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All Journal Jurnal Teknik Sipil LiNGUA: Jurnal Ilmu Bahasa dan Sastra EDULITE: Journal of English Education, Literature and Culture Language Literacy: Journal of Linguistics, Literature, and Language Teaching BASIS (BAHASA DAN SASTRA INGGRIS) NOTION: Journal of Linguistics, Literature, and Culture PANYONARA: Journal of English Education Modality Journal: International Journal of Linguistics and Literature Wacana: Journal of the Humanities of Indonesia Metathesis: Journal of English Language, Literature, and Teaching International Journal of Advances in Artificial Intelligence and Machine Learning LINGUISTS : JOURNAL OF LINGUISTICS AND LANGUAGE TEACHING Disastra: Jurnal Pendidikan Bahasa dan Sastra Indonesia
Kurniawan, Muhammad Hafiz
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Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Education Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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Analyzing Genre of Character-Describing Cards in ‘Clash Royale’ Android Game Kurniawan, Muhammad Hafiz
NOTION: Journal of Linguistics, Literature, and Culture Vol 2, No 2 (2020)
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/notion.v2i2.3162

Abstract

Playing games is the most enjoyable activity for some teenagers. However, playing games nowadays can be considered both a wasting time activity because by playing games some of teenagers spend much time playing it and an addicting activity making the players anti-social persons because they tend to isolate them from their surroundings while playing. However, some android games can offer the good example as the learning materials for Discourse Analysis course. One of those is the game from Supercell ‘Clash Royale’ which is considered the famous games which most game players have ever played. The unique way of describing the game characters through the cards is the object of this analysis. The method of collecting the data of these games is by capturing the pictures of the Clash Royale games and other similar games using the screenshot feature which is available in smartphone. After capturing the pictures, they are transcribed into text and analyze them by comparing the way in describing the characters in the cards. The pictures are used to compare the structure of cards which are used to describe the game characters. The use of bending and blending genre which appear in describing the characters is used to arouse the humorous feeling among the game players without breaking the conventional structure of the genre.
Depiction restoring women’s power through eatery names Ananta Tur, Ajar Pradika; Sabrina, Arini; Noor, Azelin Mohamed; Farahsani, Yashinta; Puspita, Ida; Kurniawan, Muhammad Hafiz
Wacana, Journal of the Humanities of Indonesia Vol. 24, No. 2
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Empowering women entails bolstering their mentality and state of mind, as patriarchy is founded not only on sexuality. Addressing a married woman with the name of her husband or first son is claimed to be a sign of respect. Woman’s public inclusion is also still considered undervalued, which is shown in the way they name eateries. This study, which unfolds eatery names in Yogyakarta Municipality in Indonesia and Malacca in Malaysia, two places with identical historical backgrounds, analysed women’s efforts to increase their bargaining position in society through the naming of their eateries. Although two eateries do place women in a strong position, many of them still struggle to achieve women’s positionalities and social respect.
Representation of Racial Disparity in Angie Thomas's The Hate U Give Sari, Agnes Indriani; Kurniawan, Muhammad Hafiz
Metathesis: Journal of English Language, Literature, and Teaching Vol. 8 No. 1 (2024): Metathesis: Journal of English Language, Literature, and Teaching
Publisher : Universitas Tidar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31002/metathesis.v8i1.100

