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All Journal Harmonia: Journal of Research and Education MUDRA Jurnal Seni Budaya Segara Widya: Jurnal Penelitian Seni Capture : Jurnal Seni Media Rekam Gelar : Jurnal Seni Budaya Jurnal Profetik SOSIOEDUKASI : JURNAL ILMIAH ILMU PENDIDIKAN DAN SOSIAL Amarasi : Jurnal Desain Komunikasi Visual Global Art Creativity Conference
Ni Luh Desi In Diana Sari, Ni Luh Desi In
Indonesian Institute Of The Arts Bali
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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Perancangan Konten Media Sosial Sebagai Media Informasi dan Media Promosi di Graha Kita 18 Elyanto, Yefta Novfensia; In Diana Sari, Ni Luh Desi; Larry Julianto, I Nyoman
AMARASI: JURNAL DESAIN KOMUNIKASI VISUAL Vol 5 No 01 (2024): Amarasi: Jurnal Desain Komunikasi Visual
Publisher : Program Studi Desain Komunikasi Visual

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Technology which always growing in the digital era has given people the ability to connect more easily through social media. Social media opens up opportunities for companies to communicate and promote their business through it to other people/audiences. One of the companies in Bali called Graha Kita 18, is a company engaged in home building needs, has utilized social media as their main promotional media to communicate and promote its products and services. The design of social media content at Graha Kita 18 is done through Instagram and Graha Kita 18 has a strategy where social media content is planned and published on a monthly basis. The social media content designed in Graha Kita 18 is based on two pillars of content, which is educational content and product knowledge to achieve audience and potentional customers reach out and awareness of Graha Kita 18 through social media.
Social solidarity and cultural preservation: the role of female sekaa gong in Ubud Suharta, I Wayan; In Diana Sari, Ni Luh Desi; Sadguna , I Gde Made Indra
Gelar : Jurnal Seni Budaya Vol. 22 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v22i1.5913

Abstract

Female Sekaa Gong is a collective of women in Ubud Village who unite to perform Balinese music, transforming individual ideas into a collective vision. This group fosters social relationships and a sense of togetherness among its members. This article explores the intricacies of the Female Sekaa Gong, highlighting its role in preserving traditional Balinese music (Karawitan) and providing feminine aesthetic nuances. The research, conducted through a qualitative interpretive method within a cultural studies paradigm, examines the positionality of the Female Sekaa Gong in social and touristic contexts. Findings indicate a rise in the number of Female Sekaa Gong in Ubud Village, motivated by five key factors: religious emotion, a sense of humiliation, status improvement, actualization of beauty, and the desire to create tourist performances. The Female Sekaa Gong plays several roles in ritual and social activities, including: (1) serving as a ritual complement; (2) building social solidarity; (3) expanding traditional roles; and (4) preserving cultural values. Its presence marks a shift in the social paradigm regarding gender norms in gamelan performance, reflecting a dynamic interplay between tradition and modernity and adapting to contemporary circumstances.
Vernacular Typography Design of Bamboo Keben Craft as an Opportunity of Creating Digital Typeface Sari, Ni Luh Desi In Diana; Mudra, I Wayan; Sarjani, Ni Ketut Pande
Harmonia: Journal of Arts Research and Education Vol 22, No 1 (2022): June 2022
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v22i1.34861

Abstract

Keben for the Balinese is a medium that functions to package ceremonial facilities made of bamboo. Craftsmen in Kayubihi village, Bangli sub-district produce kebens with various designs of vernacular typography motifs that have the opportunity to be developed in the form of digital typefaces. This study aims to: (1) analyze the vernacular typographic design of the keben motif and its opportunities in the creation of digital typefaces; (2) analyze the meaning of keben in Kayubihi village in a socio-cultural context. Qualitative methods are used in this study. Typographic design principles consisting of legibility, readability, visibility, and clarity are used to analyze the vernacular typography of the keben motifs, while Saussure’s semiotic approach is used to give meaning to the keben of Kayubihi village from the spirit and the concept behind it. Data collection strategies were carried out by observation and interviews, online and offline. Meanwhile, data analysis was carried out by interpreting, namely interpreting in-depth the collected data according to the research objectives. The results show that the vernacular typography of the keben motifs was arranged alphabetically to form words as a symbol of identity. Geometric motifs inspired by the environment around the craftsmen can be classified into five groups: the sun, flowers, traditional fabrics, objects, and cultural symbols of Balinese Hinduism. These motifs can be developed into digital typefaces. Keben in Kayubihi village spiritually means creativity, preservation of culture and identity. This creativity can be used as a source of inspiration in designing typefaces that offer novelty. The vernacular typography design with the Keben motif is indigenous creativity, representing the identity of the local Balinese culture.
Desain Kemasan Sebagai Strategi Branding Produk Cokelat Bali Sari, Ni Luh Desi In Diana
Capture : Jurnal Seni Media Rekam Vol. 2 No. 2 (2011)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2022.072 KB) | DOI: 10.33153/capture.v2i2.601

