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All Journal Style : Journal of Fashion Design Jurnal Ilmiah Research Student Menulis: Jurnal Penelitian Nusantara Jejak digital: Jurnal Ilmiah Multidisiplin
Desra Imelda
Institut Seni Indonesia Padangpanjang
Religion Arts Computer Science & IT Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Mathematics Medicine & Pharmacology Social Sciences Other

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Perancangan Kebaya Kartini Dalam Gaya Kontemporer Della Hentanthy; Fadri Rahmat; Desi Trisnawati; Desra Imelda
Menulis: Jurnal Penelitian Nusantara Vol. 2 No. 7 (2026): Menulis - Juli
Publisher : PT. Padang Tekno Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59435/menulis.v2i7.1423

Abstract

Perancangan ini bertujuan untuk mengubah kebaya Kartini yang punya ciri khas kerah V menjadi lebih modern dan modis agar cocok dipakai untuk acara santai atau nonformal tanpa membuang ciri khas aslinya. Proses pembuatan karya ini dilakukan lewat beberapa tahapan. Pertama adalah tahap eksplorasi, yaitu mencari ide untuk mengembangkan pola baju yang tidak sama antara kiri dan kanan (asimetris), memilih kombinasi kain batik Mega mendung, serta berbagai hiasan seperti bunga dari kain (korsase), payet, dan teknik menempel bahan (lekapan). Kedua adalah tahap perancangan, yaitu membuat gambar sketsa baju yang matang. Ketiga adalah tahap perwujudan, yaitu proses menjahit dan memasang semua hiasan tersebut dengan tangan hingga menjadi baju. Dari proses ini, dihasilkan tiga jenis tingkatan baju, yaitu Ready to Wear baju siap pakai yang simpel dan praktis untuk sehari-hari, Ready to Wear Deluxe baju siap pakai yang lebih mewah dan eksklusif untuk acara formal, serta Haute Couture baju adibusana yang sangat mewah dan dibuat khusus dengan detail yang rumit. Terakhir, semua hasil baju ini dipamerkan dalam tahap penyajian karya melalui acara fashion show agar keindahan dan keunikan dari kebaya Kartini modern ini bisa dilihat langsung oleh masyarakat luas.
Perancangan Busana Muslimah Dengan Kombinasi Ulos Batak Mandailing Alza Rona Diami; Desra Imelda; Mirda Aryadi; Desi Trisnawati
Menulis: Jurnal Penelitian Nusantara Vol. 2 No. 7 (2026): Menulis - Juli
Publisher : PT. Padang Tekno Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59435/menulis.v2i7.1430

Abstract

Laporan karya yang berjudul” Perancangan Busana Muslimah Dengan Kombinasi Ulos Batak Mandailing” bertujuan untuk mewujudkan busana musliamah dengan kombinasi ulos batak mandailing. Busana muslimah merupakan busana muslim adalah jenis pakaian yang disesuaikan dengan aturan dan syariat Islam, yang berfungsi utama untuk menutup aurat. Pakaian ini tidak hanya menaati hukum agama, tetapi juga dirancang agar sopan, longgar (tidak membentuk lekuk tubuh), dan mencerminkan identitas seorang Muslim. Ulos Batak Mandailing adalah kain tenun tradisional khas dari wilayah Mandailing (Tapanuli Bagian Selatan, Sumatera Utara) yang melambangkan kehangatan, kasih sayang, serta kehormatan. Lebih dari sekadar pakaian, ulos ini berfungsi sebagai doa dan identitas budaya dalam berbagai aspek kehidupan masyarakat Batak Mandailing. Metode penciptan karya ini meliputi eksplorasi, perancangan dan perwujudan. Pada penciptaan karya busana ini memberikan visual sederhana sesuai dengan gaya yang digunaka pada busana yang diciptakan.selain itu juga memberikan pembaruan pada busana yang telah ada pengkarya menggunakan bahan, satin donatelo, Ulos Batak Mandailing, beby dool, dengan menggunakan warna merah maroon dengan teknik hias sulam payet dan menggunakan teknik ruffle dan flounce pada busana. Penciptaan busana ini di wujudkan dalam tiga busana yaitu ready to wear, ready to deluxe dan haute couture.
Busana Kontemporer  dengan Batik Motif Nebula Orion Fatricia M; Mega Kencana; Desra Imelda; Fadri Rahmat
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/3knhgh59

Abstract

The creation of this artwork is inspired by the cosmic visual beauty of the Orion Nebula (Messier 42), an astronomical phenomenon featuring a giant molecular cloud that emits dramatic color gradations from hydrogen gas and cosmic dust. These abstract, dynamic, and irregular visual characteristics are transformed into the realm of fashion through the design of contemporary clothing combined with modern batik. The creation methods applied include exploration (observation, literature study), material experimentation, design processes (trends, moodboard, sketches), and the physical realization of the garments. This contemporary clothing collection is classified into three fashion tiers utilizing core materials such as cotton dobby fabric (as the medium for manual batik), black velvet (representing outer space), silk foil, and ombre silk chiffon and pleated tulle. The three categories consist of: Ready-to-Wear (titled Abendstern) which focuses on functional-minimalist male silhouettes; Ready-to-Wear Deluxe (titled Staubwelle) featuring more complex asymmetrical construction, luxurious textures, and a glow-in-the-dark effect; and Haute Couture (titled Himmelskonigin) as the pinnacle of women's high fashion, exploring layered draping techniques and dramatic scattered sequin details. Through the deconstruction of Indonesian heritage textiles (wastra nusantara), this work successfully harmonizes transcendent cosmic imagination with a modern, international fashion outlook, presented through a fashion show at the Hoeridjah Adam Building, ISI Padangpanjang.
Busana Kontemporer Terispirasi dari Kostum Bajak Laut Jack Sparrow Tari Susanti; Fendi Nofrian; Desra Imelda; Mirda Aryadi
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/xvz77t61

