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All Journal MODUL Jurnal Sosioteknologi Tesa Arsitektur Nature: National Academic Journal of Architecture Arsitektura : Jurnal Ilmiah Arsitektur dan Lingkungan Binaan Atrium : Jurnal Arsitektur Jurnal Koridor Jurnal Arsitektur ARCADE
Agus S. Ekomadyo, Agus S.
Sekolah Arsitektur, Perencanaan dan Pengembangan Kebijakan Institut Teknologi Bandung
Aerospace Engineering Arts Humanities Civil Engineering, Building, Construction & Architecture Engineering Environmental Science Industrial & Manufacturing Engineering Social Sciences Other

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PENGURAIAN TANDA (DECODING) PADA RUMOH ACEH DENGAN PENDEKATAN SEMIOTIKA (Elaboration of Sign (Decoding) of Rumoh Aceh Using Semiotics Approach) Putra, Riza Aulia; Ekomadyo, Agus S.
Tesa Arsitektur Vol 13, No 1 (2015)
Publisher : Unika Soegijapranata Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Rumoh Aceh is one of the artefacts from the cultural society. As a cultural artefact, rumoh Aceh can be read as a text that represented of a society tradition. There are messages that are contained in rumoh Aceh. The architecture of rumoh Aceh has been influenced by Islam as a majority religion in the society. To be able to know the message that attach in the architecture of rumoh Aceh, it is needed to elaborate the architectural components. Semiotics is one of method that can be used to read or disclose the message that contain in architectural object based on an existing signature or code (decoding). The process of elaboration of the sign using semiotic approach relies heavily on social agreements in a society where the object of architecture is located. The purpose of this article is to expose the messages attach in the architecture of rumohAceh as an efforts of transposition in order to appreciate and preserve the values of architecture of rumoh Aceh so that it can eventually be translated into new architectural forms in the present context.
Translokalitas Budaya Sorkam pada Penggunaan Ruang Untuk Kegiatan Sehari-hari Masyarakat di Perumahan Bumi Yapemas Indah, Bekasi Aisha, Heidi; Ekomadyo, Agus S.
ARSITEKTURA Vol 19, No 1 (2021): Arsitektura : Jurnal Ilmiah Arsitektur dan Lingkungan Binaan
Publisher : Universitas Sebelas Maret Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/arst.v19i1.48283

Abstract

Indonesia has various ethnic societies that have been migrated from their origin places and settled in other regions. It also occurs where Sorkam community, a coastal ethnic communities originalle placed in Central Tapanuli, North Sumatra, have moved and settled in Bumi Yapemas Indah Housing, South Tambun, Bekasi Regency. This article discusses how specific ethnic communities lives in a modern gated-community in everyday life. It examines how communities using space in everyday lives and and their cultural forms is maintained in translocal living spaces. By Lefebvre’s rhythmanalysis approach, research is conducted with interviews with community leaders and a sample of residents, and also field observation. It is found that the traditional culture of the Sorkam people did not have a direct effect on the architecture and use of space, but the similarity in the culture of the community encouraged the interaction between the rhythms of people's lives. Cultural similarity encourages interaction between the rhythms of people's lives so that the phenomenon of space use is reinforced according to the Eurhythmia concept. The phenomena of using the space include: 1) the emergence of a sense of security and comfort in using spaces 2) utilization of indoor and outdoor spaces as a social space, and 3) adjustment of space according to the culture of the local community. It is hope this article will contribute to the studies of social production of space by specific community.
MATERIALITAS/KOMUNITAS SEBAGAI PENDEKATAN DESAIN Perspektif Teori Jaringan-Aktor untuk Desain Arsitektur Terakota di Alun-alun Desa Jatisura, Jatiwangi, Majalengka Ekomadyo, Agus S.; Silmi, Gagas F.; Agumsari, Dini
MODUL Vol 24, No 1 (2024): MODUL vol 24 nomor 1 tahun 2024 (5 articles)
Publisher : architecture department, Engineering faculty, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/mdl.24.1.2024.39-50

