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Pelatihan Pengembangan Potensi Usaha Batik Ciprat Untuk Penyandang Disabilitas Kabupaten Blitar Soelistyowati, Soelistyowati; Enrico, Enrico
Jurnal Leverage, Engagement, Empowerment of Community (LeECOM) Vol. 3 No. 2 (2021): Jurnal Leverage, Engagement, Empowerment of Community (LeECOM)
Publisher : Universitas Ciputra Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/leecom.v3i2.2329

Abstract

Keterbelakangan fisik, sensorik, mental, intelektul, bukanlah suatu halangan untuk dapat maju berkreatifitas, seperti tertera di Undang- undang Negara mengakui adanya penyandang disabilitas berarti negara mengakui adanya hak bagi mereka, yang dijelaskan pada pasal 5 Undang-Undang No. 8 Tahun 2016 tentang penyandang disabilitas. Di kabupaten Blitar salah satu wadah bagi penyandang disabilitas yang mampu berwirausaha serta berkreatifitas dengan mengexplorasi motif batik ciprat. Permasalahan yang ada kurangnya pengetahuan desain tentang variasi motif, warna, hingga sulitnya pemasarannya. Dalam pelatihan ini yang di berikan merupakan metode pelatihan Model Training Of Trainers (ToT), entrepreneurship sebagai pengembangan produk wastra nusantara dengan menggunakan BMC (Business Model Canvas) adalah acuan sebagai strategi pengembangan bisnis, kegiatan pelatihan yang dilakukan dalam jangka waktu bertahap. Mulai dari pelatihan desain produksi, pemilihan warna, explorasi motif hingga berbentuk hasil prototype produksi akhir untuk di review. Dalam kegiatan ini dinaungi oleh peran Himpunan Wanita Disabilitas Indonesia (HWDI) yang merupakan mempersatukan dan memberdayakan para perempuan penyandang disabilitas di seluruh Indonesia. Yang sangat peduli dengan kegiatan ini, dengan harapan membekali pengetahuan dan pelatihan ini untuk meningkatnya aktivitas pengembangan tersebut tentunya diharapkan dapat juga mengangkat citra budaya daerah serta mengangkat perekonomian yang berpotensi dalam kewirahusahaan di kabupaten Blitar .
Visual Variety on the Change of Bridal Ornamental Kebaya Clothes for Generation Z in Sumenep, Madura Soelistyowati Soelistyowati
Humaniora Vol. 13 No. 1 (2022): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v13i1.7672

Abstract

The research discussed one of the problems with Indonesian cultural heritage in this digital world like nowadays. It was the form of decoration on wedding dresses in the Sumenep-Madura area, which was rarely seen in Indonesia, especially wedding dresses. They made some modifications to the traditional Madura wedding dress to look more modern. In this digital world where people could easily access everything, generation Z preferred cultural products from abroad rather than local culture. The research applied a qualitative method with descriptive analysis of document analysis and library sources with Java-Madura boundaries. The interviewes were conducted with cultural experts, young women, especially those who were about to get married, and creative industry players of bridal kebaya. The aim of the research was to determine the interest of young people in the decoration of wedding dresses. The research used the theory of triadic interplay concept analysis of forms, visuals and characters, and ornamentation as a visual object of tradition that was expected to be able to transform not only as an object of decoration but also as an object of education that gave value and meaning to its users. The research finds it important to study the changes in decoration to be maintained by revitalizing it without leaving the old form based on design work that can be applied through creation. By using quantitative methods through experiments with detachable techniques, fashion design concepts with meaning values can be conveyed in each form, motif, and ornament. So that the younger generation accepts and likes changes in decoration with modern forms that can practically be mixed and matched.
APPLICATIONS OF FOLKLORE ON CHILDREN WITH PRINT TECHNIQUES AS THE EDUCATION FACILITY PARENTS OF MILENNIAL GENERATION Soelistyowati Soelistyowati
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Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (619.804 KB)