Abstract

The creation of the work entitled “Contemporary Fashion Inspired by Jack Sparrow’s Costume in the Film Pirates of the Caribbean” is motivated by the creator’s interest in the character of Jack Sparrow, who is known for his eccentric, free-spirited, and distinctive fashion style. This project aims to create, realize, and present contemporary fashion designs inspired by Jack Sparrow’s costume through a modern fashion interpretation. The creative method employed consists of three stages: exploration, design, and realization. The exploration stage was conducted through observations of Jack Sparrow’s character and literature studies related to contemporary fashion. The design stage included moodboard development, alternative design creation, design selection, and final design development. The realization stage involved the application of macramé techniques, asymmetric forms, and the use of songket fabric as a supporting material. The resulting works consist of three fashion categories: Ready-to-Wear, Ready-to-Wear Deluxe, and Haute Couture. The results demonstrate that Jack Sparrow’s costume can be transformed into contemporary fashion without losing its visual identity, resulting in designs that possess aesthetic value, strong character, and relevance to current fashion developments.
Penggunaan Kain Marmer pada Exotic Dramatic Style Faizanisa Ulaya; Mirda Aryadi; Dinni Yanuarmi; Desra Imelda
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 5 (2026): AGUSTUS-SEPTEMBER
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/rb9w4169

Abstract

This project report aims to examine the use of marble fabric as the main material in designing fashion garments with an Exotic Dramatic style. Marble fabric is an exploratory textile material created through the utilization of textile waste that is shredded and combined using adhesive materials, resulting in unique textures, patterns, and visual characteristics. The artistic appearance, rich texture, and exclusive impression of marble fabric are considered suitable for the characteristics of the Exotic Dramatic style, which emphasizes exotic, unique, and dramatic elements. The method used in this creative work consists of the stages of planning, exploration, design, realization, and evaluation. The design process began with the exploration of marble fabric materials, followed by the analysis of design elements and principles, concept development, fashion design creation, and the realization of fashion products. The work assessment was conducted to analyze the suitability between the characteristics of marble fabric and the application of the Exotic Dramatic style, including aspects of form, texture, color, silhouette, and aesthetic value. In addition, the assessment aimed to identify the potential of marble fabric as an alternative material capable of enhancing creativity and innovation in fashion design. The resulting works consist of three levels of fashion products: ready-to-wear (Velvet Eclipse), ready-to-wear Deluxe (Ethnic Motion), and Haute couture (Ethnic Allure). These three creations demonstrate that the use of marble fabric can strengthen the exotic and dramatic character of fashion garments while producing artistic, unique, and visually appealing designs. The presentation of the collection is carried out by showcasing the completed works to the public through a fashion show, supported by various elements such as stage design, lighting, music, and makeup.
BUSANA KONTEMPORER BERGAYA PREPPY DENGAN PENERAPAN TEKNIK BONING Azizah Al Hidayati; Fadri Rahmat; Desi Trisnawati; Desra Imelda
JURNAL ILMIAH RESEARCH STUDENT Vol. 3 No. 2 (2026): September
Publisher : KAMPUS AKADEMIK PUBLISING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61722/jirs.v3i2.12170

Abstract

Contemporary fashion represents a dynamic, liberated, and adaptive manifestation of modern clothing that evolves with time. It can be integrated into pre-existing styles to deliver a novel aesthetic, one of which is the preppy style—a dressing aesthetic inspired by elite preparatory school uniforms in the United States. This study re-explores contemporary preppy fashion, transforming its conventionally rigid nature into a more experimental and unique form through the application of the boning technique. The creation process is grounded in direct observation and a literature review, which encompass the visual analysis of relevant fashion brands implementing similar deconstructions, alongside a comprehensive review of academic journals concerning contemporary art evolution, preppy style characteristics, and boning technique applications. Based on this theoretical framework, silhouette exploration is executed utilizing the boning technique as the primary method to construct clean, rigid garment structures. To counterbalance this rigidity, garment details are enhanced through fabric manipulation techniques, including pleats, sequin embroidery, and fabric flower appliqués. The collection employs lurik woven textile as the primary wastra, combined with satin jacquard, cotton poplin, Madina cotton, and organza. This work is manifested into three apparel tiers: ready-to-wear, ready-to-wear deluxe, and haute couture. Designed specifically for high-presentation occasions such as fashion shows or galas, this collection is expected to contribute novel insights to aesthetic development and form exploration within contemporary fashion.
Co-Authors Alya Putri Alza Rona Diami Azizah Al Hidayati Carolina Avelin Rizki Astuti Della Hentanthy Dini Yanuarmi Dinni Yanuarmi Fadri Rahmat Faizanisa Ulaya Fatricia M Fendi Nofrian Hasya Zalfa Harsan Luhfia Sukma Ayu mega kencana Mirda Aryadi Nadila Layla Nofi Rahmanita Novina Yeni Fatrina Salsabilla Cahyani Irawan Suci Arma Wahyu Nasution Tari Susanti Trisnawati, Desi Wardatul Ummah Yasa Mutiara Putri