Abstract

Isu materialitas/ komunitas muncul karena eksplorasi seni ketukangan dalam desain arsitektur ternyata melibatkan pelaku pelaku manusia. Sebagai sebuah entitas sosial, komunitas sesungguhnya merupakan suatu realitas yang kompleks, karena relasi antar pelaku manusia merupakan sesuatu yang rumit dan tidak pasti. Artikel ini ditulis sebagai refleksi terhadap materialitas/ komunitas sebagai pendekatan desain, dengan Teori-Jaringan Aktor sebagai kerangka untuk membaca relasi-relasi antara manusia dan objek-objek teknis dalam pemikiran desain yang dilakukan. Kasus yang dipilih adalah desain Arsitektur Terakota di alun-alun Desa Jatisura, Jatiwangi, Majalengka, sebagai bagian dari program Pengabdian Masyarakat. Refleksi dilakukan dengan melihat desain sebagai dialog antara permasalahan dan alternatif solusi (Lawson, 2005), dan untuk kasus ini pemikiran desain dipetakan ke dalam dialog dengan material, dialog dengan bentuk, dialog dengan pengguna, dan dialog dengan konstruksi, masing-masing diidentifikasi keterlibatan pelaku dalam dialog tersebut. Ditemukan relasi materialitas dan komunitas dalam dialog tersebut, yaitu: 1) solusi desain dihasilkan melalui proses iteratif (bolak-balik) dengan mengkalkulasi banyak pertimbangan, 2) pendekatan materialitas/ komunitas menjadikan desain mempertimbangkan pelaku-pelaku manusia sebagai representasi komunitas, 3) dialog material/ komunitas menunjukkan bahwa desain arsitektur bukan saja proses sosial (Dorst, 2003), namun juga proses sosioteknikal (Ekomadyo & Riyadi, 2003), 4) perspektif Teori Jaringan-Aktor melihat peran tertinggi dari objek-objek teknis yang dihasilkan desain arsitektur adalah delegasi dari kehendak manusia, 5) sebagai proses sosial atau proses sosio teknikal, desain akan berada dalam dunia sosial yang rumit, dan 6) Teori Jaringan-Aktor membantu dalam mengurai dan memetakan kerumitan sosial dan memposisikan objek-objek teknis sebagai hasil desain.  Ketika desain mempunyai misi sebagai rajutan hasrat untuk masa depan yang lebih baik (Dovey, 2010), Teori Jaringan-Aktor bisa memandu desain dalam mengkomposisi bukan sekadar objek-objek teknis selayaknya desain secara konvensional, namun juga relasinya dengan pelaku-pelaku manusia yang terlibat. Di sini kerumitan sosial dalam pendekatan materialitas/ komunitas dalam desain arsitektur bisa terurai dan terpetakan dengan baik.
‘PLACE-MAKING’ RUANG INTERAKSI SOSIAL KAMPUNG KOTA': Studi Kasus: Koridor Jalan Tubagus Ismail Bawah, Bandung Tamariska, Stirena Rossy; Ekomadyo, Agus S.
Jurnal Koridor Vol. 8 No. 2 (2017): Jurnal Koridor
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1085.695 KB) | DOI: 10.32734/koridor.v8i2.1345

Abstract

Interaksi sosial merupakan budaya yang sudah melekat dan menjadi nyawa di kawasan kampung kota. Karena adanya faktor keterbatasan lahan di kampung kota, penelitian ini mengkaji bagaimana warga membentuk wadah interaksi sosial pada sisa space yang mereka miliki. Pendekatan yang digunakan adalah pendekatan place-making, dimana warga mengubah koridor jalan dan halaman rumah menjadi ruang interaksi sosial berdasarkan kebiasaan berkumpul warga di area-area tertentu di koridor jalan. Koridor jalan ditambahkan fungsinya tidak hanya sebagai area sirkulasi, namun juga sebagai tempat interaksi sosial, jual beli, tempat bermain anak, tempat berjemur lansia, acara formal seperti rapat pengurus, acara kebersamaan (liwetan) dan acara tahunan. Dari hasil penelitian ditemukan bahwa terdapat lima area di sepanjang koridor jalan Tubagus Ismail Bawah yang menjadi representasi ruang interaksi bagi warganya yaitu: ruang duduk di area warung bubur, naungan halaman rumah kos, ruang duduk di area warung kelontong, teras bersama dan ruang jemur-duduk bersama. Kelima area ini masing-masing merepresentasikan konsep tata krama, ruang teduh untuk berkumpul, area bermain anak yang ditandai dengan gambar permainan sunda manda, ruang berkumpul santai dan ruang interaksi sambil membeli makanan dari pedagang keliling. Bahkan, pada area warung kelontong terdapat tiang listrik yang dimanfaatkan sebagai alat untuk mengundang warga berkumpul. Hal ini menarik untuk ditelaah, dimana warga setempat telah melakukan strategi adaptif dalam menciptakan ruang interaksi dan merepresentasikannya dalam keseharian mereka beraktivitas di lingkungan Kampung Kota.
ANALISIS TEORI JARINGAN AKTOR PADA CO-WORKING SPACE DAN KOMUNITAS STARTUP DI BANDUNG Agirachman, Fauzan Alfi; Ekomadyo, Agus S.
Jurnal Koridor Vol. 8 No. 2 (2017): Jurnal Koridor
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (478.79 KB) | DOI: 10.32734/koridor.v8i2.1348

