Claim Missing Document
Check
Articles

Found 3 Documents
Search

Model Creation of Musical String Instrument Based on Ethnic Diversity in North Sumatera Suroso, Panji; Hasbulah, Mulkis; Wiastuti, Uyuni; Hirza, Herna; Silionga, Pita HD; Amal, Bakhrul Khair
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 1, No 4 (2018): Budapest International Research and Critics Institute December
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v1i4.101

Abstract

This research is based on the curiosity about the phenomenon of the diversity of concepts and organizational structures of traditional stringed instruments in North Sumatra to be developed in finding new, more innovative concepts in creating North Sumatra local whisdom-based stringed musical instruments. The results of this study are expected to provide excellent benefits in research and development of science for lecturers, students and the wider community. The method used in this study is a qualitative approach and exploration besides art. The process of finding data and information is carried out thoroughly for overall and complete information about the diversity of traditional stringed musical instruments in North Sumatra. Data collected from two sources, namely primary data and secondary data. Primary data is obtained from the techniques of in-depth interviews (in-depth interviews) and joint observation (participant observation) which aims to explore data focused on focus groups (focus group discussions). The selection of informants is carried out on grouping key informants consisting of makers, users, experts and academics of traditional music. Secondary or primary data then organized for later exploration in creating musical instruments concocted with the diversity of local whisdom in North Sumatra. The results of this study are: Taking into account the various forms of musical instruments and the areas of the tones of each related instrument, then formulated to emit the tone by adopting and exploring existing instruments.
Therapeutic Music Creation Based on Soundscape of North Sumatra as a Media for Relaxation amid the Covid-19 Pandemic Herna Hirza; Wiflihani Wiflihani; Ifwanul Hakim; Mukhlis Mukhlis; Suharyanto Suharyanto
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 3, No 4 (2020): Budapest International Research and Critics Institute November
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v3i4.1283

Abstract

One of the effects of the Covid-19 pandemic on humans is a disturbance in the psychological aspect. This study offers music therapy based on the soundscape of North Sumatra as an alternative to balance emotional turmoil amid the new life adaptation of the Covid-19 pandemic. Soundscape is defined as sound or sounds that come from nature (natural sound). The method used in this research is a qualitative approach. The data was collected through audio recording of soundscapes in various regions in North Sumatra, from mountains to coastal areas, which were later combined with sounds from traditional musical instruments to form a complete therapeutic music composition. The creation process includes pre-production and studio work which includes exploration, creation, editing, mixing, and mastering.
Digitalization of North Sumatera Malay Ritual Music Using Cubase 5 Software Wiflihani Wiflihani; Pita HD Silitonga; Herna Hirza
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 2, No 4 (2019): Budapest International Research and Critics Institute November
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v2i4.657

Abstract

The high level of need of dance artists in North Sumatra for digital audio of Malay ritual dance music while the digital material is not publicly available. This triggers researchers to conduct research on the use of this cubase music software as an alternative in the process of packaging the learning material of musical accompaniment of the Gobuk Bedagai Malay ritual dance into digital audio. The method used in this study is an experimental approach to the process of packaging the learning material of musical accompaniment of the Gobuk Bedagai Malay ritual dance into digital audio. The packaging process by recording audio and video ritual dance performances in the coastal areas of North Sumatra Malay. The results of this study indicate that the process of creating digitalization consists of recording, editing, mixing and mastering using cubase.