Abstract

Indonesia has various ethnic  rich in tradition, and rich in art. Every culture has its own folklore. In the era of rapidly growing digital information, children and parents are no longer familiar with folklore. This design was created to provide one solution to introduce Indonesian folklore to children and parents. Media delivery of folklore through children's clothing with print techniques. This design in addition to the aim of attracting children to know the folklore is also expected to be a means of education to parents of millennial generation. The results of this study are expected to be useful for the creative industries. The method used in qualitative description research.
PKM PEMBERDAYAAN PENGRAJIN BATIK BERCORAK LOKAL MENGGUNAKAN BAHAN SUTERA DI KABUPATEN BLITAR DALAM UPAYA PENINGKATAN PEREKONOMIAN Soelistyowati, Soelistyowati; Budi, Hutomo Setia; Sudyasjayanti, Christina
Jurnal Leverage, Engagement, Empowerment of Community (LeECOM) Vol. 4 No. 2 (2022): Jurnal Leverage, Engagement, Empowerment of Community (LeECOM)
Publisher : Universitas Ciputra Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/leecom.v4i2.3563

Abstract

Batik sebagai warisan budaya Indonesia yang telah ditetapkan oleh UNESCO (United Nations Educational, Scientific, and Cultural Organization). Industri kreatif fashion menyumbang perekonomian tinggi usaha batik di Indonesia. Pergerakan industri batik terus merangkak naik akan permintaan pasar yang tinggi terhadap berbagai corak batik nusantara. Setiap daerah memiliki ciri khas dalam motif batik, seperti Jawa Timur daerah Kabupaten Blitar memiliki ciri khas batik tutur dengan corak lokal khas Blitar seperti motif candi dan motif kekayaan alam. Potensi inilah yang akan digali, perlu dikembangkan berdasarkan permintaan pasar yang tinggi, batik berbahan sutera. Dengan pelatihan kepada anggota IKM (industri kecil menengah) binaan Dinas Perindustrian dan Perdagangan Kabupaten Blitar, problem yang dihadapi kurangnya pengembangan pada produk pemasaran dan pengetahuan teknik cara membatik bahan sutera. Pelatihan workshop mulai dari pengetahuan motif dan teknik membatik berbahan sutera, bisnis usaha, dan materi metode BMC (business model canvas) sebagai strategi pengembangan bisnis dalam pemasaran. Pelatihan materi pemasaran dengan membuat logo branding sebagai identitas mewakili nama bisnis merupakan suatu identitas visual mempunyai kriteria khusus, filosofi, dan warna. Pelatihan pengembangan usaha bertujuan untuk meningkatkan perekonomian di Kabupaten Blitar salah satu asset yang perlu dijaga dan dikembangkan. Pelatihan ini berharap dapat berdampak pada daerah sekitarnya.
Symbolic Meaning of Batik In Madura Bridal Kebaya Clothes Soelistyowati Soelistyowati; I Wayan Mudra; I Ketut Muka; Tjok Istri Ratna
Journal of Social Science Vol. 4 No. 1 (2023): Journal of Social Science
Publisher : Syntax Corporation Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (250.074 KB) | DOI: 10.46799/jss.v4i1.495

