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Balai Arkeologi Sumatera Utara Jalan Seroja Raya, Gang Arkeologi No. 1, Tanjung Selamat, Medan Tuntungan, Medan 20134
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Berkala Arkeologi SANGKHAKALA
Published by Balai Arkeologi Sumatera Utara
ISSN : 14103974     EISSN : 25808907     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
"SANGKHAKALA" refers to the shell horns that blown regularly to convey certain messages. In accordance with the meaning, this journal expected to become an instrument in the dissemination of archaeological information to the public which is published on an ongoing basis. Berkala Arkeologi Sangkhakala is a peer-reviewed journal published biannual by the Balai Arkeologi Sumatera Utara in May and November. The first edition was published in 1997 and began to be published online in an e-journal form using the Open Journal System tool in 2015. Berkala Arkeologi Sangkhakala aims to publish research papers, reviews and studies covering the disciplines of archeology, anthropology, history, ethnography, and culture in general.
Arjuna Subject : Seni dan Humaniora - Arkeologi
Articles 235 Documents
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Fungsi Magis Alat Reproduksi Manusia dalam Konsep Binary Opposition dan Simbol Ketut Wiradnyana
Berkala Arkeologi Sangkhakala Vol 13 No 25 (2010)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3289.559 KB) | DOI: 10.24832/bas.v13i25.190

Abstract

AbstractDepictions of human reproduction is found in many megalithic buildings. The magical reproductive function is often equated between the phallus and the vulva. It tends to occur in communities that no longer has a cultural context that is consistent with the idea of megalithic. For it is very important to do a review of reproductive function approach to the concept of the symbols and the binary opposition. This is done considering means of reproduction as a symbol that has a different function with each other. Moreover, the concept of binary opposition developed until now.
MOTIF HIAS NISAN: LATAR BELAKANG PEMBUATAN HIASAN LAMPU GANTUNG PADA NISAN DI BARUS Repelita Wahyu Oetomo
Berkala Arkeologi Sangkhakala Vol 20 No 2 (2017)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1172.016 KB) | DOI: 10.24832/bas.v20i2.284

Abstract

Tombstones in Barus, aside from consisting of various types, have an assortment of carved decorations on them. The method used in this research is retracing the meaning behind the chandelier decoration motifs through their types. Most probably, the types and decoration patterns of the tombstones have certain meanings, which symbolize the figures buried in the tombs. One of the decorating motifs quite frequently found on the tombstones of Barus is the chandelier motif, which is related to the figures buried in them, that is as guiding light in terms of religious teaching like depicted in 35 th verse of An Nur.Nisan di Barus selain terdiri dari berbagai tipe, pada nisan tersebut terdapat berbagai pahatan yang menghiasinya. Tipologi maupun pola hias dari nisan tersebut besar kemungkinan memiliki makna-makna tertentu yang merupakan simbolisasi dari tokoh yang dimakamkan. Salah satu pola hias yang cukup banyak didapati pada makam-makam di Barus adalah motif hias lampu gantung, hal ini dikaitkan dengan simbol dari tokoh yang dimakamkan, yaitu sebagai penerang dalam agama, seperti yang digambarkan dalam Surat An Nur ayat 35.
Siwa Tandawa di Padanglawas Rita Margaretha Setianingsih
Berkala Arkeologi Sangkhakala Vol 17 No 1 (2014)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1544.828 KB) | DOI: 10.24832/bas.v17i1.91