Abstract

Efforts to make Balinese chocolate products of IKM sector as souvenirs for tourists require branding strategy to improve the image of the product in the minds of the target audience. Branding strategies conducted through designing of logo as a brand identity, packaging design as a media product appeal and POP (Point of Purchase) as a means of product promotion. The creative concept refers to the main idea of "Balinese Chocolate", by processing one of the potentials local Balinese culture in the form of Prada textiles and woven fabrics Pegeringsingan, which is applied to the packaging as a visual element to construct the attractiveness of Balinese chocolates.  Keywords: Branding, Strategies, Balinese, Chocolate, Textile
Social solidarity and cultural preservation: the role of female sekaa gong in Ubud Suharta, I Wayan; In Diana Sari, Ni Luh Desi; Sadguna , I Gde Made Indra
Gelar: Jurnal Seni Budaya Vol. 22 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v22i1.5913

Abstract

Female Sekaa Gong is a collective of women in Ubud Village who unite to perform Balinese music, transforming individual ideas into a collective vision. This group fosters social relationships and a sense of togetherness among its members. This article explores the intricacies of the Female Sekaa Gong, highlighting its role in preserving traditional Balinese music (Karawitan) and providing feminine aesthetic nuances. The research, conducted through a qualitative interpretive method within a cultural studies paradigm, examines the positionality of the Female Sekaa Gong in social and touristic contexts. Findings indicate a rise in the number of Female Sekaa Gong in Ubud Village, motivated by five key factors: religious emotion, a sense of humiliation, status improvement, actualization of beauty, and the desire to create tourist performances. The Female Sekaa Gong plays several roles in ritual and social activities, including: (1) serving as a ritual complement; (2) building social solidarity; (3) expanding traditional roles; and (4) preserving cultural values. Its presence marks a shift in the social paradigm regarding gender norms in gamelan performance, reflecting a dynamic interplay between tradition and modernity and adapting to contemporary circumstances.
Desain Kemasan Sebagai Strategi Branding Produk Cokelat Bali Sari, Ni Luh Desi In Diana
Capture : Jurnal Seni Media Rekam Vol. 2 No. 2 (2011)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v2i2.601

Abstract

Efforts to make Balinese chocolate products of IKM sector as souvenirs for tourists require branding strategy to improve the image of the product in the minds of the target audience. Branding strategies conducted through designing of logo as a brand identity, packaging design as a media product appeal and POP (Point of Purchase) as a means of product promotion. The creative concept refers to the main idea of "Balinese Chocolate", by processing one of the potentials local Balinese culture in the form of Prada textiles and woven fabrics Pegeringsingan, which is applied to the packaging as a visual element to construct the attractiveness of Balinese chocolates.  Keywords: Branding, Strategies, Balinese, Chocolate, Textile
Perancangan Konten Media Sosial Sebagai Media Informasi dan Media Promosi di Graha Kita 18 Elyanto, Yefta Novfensia; In Diana Sari, Ni Luh Desi; Larry Julianto, I Nyoman
AMARASI: JURNAL DESAIN KOMUNIKASI VISUAL Vol 5 No 01 (2024): Amarasi: Jurnal Desain Komunikasi Visual
Publisher : Program Studi Desain Komunikasi Visual

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Technology which always growing in the digital era has given people the ability to connect more easily through social media. Social media opens up opportunities for companies to communicate and promote their business through it to other people/audiences. One of the companies in Bali called Graha Kita 18, is a company engaged in home building needs, has utilized social media as their main promotional media to communicate and promote its products and services. The design of social media content at Graha Kita 18 is done through Instagram and Graha Kita 18 has a strategy where social media content is planned and published on a monthly basis. The social media content designed in Graha Kita 18 is based on two pillars of content, which is educational content and product knowledge to achieve audience and potentional customers reach out and awareness of Graha Kita 18 through social media.
MANAGEMENT OF LEARNING IN ARTS AND DESIGN CREATION BASED ON DIGITAL MEDIA FOR THE MILLENIAL GENERATION Sustiawati, Ni Luh; Sari, Ni Luh Desi In Diana; Dewi, Ni Luh Ayu Cempaka
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.606

