Garuda - Garba Rujukan Digital

Reading Amenk: The Grotesque Aesthetics of Reality Agung, Lingga; Bastari, Rendy Pandita; Gumilar, Ganjar; Lionardi, Angelia; Siswanto, Riky Azharyandi
Humanus Vol 23, No 1 (2024)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/humanus.v23i1.125448

In contemporary art, aesthetics serves as a medium for conveying complex societal and cultural messages. One artist who has masterfully harnessed this power is Mufti Priyanka (Amenk). His body of work is characterized by a unique and intriguing “grotesque aesthetics” that delves into various dimensions of everyday life. Through his art, Amenk provokes profound inquiries into the intricacies of our social realities. This research is dedicated to unraveling the aesthetics intricately woven into Amenk’s artworks, which seemingly offer genuine insights into the collective consciousness of a society grappling with the complexities of social norms and cultural identity. This study adopts a qualitative approach, examining Amenk diverse portfolio, encompassing paintings and graphics. Anchored in the framework of Derrida’s Deconstruction theory (1967), this approach involves a textual analysis, dissecting the conceptual distinctions that form the foundation of the text. By unveiling the inconsistencies and paradoxes inherent in the utilization of these concepts, the research sheds light on the intricate tapestry of Amenk’s artwork. Ultimately, Amenk’s body of work represents more than an exploration of cultural significance; it stands as a bold challenge to established norm, values, and even the truths.

Designing Video Storytelling Production for The Community of Kampung Gamis Karamat Mulya Village Lingga Agung; Muchmammad Zaenal Al Ansory
ABDIMAS: Jurnal Pengabdian Masyarakat Vol. 8 No. 1 (2025): ABDIMAS UMTAS: Jurnal Pengabdian Kepada Masyarakat
Publisher : LPPM Universitas Muhammadiyah Tasikmalaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35568/abdimas.v8i1.5910

Kampung Gamis, located in Karamat Mulya Village, Soreang Subdistrict, Bandung Regency, Kampung Gamis, located in Karamat Mulya Village, Soreang Subdistrict, Bandung Regency, possesses a rich cultural and traditional heritage but faces challenges in preserving and promoting its cultural values in the digital era. This community service program aims to empower the Kampung Gamis community through storytelling technique training and video storytelling production. The activities are designed to enhance visual narrative skills, strengthen local identity, and leverage digital technology as a tool for cultural promotion and creative economic empowerment. The training follows a systematic approach that includes an introduction to the basic concepts of storytelling, video production techniques, practical editing using the CapCut application, and the implementation of storytelling techniques in video creation. Participants are encouraged to produce videos featuring narratives about local traditions and daily life, which are then presented and evaluated for improvement and appreciation. The outcomes of this program reveal an increase in participants’ technical skills in video shooting and editing, awareness of the importance of meaningful narratives, and the community’s ability to promote local culture through digital media. The expected impacts of this training include the strengthening of local cultural identity, enhanced community capacity as digital change agents, and the development of effective visual communication. By integrating technology and storytelling, this program not only preserves the cultural heritage of Kampung Gamis but also opens up opportunities for sustainable creative economic growth. This participatory, community-based approach serves as a strategic step in community empowerment and the development of village potential in the digital era.

Designing Video Storytelling Production for The Community of Kampung Gamis Karamat Mulya Village Agung, Lingga; Al Ansory, Muchmammad Zaenal
ABDIMAS: Jurnal Pengabdian Masyarakat Vol. 8 No. 1 (2025): ABDIMAS UMTAS: Jurnal Pengabdian Kepada Masyarakat
Publisher : LPPM Universitas Muhammadiyah Tasikmalaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35568/abdimas.v8i1.5910

Kampung Gamis, located in Karamat Mulya Village, Soreang Subdistrict, Bandung Regency, Kampung Gamis, located in Karamat Mulya Village, Soreang Subdistrict, Bandung Regency, possesses a rich cultural and traditional heritage but faces challenges in preserving and promoting its cultural values in the digital era. This community service program aims to empower the Kampung Gamis community through storytelling technique training and video storytelling production. The activities are designed to enhance visual narrative skills, strengthen local identity, and leverage digital technology as a tool for cultural promotion and creative economic empowerment. The training follows a systematic approach that includes an introduction to the basic concepts of storytelling, video production techniques, practical editing using the CapCut application, and the implementation of storytelling techniques in video creation. Participants are encouraged to produce videos featuring narratives about local traditions and daily life, which are then presented and evaluated for improvement and appreciation. The outcomes of this program reveal an increase in participants’ technical skills in video shooting and editing, awareness of the importance of meaningful narratives, and the community’s ability to promote local culture through digital media. The expected impacts of this training include the strengthening of local cultural identity, enhanced community capacity as digital change agents, and the development of effective visual communication. By integrating technology and storytelling, this program not only preserves the cultural heritage of Kampung Gamis but also opens up opportunities for sustainable creative economic growth. This participatory, community-based approach serves as a strategic step in community empowerment and the development of village potential in the digital era.

