cover
Contact Name
Andri Restiyadi
Contact Email
sangkhakala.balarsumut@kemdikbud.go.id
Phone
+6282160904164
Journal Mail Official
-
Editorial Address
Balai Arkeologi Sumatera Utara Jalan Seroja Raya, Gang Arkeologi No. 1, Tanjung Selamat, Medan Tuntungan, Medan 20134
Location
Kota medan,
Sumatera utara
INDONESIA
Berkala Arkeologi SANGKHAKALA
ISSN : 14103974     EISSN : 25808907     DOI : -
Core Subject : Humanities, Art,
"SANGKHAKALA" refers to the shell horns that blown regularly to convey certain messages. In accordance with the meaning, this journal expected to become an instrument in the dissemination of archaeological information to the public which is published on an ongoing basis. Berkala Arkeologi Sangkhakala is a peer-reviewed journal published biannual by the Balai Arkeologi Sumatera Utara in May and November. The first edition was published in 1997 and began to be published online in an e-journal form using the Open Journal System tool in 2015. Berkala Arkeologi Sangkhakala aims to publish research papers, reviews and studies covering the disciplines of archeology, anthropology, history, ethnography, and culture in general.
Articles 235 Documents
Catatan Tentang Gaya Seni Relief di Candi Simangambat, Kabupaten Mandailing Natal, Provinsi Sumatera Utara Andri Restiyadi
Berkala Arkeologi Sangkhakala Vol 13 No 25 (2010)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (5630.341 KB) | DOI: 10.24832/bas.v13i25.182

Abstract

AbstractRelief art style that can be interpreted as a redundancy to a certain style, at certain times and places can be used as an indication for the presence of outside influences  that affect a work relief. In addition, by comparing the art style can be a relative dating to the building of the temple, in this case is a temple in Simangambat, North Sumatera.
Sampan Sudur Sungai Padang, Temuan Arkeologis di Tanjungmarulak, Tebingtinggi, Sumatera Utara Lucas Partanda Koestoro
Berkala Arkeologi Sangkhakala Vol 10 No 19 (2007)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/bas.v10i19.269

Abstract

AbstractThe finding of a dugout canoe in Sungai Padang, Tebingtinggi add the data of existence means of transportation from time to time coastal area of east Sumatera Island. Known as sampan sudur, this simple boat type is popular enough, its use at past and that with reference to Tebingtinggi at 19 th century, shares a institution of governance of Kedatukan Padang, which is under influence of the reign of Sultanate Deli.
Arca Ganeśa dalam Sikap Swastikàsana Nyoman Rema
Berkala Arkeologi Sangkhakala Vol 17 No 2 (2014)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (480.898 KB) | DOI: 10.24832/bas.v17i2.83

Abstract

AbstractGanesha, often depicted as elephant-headed, is a deity worshipped by Ganapatya sect. This Ganapatya sect is known to have left statues as the cultural heritage. Such a heritage indicates Ganapatya’s popularity from its birth until today despite its unification to Ṥiwa Siddhanta sect in Bali. This research generally aims at identifying the Ganesha statue, which was discovered in Subak Bubunan, Sukawati, Gianyar, more specifically its shape, function, and philosophy. Started with library studies, the research continued with field observations for relevant data. The acquired data was then analyzed iconographically, presented through pictorial narrations, and ended with a conclusion. This research came to a conclusion that the Ganesha discovered was the swastikasana Ganesha that functions as a disaster repellent. It is an embodiment of a self harmony with the nature to achieve prosperity.AbstrakDewa Ganesha adalah dewa pujaan Sekte Ganapatya yang digambarkan sebagai manusia berkepala gajah. Sekte ini merupakan salah satu sekte yang banyak meninggalkan tinggalan budaya berupa arca. Hal ini sebagai indikasi bahwa sekte ini adalah salah satu sekte populer sejak kemunculannya sampai sekarang, meskipun telah tergabung ke dalam Sekte Ṥiwa Siddhanta di Bali. Secara umum, penelitian ini bertujuan untuk mengetahui identitas arca, dan secara khusus untuk mengetahui bentuk, fungsi, serta makna arca Ganesa di Subak Bubunan, Sukawati, Gianyar. Penelitian ini diawali dengan studi pustaka, kemudian dilanjutkan dengan melaksanakan observasi di lapangan dalam rangka untuk mendapatkan data yang relevan. Data dianalisis secara ikonografi kemudian disajikan secara naratif dilengkapi dengan gambar, kemudian diakhiri dengan menarik kesimpulan. Hasil penelitian ini adalah penggambaran Ganesha dengan sikap swastikasana yang berfungsi untuk menolak malapetaka. Perwujudan Ganesha itu bermakna sebagai harmonisasi diri dengan alam untuk mencapai kesejahteraan.
Pengaruh Motif Hias Tradisi Megalitik Pada Motif Songket Minangkabau Eny Christyawaty
Berkala Arkeologi Sangkhakala Vol 12 No 24 (2009)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2170.73 KB) | DOI: 10.24832/bas.v12i24.214

