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All Journal Rekam : Jurnal, Fotografi, Televisi Animasi Dharmakarya : Jurnal Aplikasi Ipteks Untuk Masyarakat PRofesi Humas Jurnal Pengelolaan Perikanan Tropis (Journal Of Tropical Fisheries Management) Jurnal Ilmu Politik dan Komunikasi Jurnal Abdimas Ilmiah Citra Bakti (JAICB) Al-Zayn: Jurnal Ilmu Sosial & Hukum Jurnal ABDIMAS MUTIARA Realisasi: Ilmu Pendidikan, Seni Rupa dan Desain Ekspresi: Publikasi Kegiatan Pengabdian Indonesia Masyarakat Berkarya: Jurnal Pengabdian dan Perubahan Sosial
Kurnia Lucky Fadillah
Media Production Management, Vocational School, Universitas Padjadjaran
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Penerapan Teknik Sinematografi oleh Director Of Photography pada Produksi Video Feature “Jejak Rasa: Akar dari Tanah Priangan” Diya Mirzha Rusyanto; Fazila Safia Utomo; Rinda Aunillah Sirait; Kurnia Lucky Fadillah
Ekspresi : Publikasi Kegiatan Pengabdian Indonesia Vol. 3 No. 2 (2026): April: Ekspresi : Publikasi Kegiatan Pengabdian Indonesia
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/ekspresi.v3i2.1079

Abstract

IIn the process of creating the feature video "Jejak Rasa: Akar dari Tanah Priangan," the author serves as the Director of Photography, responsible for managing the visual aspects to effectively and comprehensively convey the message. This is achieved through the application of various cinematographic techniques, such as careful selection of camera angles, types of shots, camera movements, and in-depth composition. The main goal of this feature video production is to showcase the cultural value of cassava as an essential part of the culinary identity of Tanah Priangan, while also highlighting its transformation from traditional food to modern culinary innovation with contemporary relevance and appeal. This work is expected to provide a more comprehensive visual representation of local food culture and raise public awareness about the importance of preserving culinary heritage as part of the nation's cultural wealth. The application of cinematographic techniques used not only strengthens the delivery of information but also effectively enhances the aesthetic quality of the work as a visual communication medium that can impact the audience emotionally and intellectually.
Coastal Tourism Suitability and Carrying Capacity Index in Pangandaran Beach, West Java Province Shafira Bilqis Annida; Faqih Baihaqi; Yusfi Sri Wahyunintyas; Riyanti Rahmawati; Kurnia Lucky Fadillah; Selvi Centia
Jurnal Pengelolaan Perikanan Tropis (Journal of Tropical Fisheries Management) Vol 9 No 2 (2025): Jurnal Pengelolaan Perikanan Tropis (Journal Of Tropical Fisheries Management)
Publisher : Departement of Aquatic Resources Management, Faculty of Fisheries and Marine Sciences, IPB University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29244/jppt.9.2.83-88

Abstract

Pangandaran West Beach is a popular destination visited by many tourists, both local and international. This study aims to analyze the tourism suitability index and carrying capacity of the West Coast of Pangandaran, West Java, as a beach recreation-based tourist destination. This research was conducted in April 2025. The method used was direct observation to collect primary data on environmental parameters, with 5 stations spaced 636 m apart. Data analysis was conducted using the tourism suitability index and the area's carrying capacity, categorized into three main types: beach recreation, camping, and swimming. The results showed that the tourism suitability index for Pangandaran West Beach in the categories of beach recreation, camping, and swimming tourism was 97.3%, 91.7%, and 85.9%, respectively, and is classified as "very suitable." Meanwhile, the carrying capacity of the area for beach recreation activities is 340 people per day, for swimming activities is 255 people per day, and for camping activities is 1,592 people per day. This value represents the hypothetical maximum capacity of visitors that can be accommodated without harming the beach ecosystem or compromising the quality of the tourist experience.
Peran Director of Photography dalam Pendekatan Visual dan Naratif Feature Audiovisual "Setu Babakan: Rumah Betawi Hari Ini" Ridha Elsarah Effendi; Siti Noorhayati Fajrian; Encang Saepudin; Kurnia Lucky Fadillah
Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain Vol. 3 No. 3 (2026): Juli: Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/realisasi.v3i3.1131

