Garuda - Garba Rujukan Digital

Hidroponik Sebagai Strategi Penguatan Masyarakat Ekonomi Digital di Pesantren Miftahul Falah Bandung Ahmad Almaarif; Riksa Belasunda; Irfan Dwi Rahadianto; Mohamad Tohir; Rd. Rohmat Saedudin; Angelia Lionardi; Nina Nursetia Ningrum
Abdiformatika: Jurnal Pengabdian Masyarakat Informatika Vol. 2 No. 1 (2022): Mei 2022 - Abdiformatika: Jurnal Pengabdian Masyarakat Informatika
Publisher : Indonesian Scientific Journal

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25008/abdiformatika.v2i1.145

Pesantren dalam perkembangannya menjadi salah satu pilar dalam struktur pendidikan Indonesia. Tidak hanya mengajarkan pendidikan agama, pesantren juga mengajarkan pendidikan umum dan membentuk karakter santri agar siap menghadapi tantangan setelah lulus. Karena hal inilah pesantren menjadi tujuan bagi banyak orang tua sebagai tempat untuk anaknya bersekolah. Namun bencana Pandemi Covid-19 telah mengubah preferensi tersebut karena kekhawatiran terhadap penyebaran virus. Hal ini berdampak pada kondisi keuangan pesantren yang kebanyakan bergantung pada iuran santri. Sebagai salah satu strategi untuk mengatasi masalah ini, hidroponik jadi alternatif solusi. Hidroponik tidak hanya membantu perekonomian pesantren, namun juga memberikan kesempatan kepada pengurus pesantren dan santri untuk terjun langsung ke dunia entrepreneur. Perkembangan dunia usaha saat ini juga memaksa pengurus dan santri untuk memperkenalkan branding produk dan pemasaran melalui digital. Berdasarkan alternatif ini, ada beberapa kegiatan yang dilakukan pada Pesantren Miftahul Falah yaitu pendampingan budidaya hidroponik, pembuatan branding serta potensi untuk pemasaran digital untuk hasil produk hidroponik.

Perancangan Animasi 2D sebagai Media Edukasi tentang Penyu bagi Anak-Anak Angelia Lionardi
Jurnal Desain Komunikasi Visual Nirmana Vol. 21 No. 1 (2021): JANUARY 2021
Publisher : Institute of Research and Community Outreach - Petra Christian University

Penyu adalah salah satu biota laut yang jumlah populasinya semakin sedikit dan terancam punah di Indonesia. Laju kepunahan akan semakin cepat jika kesadaran masyarakat akan perlunya kelestarian penyu tidak ditumbuhkan sejak dini. Media edukasi yang berpotensi untuk memberikan informasi tentang kehidupan penyu adalah media narasi visual yaitu animasi 2D. Proses pengumpulan data dilakukan dengan cara observasi terlibat, wawancara, menyebarkan kuesioner kepada audiens (anak-anak), dan kajian pustaka. Metode perancangan yang digunakan adalah metode design thinking. Proses uji coba dilakukan dengan cara menyebar kuesioner kepada anak-anak. Proses uji coba dilakukan dalam dua tahap. Tahap pertama adalah menyebarkan kuesioner pre-test (sebelum responden menonton animasi) dan tahap kedua adalah kuesioner post-test (setelah responden menerima stimulus berupa animasi 2D). Hasil uji kuesioner antara pre-test dan post-test akan dibandingkan untuk melihat peningkatan aspek pengetahuan/kognitif responden terkait tentang kehidupan penyu setelah dia menetas. Kesimpulan dari perancangan ini adalah secara umum terjadi peningkatan pada seluruh variabel pengetahuan anak terhadap penyu setelah menonton media animasi yang dirancang. Peningkatan itu antara lain: a) pengetahuan anak tentang karakteristik penyu (61%); b) pengetahuan anak tentang predator penyu (54%); dan c) pengetahuan anak mengenai faktor penyebab kepunahan penyu (24%).

