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All Journal Ars: Jurnal Seni Rupa dan Desain IJCAS (International Journal of Creative and Arts Studies) Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Jurnal Desain Jurnal Pelayanan dan Pengabdian Masyarakat (Pamas) Jurnal Muara Ilmu Sosial, Humaniora, dan Seni CITRAWIRA : JOURNAL OF ADVERTISING AND VISUAL COMMUNICATION Human Narratives Jurnal Dimensi DKV Seni Rupa dan Desain Cipta Presisi Jurnal Pengabdian Masyarakat Magenta Jurnal Pengabdian Kepada Masyarakat Bangun Cipta, Rasa, & Karsa (Jurnal PKM BATASA) Journal of Innovative and Creativity Arty: Jurnal Seni Rupa Deskomvis: Jurnal Ilmiah Desain Komunikasi Visual, Seni Rupa dan Media
Angga Kusuma Dawami
Institut Seni Indonesia (ISI) Surakarta
Religion Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Social Sciences Other

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Journal : magenta

 1 
Mengkaji Karya Lukisan Jepang “The Great Wave Off Kanagawa” Menggunakan Kajian Teori Clive Bell Nuraini, Rosida; Dawami, Angga Kusuma
Magenta | Official Journal STMK Trisakti Vol. 9 No. 02 (2025): Magenta : Jurnal ilmiah Komunikasi dan Media
Publisher : Pusat Penelitian dan Pengabdian Masyarakat (P3M) Sekolah Tinggi Media Komunikasi Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61344/magenta.v9i2.162

Abstract

Ukiyo-e literally means "modern painting" or paintings with themes of everyday life. One painter who is very famous for his artistic works of natural landscapes is Katsushika Hokusai. When he was old enough, Hokusai spent it creating a collection of paintings known as Thirty-Six Views of Mount Fuji (Fugaku sanjûrokkei) or thirty-six views of Mount Fuji. One of his works in the series, entitled Kanagawa-oki Nami Ura or as it is also known as "The Great Wave Off Kanagawa", is very global because the artist succeeded in making his work unique, where he represents the view of large waves accompanied by Mount Fuji using a combination of colors and techniques. unique. Significant Form, according to Clive Bell, is a relationship and combination of lines or colors that aesthetically creates a form. In his book, Clive Bell emphasizes that the quality that makes a work of art exist and without which it does not exist is called significant form. The Great Wave Off Kanagawa includes the theory put forward by Clive Bell, which is that from lines, choosing colors that are aesthetically pleasing can create aesthetic shapes.
Logo sebagai Komunikasi Visual dari Identitas Organisasi Difabel Tuli Dawami, Angga Kusuma
Magenta | Official Journal STMK Trisakti Vol. 1 No. 02 (2017): Magenta : Jurnal Ilmiah Komunikasi dan Media
Publisher : Pusat Penelitian dan Pengabdian Masyarakat (P3M) Sekolah Tinggi Media Komunikasi Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61344/magenta.v1i02.14

Abstract

Every entity must be known to the their community, they need a difference that can be known what is the entities it, like symbol. Logo is symbol of identity of an entity, that differentiate of other community. Deaf organization’s entity in grassroot level need a logo to diffenrentiate himself after other community entities. The problem is visual communication that a disability organization’s in a village didn’t consistent at the visual communication. It can make the brand of disability organization in village just administration, it can’t support the vision of disability in village. This paper disscuss about consistent logo can be used by deaf organization to build the bergaining position as a advocavy vision brand. For the example, Akar Tuli, PLJ, and Gerkatin. This paper use qualitative descriptive method to description how logo can be a visual communication for deaf disability organization to representation his image in their environment at village. It aim to create image himself and help the advocacy work as a vision.
Perancangan Promosi Wisata Pendakian Gunung Merbabu melalui Desa Cuntel Dawami, Angga Kusuma
Magenta | Official Journal STMK Trisakti Vol. 3 No. 01 (2019): Magenta : Jurnal Ilmiah Komunikasi dan Media
Publisher : Pusat Penelitian dan Pengabdian Masyarakat (P3M) Sekolah Tinggi Media Komunikasi Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61344/magenta.v3i01.42

