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Berkala Arkeologi SANGKHAKALA

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Published by Balai Arkeologi Sumatera Utara

ISSN : 14103974 EISSN : 25808907 DOI : -

Core Subject : Humanities, Art,

Arts Humanities

"SANGKHAKALA" refers to the shell horns that blown regularly to convey certain messages. In accordance with the meaning, this journal expected to become an instrument in the dissemination of archaeological information to the public which is published on an ongoing basis. Berkala Arkeologi Sangkhakala is a peer-reviewed journal published biannual by the Balai Arkeologi Sumatera Utara in May and November. The first edition was published in 1997 and began to be published online in an e-journal form using the Open Journal System tool in 2015. Berkala Arkeologi Sangkhakala aims to publish research papers, reviews and studies covering the disciplines of archeology, anthropology, history, ethnography, and culture in general.

Arjuna Subject : Seni dan Humaniora - Arkeologi

Articles 235 Documents

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Sungai Wampu, Pendukung Kehidupan Pemukim Bukit Kerang Taufiqurrahman Setiawan
Berkala Arkeologi Sangkhakala Vol 11 No 22 (2008)
Publisher : Balai Arkeologi Sumatera Utara

AbstractAs one of an ancient river in north Sumatera, the Wampu river has taken an important part in supporting a settlement area in Kitchen Midden on 5000--7000 BP.

Dilema Pemugaran Bangunan Rumah Candu Dalam Menghindari Miskomunikasi Pemberantasan Narkoba Defri Elias Simatupang
Berkala Arkeologi Sangkhakala Vol 16 No 1 (2013)
Publisher : Balai Arkeologi Sumatera Utara

AbstractThis writing aims at reviewing a conservatory activity over a heritage building of an opium house, which may provoke miscommunication. Such miscommunication mas arise from the misinterpretation that the conservation attempt of the opium house as a heritage bulding is counterproductive to the illegal drug eradication program. The two seemingly contradictory sides are the history conservation activist and the people who support the illegal drug eradication. This paper uses an inductive reasonong that commences from the discussion of any data available then draws a general conclusion. The acquired data is then analyzed and interpreted to be concluded into a proposed solution model of an archaeological conservation ploicy to prevent from a possible miscommunication that will lead to a conflict.AbstrakTulisan ini mencoba untuk meninjau sebuah kegiatan konservasi bangunan cagar budaya (BCB) berupa rumah candu yang diduga rentan menimbulkan terjadinya miskomunikasi. Miskomunikasi dalam hal ini disebabkan karena pesan untuk melestarikan rumah candu sebagai BCB justru ditangkap sebagai usaha yang tidak mendukung program pemberantasan narkotika dan obat-obat terlarang (narkoba). Kedua pihak tersebut adalah para aktivis pelestari sejarah dengan publik yang dalam hal ini aktif mendukung pemberantas narkoba. Tulisan ini menggunakan penalaran induktif yang berawal dari pembahasan setiap data yang selanjutnya menarik sebuah kesimpulan yang bersifat umum. Data-data yang didapatkan dianalisis dan diinterpretasi untuk ditarik menjadi tawaran solusi model kebijakan konservasi arkeologi demi menghindari terjadinya miskomunikasi yang berujung ke konflik.

Perpinsahan Desa Mruwak Berdasarkan Prasasti Mrwak (1108 Śaka/1186 M) Churmatin Nasoichah
Berkala Arkeologi Sangkhakala Vol 11 No 22 (2008)
Publisher : Balai Arkeologi Sumatera Utara

AbstractThe tragedy of war is one aspect which contained in some inscriptions. In the other side,it has a very bad effect for the people themselves, e.g. removeling a village location. That event have a direct impact to the life’s pattern which has an interconnection with the environment and their livelihood changing

Vihara Setia Budi, Kelenteng Persembahan Bagi Kwan Tie Kong Repelita Wahyu Oetomo
Berkala Arkeologi Sangkhakala Vol 13 No 26 (2010)
Publisher : Balai Arkeologi Sumatera Utara

AbstractSetiabudi Vihara is a holy building for the people of adherent Tridharma teachings (Confucianism, Taoism and Buddhism), but more specifically, the Vihara is known as an offering to the Gods of Kwan Tie Kong. The procedure of worship and layout of space in this vihara followed the teachings of Confucianism; it is reflected from the ornaments that decorate the buildings and architecture.