Kajian Visual Desain Karakter Kancil pada Animasi 3D “Kancil” Lionardi, Angelia
Visualita Jurnal Online Desain Komunikasi Visual Vol 11 No 1 (2022)
Publisher : Universitas Komputer Indonesia

Fairy tales are one of the cultures in Indonesia which are now starting to be preserved by adapting them to a more modern form. Fairy tales are not only adapted into songs or in the form of writings/books of fairy tales but also into animated media, both 2D and 3D. One of the song which inspired by a fairytale that has undergone a process of adaptation to 3D animation media is the Kancil fairy tale. The author is interested in observing how the adaptation process for designing the Kancil character is carried out. In this study, the author will also conduct a visual study of the design of the mouse deer character in the Kancil animated film produced by Visinema Pictures in collaboration with Afterlab Studio. The research will be conducted using a qualitative descriptive method. Data was collected through literature studies and interviews with the designer of the Kancil character. The results of this study can be a reference for other designers who want to carry out the process of adapting characters from fairy tales into more modern media particularly in 3D animation.

Unraveling Aesthetics Tapestry: Mapping the Artistic Styles of Young Contemporary Artist in Bandung Agung, Lingga; Bastari, Rendy Pandita; Gumilar, Ganjar; Lionardi, Angelia; Siswanto, Riky Azharyandi
Mudra Jurnal Seni Budaya Vol 39 No 3 (2024)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v39i3.2785

Bandung thrives as a city deeply entrenched in its artistic progression, boasting a vibrant array of art institutions, galleries, collectives, and accolades in the axis of Indonesian contemporary art. Despite this flourishing landscape, the divergence of contemporary art from conventional aesthetics poses challenges in garnering public appreciation. Since the early 2000s, Bandung’s contemporary art scene has witnessed a proliferation of innovative expressions influenced by recent aesthetic philosophies, notably postmodernism, and characterized by diverse aesthetic idioms. However, despite these progressive strides, a notable gap persists between contemporary art in Bandung and its local community. This study utilizes qualitative methodologies, including Focus Group Discussions (FGD) and visual analysis, to probe the aesthetic nuances within Bandung’s contemporary art milieu. FGD sessions delve into aesthetic dialogues, institutional dynamics, and community perceptions, while visual analysis deciphers cultural symbols within socio-political contexts. The findings illuminate prevalent themes of parody, pastiche, kitsch, and cultural fusion, indicative of a profound exploration of Indonesian identity amidst the currents of globalization. Bandung young contemporary artists adeptly interweave traditional values with contemporary themes, infusing their works with tradition, religion, and locality elements. While defying rigid categorization, these creations unveil intriguing intersections deserving further scholarly inquiry. This research underscores Bandung’s contemporary art scene as a complex and diverse tapestry shaped by historical, political, and social dynamics. It emphasizes the importance of discursive meaning and social processes within the artistic medium, shedding light on the intricate interplay between artistic innovation and socio-cultural contexts within Bandung’s vibrant art landscape.

Perancangan storyboard animasi pendek 2D guna mengenalkan Kerajaan Pagaruyung Rasyada, Latifah; Iskandar, Muhammad; Lionardi, Angelia
KalaTanda Vol 3 No 1 (2021): Kalatanda
Publisher : Universitas Telkom

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/kalatanda.v3i1.4134

Rumah Gadang is a traditional house of the Minangkabau tribe. Traditional houses are a wealth of objects that can be used as tourism objects. The famous Rumah Gadang Istano Basa Pagaruyung in West Sumatra was formerly the center of government of the Pagaruyung kingdom and became the residence of the royal family. Now this Gadang House is a cultural heritage asset for the Minangkabau tribe and has changed its function as a museum. It's a shame that the prestige of the museum, which is full of history, is getting less and less well-known, as can be seen from visits that only make it a location for selfies without going into and studying the collections contained in the museum. Therefore, a storyboard will be made that introduces the Kingdom of Pagaruyung. Qualitative method research was conducted to find visual ideas that could be adopted as the basis for the design. Data collection used interviews and direct observation. The findings were also strengthened by a literature study targeting youth in West Sumatra. This design is expected to continue into an animated film. Keywords: Pagaruyung Kingdom, Istano Basa Pagaruyung, Storyboard animation

Dokumenter sebagai Alternatif Metode Konservasi untuk Nilai Budaya Kecamatan Andir Utami, Lira Anindita; Lionardi, Angelia; Putri, Arum Githa; Apsari, Diani; Wiwaha, Luqman Rusdan
Jurnal Bahasa Rupa Vol. 7 No. 2 (2024): Bahasa Rupa April 2024
Publisher : Prahasta Publisher (manage by: DRPM Institut Bisnis dan Teknologi Indonesia)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v7i2.1439

