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All Journal LITE: Jurnal Bahasa, Sastra, dan Budaya Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Forum Ilmu Sosial Suhuf SHAHIH : Journal of Islamicate Multidisciplinary Jurnal Ilmu Dakwah Proceedings of International Conference on Da'wa and Communication Transformatif: Jurnal Pengabdian Masyarakat Analisa: Journal of Social Science and Religion Paradigma: Jurnal Kajian Budaya Javanologi: International Journal of Javanese Studies JPK: Jurnal Pendidikan dan Kebudayaan The Sunan Ampel Review of Political and Social Sciences al-Balagh : Jurnal Dakwah dan Komunikasi
Mibtadin Mibtadin, Mibtadin
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Religion Arts Humanities Biochemistry, Genetics & Molecular Biology Computer Science & IT Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Library & Information Science Physics Social Sciences Other

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RELIGION, CULTURAL TRANSFORMATION, AND MODERNIZATION: A Narrative on the Shift of Religious Paradigm of the Community in Surakarta Lilam, Lilam Kadari Nuriyanto; Mibtadin, Mibtadin; Arnis, Arnis Rachmadhani
The Sunan Ampel Review of Political and Social Sciences Vol. 1 No. 2 (2022): June
Publisher : UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/sarpass.2022.1.2.179-190

Abstract

Globalization is characterized by advances in science and technology that are inevitable by the community, including the people of Surakarta. People in Surakarta are in dilemma between tradition and modernization. Education, transportation, and economic advancement have transformed the social, religious, and cultural aspects of the people in Surakarta over the last three decades. Thus, how is the narrative of the paradigm shift of religiosity of the Surakarta community amid modernization? This descriptive qualitative study collected data through observation, in-depth interviews, and documentation. The analysis employed an interactive analysis model. The findings revealed that the paradigm shift of religiosity of the Surakarta community is directly proportional to the social, political, economic, and cultural changes. There is a shift in the religious perspective of the Surakarta community known as hijrah from the abangan Muslim community to Islamist activism or new santri with all the limitations of understanding and Islamic doctrine, which requires assistance in terms of Javanese Islamic culture and local beliefs to avoid uprooting them. As a result of hijrah and becoming Islamic activism, people left the Javanese culture such as Kejawen and local beliefs. However, some of them have transformed the culture to fit the teachings of Islam. So far, those who hijrah to NU still adhere to religious traditions and even transform Javanese culture to suit the times. Meanwhile, Islamic activism has left Javanese Islamic traditions and local beliefs. The shift in religious paradigm asserts two things. They are internal and external encouragement. First, internal factors are in the form of encouragement from within religious communities. Second, external factors are external stimuli that can encourage a shift in the Surakarta community's religious perspective.
Metafora Konseptual dalam Praktik Musik Keroncong Vernakular Setiawan, Yulius Erie; Aribowo, Widodo; Mibtadin, Mibtadin; May, Adam
Resital: Jurnal Seni Pertunjukan Vol 25, No 1 (2024): April 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v25i1.12479

Abstract

Artikel ini bertujuan untuk menggambarkan (mengonseptualisasikan) praktik musik keroncong vernakular, yaitu sub-genre musik keroncong yang mengakomodasi keberagaman idiom musikal, syair, alat musik, teknik permainan, bentuk musik, dan ekspresi informal lainnya (kostum dan bahasa), yang berbeda dengan ekspresi keroncong asli (pakem). Penelitian ini adalah penelitian kualitatif yang mengelaborasikan pendekatan musikologi, etnografi, dan kajian budaya. Analisis dilakukan dengan mengamati keberadaan sebuah kelompok musik asal Malang, yaitu Kos Atos dengan mengamati dua sample rekaman video musik lagu Kita Beda Berbahaya dan Kopi, didukung wawancara klarifikatif dari subjek. Ditemukan hasil: pertama, praktik musik keroncong vernakular yang diusung Kos Atos adalah bentuk artikulasi subjek (tindakan ekspresif dan praktik diskursif) yang bertujuan untuk menemukan segmentasi pendengar keroncong di luar keroncong asli dan mewacanakan nilai pengetahuan baru di bidang musik keroncong; kedua, terdapat beberapa elemen yang dapat dikonseptualisasikan dari praktik musik keroncong vernakular, yaitu ekspresi demotik (ekspresi kerakyatan), lagu yang tidak tersofistikasi (berselera umum), musical mood, dan politik-ekonomi; ketiga, praktik keroncong vernakular dapat dikatakan sebagai bentuk pelestarian keroncong dalam konsep yang lain. Melalui praktik keroncong vernakular, genre musik keroncong dapat dijamin kelestariannya karena dapat lebih mudah diterima masyarakat umum, aktual, serta dekat dengan praktik ekonomi yang menjamin kesejahteraan hidup seniman.
Religion, Tradition, and Modernization: Portrait of the Shift in Dawuhan Tradition in the Ngerso Community, Tawangmangu Karanganyar Nabilla, Hawa La'ala; Mibtadin, Mibtadin; Farhah, Eva; Talib, Kartini Aboo
Analisa: Journal of Social Science and Religion Vol 9, No 2 (2024): Analisa Journal of Social Science and Religion
Publisher : Balai Penelitian dan Pengembangan Agama Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18784/analisa.v9i2.2547

