Transformatika: Jurnal Bahasa, Sastra, dan Pengajarannya
Transformatika: Jurnal Bahasa, Sastra, dan Pengajarannya is an e-journal published by Universitas Tidar. The research article submitted to this online journal will be peer-reviewed at least 2 (two) reviewers. Every article that goes to the editorial staff will be selected through initial review processes by Editorial Board. Then, the articles will be sent to peer reviewer (Mitra Bestari) and will go to the next selection by the double-blind review process. After that, the articles will be returned to the authors to revise. These processes take a month for a maximum time. In each manuscript, peer reviewer will be rated from the substantial and technical aspects. Final decision of articles acceptance will be made by editors according to reviewers comments. Peer reviewer that collaboration with Transformatika: Jurnal Bahasa, Sastra, dan Pengajarannya is the experts in the linguistics, literature, and their teaching area and issues around it. They were experienced in the prestigious journal management and publication that was spread around the nation and abroad.
Articles
285 Documents
<![CDATA[Alih Wahana Folklor Hantu untuk Penulisan Kreatif Sastra: Strategi 3M pada Komik Ghost Parade ]]>
<![CDATA[Rizal, Muhammad Daniel Fahmi]]>;
<![CDATA[Dewi, Liana Shinta]]>
<![CDATA[ TRANSFORMATIKA Vol 6, No 2 (2022): TRANSFORMATIKA: JURNAL BAHASA, SASTRA, DAN PENGAJARANNYA ]]>
Publisher : <![CDATA[Universitas Tidar ]]>
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DOI: 10.31002/transformatika.v6i2.6740
<![CDATA[Folklor hantu nusantara memiliki potensi untuk diolah menjadi teks-teks baru. Oleh karenanya, folklor hantu nusantara bisa dijadikan bahan penulisan kreatif. Menulis kreatif bisa menjadi ajang untuk dokumentasi dan pelestarian budaya. Salah karya yang melakukan pekerjaan tersebut adalah komik Ghost Parade karya Lentera Nusantara. Masalah penelitian yang timbul adalah bagaimana folklor hantu nusantara dimanfaatkan dalam komik Ghost Parade dan bagaimana strategi 3M diterapkan dalam komik Ghost Parade. Dengan metode deskriptif kualitatif, komik Ghost Parade akan dianalisis unsur tokoh dan penokohannya. Hasil penelitian menunjukkan bahwa penokohan Ghost Parade tidak menampilkan hantu menyeramkan sebagaimana folklor hantu nusantara pada umumnya, tapi justru lucu dan kekanak-kanakan melalui gaya gambar kartun. Dari sini penulis menyimpulkan ada proses alih wahana yang terjadi melalui penyimpangan.]]>
<![CDATA[Identitas Masyarakat Madura dalam Lirik Lagu Karya Khairil Anwar Al Abror ]]>
<![CDATA[Mashud, Mashud]]>;
<![CDATA[Fahad, Malik]]>
<![CDATA[ TRANSFORMATIKA Vol 8, No 1 (2024): TRANSFORMATIKA: JURNAL BAHASA, SASTRA, DAN PENGAJARANNYA ]]>
Publisher : <![CDATA[Universitas Tidar ]]>
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DOI: 10.31002/transformatika.v8i1.8279
<![CDATA[The discourse on Madurese culture through linguistic facts has not discussed the character of Madurese society in general. This research aims to analyze the character inherent to the Madurese community at large. This research uses qualitative research methods with listening and recording techniques. The source of linguistic data in this research is obtained from the lyrics of Madurese songs by Kairil Anwar on the Youtube channel 'Alabror Annahrawiyah, Sulton93, and NewCord Pictures'. The data is then described and interpreted based on the context of scientific anthropological discourse related to the identity of Madurese people based on previous literature. Data analysis is seen from the form of linguistic expressions of song lyrics related to the identity of the Madurese community, then analyze the meaning contained in the speech. The results showed a total of 16 linguistic data that showed the identity of Madurese society. Seven (7) data illustrate the identity of Madurese obedience to parents and teachers. Four (4) data show the identity of mutual cooperation and solidarity. Three (3) data illustrate the identity of Madurese self-esteem. Finally, two (2) data show the identity of Madurese religiosity. The identity is based on the reality of the behavior and character of the Madurese community in general based on scientific anthropology.]]>