Abstract

The millennial generation, born and raised during the era of information technology development, has learning the characteristics that tend to be interactive, visual, flexible, and closely tied to the use of digital technology. Millennials are more likely to understand material through media such as graphic elements, videos, or interactive simulations, which allow them to learn both independently and collaboratively in various situations. Additionally, the flexibility of time and place in accessing learning through digital devices is a major advantage that supports their learning patterns. These characteristics demand an innovative, adaptive, and technology-based educational approach to enhance learning motivation and optimize their creative and innovative potential. This study examines the management of learning in arts and design creation based on digital media for the millennial generation. A qualitative approach was used, collecting data through interviews, observations, and documentation, then analyzed descriptively to identify relevant patterns and strategies. This study is expected to contribute to optimizing the potential of the millennial generation and promoting innovation in technology-based education.
AESTHETIC VALUES AND EDUCATIONAL PHILOSOPHY IN TARI BARIS BABUANG IN BATULANTANG VILLAGE, PETANG DISTRICT, BADUNG REGENCY I Gusti Ngurah Okta Diana Putra; I Wayan Budiarsa; I Gede Mawan; Ni Luh Desi In Diana Sari
SOSIOEDUKASI Vol 15 No 2 (2026): SOSIOEDUKASI : JURNAL ILMIAH ILMU PENDIDIKAN DAN SOSIAL
Publisher : Fakultas Keguruan Dan Ilmu Pendidikan Universaitas PGRI Banyuwangi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36526/sosioedukasi.v15i2.8725

Abstract

The Baris Babuang Dance is a sacred Balinese performing art tradition originating from Batulantang Village, Petang District, Badung Regency, Bali, which was officially recognized as an Indonesian Intangible Cultural Heritage in 2021. Beyond its function as a ritual performance, the dance embodies aesthetic values and educational philosophies that play an important role in cultural transmission and character formation within the local community. This study aims to analyze the aesthetic values of the Baris Babuang Dance through Djelantik’s aesthetic framework of form, content, and appearance; examine the educational philosophy embedded in its performance and transmission processes; and explore its relevance to the development of local wisdom-based arts education. The research employed a qualitative ethnographic approach conducted in Batulantang Traditional Village. Data were collected through participant observation, semi-structured interviews, documentation, and literature review, and analyzed using the interactive model of Miles, Huberman, and Saldaña. The findings reveal that the aesthetic values of the Baris Babuang Dance are manifested through its dynamic choreographic structure, symbolic ritual properties, sacred performance context, and integration of artistic, spiritual, and cultural dimensions. The educational philosophy embodied in the dance encompasses values of discipline, responsibility, communal solidarity, spirituality, cultural stewardship, and character formation transmitted through participatory and intergenerational learning processes. Furthermore, the study demonstrates that the Baris Babuang Dance possesses significant relevance for local wisdom-based arts education by providing curricular, pedagogical, and cultural foundations for strengthening cultural identity and character education. The study concludes that the Baris Babuang Dance represents a living cultural heritage that functions simultaneously as a sacred artistic expression, a medium of cultural transmission, and a valuable educational resource for contemporary arts education.
Co-Authors Alit Kumala Dewi Anak Agung Gde Bagus Udayana BAYU SEGARA PUTRA, GEDE Cokorda Gde Raka Swendra Dewa Agus Mahardikayana Eldiana Tri Narulita Elyanto, Yefta Novfensia I Dewa Ayu Sri Suasmini I Dewa Ayu Sri Suasmini I Gede Mawan I Gede Wahyu Abriawan I Gusti Bagus Ngurah Rama Adiputra I Gusti Ngurah Okta Diana Putra I Kadek Surya Wijaya Putra I Wayan Adnyana I Wayan Budiarsa I Wayan Mudra, I Wayan I Wayan Nuriarta I Wayan Suharta, I Wayan Ida Ayu Kade Sri Sukmadewi Indra Sadguna, I Gde Made Kadek Wahyu Adi Pradana Larry Julianto, I Nyoman Ni Luh Ayu Cempaka Dewi Ni Luh Ayu Praba Intarini Ni Luh Sustiawati Nindya Erica Putri Remawa, Anak Agung Gede Rai Sarjani, Ni Ketut Pande Suasmini, I Dewa Ayu Sri Yogi Nur Ardiansyah