Abstract

This study explains the transformation of the Dawuhan Tradition in Ngerso, Tawangmanggu, which is influenced by changes in religious practices that develop in the local community. This study uses a Cultural Studies approach to analyze changes in symbols and rituals that occur in the ceremony. The theory chosen in this study is Derrida's deconstruction theory, which is determined to reveal and understand the layers of meaning behind cultural and religious transformations. The main objective of this study is to show how negotiations between local traditions and religious influences reshape the implementation of the Dawuhan Tradition. Descriptive and qualitative methods collect data through in-depth interviews, observations, and documentation. The results of this study indicate that there are changes in the implementation of the Dawuhan Ceremony, such as changes in the time of implementation, replacement of sacred elements, and changes in offerings presented to ancestors. These changes are a reflection of the cultural negotiations that occur between local traditions and religious influences. This negotiation is carried out to maintain the relevance of the ritual in the context of modern life. In conclusion, this study provides an overview of the complex socio-cultural dynamics in society (religion and culture); tradition must adapt to social change without losing its essence. This research implies that it is a form of preserving tradition in changing times, which is done by reinterpreting it to be more relevant. On the other hand, this research also shows the existence of social and political hegemony over changes in tradition, and it can be underlined that the flexibility and ambiguity of Javanese tradition allow society to negotiate and adapt to change without losing its cultural identity.
Agama, Covid-19, dan Tatanan Budaya Baru: Pengabdian Kalangan Muda NU Soloraya terhadap Pandemi Covid-19 Mibtadin, Mibtadin; Masamah, Ulfa; Fatimah, Lilis
Transformatif : Jurnal Pengabdian Masyarakat Vol. 3 No. 2 (2022)
Publisher : Universitas Islam Negeri Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/tranformatif.v3i2.3967

Abstract

Covid-19 appeared in early 2020 until now its spread has not been cut off and has changed the order of life, including religion. This article describes the role of NU Soloraya's youth in responding to the spread of Covid-19. This research is descriptive qualitative in nature and uses a sociological approach to religion. Data collection was carried out through observation, in-depth interviews, and documentation. Data were analyzed using an interactive analysis model. States to limit its spread by implementing health protocols. The youth of NU Soloraya responded by providing spiritual guidance and also encouraging the congregation to actively develop moderation theology, namely the theology of caring for others that is manifested in the spirituality of humanity. They position themselves as facilitators, animators, enablers, catalysts so that they can become opinion leaders and balance discourse about Covid-19. With empathy, sympathy, and concern, they strengthen social resilience so that the majlis taklim network and Islamic boarding schools become social capital to tackle Covid-19.
Deconstructing aesthetics of shadow puppet art in Wahyu Katentreman by Cahyo Kuntadi Santoso, Eko Herry; Mibtadin, Mibtadin; Wibowo, Prasetyo Adi Wisnu
LITE: Jurnal Bahasa, Sastra, dan Budaya Vol. 21 No. 2 (2025): September
Publisher : Universitas Dian Nuswantoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/lite.v21i2.12515

