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Perlindungan Perempuan dan Anak melalui Pendampingan Pencegahan Pernikahan Dini di Desa Hegarmanah Kabupaten Jatinangor Halim, Muhamad Abdul; Khomisah, Khomisah
TARSIUS : Jurnal Pengabdian Tarbiyah, Religius, Inovatif, Edukatif & Humanis Vol 7 No 1 (2025): 2025 Volume 7 Nomor 1
Publisher : Fakultas Tarbiyah dan Ilmu Keguruan IAIN Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30984/tarsius.v7i1.1427

Abstract

Pengabdian kepada masyarakat ini bertujuan untuk meningkatkan kesadaran dan pemahaman masyarakat mengenai dampak negatif dari perkawinan usia dini serta pentingnya perlindungan hak-hak perempuan dan anak. Kegiatan ini dilaksanakan melalui metode penyuluhan terhadap masyarakat dan orang tua wali, sosialisasi dan pada siswa-siswi SMK Babul Kamil dan SMA Negeri Jatinangor. Penyuluhan, sosialisasi, dan edukasi diberikan untuk memberikan informasi mengenai bahaya perkawinan usia dini dari segi kesehatan, psikologi, dan sosial ekonomi. Hasil dari kegiatan ini menunjukkan peningkatan pemahaman masyarakat Desa Hegarmanah tentang dampak negatif perkawinan usia dini dan pentingnya perlindungan perempuan dan anak. Respon positif ditunjukkan oleh para orang tua dan remaja yang mulai menyadari pentingnya menunda pernikahan sampai mencapai usia matang. Selain itu, program ini juga berhasil membangun jejaring kerja antara pemerintah desa, tokoh masyarakat, dan sekolah dalam upaya berkelanjutan untuk mencegah perkawinan usia dini.
The Urgency of Arabic Language in Branding Strategy Halal Tourism in Aceh Province Supianudin, Asep; Khomisah, Khomisah; Setiyadi, Alif Cahya
Arabi : Journal of Arabic Studies Vol. 9 No. 2 (2024)
Publisher : IMLA (Arabic Teacher and Lecturer Association of Indonesia)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24865/ajas.v9i2.846

Abstract

One of the points in the branding strategy is promotion, which is identical to the language media used, including halal tourism branding. Become the main sector in promoting halal tourism. This research aims to describe halal tourism branding in Aceh province and see the urgency of Arabic in promoting halal tourism in Aceh province. The research method used is field research with qualitative, the data collection technique used is interviews with several informants, in this connection the head of the Banda Aceh and Aceh Besar Tourism Office, travel agents, and the community in the area that is the locus study. The research results show that first there is still a gap between the concept of halal tourism and the reality of its implementation the rules for implementation have not yet reached the wider community. Therefore, the local community does not understand halal tourism, the location of halal tourist attractions, the benefits of halal tourism for the local community, and the applicable rules regarding halal tourism in Aceh. Second, in branding halal tourism in Aceh province, it is necessary to develop a smartphone application that focuses on the use of Arabic as a promotional medium as well as a communication medium, especially now that the global market has entered the industrial revolution 5.0, where technological development is a necessity.
Code Shift in the Digital Communication of Generation Z in Indonesia Azmi, M Ulul; Fatimah, Ayu Bakti; Khomisah, Khomisah; Salsabila, Ghelsa Nashwa
Educative: Jurnal Ilmiah Pendidikan Vol. 3 No. 2 (2025): May-August 2025
Publisher : LPPI Yayasan Almahmudi bin Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70437/educative.v3i2.1245