Identitas Budaya, Kreativitas, dan Kajian Arkeologi Publik Andri Restiyadi
Berkala Arkeologi Sangkhakala Vol 12 No 23 (2009)
Publisher : Balai Arkeologi Sumatera Utara

AbstractPublic Archaeology can’t be understood as a narrow-minded view point as an archaeological research and their object’s presentation and representation at the public only. However, public archaeology must be understood more widely as an archaeological view point for understand the public requirements and importance. These discipline have an important meaning for the socialization of supreme culture values at the past. On the future, those values will be reinforcing the national cultural identities from the foreign cultural influence. In order to those purpose, public role, active and seletive creativity in the foreign culture adoption without leaving any cultural identity, will be necessary.

Makna Penguburan Bersama Masa Prasejarah dan Tradisinya di Sumatera Bagian Utara Ketut Wiradnyana
Berkala Arkeologi Sangkhakala Vol 16 No 2 (2013)
Publisher : Balai Arkeologi Sumatera Utara

AbstractLimited prehistoric archaeological data has hampered the interpretation process of a culture. Thus, comparing information in terms of cultural appropriateness, space and time is required. The discovery two of human skeletons in one burial is an example of the need for such comparison act to acquire a preliminary interpretation of the implied meaning of an archaeological discovery. The comparing method is ethnoarchaeology which involves onsite observation of the communal burial procession around Aceh Tengah Regency, namely the cultural territories of Batak Toba, Karo and Nias. The acquired interpretations of the communal burial activities in those cultural areas are what have been understand the same as the one burial chamber of Loyang Ujung Karang site. Cultural evolutions may explain the possible pioneering nature of such burial at Loyang Ujung Karang site as a secondary entombment in North Sumatra.AbstrakKeterbatasan informasi yang dihasilkan dari data arkeologi masa prasejarah menjadikan proses interpretasi sebuah kebudayaan terkendala. Untuk itu diperlukan informasi pembanding baik dalam konteks kesesuaian budaya, ruang dan waktu. Keberadaan dua kerangka manusia di dalam satu liang kubur merupakan salah satu contoh diperlukannya upaya pembanding tersebut. Hal itu akan dapat memberikan gambaran awal makna yang tersirat dari temuan arkeologis dimaksud. Metode pembanding dimaksud yakni etnoarkeologi, yaitu dengan melihat prosesi penguburan bersama di wilayah sekitar Kabupaten Aceh Tengah, yaitu di wilayah budaya Batak Toba, Karo dan wilayah budaya Nias. Makna yang terangkum didalam aktivitas penguburan bersama di ketiga wilayah budaya dimaksud, diinterpretasikan sebagai makna penguburan bersama dalam satu liang kubur di situs Loyang Ujung Karang. Mengingat adanya evolusi kebudayaan maka sangat dimungkinkan perilaku penguburan di situs Loyang Ujung Karang sebagai cikalbakal penguburan sekunder di daerah Sumatera bagian utara.

Proses Pembuatan Megalitik Nias Sebagai Bagian Sistem Upacara Owasa ( Studi Kasus Proses Sebagai Sebuah Sistem Upacara Owasa di Situs Megalitik Orahili Fau) Ketut Wiradnyana
Berkala Arkeologi Sangkhakala Vol 11 No 21 (2008)
Publisher : Balai Arkeologi Sumatera Utara

AbstractThe Nias Island is known to possess many relics in the megalithic tradition, in various forms – decorative and non decorative motifs, that emerged some questions about the material of megalithic relics, how to bring the large objects, where they did, what kind of tool they used. The process of making megalithic objects is a system who finally becaming as culture until now a megalithic.