Abstract

Abstract This study analyzes the aesthetic deconstruction in wayang kulit (shadow puppet) performances, focusing on the Wahyu Katentreman play performed by puppeteer Cahyo Kuntadi. The study aims to identify the causes, processes, and implications of aesthetic deconstruction in wayang kulit performances and their impact on the sustainability of this traditional art form in the modern era. Using Jacques Derrida’s deconstruction theory as the primary approach, this research also references Jakob Sumardjo’s paradoxical aesthetic theory and Sunardi’s concepts of nuksma and mungguh. A qualitative research method with an interpretative analysis technique was employed, utilizing both primary and secondary data sources. The findings indicate that aesthetic deconstruction in this wayang kulit performance is driven by changing audience preferences influenced by materialism and hedonism. The deconstruction process is evident in the transition from sacred to profane elements, the fusion of various performance styles from Surakarta, Yogyakarta, and East Java, as well as the integration of spontaneous humor within the Punakawan characters. The implications of this deconstruction include the emergence of new references for young puppeteers, increased appreciation of wayang kulit among the millennial generation, and economic benefits for karawitan music groups and local communities. Thus, this study asserts that aesthetic deconstruction in wayang kulit not only contributes to innovation in performing arts but also plays a crucial role in maintaining the relevance of traditional culture amidst dynamic social changes.
HIJRA COMMUNITY AND RELIGIOUS MODERATION AMONG MILLENNIALS IN SOLORAYA Mibtadin, Mibtadin
al-Balagh : Jurnal Dakwah dan Komunikasi Vol. 8 No. 2 (2023): December 2023
Publisher : Fakultas Ushuluddin dan Dakwah UIN Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/albalagh.v8i2.7592

Abstract

The development of the hijra community in Soloraya has significantly influenced all societal levels, particularly the millennial generation. This research aims to identify the model of religious moderation within the millennial generation in Soloraya, focusing on the hijra community, especially the Legawa and Bi-Adzab communities. Employing a descriptive qualitative approach, the analysis utilizes an interactive model encompassing data reduction, delivery, and conclusion drawing. The Legawa and Bi-Adzab hijra communities leverage public spaces for discourse, promoting a moderate, friendly, and welcoming interpretation of religion. Legawa and Bi-Adzab encourage Islam to enter deep into the public sphere so that it can access facilities properly so as not to threaten democracy and pluralism. These communities advocate for a deeper integration of Islam into the public sphere, ensuring proper access to facilities without compromising democracy and pluralism. Legawa and Bi-Adzab have become symbols of cultural resistance against Islamic movements advocating takfiri ideology and the Islamic caliphate, which are less accommodating of local traditions deemed laisa minal Islam. These communities prioritize local religious traditions in their activities, aiming to shape identity and enhance moral values. They serve as spiritual spaces that strengthen faith and promote a universal respect for local customs. The ultimate goal of Legawa and Bi-Adzab is to elevate the spirituality and religious devotion of the millennial generation.
Kesenian Hadrah, Ekspresi Keagamaan, dan Budi Pekerti Potret Ekstrakurikuler Rebana SD Muhammadiyah 23 Semanggi Surakarta Mibtadin, Mibtadin; Wakit, Wakit; Wibowo, Prasetyo Adi Wisnu; Kurniawan, Rio
Jurnal Pendidikan dan Humaniora Vol 3, No 2 (2026): April 2026
Publisher : STKIP Harapan Bima