<![CDATA[Fenomena Alih Kode Dan Campur Kode Antarbahasa Di Kalangan Remaja: Antara Identitas Dan Formalitas ]]>
<![CDATA[Dewi, Arum Rosiana]]>
<![CDATA[ TRANSFORMATIKA Vol 6, No 1 (2022): TRANSFORMATIKA: JURNAL BAHASA, SASTRA, DAN PENGAJARANNYA ]]>
Publisher : <![CDATA[Universitas Tidar ]]>
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DOI: 10.31002/transformatika.v6i1.4197
<![CDATA[Globalisasi memberikan berbagai dampak, mulai kemudahan dalam mengakses informasi hingga sebagai sarana belajar bahasa asing. Akan tetapi, kemudahan tersebut sering menyebabkan pelakunya kehilangan identitas diri, terutama para remaja. Hal ini terlihat dari penggunaan bahasa remaja di Kabupaten Tulungagung yang sering dicampurkan dengan dua bahasa atau lebih, terutama dalam bermedia sosial. Penelitian ini bertujuan untuk mendeskripsikan wujud alih kode dan campur kode, serta faktor terjadinya campur kode pada akun Instagram @fahdbrb dan @senjaberirama. Metode deskriptif kualitatif digunakan untuk menganalisis dan menggambarkan kondisi, serta situasi dari data yang dikumpulkan berupa pengamatan mengenai masalah yang diteliti. Dari hasil penelitian ditemukan bahwa terdapat pencampuran antarbahasa di kalangan remaja. Faktor yang sering terjadi adalah situasi informal yang terjadi antara mitra tutur dan penutur. Meskipun demikian, penggunaan bahasa yang dicampur harus dikurangi agar identitas diri sebagai generasi muda Indonesia tidak hilang. Dengan demikian, maka generasi muda dapat mengenali jati dirinya seiring arus perubahan zaman yang kuat.]]>
<![CDATA[PERKEMBANGAN KEJIWAAN MUSA DALAM NOVEL MADIELIEF KARYA KIRANADA: KAJIAN TEORI PSIKODINAMIKA SIGMUND FREUD ]]>
<![CDATA[Rahmadani, Hanikmah]]>;
<![CDATA[Tjahjono, Tengsoe]]>
<![CDATA[ TRANSFORMATIKA Vol 7, No 2 (2023): TRANSFORMATIKA: JURNAL BAHASA, SASTRA, DAN PENGAJARANNYA ]]>
Publisher : <![CDATA[Universitas Tidar ]]>
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DOI: 10.31002/transformatika.v7i2.7738
<![CDATA[Novels are never separated from psychological values because the problems told in novels are always related to the psychology of the characters created by the author. This psychological aspect is usually displayed through the character traits and behavior of the characters that are a problem as experienced by humans in real life. Like the novel Madielief by Kiranada which tells the psychological problems of the characters in it. Therefore, this research is examined using psychodynamic theory which aims to describe the psychological development of characters according to Sigmund Freud. This type of research is qualitative research with a literary psychology approach. The data were obtained from the novel Madielief by Kiranada. Research data are in the form of words, phrases, and sentences in paragraphs related to the problem statement. Data collection techniques using reading and note techniques. The results of this study indicate 1) Musa’s personality background in Kiranada’s Madielief novel, 2) Musa’s neurotic form of anxiety in Kiranada’s Madielief novel, 3) The psychological development of Musa in the Canadian Madielief novel]]>
<![CDATA[ANALISIS TEKNIK GENERALISASI DALAM PENERJEMAHAN NOVEL “CENTRAL PARK” KARYA GUILLAUME MUSSO ]]>
<![CDATA[Azzahra, Vitriana Mulqiatami]]>;
<![CDATA[Gumilar, Dudung]]>;
<![CDATA[Sopiawati, Iis]]>
<![CDATA[ TRANSFORMATIKA Vol 8, No 1 (2024): TRANSFORMATIKA: JURNAL BAHASA, SASTRA, DAN PENGAJARANNYA ]]>
Publisher : <![CDATA[Universitas Tidar ]]>
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DOI: 10.31002/transformatika.v8i1.8317
