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All Journal Rekam : Jurnal, Fotografi, Televisi Animasi Journal of Contemporary Indonesian Art Lekesan: Interdisciplinary Journal of Asia Pacific Arts Journal of Islamic Architecture JURNAL TATA KELOLA SENI Patrawidya: Seri Penerbitan Penelitian Sejarah dan Budaya Tumata Jurnal
Mikke Susanto
Insitut Seni Indonesia Yogyakarta
Arts Humanities Civil Engineering, Building, Construction & Architecture Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences Other

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Journal : Tumata Jurnal

 1 
Curative Conservation Of The Metal Collection At Museum Benteng Vredeburg Yogyakarta Sekarlatih, Hariny Puspadewi; Susanto, Mikke; Ratna, Rr. Vegasari Adya
TUMATA: Journal of Cultural and Arts Management Vol 1, No 02 (2023): Desember 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tumata.v1i02.12066

Abstract

Museum Benteng Vredeburg Yogyakarta (MBVY) serves as evidence of prehistoric remnants and commemorates Indonesia's pre-independence struggle. Its diverse collection includes metals possessing historical and artistic value. Metal, prone to corrosion through oxidation, requires preventive measures against various damage agents. This study explores curative conservation practices for corroded metal collections at MBVY. Utilizing a descriptive-qualitative approach, data from observation, interviews, and documentation inform the analysis. Following standards like A Practical Guide to the Care and Conservation of Metal, the research outlines the curative conservation process—proposals, identification, documentation, repetition, monitoring, and evaluation. Challenges, including limited human resources, underscore the importance of adhering to standard operational procedures. 
Display Of Cultural Objects Collection At Kotagede Museum Intro Living Museum Arselant, Kanisa Triyundari; Susanto, Mikke; Kirana, Dian Ajeng
TUMATA: Journal of Cultural and Arts Management Vol 1, No 02 (2023): Desember 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tumata.v1i02.13110

Abstract

Kotagede Intro Living Museum is a museum with local nuances inaugurated in 2021. The museum has three categories of collection assets and is divisible into four space clusters. Each space is notable by theme based on type and collection information. Thus, many people can now access and enjoy buildings used only to store cultural objects. This study aims to discover things related to the display pattern of the cultural objects collection at Kotagede Museum. The research method used is qualitative with a museum display theory approach. Non-participatory direct observation methods, semistructured interviews and literature studies collected data. The results of the study revealed matters related to the display of museum collections, including supporting elements and aspects arranged in the form of type of space, spacefloor design, work material, storyline, exhibition text and labeling of works, visitor circulation, air circulation, lighting and supporting facilities and visual elements.Based on the study's results, it can conclude that the collection display at Kotagede Museum uses rules for the use of cultural heritage buildings. This consideration of building intervention and space adaptation is applied to present the collection.
Painting Restoration “Penangkapan Pangeran Diponegoro” By Raden Saleh Sjarif Boestaman Through The Management Function Approach Dofi, Ronang Kennylas; Susanto, Mikke; Kirana, Dian Ajeng
TUMATA: Journal of Cultural and Arts Management Vol 3, No 1 (2025): June 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tumata.v3i1.15511

Abstract

This research describes the restoration process of the painting Penangkapan Pangeran Diponegoro (1857) by Raden Saleh Sjarif Boestaman using the management function approach (Planning, Organizing, Actuating, and Controlling). Penangkapan Pangeran Diponegoro painting is one of the important and historical works of art for Indonesia. This research aims to analyze each management function applied in the restoration activities. The method used in this research is descriptive qualitative with a case study approach. Data was obtained through interviews and documents of the restoration process conducted in 2012 & 2013 from Susanne Erhards and Adek Wahyuni. The results show that the four management functions have been implemented effectively. However, the long-term preservation aspect still requires further planning so that conservation sustainability is maintained.
KUSTOMFEST 2024: A Curatorial Study Through the Approach of the Creative Economy Tanaya, I Made Agus Tresna; Agil, Muhammad; Fathoni Ahmadi, R. Nur; Susanto, Mikke
TUMATA: Journal of Cultural and Arts Management Vol 3, No 1 (2025): June 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tumata.v3i1.15756