Jembatan Kebajikan ( Chen Tek ): Objek Bersejarah Perekat Antaretnis di Kota Medan Deni Sutrisna
Berkala Arkeologi Sangkhakala Vol 15 No 1 (2012)
Publisher : Balai Arkeologi Sumatera Utara

AbstractA city, an essentially gathering place of a society with various activities, must include such aspects of spaciousness, density, social heterogeneity, market, administrative function, a source of life, and culture elements that differentiate it from other social groups outside it. Medan is a city with a diverged cultural element, which is not only observable from the people life but also building heritage. The bridge of wholesome is a structure that describes an inter-ethnic unity, which is realized in an inscription containing a variety of language and alphabets on its fence. Pioneered by a Chinese benefactor, the bridge is now in a very pathetic condition being threatened by the modernization of Medan. This research, using qualitative and inductive reasoning, is aimed at solving a question of how the architecture and the spirit of multi-ethnicity of the bridge came into existence. Data investigation is conducted through library data research and field observation.AbstrakSebuah kota hakekatnya adalah tempat bagi berkumpulnya masyarakat dengan beragam aktivitasnya. Selain itu kota juga mencakup unsur-unsur keluasan, kepadatan, heterogenitas sosial, pasar, fungsi administratif, sumber kehidupan, dan unsur budaya yang membedakan dengan kelompok sosial yang ada di luarnya. Salah satu kota dengan keragaman unsur budaya adalah Kota Medan, dan unsur tersebut bukan hanya tercermin dari kehidupan masyarakatnya, juga ada pada tinggalan materi bangunannya. Jembatan Kebajikan merupakan jembatan yang menggambarkan pembauran antar etnis yang terwujud dalam bentuk prasasti dengan ragam huruf dan bahasa pada bagian pagarnya. Jembatan yang digagas pembangunannya oleh tokoh dermawan etnis Tionghoa yaitu Tjong Yong Hian kini kondisinya mengkhawatirkan terdesak oleh derap pembangunan kota Medan. Bagaimana arsitektur dan semangat multi etnis bisa muncul pada jembatan objek sejarah itu, merupakan permasalahan dalam penelitian ini. Metode penelitian kualitatif dengan alur penalaran induktif diterapkan dalam penelitian. Adapun penelusuran data dilakukan dengan pemanfaatan data kepustakaan dan observasi di lapangan.

Partonun di Pematang Siantar (Sebuah Catatan Transformasi Gagasan Pembuatan Ulos) Defri Elias Simatupang
Berkala Arkeologi Sangkhakala Vol 10 No 19 (2007)
Publisher : Balai Arkeologi Sumatera Utara

AbstractUlos is a traditional clothes made by Batak People. The Perception for partonun (people whom made ulos) is about how ways they make it. This article want to explain the comparison their main idea from the past until now, using ethnoarchaeology approach.

Memimpikan Museum yang Menarik Pengunjung Baskoro Daru Tjahjono
Berkala Arkeologi Sangkhakala Vol 13 No 26 (2010)
Publisher : Balai Arkeologi Sumatera Utara

AbstractActually, the presence of museums in Indonesia has been quite a long time. From time to time, the museum has been progressing, both qualitatively and quantitatively. The main purpose of the museum is for fun and learning for the community. But until now, most of the museums in Indonesia have not been able to attract many visitors. In general, the Indonesian people are still as consumers or spectators. Therefore, to attract visitors, the museum should be made as attractive as possible, building, exhibition layout, lighting, equipment room and the attractions.

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Andri Restiyadi

Contact Email
sangkhakala.balarsumut@kemdikbud.go.id

Phone
+6282160904164

Journal Mail Official
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Editorial Address
Balai Arkeologi Sumatera Utara Jalan Seroja Raya, Gang Arkeologi No. 1, Tanjung Selamat, Medan Tuntungan, Medan 20134

Location
Kota medan,

Sumatera utara

INDONESIA

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Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Andri Restiyadi

Contact Email sangkhakala.balarsumut@kemdikbud.go.id

Phone +6282160904164

Journal Mail Official -

Editorial Address Balai Arkeologi Sumatera Utara Jalan Seroja Raya, Gang Arkeologi No. 1, Tanjung Selamat, Medan Tuntungan, Medan 20134

Location Kota medan, Sumatera utara INDONESIA

Abstract

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Abstract

Abstract

Abstract

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Contact Name
Andri Restiyadi

Contact Email
sangkhakala.balarsumut@kemdikbud.go.id

Phone
+6282160904164

Journal Mail Official
-

Editorial Address
Balai Arkeologi Sumatera Utara Jalan Seroja Raya, Gang Arkeologi No. 1, Tanjung Selamat, Medan Tuntungan, Medan 20134

Location
Kota medan,

Sumatera utara

INDONESIA