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56842/jpk.v3i2.994

Abstract

Tradisi hadrah merupakan salah satu dari kesenian budaya musik tradisional Islam yang ada di Indonesia. Dalam tradisi hadrah tersirat nilai terkait dengan aspek pendidikan Islam seperti aqidah, akhlak, ibadah, dan sosial. Artikel ini melihat bagaimana kegiatan ekstrakurikuler hadrah di SD Muhammadiyah 23 Semanggi Surakarta sebagai ekspresi keagamaan dalam membentuk karakter siswa. Penelitian ini kualitatif deskriptif, pengumpulan data dilakukan melalui observasi terlibat, wawancara mendalam, dan dokumentasi. Penelitian menunjukkan bahwa ekstrakurikuler hadrah di SD Muhammadiyah 23 berpengaruh positif pada perkembangan aqidah, ibadah, akhlak, dan sikap sosial siswa. Hadrah menjadi media pembentukan karakter melalui syi’iran dan shalawat yang meningkatkan keimanan serta menanamkan nilai tauhid dan kecintaan kepada Rasulullah SAW. Kegiatan ini juga membentuk akhlak mulia seperti sopan santun, tutur kata baik, serta sikap saling menghargai, tolong-menolong, dan memperkuat ukhuwah. Selain itu, hadrah berperan dalam melestarikan tradisi Islam lokal yang dinamis dan relevan dengan perkembangan zaman. Sebagai bentuk kecerdasan spiritual, hadrah membumikan nilai-nilai Islam dalam kehidupan masyarakat. Lebih jauh, hadrah menjadi ruang ekspresi keagamaan yang melampaui simbol, mencerminkan Islam yang universal dan rahmatan lil ‘alamin, serta meningkatkan kecintaan siswa kepada Nabi Muhammad SAW.
The Role of Hanacaraka Wonogiri Islamic Boarding School in Empowering The Community to Preserve Javanese Culture Wakit, Wakit; Mibtadin, Mibtadin; Wibowo, Prasetyo Adi Wisnu
Javanologi: International Journal of Javanese Studies Vol 7, No 1 (2023): Javanologi Volume 7 No. 1: December
Publisher : Pusat Unggulan Ipteks Javanologi Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/javanologi.v7i1.84121

Abstract

The existence of Islamic boarding schools in society is not only an Islamic educational institution but also develops local Pesantren culture as an effort to develop society and maintain the preservation of Javanese culture. What are the efforts of the Hanacaraka Islamic Boarding School in empowering the community to preserve Javanese culture? This research is descriptive qualitative; data collection was carried out through observation, deep interviews, and documentation about the religious education of the Hanacaraka Islamic Boarding School. Data analysis uses an interactive analysis model: data reduction, data delivery, and conclusion drawing. Hanacaraka Islamic Boarding School is a modern Javanese cultural-style Islamic boarding school founded in Wonogiri in 2010. The Hanacaraka Islamic Boarding School aims to preserve Javanese culture and local wisdom, strengthening Islamic and Indonesian discourse. Hanacaraka Islamic Boarding School, as a center for community empowerment, is a driving force for social, cultural, and religious change. The character of the Hanacaraka Islamic Boarding School, which is integrated with society, becomes a cultural and Islamic filter for developments in the world outside itself. The Hanacaraka Islamic Boarding School carries out two mandates, al-amanah al-diniyah, and al-amanah al-tsaqofah, so there is no conflict between religion and culture. The distinctive character of the Hanacaraka Islamic Boarding School, which is based on Javanese culture, provides an important understanding for the community that Islam and Javanese culture do not have to be confronted. Religion and culture are like two sides of a coin that strengthen each other. Religion is a source of values, soul, and spirit, while Javanese culture provides a forum for developing these values. Hanacaraka Islamic Boarding School is a washilah for passing on Javanese culture to the millennial generation and society in general through training in Javanese gamelan, puppetry, and forming Mandraguna klenengan. Apart from that, Javanese culture is also used as nadhoman to carry out Islamic da'wah through songs and gamelan. Formal education through a local content curriculum is routinely carried out by the Hanacaraka Islamic Boarding School community and students, practicing Javanese culture such as gamelan, klenengan, wayangan, and Javanese syi'iran. Meanwhile, through non-formal education, preserving Javanese culture using Javanese poetry or songs containing direct religious teachings maintains culture so it does not become timeless.
Wayang and Islamic Values: a Discourse Mibtadin, Mibtadin; Masfiah, Umi
Javanologi: International Journal of Javanese Studies Vol 5, No 2 (2022): Javanologi Volume 5 No. 2: June
Publisher : Pusat Unggulan Ipteks Javanologi Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/javanologi.v5i2.67935

