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All Journal Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Gorga : Jurnal Seni Rupa Rekam : Jurnal, Fotografi, Televisi Animasi Jurnal Sosioteknologi ProTVF Jurnal Pendidikan Ilmu Sosial E-Dimas: Jurnal Pengabdian kepada Masyarakat MUDRA Jurnal Seni Budaya Dinamisia: Jurnal Pengabdian Kepada Masyarakat Balong International Journal of Design Abdimas Umtas : Jurnal Pengabdian kepada Masyarakat Jurnal Rupa Jurnal Desain Narada : Jurnal Desain dan Seni Charity : Jurnal Pengabdian Masyarakat Jurnal Dimensi DKV Seni Rupa dan Desain eProceedings of Art & Design
Lingga Agung
Universitas Telkom
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Education Electrical & Electronics Engineering Engineering Languange, Linguistic, Communication & Media Social Sciences Other

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Journal : Balong International Journal of Design

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SUNDANESE AESTHETICS IN DARSO’S VIDEO CLIP DULANG KURING 2 Lingga Agung; Moh Isa Pramana Koesoemadinata
Balong International Journal of Design Vol 1, No 1 (2018)
Publisher : Universitas Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/balong.v1i1.1662

Abstract

Abstract This paper aims to see how the aesthetics in the video clip Dulang Kuring 2 which was popularized by Alm.Darso. We used qualitative method as a method in collecting related data and to analyze video clip DulangKuring 2, we use Homi K. Bhabha Post-Coloniam theory about mimicry, hybridity, and “the third space”. The analysis focuses on Darso, the location (landscape), and the setting-property in the video clip. From the analysis that has been done, the aesthetics in the music video clip DulangKuring 2 is paradoxical because it mixes the local and global aesthetic codes. While through the Bhabha postcolonial, we find that the place (landscape), and setting-property gradually mimicry then after that we’ll see another step which is a hybridity that produces “the third space”. From the analysis, the video clip DulangKuring 2 is aesthetically very paradoxical yet hybrid because it targets the contemporary Sundanese society.Keywords: Aesthetic, Communication, Darso, Post-colonialism
Co-Authors Al Ansory, Muchmammad Zaenal Angelia Lionardi Anggar Erdhina Adi Anggit Widya Permana Ansory, Muchammad Zaenal Al Diani Apsari Fiardi, Rahma Khairunnisa Ganjar Gumilar Ghifari, Alif Al Idhar Resmadi Ihsani, Hilwa Tsabita Ilmi, Ahmad Yusuf Kautsar Irwanto, Muhammad Rizky Muttaqin Luqman Rusdan Nugraha Maharani, Adinda Mlathi Cikaleres, Aliifa Mohammad Isa Pramana Koesoemadinata Morinta Rosandini Muchmammad Zaenal Al Ansory Noe, Nailah Vardicha Patra Aditia Prasetya, Shyavira Putra, Athar Athallah Putri, Nabila Alifah Rafiurrizki, Rafiurrizki Ramadhan, Iqbal Raihan Ramdani, Muhammad Andriyana Rendy Pandita Bastari Riky Azharyandi Siswanto Syahdanendra, Fahrezi Kalif Tanjung, Nurjannatin Aliya Albany Tata Kartasudjana Wibisono Tegar Guna Putra Yanuar Rahman