Abstract

This study was conducted to determine the meaning of the batik symbol on the Madurese bridal kebaya. At weddings, Madurese people wear batik and kebaya, especially for women getting married. Madurese batik motifs are classified as having the characteristics of plant (vegetal) motifs, animals and geometric shapes. The influence on the Madurese batik motifs is the mixing of Javanese-Hindu, Chinese and Dutch cultures. Chinese mythology dominates the fenghuang bird and dragon motifs believed to have philosophy in each symbol. Bright and bold colors are characteristic of Madurese batik, such as red, black, yellow and green. This research approach using literature study is done by looking for references that are relevant to the cases or problems found using the semiotic theory of Charles Sanders Peirce. By analyzing the data of this study, it was carried out by means of 5W1H, what, where, when, why, who, and how. The results of this study, a. The icon as a sign of the message using the kebaya dress interprets the kebaya as an Indonesian woman who is elegant, feminine and has manners, as a procession that is carried out is a cultural carnival procession as a mandatory dress that must be worn. b) symbols, the colors red, black, yellow and green on the decoration, as well as the appearance of the dragon and fenghuang bird motifs are characteristic of batik motifs, on the jarik or sarong worn at traditional wedding ceremonies in Madura. c) Index: Madurese philosophy considers that the colors red and black are courage and assertiveness, yellow symbolizes abundance and green means religious. The dragon motif brings fortune, guards and is authoritative. The fenghuang bird in batik means honesty and thoroughness, tolerance, knowledge, loyalty and integrity. When the dragon is juxtaposed with the fenghuang bird, it symbolizes bringing luck, honesty, happiness and repellent to evil, which is believed to be obtained from generations of cultural heritage to be preserved and maintained.
PERANCANGAN DESAIN PRODUK BUSANA PANTAI BRAND PARUMPUDICI UNTUK WANITA PLUS SIZE Putu Dyah Pradnyaswari; - Soelistyowati
Jurnal Vicidi Vol. 6 No. 2 (2016): VICIDI
Publisher : Universitas Ciputra Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/vicidi.v6i2.1069

Abstract

This design is made in regards to the establishment of the fashion brand "Parumpudici" for plus size woman , by taking a sample of Parumpudici's targeting market in Bali . This is a solution for the problems that was encountered by Plus Size woman in bali to find a suitable beach wear products for themselves .The design progress is made based on the result of qualitative data base research and interviewing the expert and the extreme users, which then adjusted with the trend, body type and the needs of plus size woman. The production process consist of some steps design the mood board, product design, pattern, the selections of the material, making the sample, revision, final sewing . The theme of the collection is "Blush Lagoon” in which the focus of the design is on the manipulation technique color blocking, lines, cutting and the additional decorative application such as fringe that show the body shape and the proper balance of the plus size woman’s body. The colors that are used pastel color which inspired by soft colors of sea under water like oceanic green, soft blue, soft pink and sands color. Solid color like black is consistently used to give the impression of firm and elegant.
Perancangan Koleksi Pakaian Remaja Wanita Ready to Wear Dengan Style Glam Rock pada Brand Ninos Vecilia Agnes Wijaya; Soelistyowati -
Jurnal Vicidi Vol. 7 No. 2 (2017): VICIDI
Publisher : Universitas Ciputra Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/vicidi.v7i2.1145

Abstract

This design was done to create a teenage girl fashion style from brand NINOS, that was inspired from glam rock music genre in the 70’s which shows teenage rebellion expression. From that point on, the writer was motivated to make a ready-to-wear fashion collection themed “Ribelle” which was destined as means for Indonesian teenage girl to express their emotion through their clothes that they wear.
Reassessing State Responsibility for Indigenous Rights to Natural Resources Based on Justice Principle Soelistyowati, Soelistyowati
Jambe Law Journal Vol. 7 No. 1 (2024)
Publisher : Faculty of Law, Jambi University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/home.v7i1.347