Homelander and The Ambiguity of Morality in the Television Series the Boys Agung, Lingga; Syahdanendra, Fahrezi Kalif
Rekam Vol 21, No 2 (2025): Oktober 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v21i2.14555

Morality, as a dynamic component of culture, constantly shifts in response to social and ideological transformations. In the landscape of popular culture, the superhero figure has long served as a manifestation of moral values and an ethical compass for society. However, the series The Boys (2019) presents a deconstruction of this traditional representation through the character of Homelander, who symbolises moral ambiguity and corruption resulting from absolute power—standing in stark contrast to the idealised image of Superman. This study employed a qualitative method grounded in critical theory and Jacques Derrida’s deconstruction framework to examine how morality is represented and destabilised within the narrative of the series. Primary data were collected from selected episodes across three seasons of The Boys, focusing on three key scenes: the airplane incident in Season 1, Episode 4; the confrontation with Blindspot; and Homelander’s public speech in Season 3. Analysis was conducted on dialogue, character interactions, and visual aesthetic elements such as costume symbolism, lighting, and camera composition. Secondary data consisted of scholarly articles, books, and theoretical texts discussing superhero morality, Derrida’s deconstruction, and media representation politics. The analytical process involved three interrelated approaches: (1) narrative analysis to explore story structure and character development; (2) visual analysis to interpret symbolic and aesthetic elements that construct Homelander’s moral image; and (3) deconstructive analysis to apply the concepts of différance, trace, and critique of grand narratives and binary oppositions within discourses of heroism. The findings indicate that Homelander is not merely a symbol of moral decadence, but also a critique of capitalist institutions that exploit the superhero image for power and economic gain. From a deconstructive perspective, Homelander is not a fixed signifier, but a trace whose meaning is continually deferred and shaped by the forces of capitalism, media, and corporate spectacle. Thus, The Boys functions not only as entertainment but also as a reflective space for reexamining discourses on morality, heroism, and power in contemporary popular culture.

PENYUTRADARAAN FILM DOKUMENTER TENTANG FENOMENA BANJIR DI DAERAH DAYEUHKOLOT BANDUNG Mlathi Cikaleres, Aliifa; Agung, Lingga; Guna Putra, Wibisono Tegar
eProceedings of Art & Design Vol. 10 No. 6 (2023): Desember 2023
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstrak: Banjir merupakan bencana alam yang dapat terjadi kapan saja dan di mana saja serta sering menimbulkan kerugian harta benda hingga nyawa manusia. Kecamatan Dayeuhkolot adalah daerah di Kabupaten Bandung yan paling rawan terkena banjir. Berbagai upaya telah dilakukan oleh Balai Besar Wilayah Sungai Citarum, Provinsi Jawa Barat, Kabupaten Bandung misalnya seperti normalisasi sungai, pengerukan sungai Citarum, pembangunan tanggul penahan banjir, rencana pembangunan kolam penahan banjir, pembangunan sistem polder dan sumur resapan, pembangunan waduk dan embung, pengembangan sistem air minum dan air kotor, rehabilitasi jaringan air bersih, dan pembangunan shelter pada saat evakuasi bencana banjir. Dibutuhkan media untuk menyiarkan lebih lanjut mengenai progress penanggulangan banjir milik pemerintah dan mengapa daerah Dayeuhkolot masih terendam banjir walaupun banyak program pemerintah yang telah terlaksana. Film dokumenter secara harfiah berarti film yang membawa muatan yang berbobot dan serius, di mana orang, tempat, dan peristiwa yang terkandung di dalamnya merupakan kejadian nyata dan terpercaya. Film dokumenter dianggap cukup efektif dijadikan sebagai media untuk menyiarkan keluhan tentang banjir, mengingat film dokumenter akan memperlihatkan lebih jelas keadaan tentang fenomena banjir tersebut serta memperlihatkan reaksi masyarakat sekitar. Metode yang dilakukan dalam perancangan ini adalah pengumpulan data dengan observasi, wawancara, studi pustaka, dan kajian visual melalui film sejenis. Pada perancangan ini diharapkan hasil sebuah film dokumenter berdurasi 15 menit yang menggunakan penggayaan ekspositori dan bentuk ratorika yang diambil dengan tipe direct-cinema.Kata kunci: Banjir di Dayeuhkolot, Ekspositori, Film Dokumenter, dan Penyutradaraan.