Abstract

Racism has become the biggest social issue in the world because of its constant unjust treatment that affects people from minority races, ethnicities, and religions. Related to this issue, The Hate U Give conveys the social condition where racial disparity towards black people is profoundly represented in the narrative. This study focuses on identifying the ideational metafunction elements, including transitivity and ergativity patterns found in the narrative. It reveals how the racial disparity is performed by the use of the meta function. Mixed method research was employed to collect and analyze the data to yield more insightful information that complements both methodologies’ findings. The theory of Systemic Functional Grammar was used to identify and classify the ideational metafunction elements from the collected narrative, and the Discourse Analysis approach was applied as a theoretical approach to support the observation. The result concluded that in the analysis of transitivity patterns, material and relational processes dominate the narrative by approximately 25% to 33% of the entire collected narrative. The findings show that racial disparity in analyzing black people that was performed by law enforcement in the collected narrative is manifested in three forms: police brutality, racial profiling, and sentencing policy.
VISUAL REPRESENTATION ON CHILDREN BOOK BY ROALD DAHL’S CHARLIE AND THE CHOCOLATE FACTORY: SOCIAL SEMIOTIC STUDY Widhianto, Anom; Kurniawan, Muhammad Hafiz
BASIS (Bahasa dan Sastra Inggris) Vol 10 No 2 (2023): J0URNAL BASIS UPB
Publisher : Universitas Putera Batam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33884/basisupb.v10i2.7164

Abstract

Visual image in the book is an important part of making a literary work especially in children picture book and the visual image were studied in social semiotic. This research aims to find the visual representation in children book Charlie and The Chocolate Factory written by Roald Dahl in 1964, as well as to identify the meaning by explaining social semiotic through visual representation in representational meaning, character manifestation, appearance and inter-circumstance by Painter. This study classified into qualitative research and types of data in this research classified into document of analyzing. While the steps collecting and analyzing data the researcher using social semiotic approach through multimodality by Bezemer and Jewitt: collecting and logging, viewing, sampling and transcribing the data. Then, for analyzed the data using visual representation (narrative representation, conceptual representation, and embedding) by Kress and Leeuwen also character manifestation, appearance, and inter-circumstance by Painter. This research used qualitative descriptive method in reporting the result of analysis in which description took the most important role in displaying the data analysis. The researcher found 43 of illustration images in the context of children book Charlie and The Chocolate Factory. The researchers found narrative representation (40), conceptual representation (3), embedding (images that contain narrative and conceptual representation) (4). Then, the researcher found appear (12), reappear (28), and 3 images are not counted because there is no character in the structure of character appearance. All of data or 43 images classified complete feature in the structure of character manifestation, and all of data classified into sustain degree in the structure of inter-circumstance. The result of this research is be able to explain the visual representation meaning, character manifestation, appearance, and inter-circumstance which found in children book Charlie and The Chocolate Factory.
Representation of Beauty Standards in Two Selected Music Videos: Semiotic Analysis of Roland Barthes Fajari, Alifia Salsabila; Kurniawan, Muhammad Hafiz
Modality Journal: International Journal of Linguistics and Literature Vol. 4 No. 2 (2024): December 2024
Publisher : Universitas Islam Negeri Sjech M. Djamil Djambek Bukittinggi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30983/mj.v4i2.8821

