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THE REPRESENTATION OF “THE OTHER” IN ANDREA LEVY’S SMALL ISLAND NOVEL Asmara, Tusri Juni; Lubis, Indah Sari; Valiantien, Nita Maya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 2 (2022): April 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i2.5774

This study examined Small Island novel by Andrea Levy as the object of the research. The aims of this research are to analyze the representation of “the Other” and how it portrayed in Small Island novel. To figure it out, this research used Orientalism theory to see how the orient was represented, especially used Tyson’s developmental theory from Said’s Orientalism as the indicators for the analysis. Moreover, this research used Kenan’s characterization theory to reveal how the representation was portrayed in the novel. This research used descriptive qualitative research method and Post-colonial approach to analyze the social issue of “the Other” that affected by European rules and colonization reflected in the novel. The result of this research shows that there are five negative representations of the orient. Those are difference, inferior, savage, backward, and undeveloped. Those representations were portrayed in two ways; direct and indirect presentation in the way of the character’s speech, external appearance and environment in the story.

PREJUDICE IN "THE AFRICAN DOCTOR" FILM Marnani, Niken Indah; Lubis, Indah Sari; Max, Jonathan Irene Sartika Dewi
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 3 (2022): Juli 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i3.5899

Prejudice is a hateful behavior towards someone based on their membership with the minority group. Someone counted in a minority group will get a prejudice act. This phenomenon frequently happens in literary works. Based on Gordon Allport’s theory, prejudice has several kinds, which are: antilocution, avoidance, discrimination, physical attack and extermination. As for the response given from the victim when receiving prejudice treatment, it can also be called the victim's of prejudice behavior. There are 2 behaviors: extropunitive and intropunitive. Prejudice is depicted in a film entitled The African Doctor. The film tells about prejudice which is done by French toward African – American. This research aims to reveal kinds of prejudice that experienced by African – American as a character in the film and to know the behaviors of African – American when they experienced prejudice. This research was conducted by using a descriptive method and qualitative approach. In this research, the researcher took the data from the scenes of the film and the conversations of the characters in the film. The result of the research shows that there are four of five kinds of prejudice portrayed namely antilocution, avoidance, discrimination, and physical attack. In addition, there are two victim’s behaviors of prejudice that portrayed in the research, which are extropunitive and intropunitive behavior. Prasangka adalah perilaku kebencian terhadap seseorang berdasarkan keanggotaannya dengan kelompok minoritas. Seseorang yang termasuk dalam kelompok minoritas akan mendapat tindakan prasangka. Fenomena ini sering terjadi dalam karya sastra. Berdasarkan teori Gordon Allport, prasangka memiliki beberapa macam, yaitu: antilokusi, penghindaran, diskriminasi, serangan fisik, dan pemusnahan. Adapun respon yang diberikan oleh korban saat menerima perlakuan prasangka juga bisa disebut dengan perilaku korban prasangka. Terdapat 2 perilaku: ekstropunitif dan intropunitif. Prasangka digambarkan dalam film berjudul The African Doctor. Film ini berkisah tentang prasangka yang dilakukan oleh orang Perancis terhadap orang Afrika – Amerika. Penelitian ini bertujuan untuk mengungkap macam-macam prasangka yang dialami oleh orang Afrika-Amerika sebagai karakter dalam film dan untuk mengetahui perilaku orang Afrika-Amerika ketika mereka mengalami prasangka. Penelitian ini dilakukan dengan menggunakan metode deskriptif dan pendekatan kualitatif. Dalam penelitian ini peneliti mengambil data dari adegan film dan percakapan para tokoh dalam film tersebut. Hasil penelitian terdapat empat dari lima amcam prasangka yang digambarkan yaitu antilokusi, penghindaran, diskriminasi, dan serangan fisik. Selain itu, terdapat dua perilaku dari para korban prasangka yang tergambar dalam film penelitian, yaitu perilaku ekstropunitif dan intropunitif.