Abstract

Indigenous peoples' existence is intrinsically linked to their customary rights, with significant disputes arising over the formal recognition of these rights. However, conditional or partial legal recognition frequently disadvantages indigenous communities. The state has a responsibility to uphold the rights of indigenous peoples, necessitating regulations that effectively safeguard their land rights. This article examines the recognition and fulfilment of indigenous peoples’ rights to natural resources through legal analysis, conceptual frameworks, and case studies. The findings indicate that since 1998, there has been a governmental intent to formally recognize indigenous rights to natural resources, as reflected in various laws and regulations. However, the implementation of these rights has been challenging due to ambiguities in the 1945 Constitution and the related regulations. Effective fulfilment of Indigenous land rights must adhere to key principles, including recognition of jurisdictional areas, the right to self-determination, Indigenous consent, community involvement, and the provision of fair compensation
Pemberdayaan Ekonomi Perempuan melalui Keterampilan Membuat Hijab Kreasi di Kelurahan Lakarsantri, Kecamatan Lakarsantri, Surabaya Soelistyowati, Soelistyowati; Rahadiyanti, Melania; Toreh, Fabio Ricardo
Jurnal Leverage, Engagement, Empowerment of Community (LeECOM) Vol. 5 No. 2 (2023): Jurnal Leverage, Engagement, Empowerment of Community (LeECOM)
Publisher : Universitas Ciputra Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/leecom.v5i2.3703

Abstract

Pemberdayaan masyarakat sebagai suatu paradigma baru pembangunan, seperti adanya kecenderungan berpikir bahwa dimensi rasional dari pembangunan lebih penting dari pada dimensi moral, dimensi ekonomi lebih penting dari pada dimensi sosial. Seperti ini akan mengakibatkan semakin tertinggalnya lapisan masyarakat bawah, salah satunya adalah melalui keterampilan menjahit, saat ini kebutuhan akan fesyen tidak terbatas. Berdasarkan informasi yang diperoleh dari warga setempat di Kelurahan Lakarsantri, terhentinya kegiatan menjahit disebabkan karena wabah pandemi, selain itu sebagian besar ibu-ibu tersebut mengerjakan produk dengan model yang sama sehingga kurang kreasi dan kurang memiliki nilai jual. Potensi untuk menghasilkan sejumlah tambahan pendapatan sangat besar. Berdasarkan problem tersebut, diperlukan pengembangan ide kreativitas. Kegiatan produksi hijab kelompok ini adalah KUBE Liya Collection tidak lagi sekedar menjahit pakaian, tetapi diarahkan pada produksi hijab kreasi dengan hiasan payet. Metode yang digunakan ialah metode ceramah, demonstrasi dan praktik, pemasaran produk fesyen, branding bisnis dan praktik pola dan menjahit hijab. Mayoritas warga Kelurahan Lakarsantri perempuan menggunakan hijab, tidak hanya ibu-ibu saja tetapi juga sejumlah anak-anak kecil telah menggunakan hijab. Hal tersebut menjadi peluang usaha kelompok PKK wilayah Lakarsantri, pengembangan keterampilan menjahit, dan inovasi produk hijab, yang akhirnya dapat meningkatkan ekonomi masyarakat di sekitar secara merata.
SETTLEMENT OF DISPUTES OVER THE INHERITANCE PROPERTY DISTRIBUTION IN THE COMMUNITY OF JUWONO VILLAGE, NGANJUK Poespasari, Ellyne Dwi; Helmi, Hanum Rahmaniar; Soelistyowati, Soelistyowati; Sumedi, Muhammad; Erlangga, Afga Samudera
IUS POSITUM: Journal of Law Theory and Law Enforcement Vol. 2 Issue 4 (2023)
Publisher : jfpublisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56943/jlte.v2i4.415

Abstract

Inheritance disputes in the community of Juwono Village, Kertosono, Nganjuk, East Java, occur because there are several family parties who perceive that the distribution of inheritance has not been fair or not getting any part of the inheritance divided by the inheritor. This disagreement can lead to disputes among family members. This research aims to find out the fair inheritance distribution in Juwono Village community and its settlement. This research is a socio-legal research with an analytical descriptive approach. The results of this research indicated that inheritance distribution disputes that often occur in Juwono Village are disputes related to widows, widowers, biological children, adopted children, extra-marital children, and stepchildren who do not get the share of inheritance that has been determined by inheritance law. If the inheritance distribution dispute cannot be resolved through deliberation within the family or with the help of village officials, then the parties can file a lawsuit to the court.