Abstract

This study investigates the phenomenon of code shift in the digital communication of Generation Z in Indonesia. Having grown up in a digital environment, Gen Z exhibits linguistic patterns that are unique, flexible, and adaptive to the rapid development of information technology. Using a descriptive qualitative approach, the research examines various forms of digital communication on social media and instant messaging applications. The findings indicate lexical, grammatical, and syntactic shifts marked by the use of slang, digital acronyms, code-mixing, and code-switching within a single discourse. Contributing factors include technological, social, cultural, psychological, and algorithmic forces that foster distinct language styles within digital communities. The implications include challenges in upholding standard Indonesian in formal domains, intergenerational communication gaps, and the need for more contextually relevant language education policies. The study aims to deepen our understanding of linguistic dynamics in the digital age and to inform language policy strategies that are adaptive to contemporary conditions.
Refleksi Sosial Dalam Film Capernaum (كفرناحوم) Karya Nadine Labaki: (Kajian Sosiologi Sastra) Listiawati, Nurleli; Nurhasan, Muhammad; ., Khomisah
Equilibrium: Jurnal Pendidikan Vol. 13 No. 2 (2025): EQUILIBRIUM : JURNAL PENDIDIKAN
Publisher : Universitas Muhammadiyah Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26618/equilibrium.v13i2.17983

Abstract

Penelitian ini bertujuan untuk mengungkap refleksi sosial yang tergambar dalam film Capernaum karya Nadine Labaki melalui pendekatan sosiologi sastra. Fokus utama penelitian ini adalah menganalisis berbagai persoalan sosial yang dialami tokoh utama, seperti kemiskinan, ketidakadilan terhadap anak, pernikahan dini, dan kelalaian orang tua dalam pemenuhan hak anak. Metode yang digunakan dalam penelitian ini adalah metode kualitatif deskriptif, dengan pendekatan sosiologi sastra menurut teori Alan Swingewood yang melihat karya sastra sebagai cerminan kondisi sosial masyarakat. Teknik analisis data dilakukan melalui observasi film, pencatatan dialog penting, serta interpretasi konteks sosial yang terkandung dalam alur cerita. Hasil penelitian menunjukkan bahwa Capernaum merefleksikan realitas sosial masyarakat kelas bawah, khususnya anak-anak yang terpinggirkan dan tidak mendapatkan perlindungan hukum maupun sosial yang layak. Film ini juga menunjukkan pemberdayaan suara anak sebagai bentuk perlawanan terhadap ketidakadilan sosial yang selama ini terabaikan. Dengan demikian, Capernaum tidak hanya berfungsi sebagai karya seni, tetapi juga sebagai kritik sosial yang kuat terhadap kondisi struktural yang menindas.
POKET VALAS BCA SEBAGAI SOLUSI PEMBAYARAN INTERNASIONAL DI ERA DIGITAL Syahwildan, Muhamad; Khomisah, Khomisah; Angin, Lorry Br Perangin; Alviah, Oktaviana; Septiani, Putri Amelia; Rahmawati, Resty
Neraca: Jurnal Ekonomi, Manajemen dan Akuntansi Vol. 3 No. 4 (2025): Neraca: Jurnal Ekonomi, Manajemen dan Akuntansi
Publisher : Neraca: Jurnal Ekonomi, Manajemen dan Akuntansi

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Di era digital yang semakin berkembang, kebutuhan akan transaksi internasional menjadi semakin penting, terutama bagi individu dan bisnis yang beroperasi di pasar global. Poket Valas BCA hadir sebagai solusi inovatif yang menawarkan kemudahan dalam melakukan pembayaran internasional dengan menggunakan valuta asing. Makalah ini bertujuan untuk mengeksplorasi fitur, manfaat, dan risiko yang terkait dengan Poket Valas BCA, serta dampaknya terhadap pengguna di Indonesia. Dengan menggunakan data dan statistik terkini, penelitian ini diharapkan dapat memberikan gambaran yang komprehensif mengenai Poket Valas BCA sebagai alat pembayaran yang efisien dan aman.
Body, Land, and Oppression: An Ecofeminist Analysis of Nawal El-Saadawi’s Al-Ughniyyat Al-Daairiyah Farhan Hardiansyah; Dayudin Dayudin; Khomisah Khomisah
Al-Irfan : Journal of Arabic Literature and Islamic Studies Vol. 9 No. 1 (2026)
Publisher : Sekolah Tinggi Agama Islam Darul Ulum Banyuanyar Pamekasan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58223/al-irfan.v9i1.642