DUNBROCH ROYAL FAMILY CHARACTERS AND THEIR ROLE IN BRAVE FILM (2012) Carolina, Armelia; Natsir, M.; Lubis, Indah Sari
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 5, No 1 (2021): Januari 2021
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v5i1.3148

The aim of this research is to find out the characters of the Dunbroch Royal Family members which consists of Merida, Queen Elinor, King Fergus, Harris, Hubert and Hamish as well as their role in the plot of the Brave (2009) film. There are two data sources in this research. First is the Brave (2009) film, and the second is the script of this film itself. The data then categorized by using Reams’s characterization. The role of the characters the connected wirh Kenney’s plot development. The result of this research show that Dunbroch Royal Family member characters consist of four different kind of characters and all of them except for King Fergus have a significant role in the plot of the story.

THE PORTRAYAL OF DISCRIMINATION TOWARDS FEMALE CHARACTERS IN THE HIDDEN FIGURES MOVIE Eliyana, Rika; Ariani, Setya; Lubis, Indah Sari
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 5, No 2 (2021): April 2021
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v5i2.3252

This research discussed the issues of discrimination occurred toward the black female characters in The Hidden Figures movie. It aimed to describe the types of discrimination and to explain the impacts toward the black female characters. The researcher used the qualitative research as the method and feminist literary criticism as the approach of this research. The data derived from narrations and dialogues in the movie script related to the research questions. The findings of this research showed that there were two types of discrimination portrayed in the movie; those are derogation and denial. The findings also showed that the impacts of discrimination toward black female characters emerged in psychological and economic fields.

Reflection Of Children’s Happiness By Coraline’s Character In Coraline Film Sugiyono, Rafaela; Natsir, M; Lubis, Indah Sari
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 1 (2023): Januari 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i1.6740

This study concerns the reflection of a children's happiness in the Coraline film. The purpose of this study is to find some reflections of the happiness of Coraline's character through the situations described in the film that can be seen from several aspects. This study used the theory of happiness by Martin Seligman. Happiness has five aspects consisting of (1) Positive Emotion, (2) Engagement, (3) Positive Relationship, (4) Meaning and (5) Accomplishment. This research included qualitative descriptive research, this study used qualitative research to analyze the problems associated with happiness on the Coraline's character and in this study the approach applied a psychological approach, the data source was taken from the Coraline Film. The researcher used qualitative research to analyze the dialogue script of Caroline's character in the Coraline included in the aspects of happiness by Martin Seligman's theory. The results of the study showed that the happiness found in Caroline's character in the film is not all through the right way. When Coraline finds a home from another world, and there is a family that is very similar to her real family, Coraline begins to feel the happiness she gets when living conditions are fine. In fact, all of that is not a real happiness, but rather create problems for Coraline's life. Thus, from every feeling of happiness that Coraline’s feels, she tries to recognize and feel that not all the happiness she feels is real happiness according to what she wants to achieve.

OPPRESSION ON WOMAN AS REFLECTED IN LAKSHMI’S CHARACTER OF SOLD NOVEL BY PATRICIA MCCORMICK Kristami, Oktarny; Surya, Satyawati; Lubis, Indah Sari
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 1 (2022): Januari 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i1.5487

In this research, the researcher shows the forms of oppression which occur toward female character named Lakshmi. The five faces of oppression is a theory that is explained by Irish Marion Young. The kinds of oppression toward women can be found in Lakshmi’s character of Sold novel. This form of oppression somehow called as injustice action that adhere toward people or group because of several reasons, such as class, race and gender. The source of data of this study are collected from Patricia McCormick’s Sold novel and the data for this study is the evidence of oppression toward Lakshmi. The oppression is divided into exploitation, marginalization, powerlessness, cultural imperialism and violence. The results of this study are, Lakshmi got five faces oppression from group or person. Based on that analysis, the researcher concludes that the oppression toward women can be done by men also women. Therefore, the researcher believes that the oppression toward women is not happens because of gender that men is superior rather than women, but oppression can be happened due to power of domination and class.