Culture, as a multifaceted entity serves as a mirror reflecting how individuals interact with their surroundings and one another. Andir, a district located in Bandung Region of West Java, Indonesia with its rich tapestry of history and cultural diversity, demands a way to creatively preserve and showcase its cultural dynamic. By choosing documentary filmmaking as an instrument to record and safeguard the essence of cultural diversity of Andir, the authors gained a way to subjective and participatory exploration into the colorful scenes situated in Andir. Several techniques of immersion in the field such as walk-around and treasures mapping is employed in the filmmaking to construct a subjective experience and became a way of participatory learning of Andir’s culture for the people involved in this initiative. Documentary filmmaking emerges as an indispensable tool for recording and safeguarding the essence of Andir’s culture that allows for a more authentic portrayal of the cultural landscape. As a medium, it stands as a pivotal container of conservation through visual storytelling that amplifies the documentation and representation of cultural legacies for the next generation and for the audience. This study highlights the result of mapping the cultural dynamic that can be observed in socio-economic activities, culinary culture, and architecture. These are considered as the cultural assets in which the principles construct the cultural value of tolerance identified in Andir. It is then documented to construct the visual storytelling of documentary and to empower cultural conservation by creative media to raise awareness and foster future collaborative efforts. By showcasing the multifaceted cultural exchanges occurring within Andir in the visual storytelling, it offers a window into the cultural intricacies that define this community while becoming a medium that conserves the cultural scenery of everyday life. The film also captures the "Village of Tolerance", as a government initiative that showcase the general perception of diversity and unity. Documentary filmmaking of Andir is a preservation effort to portray authentically the vibrant cultural mosaic that deserves further dedicated archival endeavours.

Reading Amenk: The Grotesque Aesthetics of Reality Agung, Lingga; Bastari, Rendy Pandita; Gumilar, Ganjar; Lionardi, Angelia; Siswanto, Riky Azharyandi
Humanus Vol 23, No 1 (2024)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/humanus.v23i1.125448

In contemporary art, aesthetics serves as a medium for conveying complex societal and cultural messages. One artist who has masterfully harnessed this power is Mufti Priyanka (Amenk). His body of work is characterized by a unique and intriguing “grotesque aesthetics” that delves into various dimensions of everyday life. Through his art, Amenk provokes profound inquiries into the intricacies of our social realities. This research is dedicated to unraveling the aesthetics intricately woven into Amenk’s artworks, which seemingly offer genuine insights into the collective consciousness of a society grappling with the complexities of social norms and cultural identity. This study adopts a qualitative approach, examining Amenk diverse portfolio, encompassing paintings and graphics. Anchored in the framework of Derrida’s Deconstruction theory (1967), this approach involves a textual analysis, dissecting the conceptual distinctions that form the foundation of the text. By unveiling the inconsistencies and paradoxes inherent in the utilization of these concepts, the research sheds light on the intricate tapestry of Amenk’s artwork. Ultimately, Amenk’s body of work represents more than an exploration of cultural significance; it stands as a bold challenge to established norm, values, and even the truths.

Dokumenter sebagai Alternatif Metode Konservasi untuk Nilai Budaya Kecamatan Andir Utami, Lira Anindita; Lionardi, Angelia; Putri, Arum Githa; Apsari, Diani; Wiwaha, Luqman Rusdan
Jurnal Bahasa Rupa Vol. 7 No. 2 (2024): Bahasa Rupa April 2024
Publisher : Prahasta Publisher (manage by: DRPM Institut Bisnis dan Teknologi Indonesia)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v7i2.1439