Abstract

Co-working hadir sebagai gaya hidup bekerja mandiri yang mengutamakan nilai kolaborasi, keterbukaan, komunitas, aksesibilitas dan keberlanjutan. Gaya hidup tersebut dimanifestasikan secara arsitektural dalam bentuk tipologi co-working space yang kini menjadi fenomena yang sering dijumpai di kota-kota besar di Indonesia. Hal ini terjadi seiring dengan munculnya berbagai komunitas startup atau perusahaan rintisan yang masing-masing dari mereka membutuhkan ruang kerja yang nyaman dan terjangkau. Hadirnya co-working space sebagai sebuah place didukung oleh kehadiran komunitas startup sebagai society di dalamnya. Dengan mengambil kasus co-working space dan komunitas startup di kota Bandung dengan metode relasi antara artifak dan aktor menggunakan Teori Jaringan Aktor (Actor Network Theory/ANT), tulisan ini menelusuri relasi antara kehadiran co-working space dengan komunitas startup di kota Bandung. Dalam studi kasus co-working space HackerspaceBDG yang kemudian secara manajerial bergabung dengan Co&Co Space dan komunitas FOWAB, relasi yang terjadi antara ketiganya ditelusuri dalam 3 momentum: inisiasi, perpindahan lokasi dan pemindahan pengelolaan co-working. Dari analisis yang dilakukan, didapatkan bahwa keberhasilan co-working space sebagai tempat/place bagi komunitas startup berkolaborasi ditentukan oleh intensitas community event (artifak) dan kesinambungan pelaksanaan event (artifak) ditentukan oleh pengelola co-working space sebagai aktor. Hasil analisis tersebut direfleksikan dalam bentuk penanganan desain arsitektur untuk menghadirkan kolaborasi komunitas startup di co-working space.
“MATTER OF CONCERN” PABRIK ES ALWI ASSEGAF PALEMBANG SEBAGAI BANGUNAN HERITAGE Rizal, Randy; Ekomadyo, Agus S.
Jurnal Koridor Vol. 12 No. 01 (2021): Jurnal Koridor
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/koridor.v12i01.5123

Abstract

ABSTRACT As one of the oldest cities in Indonesia, Palembang has a history related to the Musi river. The Musi River divides the city of Palembang into Ilir and Ulu. This river was known as a trade route in ancient times, so that many Chinese and Arab immigrants settled on the riverbank. In the Ulu, there are several village areas that are mostly inhabited by Arab residents, one of which is Assegaf Village. This study will specifically discuss the Assegaf village, especially its famous icon, the Alwi Assegaf ice factory. This factory is an integral part of the life chain of the Musi river. Many traditional fishermen rely on the ice factory and it is clear that the Alwi Assegaf ice factory has an impact and influence on residents. The purpose of this research is to explore further history, cultural ideas and actors who play a role in the Alwi Assegaf ice factory. It also aims to reveal the identity of the ice factory itself against the socio-economic conditions in Assegaf Village residents. The research method was carried out qualitatively in the form of interview, field observation and literature reviews. The elements discussed will use the ANT (Actor-Network Theory) method to obtain a mapping description of the actors involved in the daily production of the Alwi Assegaf ice factory. The contribution of this study can be used as a review of further research literature that focuses on actor-network theory analysis. Keywords: Actor-Network Theory, Actor, Assegaf Village, Ice Factory. Relation
Actor Relations in the Change of Shape and Space in the Rumah Gadang of Balai Kaliki Traditional Village Putri, Azani Zalika; Ekomadyo, Agus S.; Triharini, Meirina
Jurnal Koridor Vol. 14 No. 2 (2023): Jurnal Koridor
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/koridor.v14i2.11119

Abstract

Rumah Gadang is a traditional building that represents the cultural identity of Minangkabau Tribe in West Sumatera. This traditional building is a cultural heritage that must be preserved. However, preservation led to many changes in the form and space of traditional buildings. Rumah Gadang which is located in Kampung Adat Balai Kaliki, Payakumbuh City West Sumatera has a level of change in minor and major. That matter could happen because of differences in the network of actor relations in each building. The factor of actor relations has an impact to change the preservation of traditional buildings, thus providing a new perspective on the preservation of traditional buildings. Therefore, this research aims to observe the changes that occur in the Rumah Gadang located in Kampung Adat Balai Kaliki through actor network’s perspective. Completion of this research using a qualitative methodology with Actor Network Theory (ANT) method by examining changes that occur in Rumah Gadang holistically, which is through a study the relations between the actors involved in that building to discorver the factors that cause the changes. This research find that the relation of actors involved in each Rumah Gadang determines the quantity of building changes. The result is charted using sosiotechnogram to know the strong actors in actor relations from each Rumah Gadang. Therefore, this research could be the basis for appropriate practices of preserving Rumah Gadang traditional building.
GENIUS LOCI KAMPUNG BANDAR PEKANBARU Kaffah, Mahya Fiddini; Ekomadyo, Agus S.
Nature : National Academic Journal of Architecture Vol 9 No 1 (2022): June
Publisher : Department of Architecture, Faculty of Science and Technology, Alauddin State Islamic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/nature.v9i1a4