JING-MEI WOO’S HYBRID IDENTITY IN AMY TAN’S THE JOY LUCK CLUB NOVEL Novitasari, Andhini; Sunggingwati, Dyah; Lubis, Indah Sari
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 2, No 4 (2018): Oktober 2018
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

ABSTRACT Migration is considered as a massive impact of colonization. It causes a huge number of people from a certain country (a colonized ones) move to another country due to colonization. Starting from this, usually a new society consists of mixed culture, norms, values adjusted to the altering citizens (migrants and non-migrants) that has been created. Yet, an issue of one’s identity appear for those who come from the two cultures as it appeared in Amy Tan’s The Joy Luck Club. Jing-Mei Woo, a Chinese-born American had issue of defining her identity due to the hybridity circumstance she achieved as the daughter of immigrant parents. This research aimed to examine the portrayal of Jing-Mei Woo’s hybridity identity and the way she developed her hybrid identity. This research was a qualitative research for the data were in the form of words from The Joy Luck Club novel. Barry’s theory about hybrid identity was used to answer the research questions towards Jing-Mei Woo character. The result showed that Jing-Mei Woo experienced hybridity as she was unable to define herself whether it was her past-self (Chinese) or present-self (American), felt out of place not knowing exactly her identity form of the two cultures, and having the hybrid identity between Chinese and American cultures. While during the process, Jing-Mei Woo developed her hybrid identity by getting through the four stages: she ignored her origin’s identity as a Chinese woman, denying her Chinese identity by telling her mother most of times that she was not a Chinese and that was the reason she could not understand a bit about her mother’s culture, maintaining the American’s way of thinking as she thought that was her identity despite the fact that she was also a Chinese, and finally realising that in order to define herself, she accepted her Chinese blood and admitted her hybrid identity as a Chinese-American woman. Keywords: migration, hybrid identity ABSTRAK Migrasi merupakan dampak luar biasa dari kolonisasi. Peristiwa ini (migrasi) menyebabkan perpindahan sekelompok orang dengan jumlah yang banyak dari suatu negara (yang dikuasai atau dikolonisasi) ke negara lain. Biasanya sebagai akibat dari migrasi ini terbentuklah suatu masyarakat baru yang sistem-sistemnya mengandung percampuran budaya, norma-norma, serta nilai-nilai yang telah menyesuaikan diri dengan perubahan yang terjadi pada masyarakatnya yang terdiri dari para migran dan non-migran. Akan tetapi, ada satu masalah yang muncul berkenaan dengan masyarakat baru yang terbentuk ini: permasalahan mengenai identitas diri seseorang yang berasal dari dua budaya berbeda seperti yang ada pada novel Amy Tan, The Joy Luck Club. Jing-Mei Woo, seorang anak perempuan dari orang tua imigran Cina dan memiliki darah Cina tetapi menetap di Amerika, memiliki permasalahan dalam menentukan identitas dirinya yang sebenarnya karena ia hidup di lingkungan hibriditas. Studi ini merupakan studi kualitatif karena menganalisa data yang berupa kata-kata dari novel The Joy Luck Club. Teori dari Barry mengenai identitas hibrida digunakan untuk menjawab pokok-pokok permasalahan pada karakter Jing-Mei Woo. Hasil studi ini memperlihatkan bahwa Jing-Mei Woo mengalami hibriditas karena ia tidak mampu menentukan identitas dirinya, apakah identitas itu adalah dirinya yang dimasa lalu sebagai seorang Cina ataukah dirinya yang sekarang sebagai seorang Amerika, merasa tidak memiliki tempat yang cocok dengan dirinya, dan memiliki identitas hibrida antara budaya Cina dan Amerika. Selama proses Jing-Mei Woo mengembangkan identitas hibridanya, ia melewati empat tahapan yaitu: Jing-Mei Woo mengabaikan identitas aslinya sebagai wanita Cina, menolak identitasnya sebagai seorang Cina dengan selalu mengatakan pada ibunya bahwa ia bukanlah seorang Cina maka wajar jika ia tidak bisa mengerti sedikit pun soal budaya ibunya, menganggap bahwa identitas sebenarnya yaitu dengan mengikuti pola pikir seorang Amerika terlepas dari fakta bahwa ia juga memiliki darah seorang Cina dalam tubuhnya, dan akhirnya Jing-Mei Woo menerima darah Cina dalam tubuhnya dan mengakui identitas hibridanya sebagai seorang keturunan Cina-Amerika, yang membuatnya mampu menentukan identitas dirinya yang sebenarnya. Kata Kunci: migrasi, identitas hibrida

