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All Journal Harmonia: Journal of Research and Education Catharsis Educational Management Innovative Journal of Curriculum and Educational Technology The Journal of Educational Development Indonesian Journal of Islamic Literature and Muslim Society GETER : Jurnal Seni Drama, Tari dan Musik Journal of Research and Educational Research Evaluation Jurnal Penelitian Tindakan Sekolah dan Kepengawasan
Totok Sumaryanto, Totok
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Religion Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Education Environmental Science Other

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RITUAL INTERACTION IN THE SONEYAN MASK PUPPET Wuryaningrum, Any; Sumaryanto, Totok; Hartono, Hartono
The Journal of Educational Development Vol 5 No 2 (2017): June 2017
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jed.v5i2.14392

Abstract

The preservation of traditional arts depends on the artists and their supporters. The Soneyan Mask Puppet artistic life is still showing its existence as a medium of expression for fulfilling the needs of the arts. Until now The Soneyan Mask Puppet has undergone five generations. In the beginning, the show performed by the puppeteers of gedhog puppet and purwo puppet. The shows were accompanied by the slendro type of Javanese traditional music, in the form of Pamijen music. Before the show begins, rituals were held. The rituals were part of the Mask Puppet show. Therefore, the activity of the Soneyan Mask Puppet can not be separated from the rituals. Based on the description, the primary purpose of this study is to assess the ritual interaction in The Soneyan Mask Puppet. This is a qualitative research with an approach to social, cultural and performing arts. The data were drawn from the techniques of observation, interviews, and documentary study. The data analysis procedures followed Miles and Huberman (1984) data reduction, data presentation, and conclusion. Among the results of this research is that the process of ritual interaction in the Soneyan Mask Puppet is in the form of symbolic interaction contained in ritual offerings before the show begins. The symbolic interaction is found in a ritual that is highly expressed in the offerings consisting of ambeng, incense, straw, combs of banana, chicken eggs, chili, shrimp paste, upa, coconut shoot, brown sugar, dried fish, mboreh flower, jugs, cigarettes, teeter , money (two combs bananas, eggs, chili, rice, coconut, brown sugar, dried fish, mboreh flowers, jugs, cigarettes, combs, money).
Banyumasan Songs As Banyumas People’s Character Reflection Suharto, S.; Sumaryanto, Totok; Ganap, Victor; Santosa, Santosa
Harmonia: Journal of Arts Research and Education Vol 16, No 1 (2016): June 2016
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v16i1.6460

Abstract

This study aims to identify a number of legendary Banyumasan songs. The fact that a large number of the songs exist and people sing the songs all the time shows that the songs have their own uniqueness. This study takes place in Banyumas regency. By doing performance study and composition, this study identifies the form and the structure of Banyumasan songs, and the moral value of Banyumasan music, especially the songs in Banyumasan music. The result of the study shows that the songs in the art performances in Banyumas commonly use classic immutable songs. The lyrics in the classic Banyumasan songs use Ngoko Javanese in Banyumasan dialect. The rhyme of the lyrics is usually in the form of wangsalan, parikan, and Essen-Essen. The rhyme contains funny and entertaining riddles. The lyrics of Banyumasan songs reflect Banyumas people’s character and the dream/utopia of the people’s ideology. The character is shown in the use of ngoko Javanese in Banyumas dialect which shows that the society is blakasuta or egalitarian who considers all people in the world has the same level and must be honest.How to Cite: Suharto, S. (2016). Banyumasan Songs As Banyumas People’s Character Reflection. Harmonia: Journal of Arts Research And Education, 16(1), 49-56. doi:http://dx.doi.org/10.15294/harmonia.v16i1.6460
Co-Authors - Dwijanto, - - Kardoyo -, Fuadi AA Sudharmawan, AA Agus Cahyono Any Wuryaningrum, Any Arsan Shanie AUTAR ABDILLAH Burhanudin, Moch Arif Burhanudin, Moch Arif Cahyo Budi Utomo, Cahyo Djuniadi Djuniadi Fuadi Fuadi Hardo Sujatmiko, Hardo Harto Sundoyo, Harto Hartono Hartono Laksono Trisnantoro Melyana Fitri, Rila Melyana Fitri, Rila Mudjahirin Thohir Muhammad Jazuli Muhlis, - Opta Septiana, Opta Prasetyo, Nandhy R. Gita Ardhy Nugraha, R. Gita Ardhy Rahmawan, Eris Fahmi Rifa’i RC3, Achmad Rr. Sri Endang Pujiastuti S. Suharto Samsudi -, Samsudi Santosa Santosa Slamet Haryono Sri Lestari Binedikta, Sri Lestari Subagyo Subagyo Sugiyo, - Sulistiyono, Joko Sunarto Sunarto Supriyadi Supriyadi syakir syakir Titi Priyatin, Titi Tjetjep Rohendi Rohidi, Tjetjep Rohendi Utomo, Kamsijo Budi Victor Ganap Victorius Ganap Wahyu Lestari Widyanto, Rob Tri Budi Widyanto, Rob Tri Budi Yohanis Devriezen Amasanan Yoris Adi Maretta Yuli Utanto