<![CDATA[In a cultural context, literary works have language characteristics that are different from scientific or everyday language. In the process of translating literary works, special techniques are needed to preserve the beauty and diction of the original text. Cultural differences between the source language and the target language are an important factor that translators must consider. When the original term in the source language has no direct equivalent in the target language, generalization is a translation technique that can be used. In the novel Central Park, there are many generalization techniques applied by the translator. This study uses qualitative research method because the researcher examines the data by explaining or describing the data in detail. Based on the findings in the analysis, there are 51 samples that show that the generalization techniques applied by the translators are in line with the theory. Most of the generalization techniques applied are to simplify phrases into more common and recognizable words, and to explain words whose equivalents do not exist in the target language.]]>
<![CDATA[Representasi Novel Siti Nurbaya sebagai Pengejawantahan Mimikri Budaya ]]>
<![CDATA[Diadara, Nova -]]>;
<![CDATA[Baihaqi, Imam]]>
<![CDATA[ TRANSFORMATIKA Vol 6, No 1 (2022): TRANSFORMATIKA: JURNAL BAHASA, SASTRA, DAN PENGAJARANNYA ]]>
Publisher : <![CDATA[Universitas Tidar ]]>
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DOI: 10.31002/transformatika.v6i1.5648
<![CDATA[AbstrakPenelitian ini bertujuan untuk mengungkapkan Representasi Novel Siti Nurbaya sebagai Pengejawantahan Mimikri Budaya dengan menggunakan perspektif Strkturalisme Genetik. Mimikri budaya tersebut diuraikan dan dianalisis dengan teori sosiologi sastra khususnya strukturalisme genetik. Hal yang dikaji dalam penelitian ini adalah nasionalisme, adat, dan budaya yang terejawantahkan dalam karya sastra terutama novel Siti Nurbaya. Metode yang digunakan dalam penelitian ini adalah deskriptif kualitatif. Pengumpulan data dilakukan dengan studi pustaka, sedangkan analisis data dilakukan secara deskriptif sintesis. Kata Kunci: representasi novel siti nurbaya, mimikri, budayaAbstractThis study aims to reveal the Representation of Siti Nurbaya's Novel as the Embodiment of Cultural Mimicry by using the perspective of Genetic Structuralism. The cultural mimicry is described and analyzed with the sociological theory of literature, especially genetic structuralism. The things studied in this study are nationalism, customs, and culture which are embodied in literary works, especially the novel Siti Nurbaya. The method used in this research is descriptive qualitative. The data was collected by means of a literature study, while the data analysis was carried out by means of a descriptive synthesis.Keywords: novel siti nurbaya representation, mimikri, culture]]>
<![CDATA[Penggunaan Media Video Kreatif Dalam Menulis Teks Biografi Sebagai Strategi Pembelajaran Kelas X SMA ]]>
<![CDATA[Rani, Ika Shofia]]>;
<![CDATA[Ngatmini, Ngatmini]]>
<![CDATA[ TRANSFORMATIKA Vol 7, No 1 (2023): TRANSFORMATIKA: JURNAL BAHASA, SASTRA, DAN PENGAJARANNYA ]]>
Publisher : <![CDATA[Universitas Tidar ]]>
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DOI: 10.31002/transformatika.v7i1.7735
<![CDATA[This study aims to describe the use of creative video media learning strategy for writing biographical texts class X SMA. The research used a qualitative descriptive. The data are the results writing biographical texts by students class X SMA. The data was collected using observation, test, and documentation. The test is used analyze student’s skill in writing biographical text through creative video media. The text were analyzed using carried out by reducing data, presenting data, and making conclusions. The results data analysis is presented form of complete explanation in the form of written word. The results of the data is (1) the use of creative video media in learning to write biographical texts; (2) skills students writing biographical texts with the structure and linguistic elements biographical texts; (3) learning strategies writing biographical texts using creative video media, and (4) implementing the use of creatie video media in writing biographical texts.]]>
<![CDATA[Flashcards Based Learning Model in Learning German Vocabulary ]]>
<![CDATA[Dirgantoro, Rafie Mohammad]]>;
<![CDATA[Herliawan Y.A, Lucky]]>