Abstract

AbstractBiaros in Padanglawas area have many sculpter related with Siwa God. It is shows much relief about some man or giant in different pose or in dancing poses, such as Biaro Bahal I, Biaro Tandihat I, and Biaro Pulo. A pose about traditional dance and related with Siwa as destructor, and in this present shows that dance related with some traditional dance from Papak tribe in North Sumatera. There also some evindence such as triśula, Siva Tandava pose, and story from Thilai Vanam, Nandi and Ganeśa relief showed that reliefs from some biaro are related with Siwa as Hinduism God. In order to understand Padanglawas Biaras religion background, the inductive-deductive analogy from various archaeological data might be used. The result that realize including to several dancing pose, and figuratives relief at Biara Tandihat 1 showed it is similarities to the stories about Lord Siva dance and it is cult at several place.AbstrakBiaro-Biaro di Padanglawas mempunyai banyak temuan kearcaan yang berhubungan Dewa Siwa. Itu semua memperlihatkan relief tentang orang atau raksasa dalam berbagai pose seperti di Biaro Bahal I, Biaro Tandihat I, dan Biaro Pulo. Pose yang berhubungan dengan tari tradisional dan sesuai dengan Siwa sebagai penghancur, pada saat ini ada persamaan dengan tari tradisional dari suku bangsa Pakpak di Sumatera Utara. Juga ditemukan beberapa bukti seperti triśula, beberapa pose dari Siwa Tandawa, cerita tentang Hutan Thilai, Nandi dan Ganesa, kesemuanya berhubungan dengan Dewa Siwa sebagai Dewa Agama Hindu. Untuk memahami latar belakang keagamaan di Biaro-Biaro Padanglawas, maka digunakan penalaran induktif-deduktif dari berbagai data arkeologis. Hasil yang dicapai meliputi beberapa pose tari dan relief tokoh yang ada di Biaro Tandihat I memperlihatkan kesamaan dengan cerita tarian Dewa Siwa di beberapa tempat dan adanya pengkultusan kepada Dewa Siwa.
Loyang Mendale Situs Hunian Prasejarah di Pedalaman Aceh: Asumsi Awal Terhadap Hasil Penelitian Gua-gua di Kabupaten Aceh Tengah, Provinsi Nanggroe Aceh Darussalam Taufiqurrahman Setiawan
Berkala Arkeologi Sangkhakala Vol 12 No 24 (2009)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1209.386 KB) | DOI: 10.24832/bas.v12i24.222

Abstract

AbstractIn Central of Aceh, there were an indications of the use of cave and rock shelter as a prehistoric settlement site. Indications of prehistoric settlement site was found among others in Loyang Mendali, Loyang Koro, Loyang Datu and also in Putri Pukes. To prove that indication, further research has been done with the excavation of the cave and rock shelter. Therefore, Balai Arkeologi Medan did the excavation in one of the cave, Loyang Mendali and obtained some data that provided an initial description on prehistoric settelment in Central Aceh.
Transformasi Makna Religi Borotan Dalam Upacara Kurban Bius Pada Masyarakat Batak Defri Elias Simatupang
Berkala Arkeologi Sangkhakala Vol 15 No 2 (2012)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3381.406 KB) | DOI: 10.24832/bas.v15i2.124

Abstract

Abstract‘Borotan’ is a Batak Tobanese vocabulary meaning “stake”, to which an animal is tied before being sacrificed in a traditional Bataknese ceremony. ‘Borotan’ physically looks like a simple piece of wood but it bears a profound interpretation and has become an important part of reconstructing the religious aspects of the ancient Bataknese. Thus, this writing aims at explaining the religious importance of ‘Borotan’. The religiousness being discussed here is its interpretation of form and function in the religious activity in the past and present. Inductive reasoning is expected to produce an answer to the problem question through the analysis of the observed variables. The observation results show that the Bataknese try to communicate with the divine power in the ceremony to create two-way communication, vertically and horizontally.AbstrakBorotan merupakan istilah kosa kata Batak Toba yang berarti kayu pancang, tempat hewan diikat sebelum dikurbankan dalam sebuah tradisi upacara adat Batak Toba. Secara fisik borotan terlihat sebagai kayu biasa saja, namun secara pemaknaan sangat dalam dan menjadi bagian penting dalam usaha merekonstruksi aspek religi masyarakat Batak masa lampau. Maka tujuan dari tulisan ini adalah untuk menjelaskan bagaimana borotan dilihat dari aspek religiusitasnya. Religiusitas dalam hal ini adalah pemaknaan borotan terkait bentuk dan fungsinya dalam aktivitas religi masyarakat Batak masa lampau dan hingga terkini. Melalui kerangka pikir induktif diungkapkan jawaban atas permasalahan tersebut dengan menganalisisnya berdasarkan variabel pengamatan yang dibuat. Dari hasil pengamatan dapat disimpulkan bahwa masyarakat Batak berusaha mengadakan komunikasi dengan kekuatan adi kodrati sehingga dalam kegiatan upacara terjadi hubungan dua arah yaitu secara vertikal dan horizontal.
Kopi: Komoditas Unggulan dari Masa Kolonial di Dataran Tinggi Gayo Kabupaten Aceh Tengah Deni Sutrisna
Berkala Arkeologi Sangkhakala Vol 10 No 20 (2007)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/bas.v10i20.254