Abstract

The rapid development of the creative economy in Indonesia has fostered the emergence of diverse cultural practices that integrate both aesthetic expression and economic potential. Among these, festivals have become strategic arenas for showcasing creative works while simultaneously generating cultural and commercial value. One notable example is Kustomfest, an annual custom automotive festival held in Yogyakarta, which functions not only as an exhibition space but also as a vital node within the local and regional creative economy ecosystem. This study aims to examine the curatorial strategies employed in Kustomfest 2024 and to assess their contribution to value creation in the creative economy sector. Using a qualitative case study approach, data were collected through in-depth interviews, participant observation, and document analysis involving festival curators, creative practitioners, local business actors, and audiences. The findings reveal that curatorial practices in Kustomfest encompass rigorous selection based on originality, a scrutineering process that ensures functionality and safety, professional documentation for archival and promotional purposes, and independent judging guided by international standards. Furthermore, curators are instrumental in shaping narrative frameworks, enhancing visitor engagement, and connecting creators with market opportunities. Beyond artistic curation, Kustomfest generates significant economic impact, particularly in supporting the growth of MSMEs in the surrounding area. This case illustrates how curatorship can serve as a multidimensional tool for cultural production, audience development, and sustainable economic advancement within Indonesia’s creative industries.
Maa Ledungga Expression of Social Resistance Through the Preservation of Intangible Cultural Heritage in Gorontalo Province Hamzah, Dwi Anggelita; Nugroho, Dian; Susanto, Mikke; Rochiyardi, Agus
TUMATA: Journal of Cultural and Arts Management Vol 3, No 1 (2025): June 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tumata.v3i1.15807

Abstract

This paper examines the masterplan planning of Maa Ledungga Rice Harvest Art Festival in South Huntu Village, Bone Bolango Regency, Gorontalo. This festival is a response to modernization and land use change that threatens local agrarian traditions. Through revitalization by the Huntu Art District community, the festival functions as a harvest gratitude ritual and a space for cultural expression and strengthening of community identity. The research used literature study, participatory observation, and narrative analysis to understand the role of cultural narratives and community participation as a strategy of social resistance and culture-based creative economic development. The results show that the festival strengthens social solidarity, builds networks between farmers, artists, MSMEs and youth, and creates new economic opportunities. The festival is also a model of cultural heritage management that is relevant to contemporary needs and strengthens food security and green open spaces through the creative economy. The findings contribute to the study of culture-based creative economy and recommendations for the government and creative industry players in cultural preservation and sustainable local economic development.
Creative Economy Development at Silver Studio 76 Using Experience Economy for Silver Craft Preservation in Kotagede Sandikusumah, Ahrman; Hangin, Sisilia; Susanto, Mikke
TUMATA: Journal of Cultural and Arts Management Vol 3, No 1 (2025): June 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tumata.v3i1.15928

Abstract

The development of the creative economy based on silver craft at Silver Studio 76 in Kotagede, Yogyakarta, is carried out through the Experience Economy approach as a strategy for preserving local culture. The focus includes the implementation of the four dimensions of Experience Economy, which is: entertainment, education, aesthetic, and escapism in customer service, as well as the studio's role in supporting silver craft preservation. A qualitative case study method is employed to gain an in-depth understanding through interviews, observations, and secondary data analysis from social media and related documentation. This approach not only enhances the economic value of the products but also strengthens visitors emotional attachment and appreciation of Kotagede's cultural heritage. Challenges such as declining interest among younger generations, fluctuating tourist visits, limited skilled human resources, and rising production costs require ongoing innovation and optimization of digital marketing strategies. The findings contribute both conceptually and practically to developing experience based business models that sustain traditional craft industries while reinforcing local cultural preservation.
Co-Authors Afriadi, Dedy Arselant, Kanisa Triyundari Cahyani, Novita Dofi, Ronang Kennylas Fathoni Ahmadi, R. Nur Guntur Guntur Hamzah, Dwi Anggelita Hangin, Sisilia Irwan Irwan Irwandi Irwandi Kirana, Dian Ajeng Lono Lastoro Simatupang M. Kholid Arif Rozaq MUHAMMAD AGIL Nugroho, Dian Ratna, Rr. Vegasari Adya Rochiyardi, Agus Sandikusumah, Ahrman Sekarlatih, Hariny Puspadewi Simatupang, GR. Lono L. Sugihartono, Ranang Agung Tanaya, I Made Agus Tresna Timbul Haryono Vicky Ferdian Saputra