Abstract

Beauty standards are issues that still exist in society today. This issue of beauty standards is depicted in music videos entitled “Pretty Hurts” by Beyonce and “Mrs. Potato Head” by Melanie Martinez. In music video, there are signs used to communicate the meaning that can be analyzed using a semiotic approach to find out the meaning conveyed. The purposes of this research are to analyze denotation and connotation meaning of verbal and visual signs in both selected music videos, as well as the myth of beauty standards. Descriptive qualitative method is applied in this research to analyze the data which are in the form of screenshot of verbal and visual signs, while the method of collecting data used in this research is documentation. The data were taken from two selected music videos represent the issue of beauty standards. The total data of this research are 36 data, consisting of 9 data of verbal signs and 27 data of visual signs. The collected data were examined using Roland Barthes’ theory by analyzing the meaning of denotation and connotation, as well as the myth of beauty standards. The result of this study found the denotation and connotation meaning showed six features of beauty such as slim body, blonde hair, narrow face, large breast, white teeth, and fashionable appearance signify women’s beauty and represent attractiveness. Meanwhile, there are six myths of beauty standards found in two selected music videos such as ideal body, attractiveness, confidence, facial beauty, ideal face shape, and ideal beauty. Abstrak Standar kecancitkan merupakan sebuah fenomena yang masih terjadi di masyarakat kita saat ini. Permasalahan ini tergambar dari video musik yang berjudul “Pretty Hurts” karangan Beyonce dan “Mrs. Potato Head” karangan Melanine Martinez. Dalam video musik tersebut beberapa tanda digunakan untuk mengkomunikasikan makna yang dianalisis dengan pendekatan semiotika untuk menemukan makna yang dimaksud oleh Beyonce dan Melanie Martinez dalam lagu-lagunya. Tujuan penelitian ini adalah untuk menganalisis makna denotasi dan konotasi baik tanda verbal dan visual dalam kedua video music tersebut, beserta dengan analisis Myth mengenai standar kecantikan. Metode kualitatif deskriptif digunakan dalam penelitian ini untuk menganalisis data dalam bentuk hasil tangkapan layar dari video musik yang merepresentasikan isu standar kecantikan. Jumlah keseluruhan data dalam penelitian ini adalah 36 data yang meliputi 9 data tanda verbal dan 27 data tanda non-verbal atau visual. Data yang telah dikumpulkan kemudian dianalisis dengan menggunakan teori Roland Barthes yang meliputi analisis denotasi, konotasi, dan muth dari standar kecantikan. Hasil dari riset ini menemukan bahwa makna denotasi dan kontasi menunjukkan 6 fitur kecantikan yaitu badan yang langsing, rambut pirang, wajah yang proporsional, payudara yang besar, gigi yang putih dan penampilan yang menarik menjadi kunci dari kecantikan wanita dan merepresentasikan kecantikan yang memikat. Sedangkan dalam hal myth, penelitian ini menemukan bahwa tubuh yang ideal, kepercayaan diri, kecantikan wajah, bentuk wajah yang ideal dan kecantikan ideal merupakan wujud dari myth yang tengah dibangun dari video music tersebut. Kata Kunci: denotasi, konotasi, myth, standar kecantikan, video musik
Interactive Meaning in The Photo Series “The Pancasila Values Implementation in Daily Communal Life”: A Visual Grammar Nugroho, Yusri Estu; Kurniawan, Muhammad Hafiz
Modality Journal: International Journal of Linguistics and Literature Vol. 4 No. 2 (2024): December 2024
Publisher : Universitas Islam Negeri Sjech M. Djamil Djambek Bukittinggi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30983/mj.v4i2.8788

Abstract

This analysis focuses on the interactive meaning within the visual narratives of the photo series "Penanaman Nilai Nilai Pancasila dalam Kebersamaan Sehari Hari", through the lens of visual grammar analysis. Grounded in Kress and van Leeuwen's framework of visual semiotics, the study investigates how images in the series construct social interactions and convey ideological messages related to the values of Pancasila in daily communal life. The analysis focuses on representational, interactive, and compositional meanings, with particular emphasis on the interactive dimension, exploring the role of gaze, framing, and perspective in fostering viewer engagement and promoting relational meanings. Findings reveal the subtle yet powerful ways in which everyday scenes can embody and transmit cultural ideologies. This research contributes to the understanding of visual communication in reinforcing national identity and values, offering insights into the role of imagery in social cohesion within the Indonesian context. This research contributes to a deeper understanding of how visual media can serve as a tool for ideological dissemination and societal cohesion, reflecting the ongoing importance of Pancasila as a guiding principle in Indonesian life. Abstrak Analisis ini berfokus pada makna interaktif dalam narasi visual seri foto “Penanaman Nilai-nilai Pancasila dalam Kebersamaan Sehari-hari”, melalui lensa analisis tata bahasa visual. Dengan berlandaskan pada kerangka semiotika visual Kress dan van Leeuwen, penelitian ini menyelidiki bagaimana gambar-gambar dalam seri foto tersebut mengkonstruksi interaksi sosial dan menyampaikan pesan-pesan ideologis yang berkaitan dengan nilai-nilai Pancasila dalam kehidupan bersama sehari-hari. Analisis ini berfokus pada makna representasional, interaktif, dan komposisi, dengan penekanan khusus pada dimensi interaktif, mengeksplorasi peran tatapan, pembingkaian, dan perspektif dalam mendorong keterlibatan pemirsa dan mempromosikan makna relasional. Temuan-temuan mengungkapkan cara-cara yang halus namun kuat di mana adegan sehari-hari dapat mewujudkan dan mentransmisikan ideologi budaya. Penelitian ini berkontribusi pada pemahaman komunikasi visual dalam memperkuat identitas dan nilai-nilai nasional, menawarkan wawasan tentang peran citra dalam kohesi sosial dalam konteks Indonesia. Penelitian ini berkontribusi pada pemahaman yang lebih dalam tentang bagaimana media visual dapat berfungsi sebagai alat untuk penyebaran ideologi dan kohesi sosial, yang mencerminkan pentingnya Pancasila sebagai prinsip panduan dalam kehidupan Indonesia. Kata Kunci: keyakinan, pelajar, grammar, pengajaran bahasa inggris
NAMAARI POWER IN RAYA AND THE LAST DRAGON MOVIE: MULTIMODAL DISCOURSE ANALYSIS Purwanto, Atmi Maharani; Kurniawan, Muhammad Hafiz
Language Literacy: Journal of Linguistics, Literature, and Language Teaching Vol 8, No 1: June 2024
Publisher : Universitas Islam Sumatera Utara (UISU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/ll.v8i1.9159