Perancangan Logo UMKM di Sentra Roti Gang Babakan Rahayu Kopo, Bandung Agung, Lingga; Rahman, Yanuar; Putri, Nabila Alifah; Ihsani, Hilwa Tsabita; Ilmi, Ahmad Yusuf Kautsar; Rafiurrizki, Rafiurrizki; Putra, Athar Athallah
E-Dimas: Jurnal Pengabdian kepada Masyarakat Vol 15, No 3 (2024): E-DIMAS
Publisher : Universitas PGRI Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26877/e-dimas.v15i3.18113

Produksi roti rumahan di Gang Babakan Rahayu, Kelurahan Kopo, Kecamatan Bojongloa Kaler, Kota Bandung, telah menjadi sentra produksi roti yang unik dan mencerminkan kolaborasi masyarakat dalam mengembangkan bisnis lokal. Meskipun kegiatan ini memiliki strategi ekonomi yang signifikan, sentra roti ini menghadapi tantangan tahunan seperti kenaikan bahan baku, tarif dasar listrik, dan persaingan produk ternama, yang berdampak pada penurunan popularitas yang pernah viral pada tahun 2018. Sebagai respons, Pengabdian Masyarakat dilaksanakan pada awal tahun 2023 setelah mengidentifikasi masalah utama, yaitu kurangnya identitas visual baik secara keseluruhan maupun pada produsen individu. Identitas visual, terutama logo, memegang peranan penting dalam branding dan promosi. Pengembangan logo yang kuat dan konsisten akan dilakukan melalui metode penelitian kualitatif, seperti observasi, wawancara, dan studi pustaka. Kolaborasi juga terjalin dengan Karang Taruna Kelurahan Kopo, yang dipimpin oleh Budhi Wibawa. Teori dasar perancangan logo adalah FIVE-I, melibatkan identifikasi, ideasi, imajinasi, improvisasi, dan implementasi. Melalui pengabdian masyarakat dan penerapan teori ini, diharapkan terbentuk kolaborasi efektif dalam merancang logo. Tim penelitian memilih 3 UMKM yang membutuhkan logo, dan ketiga logo yang dirancang menampilkan visualisasi umum, seperti gambar roti atau karakter seorang baker.

DARI HIP HOP KE POP: MENELISIK ESTETIKA DALAM VIDEO KLIP BANGTAN BOYS (BTS) Agung, Lingga; Rosandini, Morinta; Prasetya, Shyavira
Narada : Jurnal Desain dan Seni Vol 9, No 1 (2022)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2022.v9.i1.004

This research aims to see how the aesthetic changes in the two music video of Bangtan Boys (BTS), “No More Dream” (2013) and “Permission to Dance” (2021). Aesthetic changes are always releted to the cultural changes, and therefore it is interesting to investigate more deeply. This research collects qualitative data from books, journals, and especially from the two music video above. To see the aesthetic changes, we use the post-colonial theory of Homi K. Bhabha which is relevant dor this research. From the research that has been done, the two BTS music video take the aesthetic idioms of Western (United States) pop culture. Changes in aesthetics actually only follow global trends (United States). We don't find a solid South Korean cultural 'visual cue' in the two music video. However, 'Korean Style', 'K-Pop Aesthetics', 'BTS looks', and so on were born because the two music video are mimicry and hybrids that have succeeded in integrating and hegemonizing Western (United States) pop culture idioms into K-Pop culture idiom.