Culture, as a multifaceted entity serves as a mirror reflecting how individuals interact with their surroundings and one another. Andir, a district located in Bandung Region of West Java, Indonesia with its rich tapestry of history and cultural diversity, demands a way to creatively preserve and showcase its cultural dynamic. By choosing documentary filmmaking as an instrument to record and safeguard the essence of cultural diversity of Andir, the authors gained a way to subjective and participatory exploration into the colorful scenes situated in Andir. Several techniques of immersion in the field such as walk-around and treasures mapping is employed in the filmmaking to construct a subjective experience and became a way of participatory learning of Andir’s culture for the people involved in this initiative. Documentary filmmaking emerges as an indispensable tool for recording and safeguarding the essence of Andir’s culture that allows for a more authentic portrayal of the cultural landscape. As a medium, it stands as a pivotal container of conservation through visual storytelling that amplifies the documentation and representation of cultural legacies for the next generation and for the audience. This study highlights the result of mapping the cultural dynamic that can be observed in socio-economic activities, culinary culture, and architecture. These are considered as the cultural assets in which the principles construct the cultural value of tolerance identified in Andir. It is then documented to construct the visual storytelling of documentary and to empower cultural conservation by creative media to raise awareness and foster future collaborative efforts. By showcasing the multifaceted cultural exchanges occurring within Andir in the visual storytelling, it offers a window into the cultural intricacies that define this community while becoming a medium that conserves the cultural scenery of everyday life. The film also captures the "Village of Tolerance", as a government initiative that showcase the general perception of diversity and unity. Documentary filmmaking of Andir is a preservation effort to portray authentically the vibrant cultural mosaic that deserves further dedicated archival endeavours.

The Recontextualization of Parang Rusak Barong Batik Into Animated Characters Lionardi, Angelia; Vincencia, Violet
Rekam Vol 21, No 1 (2025): April 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v21i1.15037

Recontextualization is a dynamic process aimed at bringing traditional concepts to life in a modern context, making them more accessible and relevant to today's audience. By adapting cultural artifacts into contemporary forms, this approach ensures that valuable traditions remain vibrant and engaging. One such tradition is the Parang Rusak Barong batik from the Yogyakarta Palace (Keraton Yogyakarta), a restricted pattern (batik larangan) that carries deep cultural significance. Batik larangan are batik patterns forbidden for common use. While its beauty is undeniable, the values and meanings it holds risk being lost if confined only to royal circles. To prevent this, the author has chosen to recreation the Parang Rusak Barong motif as animated character, enabling it to reach and resonate with a broader audience, particularly younger generations. This character will play a central role in "Mira and the Batik Fairy 2," an animated series that delves into the theme of restricted batik motifs. The research explores how traditional visual elements of batik can be transformed into animated characters. Using a qualitative method that combines observation and literature review, the study ultimately results in the creation of a character named Wasis, designed to embody the cultural essence of the Parang Rusak Barong batik in a form that appeals to modern viewers.

Pengenalan Filosofi Karya Budaya Visual Peranakan Tionghoa Dalam Perancangan Karakter Wayang Cina Jawa di SMAK 1 Bina Bakti Bandung Lionardi, Angelia; Aditya, Dimas Krisna; Lawe, I Gusti Agung Rangga; Dwija, I Dewa Alit; Nugraha, Novian Denny; Desintha, Siti
Charity : Jurnal Pengabdian Masyarakat Vol. 7 No. 1 (2024): Charity - Jurnal Pengabdian Masyarakat
Publisher : PPM Universitas Telkom

Show Abstract | Download Original | Original Source | Check in Google Scholar

Budaya peranakan Tionghoa-Jawa memberikan sumbangsih besar pada budaya visual nusantara. Namun, sejak rezim Orde Baru menerbitkan Instruksi Presiden Republik Indonesia No. 14 Tahun 1967, hak berekspresi warga peranakan Tionghoa serasa dikebiri karena pemerintah melarang dilaksanakannya pertunjukan budaya yang mengandung unsur peranakan Tionghoa ke muka publik. Hal ini menyebabkan terputusnya rantai penyebaran budaya kepada generasi muda. Para generasi muda saat ini merasa kesusahan untuk mengetahui budaya Tionghoa karena minimnya literasi. Dengan diterbitkannya Keputusan Presiden (KEPPRES) No. 6 Tahun 2000 tentang Pencabutan Instruksi Presiden Nomor 14 Tahun 1967 Tentang Agama, Kepercayaan, Dan Adat Istiadat Cina, maka warga peranakan Tionghoa sudah tidak dibatasi ruang geraknya dalam berekspresi dan memampukan mereka dalam menyebarkan dan melestarikan budaya mereka kepada publik. Oleh karena itu, tim pengabdian masyarakat dari Prodi S1 Desain Komunikasi Visual tertarik untuk mengenalkan budaya visual peranakan Tionghoa-Jawa yang sudah mulai terlupakan, salah satunya adalah budaya pertunjukan wayang Tionghoa-Jawa kepada siswa siswi peranakan Tionghoa di Kota Bandung.

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