Abstract

This study examines the problem of patriarchal domination and the intertwined oppression of women and nature in Nawal El-Saadawi’s novel Al-Ughniyyat Al-Daairiyah. It aims to identify the forms of patriarchal control depicted in the narrative, uncover the meanings of bodily and spatial colonization experienced by the female characters, and analyze the relationship between women and nature from an ecofeminist perspective. The research employs a descriptive qualitative method using close reading and note-taking techniques. The primary data source is the text of the novel itself, which is analyzed through ecofeminist theories proposed by Karen J. Warren and Vandana Shiva. The findings reveal that the female body is represented as a political and ideological space subject to regulation and domination, paralleling the patriarchal exploitation of nature. Acts of bodily colonization, institutional violence, and symbolic links between the body and the environment illustrate a persistent logic of domination embedded in social structures. The novel ultimately asserts that the struggle for women’s emancipation is inseparable from the restoration of ecological balance. This research contributes to contemporary Arabic literary criticism by offering an integrated ecofeminist reading and enriching interdisciplinary discussions on gender, power, and environmental ethics in modern Arabic literature.
The Tragedy Of Love And Exile In ‘’Qashidah Nuniyyah’’ By Ibn Zaydun: A Semiological Analysis By Roland Barthes Nafidzah Hishosul Abawani; Khomisah Khomisah; Ihin Solihin
Al-Irfan : Journal of Arabic Literature and Islamic Studies Vol. 9 No. 1 (2026)
Publisher : Sekolah Tinggi Agama Islam Darul Ulum Banyuanyar Pamekasan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58223/al-irfan.v9i1.788

Abstract

This study addresses the problem of how the tragedy of love and exile in Qasidah Nūniyyah by Ibn Zaydun is constructed as a system of meaning that operates not only emotionally but also ideologically. Previous studies have predominantly emphasized its aesthetic and romantic dimensions, leaving its symbolic and mythological structures insufficiently explored. Therefore, this research aims to analyze the construction of tragic love and exile through the semiological framework of Roland Barthes, particularly his three levels of signification: denotation, connotation, and myth. Employing a qualitative descriptive method with textual analysis, this study examines selected verses containing major symbols such as night, tears, longing, fire, and exile. The findings indicate that at the denotative level, these symbols refer to literal experiences of separation and displacement. At the connotative level, they represent psychological suffering and identity fragmentation. At the mythological level, however, tragedy is naturalized as a process of spiritual purification and moral legitimation, where suffering becomes a sign of loyalty and dignity. The contribution of this research lies in demonstrating the applicability of Barthesian semiology to classical Arabic literature and revealing the ideological dimension embedded within Andalusian poetic symbolism.
The Relevance of Indonesian Archipelagic Arts and Culture as an Effective Instrument of Dakwah in the Modern Era Qonitah Nurul Rahmah; Raisya Rabiah; Khomisah Khomisah
Maddah: Journal of Advanced Da'wah Management Research Vol. 5 No. 1 (2026): Maddah: Journal of Advanced Da'wah Management Research
Publisher : Fakultas Dakwah UIN KHAS Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35719/maddah.v5i1.140

