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All Journal Teknik Sipil dan Arsitektur ARTEKS : Jurnal Teknik Arsitektur JAUR (Journal of Architecture and Urbanism Research) MARKA (Media Arsitektur dan Kota) : Jurnal Ilmiah Penelitian VCD (Journal of Visual Communication Design) Jurnal Teknik Sipil dan Arsitektur Jurnal Manajemen Pendidikan Dasar, Menengah dan Tinggi [JMP-DMT] Jurnal Teknologi dan Desain AGORA : Jurnal Penelitian dan Karya Ilmiah Arsitektur Usakti Journal of Architecture and Human Experience Journal of Community Empowerment Prosiding Seminar Nasional Unimus
Denny Huldiansyah
Institut Teknologi Kalimantan
Arts Humanities Civil Engineering, Building, Construction & Architecture Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Nursing Public Health Social Sciences Other

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KOMPOSISI FASAD WISMA KILANG SEBAGAI BASIS REKONSTRKSI ARSITEKTUR JENGKI DI BALIKPAPAN Huldiansyah, Denny; Tajri M, Fulkha; Sherlia, Sherlia
Jurnal Teknik Sipil dan Arsitektur Vol 31 No 1 (2026): Jurnal Teknik Sipil dan Arsitektur
Publisher : Fakultas Teknik Universitas Tunas Pembangunan Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36728/jtsa.v31i1.5806

Abstract

Jengki architecture represents a modern architectural style that flourished in Indonesia during the 1950s and 1960s. One of its remaining examples is Wisma Kilang, located at Pantai Kilang Mandiri, Balikpapan. This building serves as a silent witness to the city’s visual transformation over time and once stood out for its distinctive form that shaped the architectural trends of its era. However, modernization has brought significant alterations to the building, primarily driven by contemporary functional demands and owner preferences. The façade, in particular, has undergone substantial changes in its components, materials, and overall composition, posing a potential threat to the continuity of Jengki architectural identity. This study aims to identify façade components and analyze their compositional characteristics to understand the phenomena of consistency and transformation. A qualitative-descriptive method with a rationalistic paradigm was applied in field data collection. Data were analyzed through morphological visual analysis and triangulation. The research examined six Wisma Kilang buildings, focusing on roof structures, fences, columns, and openings. Findings indicate several façades have changed, especially in doors, windows, and canopy roofs, due to renovation and functional adaptation. Nevertheless, two buildings maintain a consistent façade composition, which may serve as a preliminary reference for reconstructive and preservation efforts of historical buildings within the façade context in the future
City Branding Design from the Identification of Local Values of Penajam Paser Utara Regency Tajri M, Fulkha; Ngabito, Olivia Febrianty; Huldiansyah, Denny; Sherlia; Yendra, Sasferi
VCD: Journal of Visual Communication Design Vol. 8 No. 2 (2023): VCD: Journal of Visual Communication Design
Publisher : Universitas Ciputra

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/vcd.v8i2.4238

Abstract

Penajam Paser Utara Regency is in a strategic location to improve its brand identity. Its existence adjacent to the new State Capital (IKN) is an opportunity with great potential for developing all Penajam Paser Utara Regency (PPU) sectors. The natural wealth in the form of the sea, endemic fauna in the form of sambar deer, Mastogok traditional motifs and some rice-producing areas that can be said to be the granary of IKN food security are local values that will be visualized in the form of a logo that characterizes Penajam Paser Utara Regency, plus a location that can be said to be "Serambi Nusantara" which means that PPU is the front porch / front page of IKN. The method in designing the city branding logo of Penajam Paser Utara Regency is practice-based (Practice-based research) because the foundation at the beginning is the experience of directly observing and obtaining data directly from the community, regional officials, and local customary leaders. The stages in this method include observation, improvisation, and realization. Ultimately, this paper shows a comprehensive design process for creating a visual identity for a city/district, which begins with research, visual enrichment, and visual design finalization.
Co-Authors Andi Sahputra Depari annisa Az-Zahra Ayu Dia Chaerani Eliya Pebriyeni, S.Pd., M.Sn, HESTI ROSITA DWI PUTRI, Dra. Ernis, M.Pd, Fulkha Tajri M Mahendra Aditya Widyono Muhammad Iqbal Hermawan Munfarida, Siti Nadia Almira Jordan Nailla Cahya R. Milano Ngabito, Olivia Febrianty Nur Anggraen Pratama, Surya Abdi Rahma, Firdha Amalia Noor Savitri, Elycha Rahmah Sherlia Sherlia, Sherlia Sofyan, Azzah Nafisah T. Yoyok Wahyu Subroto Tajri M, Fulkha Tanjung, Rifqi Aulia Tiara Rukmaya Dewi WAHYU FIRMANSYAH Yendra, Sasferi