Penerapan Generative Artificial Intelligence untuk Video Storytelling dengan Metode Partisipatif dan Pendekatan Kolaboratif di Saung Ciburial Garut Adi, Anggar Erdhina; Agung, Lingga; Ansory, Muchammad Zaenal Al; Pebriyanto; Noe, Nailah Vardicha; Ghifari, Alif Al; Ramdani, Muhammad Andriyana; Irwanto, Muhammad Rizky Muttaqin
Charity : Jurnal Pengabdian Masyarakat Vol. 9 No. 1 (2026): Charity-Jurnal Pengabdian Masyarakat
Publisher : PPM Universitas Telkom

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/charity.v9i1.9515

Desa Wisata Saung Ciburial di Garut, Jawa Barat, merupakan kawasan dengan potensi budaya lokal yang kaya, namun menghadapi tantangan dalam menjangkau generasi muda melalui media konvensional. Kegiatan Pengabdian kepada Masyarakat ini bertujuan untuk meningkatkan kapasitas literasi digital dan kreativitas masyarakat, khususnya generasi muda, melalui pelatihan bertajuk “Pengembangan Video Storytelling Berbasis Cerita Lokal dengan Pemanfaatan Generative Artificial Intelligence (AI)”. Program ini mengintegrasikan pendekatan partisipatif dalam pelestarian budaya lokal dengan teknologi digital berbasis AI, khususnya melalui platform Hailuo.AI. Metode pelaksanaan menggunakan Metode Partisipatif dengan pendekatan Kolaboratif. Metode ini mendorong pelibatan penuh dan aktif kelompok masyarakat sasar dari pemetaan permasalahan, perisiapan bahan cerita, hingga pelaksanaan. Sedangkan pendekatan kolaboratif menjadikan setiap unsur, baik pelaksana maupun Masyarakat sasar memiliki peran dan fungsi masing-masing yang sama pentingnya dalam mencapai luaran hasil pengabdian. Hasil kegiatan menunjukkan peningkatan antusiasme, keterlibatan aktif masyarakat, serta kemampuan peserta dalam mengolah narasi lokal menjadi konten digital. Luaran utama berupa video kreatif, dokumentasi visual, dan publikasi media, memperlihatkan potensi pemanfaatan AI dalam sektor ekonomi kreatif, promosi pariwisata, dan pelestarian budaya khususnya untuk Saung Ciburial dapat dimanfaatkan. Program ini tidak hanya memperkenalkan teknologi baru kepada masyarakat, tetapi juga memperkuat identitas budaya lokal dalam format visual yang relevan dengan era digital. Inisiatif ini diharapkan menjadi model replikatif bagi desa wisata lain di Indonesia dalam upaya pelestarian budaya berbasis teknologi.

Humanistik dan Citra Perempuan dalam Film Bertema Poligami Nurjannatin Aliya Albany Tanjung; Wibisono Tegar Guna Putra; Lingga Agung
Jurnal Desain Vol 9, No 3 (2022): Jurnal Desain
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/jd.v9i3.12906

The state, people, and zombie outbreak: Foucauldian reading of Zona Merah series Agung, Lingga; Wismoyo, Erlana Adli; Adi, Anggar Erdhina
ProTVF Vol 10, No 1 (2026): March 2026
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/ptvf.v10i1.62498

Background: Indonesian horror cinema has long relied on local ghost figures, while zombies often appear as a borrowed form with weaker cultural intimacy. Zona Merah (2024), a Vidio Original series, becomes a strategic case because it shifts horror from the supernatural to a politically managed emergency, where governance operates through discourse, media visibility, and securitized control. Purpose: This study examines how Zona Merah represents the relationship between the state, the people, and the zombie outbreak, and how it articulates post-Reformasi local power through dynastic politics, oligarchic networks, and institutional capture under crisis conditions. Methods: This qualitative study applies scene-based textual analysis combined with Foucauldian discourse analysis. The primary data consists of all eight episodes of Season 1, viewed repeatedly to map recurring crisis discourse and governing practices. The analysis integrates dialogue and visual composition to identify discursive objects, authorized speakers, subject positions, and their practical effects as techniques of rule, including surveillance, scapegoating, crowd management, and decisions over protection and sacrifice. Results: Zona Merah frames the outbreak as a governance crisis, not only a biomedical event. Local elites control public announcements and TV narratives to shift blame and justify security measures that endanger citizens for elite continuity. Zaenal sustains dynastic power through institutions, media, and business networks, masked by welfare rhetoric. Dyah Ayu uses pastoral care and propaganda to manage consent and legitimize sacrifice, even at her faction’s expense. Media works as a regime of truth through “most wanted” framing that disciplines behavior via stigma and fear. Maya and Risang resist, but power also shapes social reality, limiting oppositional claims and systemic change. Conclusion: Zona Merah depicts crisis as a dispositif where power circulates through discourse, surveillance, and truth-production, enabling elite consolidation while positioning citizens as expendable. Implications: This study expands scholarship on Indonesian zombie cinema by showing how the genre can critique crisis governance, biopolitics, and media power in contemporary Indonesia.

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