Abstract

Raya and the Last Dragon is a popular animated film from Walt Disney Animation Studios, featuring an antagonist named Namaari. This study aims to examine the interactive meaning of a particular scene and determine the representation of power by Namaari as the female antagonist character during the orientation stage, specifically from minute 0:11:54 to 0:16:37. To identify the representation of Namaari in the movie, a combination of verbal and non-verbal modes is analyzed. This research employs a descriptive qualitative method, utilizing Kress and van Leeuwen’s visual grammar theory to investigate movement, Baldry and Thibault’s approach to analyze the macrophase, and Halliday’s textual metafunction to examine the verbal mode. Additionally, Sutherland's power model, incorporating Allen’s conception of power, is used for a deeper analysis of female power. The study reveals that Namaari embodies different types of power as a female antagonist, such as power-over, power-to, and power-with, based on the frameworks of Sutherland and Feltey. Besides adapting masculine traits, Namaari demonstrates her power through verbal clauses, detachment, and equality angles. These features portray Namaari as an equal to Raya, both verbally and visually. Namaari tends to convey information through declarative clauses, adopting a friendly demeanor (using positive face strategies) to deceive Raya and gain access to the Dragon Gem.
NEGOTIATION THEORY AND ECOLOGICAL AWARENESS REPRESENTED IN RAYA AND THE LAST DRAGON MOVIE Muninggar, Afifah Retno; Kurniawan, Muhammad Hafiz
Language Literacy: Journal of Linguistics, Literature, and Language Teaching Vol 8, No 1: June 2024
Publisher : Universitas Islam Sumatera Utara (UISU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/ll.v8i1.9160

Abstract

The aims of this paper are to identify how negotiation theory can be used to raise ecological awareness in Raya and The Last Dragon movie. This movie is an animated picture that truly brings the culture of Southeast Asia into life while it aesthetically pleases the viewer because of the magnificent story and graphic. In analyzing data, this research applies the theory of Eco-criticism proposed by Abraham and Jayemanne. The data are in forms of verbal and non-verbal data. After the data are analyzed, they are described descriptively by using negotiation theory proposed by J. R Martin and David Rose including mood, speech function, and exchange structure. This research is a descriptive qualitative method. The data number of this research is 241 consists of clauses, phrases and sentences from the conversation. As the result, this research highlights the importance of understanding the MOOD structure and the relationships between characters in the film to raised ecological matters in Raya and The Last Dragon Movie. This research finds that declarative clause appears 112 times as dominant mood structure, and 30 times these declarative clauses are used to depict the ecological awareness such as mentioning the importance of maintaining natural balance over interest which harms nature.
PROMOTING ECOLOGICAL AWARENESS IN METAL GEAR SOLID V: SOCIAL SEMIOTIC APPROACH Kurniawan, Muhammad Hafiz; Gunawan, Wawan; Sudana, Dadang
Language Literacy: Journal of Linguistics, Literature, and Language Teaching Vol 7, No 2: December 2023
Publisher : Universitas Islam Sumatera Utara (UISU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/ll.v7i2.8198