Abstract

Abstract_ Kampung Bandar is an old town that became the forerunner of the development of Pekanbaru City. Kampung Bandar is located on the banks of Siak River, a river that is a source of life and a place for people to carry out their daily activities. The existence of the Siak River creates a unique socio-cultural atmosphere for the community. The purpose of this study is to reveal the Genius Loci in Kampung Bandar using the Genius Loci approach proposed by Norberg-Schultz within the framework of architectural phenomenology. The method used in the process of collecting data in this study is a qualitative method. Research shows that the Genius Loci of Kampung Bandar are formed by the community's attachment to the Siak River which is manifested in the form of buildings, traditions, and community activities in daily life. Keywords: Architecture; Genius Loci; Kampung Bandar.
Heritage Branding and The Value of Nostalgia: The Case of Kopi Toko Djawa in Bandung Benedikta, Clara; Ekomadyo, Agus S.; Viana, Anita
ATRIUM: Jurnal Arsitektur Vol. 10 No. 3 (2024): ATRIUM: Jurnal Arsitektur
Publisher : Lembaga Penelitian dan Pengabdian pada Masyarakat (LPPM) Universitas Kristen Duta Wacana Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21460/atrium.v10i3.270

Abstract

Coffee is embedded in everyday life as a tradition or ritual within individuals or social communities. Coffee shapes social interactions and cultural practices. Kopi Toko Djawa Pasar Cihapit evokes memories through its spatial dimension. The existence of Kopi Toko Djawa Cihapit gives a nostalgic impression because of its location. Apart from that, the impression of nostalgia from an architectural perspective is also reflected in the interior, which presents a “heritage” atmosphere and strengthens the visitor’s experience in interpreting heritage values in the spatial dimension. The contribution that will be conveyed through this article is a deeper understanding of nostalgia in the form of memory and architecture through coffee in traditional markets, as well as highlighting how this influences community to its dynamics and local identity. This article explores nostalgia in memory and architecture through coffee in conventional markets. The article examines coffee’s cultural and historical significance, using ethnographic methods and interviews to reveal the coffee heritage at Kopi Toko Djawa Cihapit. This research enriches understanding of cultural nuances and underscores the importance of preserving coffee heritage in an architectural context. Qualitative data from the literature, field observations, and interviews with the first barista at Kopi Toko Djawa Cihapit underlie this research.
RELASI JEJARING AKTOR MASYARAKAT SUKU BUGIS SOPPENG DALAM TRADISI MENDIRIKAN RUMAH (MAPPATETTONG BOLA) Hatta, Asta Juliarman; Ekomadyo, Agus S.
Jurnal Arsitektur ARCADE Vol 4 No 3 (2020): Jurnal Arsitektur ARCADE November 2020
Publisher : Prodi Arsitektur UNIVERSITAS KEBANGSAAN

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Abstract

Every process and stage in phase of constructing of Indonesia’s vernacular architecture is required the role and contribution of individual or several actors so that procession of house construction can be built due to purposes. According to traditions and beliefs of the Bugis community, there are several actors who have different roles and responsibilities during the process of establishing a Buginese-house. This research aims to explore the influence of the actors’ role who are involved in the process of constructing a traditional Bugis house. Correlation and impact of one actor's involvement with other actors will be reviewed based on the perspective of the Actor Network Theory (ANT) by using descriptive qualitative method.  The results revealed that there are 4 stages in the process of building Buginese-house namely the process of constructing a house frame (Mattibang Bola), the process of marking the center of the house (possi bola), the ritual of reading thanksgiving prayer (barzanji), and the process of establishing a house frame (Mappatettong Bola). Founded, Sanro Bola and Panre Bola, namely traditional leaders who have a mandate in the tradition of building houses, are actors who act as controlling actors and are very influential in maintaining the stability of a network in the process of building Buginese-house. Learning from the tradition of building a Buginese-house, the existence of traditional leaders is important, because it has a tradition-based on knowledge base, and this has become a mandate in regulating other actors in working.
Co-Authors Adhitama, Gregorius Prasetyo Agirachman, Fauzan Alfi Agumsari, Dini Aisha, Heidi Alfiani, Kirana Benedikta, Clara Hatta, Asta Juliarman Kaffah, Mahya Fiddini Meirina Triharini Putra, Juli Yanda Putra, Riza Aulia Putri, Azani Zalika Rizal, Randy Silmi, Gagas F. Tamariska, Stirena Rossy Viana, Anita