Abstract

Art in the Islamic perspective is not merely understood as an aesthetic expression but also as an effective medium for conveying moral and spiritual values to society. In the context of da’wah, a persuasive and culturally grounded approach through art serves as a strategic alternative for disseminating Islamic teachings without coercion, as exemplified by the Wali Songo through wayang performances in Java. This study aims to analyze the role of art as a medium of da’wah in the dissemination of Islamic values and to identify its forms and relevance in the modern era. The research employs a descriptive qualitative approach using a library research method, analyzing various relevant literature on art and da’wah. The findings indicate that art has significant potential as an effective medium of da’wah, both through traditional forms such as Islamic music, calligraphy, literature, and performing arts, as well as through modern platforms including film, digital media, and contemporary music. Art enables the delivery of Islamic messages in an emotional, communicative, and adaptive manner, thereby contributing substantially to reaching diverse segments of society, particularly the younger generation.
KALAM INSYA’I THALABI DALAM SYI’R FALSAFAH AL-HAYAH KARYA ELIA ABU MADI: PENDEKATAN ILMU MA’ANI Zayyin Helmi Holil; Rohanda Rohanda; Khomisah Khomisah
Ihya al-Arabiyah: Jurnal Pendidikan Bahasa dan Sastra Arab Vol 12, No 1 (2026)
Publisher : Universitas Islam Negeri Sumatera Utara Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30821/ihya.v12i1.29474

Abstract

This study examines the use of Kalam Insya’i Thalabi in the poem Falsafah al-Hayah by Elia Abu Madi through the perspective of Ilm al-Ma‘ani within the field of Arabic rhetoric (balaghah). The objective of this research is to identify the types of Talabi Insha’i, analyze the structural forms employed, and explore the rhetorical purposes underlying their use, as well as to explain their role in conveying the philosophical values of life presented in the poem. This study employs a descriptive qualitative method with a distributional analysis technique. The data consist of poetic lines containing talabi insha’i structures, which are collected through careful and repeated readings, then identified, classified, and analyzed based on their forms and rhetorical functions.The findings reveal that the main types of Talabi Insha’i found in the poem include amr, nahi, istifham, and nida’, with amr being the most dominant form, while tamanni is not found. Each structure does not merely function as a literal demand but also carries various rhetorical purposes, such as al-irshad, al-inkar, al-zajr, al-nafy and al-iltimas. These findings indicate a close relationship between linguistic form and the philosophical messages conveyed by the poet, particularly in promoting optimism, self-awareness, and acceptance of life’s realities. Therefore, Talabi Insha’i plays a significant role in strengthening meaning, enhancing persuasive effect, and shaping the reflective character of the poem
Representasi Nilai Karakter dan Kehidupan Sosial Perempuan Arab Saudi dalam Film from The Ashes Yosep Fatahudin; rohanda rohanda; khomisah khomisah
Dzil Majaz: Journal of Arabic Literature Vol. 4 No. 1 (2026): January-April
Publisher : Sekolah Tinggi Agama Islam Darul Ulum Banyuanyar, Pamekasan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58223/dzilmajaz.v4i1.877

Abstract

This study aims to analyze the representation of character education values and the social dynamics of Saudi Arabian women in the film From the Ashes through Charles Sanders Peirce’s semiotic approach. The study is motivated by the limited number of semiotic studies examining the representation of Saudi women in contemporary Middle Eastern cinema, particularly those connecting cinematic signs with character education and social transformation within educational settings. Previous studies have primarily focused on cultural and feminist perspectives, leaving the relationship between symbols, social meanings, and women’s identity transformation insufficiently explored. This research employs a descriptive qualitative method using Peirce’s semiotic framework by identifying icons, indexes, and symbols embedded in scenes, dialogues, character expressions, costumes, and social settings portrayed in the film. Data were collected through direct observation of the film available on Netflix and analyzed based on the relationship between sign, object, and interpretant. The findings reveal that the film represents character education values through symbols of moral courage, responsibility, female solidarity, and critical attitudes toward social pressures within educational environments. Furthermore, the film portrays Saudi women as negotiating between patriarchal traditions and modernity, reflected in school spaces, institutional regulations, social interactions, and visual depictions of social control. The novelty of this study lies in its semiotic interpretation of Saudi women’s representation through the lens of character education and social change. This research contributes to expanding film semiotics studies by highlighting the role of cinema as a medium for constructing social meaning and reflecting cultural transformation in contemporary Arab society.