Abstract

AbstractCoffee is a commodity that has an important value for trading. In the Gayo Highland, Aceh Tengah, coffee isn’t just known by it’s taste, it’s existence since Dutch colonial era has sprung new villages in Aceh Tengah region.
Rumah Tinggal Tjong A Fie: Akulturasi dalam Arsitektur Bangunan pada Akhir Abad ke-19 di Kota Medan Eny Christyawaty
Berkala Arkeologi Sangkhakala Vol 14 No 27 (2011)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2886.467 KB) | DOI: 10.24832/bas.v14i27.158

Abstract

AbstractTjong A Fie’s residence is one of the monument of the Colonial buildings are situated on Jl. Ahmad Yani, no. 105, Kesawan, Medan, North Sumatera. The building was built in 1885 to 1900. This paper aims to examine architectural styles that affect Tjong A Fie’s house. Scope of the study include: the pattern layout, layout, construction, decorative ornaments used in. The approach used is qualitative descriptive research. Data collection using direct observation in the field, but it also carried an interview. To deepen the analysis is conducted literature study which related to the topic under study. Sources of data used in this study is artifact and textual. Architectural style Tjong A Fie's house is the result of acculturation of Chinese architecture, Colonial and Malay.
Situs Padang candi Sebagai “Mandala” di Masa Śriwijaya Eka Asih P. Taim
Berkala Arkeologi Sangkhakala Vol 17 No 2 (2014)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (881.823 KB) | DOI: 10.24832/bas.v17i2.82

Abstract

AbstractLocated at the delta of Batang Kuantan river in Kuantan Sengingi, Riau, Padang Candi has indicated traces of the past Śrīwijaya Hindu-Biddha cultures through a series of researches from 2010 to 2013. A number of researches on Śrīwijayan Buddhism theories and concepts, the findings of golden inscription plates with Buddhism mantra along with the discovery location at the site, and other archaeological findings have strongly suggested the site of being not only Buddha Mahāyāna sanctuary, but also as a Ma ṇḍ ala, a settlement of priests community.AbstrakPadang Caṇḍi merupakan sebuah situs arkeologi yang terletak di hulu Sungai/Batang Kuantan, Kuantan Sengingi, Riau. Dari hasil penelitian sejak tahun 2010 hingga 2013 situs ini mengindikasikan adanya jejak kegiatan masa lalu di masa pengaruh kebudayaan Hindu Buddha khususnya di masa Śrīwijaya. Melalui telaah teori dan konsep dalam keagamaan Buddha masa Śrīwijaya, adanya temuan lempengan prasasti emas bertuliskan mantra Buddha dan komposisi letak temuan di area situs, sertaberbagai temuan-temuan arkeologi lainnya, memberikan dugaan kuat bahwa situs ini tidak saja sebagai sebuah tempat suci agama Buddha Mahāyāna, tetapi juga berfungsi sebagai Maṇḍala yaitu permukiman komunitas agamawan/pandhita.
Peranan Media dalam Pemberitaan Penggalian Arkeologis di Situs Takengon Berdasarkan Teori Agenda Setting Defri Elias Simatupang
Berkala Arkeologi Sangkhakala Vol 12 No 24 (2009)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/bas.v12i24.213

Abstract

AbstractThis article tries to describe the extent to which the public interest against an archaeological excavation that has been covered by mass media. By using the approach of mass communications (agenda setting theory), it is tried to make a model of how to link the interest of various stake holders to the news coverage of archaeological excavation in order to achieve the optimum benefit..
Strategi Adaptasi Pengusung Hoabinhian dalam Pemenuhan Kebutuhan Makanan Ketut Wiradnyana
Berkala Arkeologi Sangkhakala Vol 11 No 22 (2008)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/bas.v11i22.245

Abstract

AbstractThe presence of hoabinh site either in lowland or highland is characterized that there’s an adaptation effort of cultural to choose the dwelling location and complete the food. Artifact, ecofact, and fitur remains in sites at Bukit Kerang Pangkalan indicated that there’s a short & long period strategy.

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