Abstract

The rapid development of Jakarta has led to the declining presence of traditional Betawi houses, highlighting the need for media that can introduce and support cultural preservation efforts. Audiovisual feature productions serve as an effective communication medium by combining visual, audio, and narrative elements to deliver cultural information in an engaging manner. This study aims to analyze the role of the Director of Photography in developing visual and narrative approaches in the audiovisual feature Setu Babakan: Rumah Betawi Hari Ini. This research employed a descriptive qualitative approach using a practice-based research method. Data were collected through observation, interviews, literature review, and documentation conducted at the Betawi Cultural Village of Setu Babakan, South Jakarta. The findings indicate that the Director of Photography plays a significant role in translating the creative concept into visual language through the application of cinematographic techniques, including composition, shot size, camera angle, camera movement, and lighting. These techniques successfully produced communicative and aesthetically appealing visuals while strengthening the delivery of cultural messages regarding the Betawi traditional house as a representation of cultural identity. The resulting audiovisual feature is expected to function as an effective cultural communication medium to enhance public awareness, particularly among younger generations, about the importance of preserving Betawi cultural heritage.
Penerapan Struktur Naratif Tiga Babak dalam Penulisan Naskah Video Feature “Setu Babakan: Rumah Betawi Hari Ini” Siti Noorhayati Fajriani; Ridha Elsarah Affendi; Encang Saepudin; Kurnia Lucky Fadillah
Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain Vol. 3 No. 3 (2026): Juli: Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/realisasi.v3i3.1132

Abstract

The existence of Betawi traditional houses amid the rapid modernization of Jakarta has indicated a shift in their function from residential spaces to symbols of cultural preservation. This condition encouraged the creation of the video feature entitled “Setu Babakan: Rumah Betawi Hari Ini” through the implementation of the three-act narrative structure in scriptwriting. This final project report aimed to describe the role of the scriptwriter in applying the three-act narrative structure during the creation process. A descriptive approach was employed by systematically explaining the pre-production, production, and post-production stages based on the creative experience. During pre-production, the scriptwriter conducted research, developed the concept, wrote the script, and prepared interview questions. The implementation of the three-act structure was reflected in the first act, which introduced Setu Babakan as a center of Betawi cultural preservation; the second act, which explored the history, architectural forms, and cultural values of Betawi traditional houses; and the third act, which presented reflections and expectations regarding the continuity of Betawi culture in modern society. During production and post-production, the scriptwriter ensured that all audiovisual elements remained aligned with the predetermined narrative structure. It was concluded that the implementation of the three-act narrative structure assisted the script writer in organizing cultural research findings into a coherent and communicative storyline that effectively conveyed cultural messages to the audience.
Implementasi Teknik Pengambilan Gambar oleh Director of Photography dalam Pembuatan Video Feature “Mengendalikan Udara dalam Keseimbangan Teknik Terbang Aeromodelling” Muhammad Naufal Sukandi; Rinda Aunillah; Kurnia Lucky Fadillah
Masyarakat Berkarya : Jurnal Pengabdian dan Perubahan Sosial Vol. 3 No. 3 (2026): Agustus: Masyarakat Berkarya: Jurnal Pengabdian dan Perubahan Sosial
Publisher : Lembaga Pengembangan Kinerja Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62951/karya.v3i3.3485

Abstract

The role of the Director of Photography (DoP) in the video feature "Controlling the Air in Aeromodelling Flight Technique Balance" is crucial in packaging the technical narrative into a communicative visual language. This study aims to analyze the application of cinematographic elements in the form of camera angle, camera movement, type of shot, and composition in video works documenting the activities of the Rajawali Aeromodelling Club community at Sulaiman Air Base. The creation formula focused on how the dynamic movement of the miniature aircraft as well as the frequency control could be visually translated to make it informative to the general public. The concept of creating this work is based on visual communication theory and cinematography techniques, especially framing arrangements, camera movements, and the use of natural lighting in an open field (airfield). The production techniques applied by DoP include the use of telephoto lenses for focus tracking on fast-moving objects, as well as camera angle variations to capture pilot interactions. The results of the discussion showed that the pre-production stage to mature production was able to represent the essence of flying mechanics with precision. The conclusion of this Final Project emphasizes that the combination of dynamic camera movements and precise visual composition succeeds in conveying an abstract narrative about "air balance" into an educational and aesthetic media show.
Co-Authors Adinur Zein, Muhammad Rifki Diya Mirzha Rusyanto Encang Saepudin Faqih Baihaqi Fazila Safia Utomo Febriani, Nadia Insani, Muhamad Zalfa iwan koswara, iwan Khang, Nguyen Tan Kokom Komariah Muhammad Naufal Sukandi Muhammad Rifki Adinur Zein Nurmaya Prahatmaja Priyo Subekti Ramdhani, Rayhan Ridha Elsarah Affendi Ridha Elsarah Effendi Riki Nasrullah Rinda Aunillah Rinda Aunillah Sirait Riyanti Rahmawati Selvi Centia Shafira Bilqis Annida Siti Noorhayati Fajrian Siti Noorhayati Fajriani Toto Sugito Yusfi Sri Wahyunintyas Zein, Muhammad Rifki Adinur