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All Journal Jurnal Kata: Bahasa, Sastra, dan Pembelajarannya Culturalistics: Journal of Cultural, Literary, and Linguistic Studies Puitika Bahastra: Jurnal Pendidikan Bahasa dan Sastra Indonesia Aphorisme: Journal of Arabic Language, Literature, and Education Andalas International Journal of Socio-Humanities Linguistika Kultura: Jurnal Linguistik Sastra Berdimensi Cultural Studies Lire Journal (Journal of Linguistics and Literature) LingoLitera: Journal of Linguistics, Literature, and Culture
Pratiwi, Dyani Prades
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Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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Formasi Ideologi dalam Cerita Pendek “God Sees Truth, But Waits” Karya Leo Tolstoy Qarimah, Aryana Nurul; Pratiwi, Dyani Prades; Komariya, Siti
Puitika Vol. 21 No. 2 (2025):
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/puitika.v21i2.735

Abstract

Formasi ideologi dalam cerita pendek “God Sees the Truth, But Waits” menjadi fokus utama penelitian ini, khususnya terkait bagaimana berbagai ideologi direpresentasikan dan dinegosiasikan dalam cerita. Dengan menggunakan kerangka hegemoni Antonio Gramsci, penelitian ini memandang teks bukan hanya sebagai cerita moral, tetapi sebagai ruang kontestasi ideologi. Pendekatan kualitatif diterapkan dengan desain analisis wacana kritis melalui teknik close reading untuk mengidentifikasi struktur naratif, penokohan, dialog, dan simbol sebagai penanda ideologis. Hasil penelitian menunjukkan bahwa tradisionalisme, materialisme, anarkisme, humanisme, dan spiritualisme hadir dan saling berinteraksi melalui hubungan ideologi kontradiktif, korelatif, dan subordinatif. Materialisme tampak sebagai ideologi dominan pada awal narasi, sementara spiritualisme secara bertahap menjadi ideologi penengah melalui transformasi tokoh utama. Pergeseran ini menunjukkan adanya negosiasi ideologi yang berlangsung melalui mekanisme konsensus alih-alih paksaan sebagaimana konsep hegemoni Gramsci. Penelitian ini menyimpulkan bahwa “God Sees the Truth, But Waits” tidak hanya menampilkan nilai moral dan spiritual, tetapi juga merepresentasikan ideologi kolektif yang mencerminkan pandangan sosial-politik Tolstoy sebagai pengarang.
Migration, Hybridity, and Identity in Salman Rushdie’s In the South Pratiwi, Dyani Prades; Hawa, Andina Meutia; Iman, Diah Tyahaya; Nurhayati, Nurhayati; Ferdinal, Ferdinal
Andalas International Journal of Socio-Humanities Vol. 8 No. 1 (2026)
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/aijosh.v8i1.94

Abstract

Globalization has made migration a social phenomenon, with many people treating it as a life option without realizing the consequences. As a reflection of life, literature, especially migrant literature, can serve as a valuable source for studying this phenomenon. Salman Rushdie, a writer of migrant literature, raises the topic of migration in his work In the South. This study aims to examine how migration produces hybridity, liminality, and identity instability in the characters of the story. This study uses qualitative textual analysis of a literary work using Bhabha’s postcolonial theory of hybridity in analyzing the data. The study's results reveal that the characters in the story exist in an in-between space where identities are fluid, unstable, and continually reconstructed through cultural blending in new environments. The cultural blending that occurs during the migration process causes several impacts on the identities of these characters, all of which lead to the formation of a new identity. The hybrid characters in the story emerge as a source of tension, highlighting the complexities of migrant experience.
A Psychoanalysis Exploration of Character’s Internal Conflict and Childhood Trauma in Jessi Burton’s Medusa Illahi, Shinta Dzikra; Pratiwi, Dyani Prades
LingoLitera Vol. 1 No. 1 (2025)
Publisher : LingoLitera

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Abstract

Many people who have experienced childhood trauma generally experience conditions such as depression, anxiety, and post-traumatic stress disorder that can cause internal conflict. This study aims to show the internal conflict in Medusa by Jessi Burton. This study uses a qualitative descriptive method and a psychoanalytic approach. The results of this study show that the traumatic incidents that happened to young Medusa made her feel helpless and ashamed, and she lost her self-confidence, which influenced her way of thinking that everyone who came would immediately leave her and even felt like she would be betrayed again. The traumatic incidents that Medusa experienced continue to haunt her through dreams. Her actions were caused by the internal conflict wherein her Ego attempts to mediate the demands of the impulsive Id and the moralistic Superego. The cause of internal conflict emerged because the dream kept repeating the incident where she was raped and punished by Athena, the Goddess that she served, which made her feel ashamed. Those incidents were why she hid when talking to Perseus and made a fake identity because she was embarrassed by her terrible appearance. The internal conflict in Medusa also influenced how she decides to react to someone who wants to kill her, Perseus. Her hatred for Perseus can be controlled by finally choosing what the superego wants: to forgive Perseus.
Co-Authors Ahmad Hamidi Ahmad Muhajir, Ahmad Arbain, Armini Aryana Nurul Qarimah Citra, Nabila Fauzi, Resti Hadiyanti Ferdinal, Ferdinal Gayatri, Satya Hawa, Andina Meutia Illahi, Shinta Dzikra Iman, Diah Tyahaya Komariya, Siti Nesa, Fakhria Nurhayati, Nurhayati Okta Firmansyah Pratiwi, Anne Roma Kyo Kae Saniro