Abstract

Video game is a new media of telling stories to young people and adults and it is no longer seen as gameplay only but gameplay with story. Metal Gear Solid V: The Phantom Pain took Cold War as the main story background tells the story differently. The game system of this video game offers freedom to players to interact with anything during the gameplay, but this freedom has consequences. Applying social semiotic approach, this paper aims to identify how appraisal theory and narrative representation can be used to promote ecological awareness. After observing, collecting and viewing, transcribing and analyzing multimodal data, the researchers find that killing non-playable characters in form of human and animals and even enemy will reduce the score which is important in developing the playable characters’ weapons and equipment. Adopting the theory from Martin White in appraisal theory and Kress and van Leewuen, Caple in narrative representation, this paper also finds that appraisal theory is used to guide the players to play in ethical way such as using non-lethal weaponry, capturing wild animals to protect them from war, and collecting medical plants as needed only, besides, the enemy soldiers can be hired and give beneficial results to the players when they are used to play. In narrative representation, the freedom of choices is designed to make ethical play more plausible.
NEGOTIATING POWER BETWEEN LEADING MALE AND FEMALE CHARACTERS IN TOY STORY 4 MOVIE Farhanita, Farhanita; Kurniawan, Muhammad Hafiz
Language Literacy: Journal of Linguistics, Literature, and Language Teaching Vol 8, No 1: June 2024
Publisher : Universitas Islam Sumatera Utara (UISU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/ll.v8i1.9074

Abstract

This research investigates the negotiation of power between leading male and female characters in the movie Toy Story 4, focusing specifically on conversations involving two or more participants taking turns to express their opinions and reach an agreement. The study aims to examine how the female character Bo Peep is represented through negotiation analysis and to demonstrate her power using a functional-semantic approach (Systemic Functional Linguistics, SFL). The analysis centers on Bo Peep's power dynamics in her interactions with Woody. The research employs a qualitative descriptive method, with data collection focusing on conversations and the analysis of clauses. Data are analyzed using negotiation theory and concepts of women's representation. The study identifies 371 moves and instances in the timeframe of 37:06 to 01:06:41 minutes. The analysis emphasizes exchanges involving goods and services and interruptions, classifying data into categories of Mood, speech function, and exchange structure. Regarding the representation of power, the research identifies instances of power-over, power-to, and power-with.
Co-Authors Ahmadi F, Yusep Ajar Pradika Ananta Tur Arini Sabrina, Arini Atmantika, Zanuwar Hakim Azza Naila, Suriya Dhidhi Pambudi Fadly Fadly Fajari, Alifia Salsabila Farahsani, Yashinta Farhanita, Farhanita Farida, Hana Hanifah, Owyana Nur Haryanto Haryanto Ida Puspita Juwintan, Juwintan Maftukhin Maftukhin Maftukhin Muninggar, Afifah Retno Noor, Azelin Mohamed Nugroho, Yusri Estu Paramita Kusumawardhani Purwanto, Atmi Maharani Puspasari, Wikandari Marselina Ramadhan, Wahyu Uli Afriqur Safitri, Nabila Cahya Sari, Agnes Indriani Situmeang, Anleny Snytsar, Liana Soeharto Soeharto Somae, Erik Tauvani Stefanus Barlian Soeryamassoeka Sudana, Dadang Sunendar, Neidya Fahma teni hadiyani Ulaya Ahdiani Umar Umar Wawan Gunawan Widhianto, Anom Wiwiek Afifah