<![CDATA[ TRANSFORMATIKA Vol 8, No 1 (2024): TRANSFORMATIKA: JURNAL BAHASA, SASTRA, DAN PENGAJARANNYA ]]>
Publisher : <![CDATA[Universitas Tidar ]]>
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DOI: 10.31002/transformatika.v8i1.8330
<![CDATA[In today's era, especially after the pandemic, the education sector in every school is being revitalized. The author observes that in the refreshment of education, particularly for learners, there is a need for a better or enhanced learning medium during instruction. The author wants to specifically highlight other useful and alternative options of the learning medium and prove that it is possible to reintroduce old and engaging learning materials in every foreign language class. Especially, the focus is on the learning medium of flashcards. The author conducts this scientific writing through theoretical research and exploration from various journals, theses, and online sources. In summary, the author can conclude that it is possible to refresh the learning materials with new styles or forms, which could provide diverse new or alternative learning opportunities. Not least, it is also possible, particularly in German language instruction, to preserve or enable practical and easy language acquisition for learners using flashcards.]]>
<![CDATA[Transformasi Perjuangan Perempuan dalam Ekranisasi Athirah ]]>
<![CDATA[Tarina, Etik]]>;
<![CDATA[Suseno, Suseno]]>
<![CDATA[ TRANSFORMATIKA Vol 4, No 1 (2020): Transformatika: Jurnal Bahasa, Sastra, dan Pengajarannya ]]>
Publisher : <![CDATA[Universitas Tidar ]]>
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DOI: 10.31002/transformatika.v4i1.1295
<![CDATA[Tujuan penelitian ini adalah mendeskripsikan transformasi perjuangan perempuan dalam ekranisasi novel ke film Athirah. Penelitian ini menggunakan dua pendekatan penelitian yaitu menggunakan pendekatan ekranisasi dan pendekatan teori feminis. Metode penelitian yang digunakan yaitu metode deskriptif kualitatif. Sumber data dalam penelitian ini adalah novel Athirah dan film Athirah. Athirah merupakan novel karya Alberthiene Endah yang menceritakan sosok perempuan hebat yaitu Athirah, Ibunda Yusuf Kalla. Novel tersebut difilmkan dengan judul yang sama oleh Riri Riza. Penelitian dilakukan dengan mencari perjuangan perempuan baik dalam novel maupun film, lalu mencari perubahan yang ada. Berdasarkan hasil penelitian dan pembahasan dapat disimpulkan bahwa transformasi perjuangan perempuan dari ekranisasi Athirah yaitu Perjuangan Menghadapi Kenyataan Pernikahan Kedua Hadji Kalla, Perjuangan atas Surat Ancaman, Perjuangan dalam Membangun Bisnis Sendiri, Perjuangan Semasa Muda dalam Perkawinan.]]>
<![CDATA[DEIKSIS DALAM CERPEN “SEPOTONG HATI YANG BARU” KARYA TERE LIYE ]]>
<![CDATA[Astuty, Astuty]]>
<![CDATA[ TRANSFORMATIKA Vol 4, No 2 (2020): TRANSFORMATIKA: JURNAL BAHASA, SASTRA, DAN PENGAJARANNYA ]]>
Publisher : <![CDATA[Universitas Tidar ]]>
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DOI: 10.31002/transformatika.v4i2.7414
<![CDATA[Deiksis merupakan kata yang referennya berubah-ubah sesuai dengan konteks. Penggunaan deiksis dalam cerpen terkadang masih sulit dipahami oleh pembaca. Penelitian ini bertujuan untuk mengidentifikasi deiksis apa saja yang digunakan dalam cerpen “Sepotong Hati yang Baru” karya Tere Liye dan mengidentifikasi penggunaan deiksis dalam cerpen “Sepotong Hati yang Baru”. Penelitian ini merupakan penelitian kualitatif dengan metode deskriptif. Sumber data penelitian ini adalah cerpen berjudul “Sepotong Hati yang Baru” karya Tere Liye yang mengandung deiksis. Tahapan penelitian ini dimulai dari pengumpulan data, penentuan sampel, pencatatan data, analisis deiksis dalam data, dan penarikan kesimpulan hasil analisis. Hasil penelitian ini menunjukkan bahwa cerpen “Sepotong Hati yang Baru” karya Tere Liye menggunakan empat macam deiksis dari lima macam deiksis, diantaranya deiksis persona, deiksis waktu, deiksis tempat, dan deiksis wacana. Penelitian ini diharapkan mampu membantu pembaca memahami makna deiksis dalam cerpen “Sepotong Hati yang Baru” karya Tere Liye. deiksis, cerpen]]>