Abstract

Mountaineering travel more year more and more in demand by the public, especially the younger generation. The emergence of climbing themed films, is a bit much affect the interest of people to climb the mountain. Almost the entire mountain can be climbed by hikers, generally increases when the climbing season, including Merbabu. There are five hiking trail that can be an alternative to reach the summit of Mount Merbabu. One of them is the Cuntel village is a village that has a gate official ascent of Mount Merbabu National Park (TNGMb). This paper is a design of a climbing lane exposure in order to increase the potential for tourism in the village Cuntel climbing lane. The result of this design has been used by the manager of the Post Ascent, Ascent village to help promote Cuntel in the tourism sector. ABSTRAK Wisata pendakian gunung semakin tahun semakin banyak diminati oleh masyarakat, terutama generasi muda. Munculnya film-film bertema pendakian, juga sedikit banyak mempengaruhi minat orang untuk mendaki gunung. Hampir seluruh gunung-gunung yang bisa didaki oleh pendaki, umumnya meningkat saat musim pendakian, termasuk juga Merbabu. Terdapat lima jalur pendakian yang dapat menjadi alternatif untuk mencapai puncak Gunung Merbabu. Salah satunya adalah Desa Cuntel yang merupakan salah satu desa yang memiliki gerbang pendakian resmi dari Taman Nasional Gunung Merbabu (TNGMb). Tulisan ini merupakan paparan perancangan jalur pendakian guna meningkatkan potensi wisata di jalur pendakian Desa Cuntel. Hasil perancangan ini telah digunakan oleh pengelola Pos Pendakian, untuk membantu mempromosikan Pendakian Desa Cuntel dalam sektor pariwisatanya.
Logo Kerupuk Mie "Kembang Matahari" dari Prespektif Estetika DeWitt Parker Rukiah, Yayah; Purnengsih, Iis; Pratama, Dendi; Dawami, Angga Kusuma
Magenta | Official Journal STMK Trisakti Vol. 3 No. 02 (2019): Magenta : Jurnal Ilmiah Komunikasi dan Media
Publisher : Pusat Penelitian dan Pengabdian Masyarakat (P3M) Sekolah Tinggi Media Komunikasi Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61344/magenta.v3i02.48

Abstract

Visual identity is the main thing that must be built by an entity to be known to the wider community through appropriate visual communication. The forms of visual communication carried out can take the form of anything, such as logos, corporate identities, to the visual formation of their branding. Visual communication that is constantly being built will make people more familiar with the products or services offered to the community. Mie Kupuk "Kembang Matahari" is trying to shape its visual identity, starting with the logo it made. The method used is descriptive qualitative method with visual analysis of identity. The approach to creativity and aesthetic theory is elaborated to find out more about how the Visual Identity will be built by Crackers Noodle "Kembang Matahari". Through excavation of ideas, construction of corporate identity, overall design, the visual identity to be built by crackers noodle and the making of "Kembang Matahari" is a superior product of the city of Bogor. This paper discusses the visual of a new logo on Crackers Noodle "Kembang Matahari" and the visual identity that the company wants to build by using the aesthetic theory formulated by Parker. This paper concludes that the new logo form that will be used as the visual identity of Crackers Noodle "Kembang Matahari" has the power of ideas that are sufficient to be introduced to the wider community as seen from the principle of Unity, Principle of principle, Principle of variation, Principle of balance, Principle of Development, Principle of Layout seen from the logo of Mie Kupuk "Kembang Matahari".
Co-Authors Arif Yulianto Arif Yuliyanto Ashsidiq, Muhammad Fadhlan Ravi Atiek Nur Hidayati Charla Tia Hartika Dahlan Susilo Dendi Pratama Dewi Indah Susanti Febrianto Saptodewo Henny Tri Hastuti Hasana Iis Purnengsih Imam, Chairol Laurent Zahra Assyafir Listya, Ariefika M. Dwi Marianto Marwanto, Aris Budi Mohamad Sjafei Andrijanto Muhammad Rifqi Nuraini, Rosida Nurulfatmi Amzy Ricky, Yusnita Nur Salsabila Syah Rokhim Seren Dipity May Putri Suwarno Wisetrotomo Yayah Rukiah Yulianto Hadiprawiro Zahra Nisa Auliadst