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PARADOKS KEHARMONISAN KELUARGA DALAM FILM NGERI-NGERI SEDAP KARYA BENE DION RAJAGUKGUK Dian Alfianti; Desti Lestari; Mardiana Lipa; Saptiana Sulastri
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 02 (2026): Volume 11 Nomor 02, Juni 2026 Public
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i02.45647

Abstract

This study examines the paradox of family harmony in the film Ngeri-Ngeri Sedap by Bene Dion Rajagukguk. The main issue in this research is how the family harmony that appears on the surface actually conceals conflicts, tensions, and emotional distance among family members. The aim of this study is to reveal the forms of the harmony paradox and interpret its meaning in the context of family relationships. This study uses a qualitative descriptive method with a content analysis approach, which focuses on narrative elements, dialogues, and interactions among the characters in the film. Data collection was conducted through non-participant observation by repeatedly and thoroughly watching the film, as well as documentation techniques in the form of recording dialogues, scenes, and interactions relevant to the research focus. The obtained data were then analyzed interpretatively to understand the communication dynamics and family relationships depicted. The research results indicate that family harmony in the film is built through cultural demands, non-open communication patterns, and the dominance of parental authority, which tends to suppress emotional expression and individual desires. This condition creates a paradox, where harmony appears to be maintained on the surface, but conflict continues to occur secretly through dialogue and interactions between characters. This study concludes that the film reflects the complexity of maintaining family integrity, especially in cultures that prioritize togetherness over openness, so true harmony requires honest communication and mutual understanding.
DI BALIK LIRIK CINTA: KAJIAN LEKSIKAL DAN GRAMATIKAL PADA LAGU SEAMIN TAK SEIMAN KARYA PETRUS MAHENDRA Ramadhani, Tia; Ermawati; Andres Ita, Lila; Sulastri, Saptiana
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 02 (2026): Volume 11 No. 02, Juni 2026 Produce
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i02.45805

Abstract

This study aims to analyze the lexical and grammatical meanings found in the lyrics of the song “Seamin Tak Seiman” by Petrus Mahendra. This song was chosen because of its powerful emotional message regarding differences in religious beliefs within romantic relationships, making it an interesting subject for linguistic analysis. The research method employed is qualitative descriptive, utilizing content analysis of the song lyrics as the primary focus of the study. The results indicate that the lexical meanings in this song are dominated by words expressing emotions—such as sadness, doubt, and hope—which align directly with dictionary definitions. Meanwhile, grammatical meaning emerges through word formation processes, the application of affixes, and the relationships between words in sentences, which enhance the overall meaning of the lyrics. Additionally, it was found that the use of simple yet poetic sentence structures effectively conveys the character’s inner conflict. Thus, this study demonstrates that the combination of lexical and grammatical meaning in song lyrics plays a crucial role in creating depth of meaning and a strong emotional impact for listeners.
DISKRIMINASI KASTA TERHADAP PEREMPUAN BALI DALAM NOVEL TARIAN BUMI KARYA OKA RUSMINI Nurdia, Hasnul; Gladis Candani, Anastasia; Uchie, Meldha; Elsa Nanta, Septiana; Sulastri, Saptiana
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 02 (2026): Volume 11 No. 2, Juni 2026 Publish
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i02.46564

Abstract

The novel Tarian Bumi by Oka Rusmini (2000) reflects the caste system in Bali that marginalizes women through the levels of Brahmana, Kesatria, Vaisya, and Sudra. This study aims to reveal the forms and meanings of caste discrimination experienced by Balinese women, represented by the characters Luh Sekar (Jero Kenanga) and Ida Ayu Telaga, who are trapped in patriarchal norms and the tradition of nyerod (inter-caste marriage). The background of the problem arises from the conflict between ancient traditions that regulate marriage and social status, and the aspirations of women who want to achieve equality in a multicultural society in Indonesia. The method used is qualitative with a focus on content analysis of the novel text as the main object, accompanied by a literature study. Data collection was carried out through in-depth reading to identify the actions, dialogues, and representations of the Sudra and Brahmana characters. The analysis was carried out descriptively and systematically to group various forms of discrimination, such as social segregation, negative stereotypes, forced obedience, heavy workloads, and symbolic violence that occurs through the Patiwangi ceremony. This research shows that Sudra women who move up in caste are viewed as "formal servants" in Brahmin households, while marrying down results in ostracism and poverty. Luh Sekar fights to maintain her status, while Telaga's fight ends in tragedy: ridicule, her husband's death, and a ritual severance of ties with her family. This discrimination reinforces existing gender inequality.