THE REFLECTION OF REJECTION AS SEEN IN HELEN’S CHARACTER OF BESIDE MYSELF BY ANN MORGAN Sari, Kumala; Kuncara, Singgih Daru; Lubis, Indah Sari
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 2, No 3 (2018): Edisi Juli 2018
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

ABSTRACTRejection issue is one of the realities in society that can be reflected in literary work. It happens when one individual does not accept other individual and not showing any kindness such as loving and caring. Someone that was rejected by other people usually being excluded and ignored by others. Meanwhile in social life, people need to be accepted and acknowledged by others so they will feel appreciated. Rejection unconciously happened in our society. One of the literary works that represent rejection issue is a novel by Ann Morgan entitled Beside Myself. The rejection issue in that novel can be analyzed through Helen’s character. This research belonged to qualitative research with content analysis as its data analysis technique. This research focused on rejection issue that appeared in Helen’s character through the narrations and dialogues of the characters in the novel. This research used IPARTheory from Ronald P.Rohner as the reference in analyzing Helen’s character. The result of this research showed that Helen received all the rejection acts from the people around her, especially her mother. Helen has eight out of nine rejection effects as the result of being rejected by people around her. Keywords: Acceptance, Rejection, IPARTheory, Beside Myself novel ABSTRAKIsu penolakan merupakan salah satu kenyataan di masyarakat yang dapat direfleksikan dalam karya sastra. Isu ini terjadi bila seseorang tidak menerima seorang yang lainnya dan tidak menunjukkan keramahan terhadap orang tersebut, seperti rasa cinta dan kepedulian. Seseorang yang ditolak oleh orang lainnya biasanya dikucilkan dan diabaikan oleh orang lain. Sementara, dalam kehidupan bermasyarakat, manusia butuh untuk diterima dan diakui oleh manusia lainnya sehingga mereka akan merasa dihargai. Isu penolakan ini secara tidak sadar telah terjadi di kehidupan masyarakat kita. Salah satu karya sastra yang merepresentasikan mengenai isu penolakan adalah novel karya Ann Morgan berjudul Beside Myself. Isu penolakan tersebut dapat di analisis melalui karakter Helen. Penelitian ini adalah penelitian kualitatif dengan menganalisis isi novel sebagai teknik analisanya. Penelitian ini fokus pada isu penolakan yang muncul dalam karakter Helen yang dapat diketahui melalui narasi dan percakapan para tokoh di dalam novel. Penelitian ini menggunakan IPARTheory dari Ronald P.Rohner sebagai acuan dalam menganalisa karakter Helen. Hasil dari penelitian ini menunjukkan bahwa Helen menerima semua tindakan penolakan dari orang-orang di sekitarnya, terutama ibunya. Helen memiliki delapan dari sembilan efek penolakan sebagai hasil penolakan dari orang-orang disekitarnya. Kata Kunci: Penerimaan, Penolakan, IPARTheory, novel Beside Myself

THE DEPRESSION SYMPTOMS OF VIRGINIA WOOLF AS THE AUTHOR PORTRAYED IN MRS DALLOWAY NOVEL Margiana, Ruspika; Kuncara, Singgih Daru; Lubis, Indah Sari
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 4, No 4 (2020): Oktober 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v4i4.3132

The purpose of this research was to find the depression symptoms of Virginia Woolf as the author portrayed in the characters Septimus Warren Smith and Clarissa Dalloway in Mrs Dalloway novel. It could be seen from the analysis of the data from biographical information of Virginia Woolf, narrations and utterances of the major characters Septimus and Clarissa. In order to determine the depression symptoms, Beck’s cognitive theory of depression was used in this research. This research belonged to qualitative method. The data sources were Mrs Dalloway novel and the biographies of Virginia Woolf. The data were the biographical information of Virginia Woolf, narrations and utterances in the novel refers to Woolf’s depression symptoms portrayed in the characters Septimus and Clarissa. The finding showed the depression symptoms of Virginia Woolf as were portrayed in Septimus such as negative expectation, self blame and self criticism, paralysis of the will, avoidance, escapist, and withdrawal wishes, suicidal wishes, loss of appetite, sleep disturbance, loss of libido, and hallucination.Meanwhile, the depression symptoms that were portrayed in Clarissa such as dejected mood, negative feeling toward self, low self evaluation, delusion of worthlessness, and suicidal wishes.

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