Abstract

This article tries to see what the acculturation of wayang and Javanese culture is and what is the influence of wayang on Javanese people's behavior. This study uses qualitative research methods described descriptively. It is expected to be able to reveal the meaning that exists from the thoughts and actions of the object of research. For the delivery to be more open and natural, it is presented with a descriptive-analytical model. There are three steps of qualitative data processing, namely data reduction, data presentation, and drawing conclusions and verification. A puppet is a picture of human nature with all its behavior. In a moral sense, wayang is defined as a fairy tale about the story of a good character in the form of a hero fighting a bad character. Wayang is a portrait of life containing sanepa, piwulang, and pituduh. Wayang contains habits of life, and human behavior experienced from birth, life, and death, all of which are natural processes. Puppets became a medium of Islamic development by Sunan Kalijaga as a cultural da'wah that embeds Islam in the culture of society. Wayang by Sunan Kalijaga keeps it as a space for spirituality to encourage the spirit which is expected to encourage the Javanese people to be patient, trustful, and istiqomah (Consistent). Wayang is an effective da'wah (preaching) medium for the Javanese community in which it contains eastern aesthetic elements such as balance, unity, philosophy of life, ethics, and spirituality. Wayang is an emphasis on the balance of the microcosm and macrocosm, which has a balance between God, humans and other living beings, government and people, and symbols as the essence of being. Wayang is a way of life (mabda al-hayah) for the Javanese people to achieve the perfection of life seen where the view is centered on the concept of harmony. This concept is built on two main foundations: the need to avoid conflict and have an attitude of living in harmony. Both attitudes toward life must be carried out based on a respectful attitude that aims to create harmony in life. Puppets, in principle, seek to encourage the process of memayu hayuning pribadi (personal beautification), memayu hayuning keluarga (family beautification), memayu hayuning bangsa (national beautification), dan memayu hayuning bawana (global beautification).
Women and Rural Sufism Movements: Portrait of the Female Yassin Pilgrims “Al-Hidayah” Bangunrejo Kidul Village Mibtadin, Mibtadin
Javanologi: International Journal of Javanese Studies Vol 6, No 1 (2022): Javanologi Volume 6 No. 1: December
Publisher : Pusat Unggulan Ipteks Javanologi Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/javanologi.v6i1.71588

Abstract

Religious traditions in rural areas, one of which is yassinan became a medium for women's religious expression through spiritual groups such as the female yassin pilgrims “Al-Hidayah.” How yassin putri “AlHidayah” of Bangunrejo Kidul community in developing personal spirituality and humanity. Descriptive qualitative research methods, using a sociology of religion approach, and data analysis through interactive analysis models include data reduction, data submission, and drawing conclusions. The yassinan tradition is a tradition that has been passed down for generations in the community of Bangunrejo Kidul Kedunggalar Ngawi Village. This tradition has the benefit of two values, namely: first, the religious value in the form of habl min Allah as a religious expression to train and accustom the pilgrims of yassin putri and the community to read kalimah ţayyibah, dhikr, prayer, shalawat, and chant quranic verses intended to get ridho Allah Swt. This tradition is carried out every Thursday in addition to praying for the dead, it also provides spiritual comfort, tranquility, coolness of heart, and increased faith of the community. Second, social values in the form of habl min nas strengthen social ties, strengthen the ropes of silaturrahmi, ngraketake taline kekadangan to realize ukhuwah Islamiyah, ukhuwah wathoniyah, and ukhuwah insaniyah. The existence of an emotional bond of "yassin pilgrims " is able to foster a sense of brotherhood, social interaction, and unity of Muslims in the community of Bangunrejo Kidul Village.Keywords : Rural Sufism, the Female Yassin Pilgrims, Al-Hidayah, Social Piety
Co-Authors Abu Choir Anas Aijudin, Anas Arnis, Arnis Rachmadhani Deny Tri Ardianto Dwi Susanto Eva Farhah, Eva Fathol Hedi fatimah, lilis Harahap, Aqiilah Bilqiis Salsabiil Lilam, Lilam Kadari Nuriyanto May, Adam Mustolehudin Mustolehudin Nabilla, Hawa La'ala Rahmah, Yulinar Aini Rio Kurniawan Santoso, Eko Herry Setiawan, Yulius Erie Siti Muawanah Sulaiman Sulaiman Sulhani Hermawan Talib, Kartini Aboo Ulfa Masamah, Ulfa Umi Masfiah, Umi Wakit, Wakit Wibowo, Prasetyo Adi Wisnu Widodo Aribowo