaha Music Square (YMS) had a unique characteristic in the curriculum of classical guitar learning so that was used to distinguish it from other courses. This study aim to describe the classical guitar leraning in Yamaha Music Square (YMS) Pontianak City. The subjects of this study was classical guitar teachers at YMS Pontianak. This research was focused on classical guitar learning at Yamaha Music Square (YMS) Pontianak City. The method used in this research was descriptive method and qualitative?s form research. Data obtained through observation, interviews, and documentation. The data validity technique was obtained through triangulation. The result showed that in learning classical guitar at YMS used a curriculum from Japan, otherwise known as an international curriculum with more attractive packaging. Learning methods used in classical guitar learning at YMS were interactive methods, demonstration methods, drill or drill methods and assignment methods. The material given in classical guitar learning at YMS is to recognize guitar parts, playing techniques for the right hand (apoyando and al-aire), finger numbers and symbols, tuning, melody exercise, scale C major and chord exercise. For the evaluation of classical guitar learning at YMS, each meeting was conducted through assignments given in the previous meeting and various events which are considered as benchmarks of student success. But the most important evaluation is that the test for grade upgrading is held twice a year. Keywords: yamaha music square, learning, classical guitar
DARA ANTA (SEBUAH TRAGEDI DARI LEGENDA MASYARAKAT KETUNGAU HILIR KABUPATEN SINTANG Wanda, Apriyanti; Fretisari, Imma; Muniir, Asfar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 7 (2019): JULI 2019
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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Abstract?Dara Anta choreograph inspired by the legend of Ketungau Hilir?s people of Sintang District. Legend is a story that is considered true, the story is related to historical figures, it has been spiced with magic, wonders, and special features. The legend of Dara Anta is a tragedy that happened in the past, still a story until now among the peoples of Ketungau Hilir, when a woman named Dara Anta became a stone due to anger because of her husband?s betrayal. This phenomenom turns out to be the basic idea in creating "Dara Anta" choreograph which in a dance-theater form or a dance with story. Dara Anta choreograph applies and goes through some methods in its making-process such as exploration, processing, application, evaluation, and revision. This performance brings out an interesting aesthetic from the dance and music, and it becomes not just a dance show, but its music is as well attractive. Apart from that, the choreograph combines uniqueness of Dayak traditional dance movements and Dayak creations. This is not just an entertaining performance, but it consists innovation in developing traditional dance, educational aspect and as well morality message.? Keyword: Dance Analyzing, Dara Anta, Legend, Method and Creational Process
SEJARAH TARI JEPIN LEMBUT DI DESA SEKURA KECAMATAN TELUK KERAMAT KABUPATEN SAMBAS Halim, Idris; Ismunandar, Ismunandar; Muniir, Asfar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 10 (2019): Oktober 2019
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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AbstractThe background of this research is the researcher's interest in Malay dance art especially the history of Jepin Lembut dance village   of Teluk Keramat Sekura Sambas district. The goal is to find out the history of dance Jepin Lembut by documenting the form of writing supported by photographs associated with a Jepin Lembut Dance. So the history of Jepin Lembtu dance can be known by the wider community.The method used is historical method, with qualitative research form. The approach in this research is interdisciplinary approach with the history as disciplines of sciences. Sources of data in this study are some of speakers who know the history of the existence of Jepin Lembt dance and documents the writing of scientific papers on dance Jepin Lembut. Data collection techniques in this study are observation, interview and documentation study. Techniques test the validity of data using source triangulation and extension of observation.The history of Jepin Lembut dance in the village   of Teluk Keramat Sekura Sambas district since 1950s, created by an artist named Abdullah. This dance arise in Tri Mandayan village. Firstly this dance showed in the marriage party as a society entertainment. Jepin Lembut dance in the village   of Teluk Keramat Sekura district have a glorious and decrease experience periods in the development era. Jepin Lembut dance was got a change at the presentation form elements.Keywords: Developmen, History, Jepin Lembut
Co-Authors . Rahmat . Ruslan, . Aditya, Mega Cantik Putri Afsari, Regina Ripa Agus Pratiwi Agus Syahrani Alfioderi, Ridho ALINE RIZKY OKTAVIARI SATRIANINGSIH aloysius mering Alrinaldi, Alrinaldi Anggara, Rama Ardiansyah, Rikky Arif Dermawan Arry, Cornelius Asri, Multi Jum Atida, Icha Asih Bumadius, Bumadius Cantik Putri Aditya, Mega Dalamus, Renny Basajo Dazulli, M. Delta, Juliana Dennis Hoogendyk, Fian Welliem Dita Amelia, Dita Djau, Nurmila Djau, Nurmila Sari Dwi Oktariani Edita, . Egi Putri Grandena Ela, Leonila Ella, Serafina Firdaus Firdaus Grandena, Egi Putri Gunawan, Arisko Halim, Idris Hasibuan, Herindra Hawari, Yusran Henny Sanulita Herdianti, Erni IMAM GHOZALI Imam Ghozali Imma Fretisari Irawan, Purna Aji Ismunandar Ismunandar . Jelita, Bela Anggun jian, Julianus Junita, Ellmy Lia Kalba, Milda Putri Karlina, Ani Kudun, Oktavanus Kusumayanti, Regina Laksmi, Nadya Ayu Letisia, Bernike Marselius, Marselius Marvella, Agnes Mastri Dihita Sagala Mawarni, Rizka Rina Muniir, Ismunandar Muslim, Agus Nanda, Gilang Ocktantrio Nugroho, Muhammad Arvin Nur Rahman, Nur Nurmansyah Nurmansyah, Nurmansyah Nurmila Sari Djau Oktavianus, Riksi Pangestu, Steven Hasan Panjaitan, Derry Rulita Pratiwi, Devi Putri, Meitika Kaping Ranto M, M Aristo Regaria Tindarika rina Apriani Sagala, Mastri Dihita Sanjaya, Ridho Novreza Sari, Elisa Tresna Sari, Nurdini Hanum Sari, Purmini Mayang Satria, Bayu Septia Widya, Upik Riska Silaban, Chiristianly Yery Sinaga, Limjon Parasian Subadrun, . Sulistio, Agus Suryani, Maulidya Okta Taufan E. P, Muhammad Wanda, Apriyanti Wilhilmina Tanema, Sesilia Wynni Winda Istiandini Yahya, Akhmed YANTO YANTO yarso, Rizal yarso, Varulian Yery Silaban, Chiristianly Yohanes, Beni Yudhistira Oscar Olendo Zakarias Aria Widyatama Putra