Abstract

AbstractDecorative menhir is one of archeological remains in West Sumatra that consists of various forms and sizes. Some decorative motifs are still exist till now, and used as traditional decorative motif of Minangkabau songket weaving.
Tinggalan Arkeologis di Pesisir Selatan Pulau Rupat, Indikasi Hunian Pada Lahan Basah Nenggih Susilowati
Berkala Arkeologi Sangkhakala Vol 11 No 22 (2008)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (948.371 KB) | DOI: 10.24832/bas.v11i22.246

Abstract

AbstractThe selection of a settlement area was decided by many factors which have as a background of the society. The coastal was potential to be a settlement area. The south of Rupat coastal with its archaeological remains described that there was a settlement area in there.
Pola Pemanfaatan Ruang Situs Loyang Mendale Taufiqurrahman Setiawan
Berkala Arkeologi Sangkhakala Vol 14 No 2 (2011)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3175.944 KB) | DOI: 10.24832/bas.v14i2.150

Abstract

AbstractSimilar to present-day dwellings, cave and rock shelter as prehistoric settlement also had patterns of space use. Scuh indication is shown by a cave at the Loyang Mendale site in Takengon. Based on distribution, classification and analysis on excavation findings, there were such use of caves as sites of dwellings and special uses of cave space, which was as dailiy activities, workshop, and burial/religious sites.AbstrakSeperti halnya rumah, gua dan ceruk sebagai lokasi hunian pada masa prasejarah memiliki pola pemanfaatan ruang. Salah satu gua yang mengindikasikan hal tersebut adalah Situs Loyang Mendale di Takengon,. Berdasarkan sebaran, klasifikasi, serta analisis temuan ekskavasinya dapatkan terlihat adanya pemanfaatan gua sebagai lokasi hunian menetap dan pemanfaatan ruangan gua secara khusus, yaitu sebagai lokasi aktivitas sehari-hari, lokasi perbengkelan, dan lokasi penguburan/religi.
Potensi Sumberdaya Arkeologi Maritim di Pesisir Pantai Tejakula, Buleleng, Bali Wayan Sumerata; Gendro Keling; Ati Rati Hidayah
Berkala Arkeologi Sangkhakala Vol 20 No 1 (2017)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1942.893 KB) | DOI: 10.24832/bas.v20i1.70

Abstract

AbstractTejakula has long been attracted a number of researchers as a potential site to be developed. The site is located along the coast of North Bali which, according to several sources, was part of a sailing route for ships to and from other areas in the Indonesian Archipelago and even foreign places. Among the research locations are Pantai Bangsal (Bangsal Coast) Site at the hamlet of Geretek Beberapa (Dusun Geretek) and along Bondalem Beach. The method of data collections were bibliographical study, land survey, and underwater exploration using SCUBA Diving technique. Results of this research include information about the contour and condition of the ocean floor of Sambirenteng, which are trough and muddy, as well as the finding of traces of a rock structure and pottery on Bangsal Coast, Geretek Hamlet, Sambirenteng Village. The structure and pottery show that there were activities on the coast area that were related to harbor or habitation. Furthermore, there are also prehistoric pottery finds, which are now submerged under the water because of severe beach abrasion at the village of Bondalem.AbstrakSitus Tejakula sejak dulu sudahdilirik oleh peneliti sebagai situs yang potensial untuk dikembangkan. Situs ini berada di kawasan pesisir Pantai Bali Utara yang menurut beberapa sumber merupakan jalur pelayaran bagi kapal dari berbagai wilayah lain di Nusantara bahkan dari luar negeri. Beberapa titik lokasi penelitian ini antara lain adalah Situs Pantai Bangsal di Dusun Geretek, dan Sepanjang Pantai Bondalem. Metode Pengumpulan data dilakukan dengan studi pustaka, survei berupa observasi di darat dan juga di bawah air dengan menggunakan teknik SCUBA Diving. Hasilnya diperoleh kontur dan kondisi dasar laut Sambirenteng yang berupa palung dan berlumpur, serta temuan bekas struktur berupa batu padas di Pantai Bangsal, Dusun Geretek, Desa Sambirenteng. Temuan struktur dan gerabah ini memperkuat adanya aktifitas di sekitar pantai yang terkait dengan aktivitas pelabuhan atau permukiman. Selain itu temuan gerabah dari masa prasejarah yang kondisi saat ini di bawah permukaan air karena abrasi pantai yang parah di Desa Bondalem.
Ukiran Motif Kerawang Gayo, Gambaran Seni Kriya Kayu yang Nyaris Hilang Nenggih Susilowati
Berkala Arkeologi Sangkhakala Vol 12 No 23 (2009)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (8318.67 KB) | DOI: 10.24832/bas.v12i23.205

Abstract

AbstractAs the time flow, Gayo people hadn’t built the traditional houses yet. Around late 19 to begin 20 century, the old building known as archaeological remains that had to be conservated. The architectured or it’s carved indicated the culture development of the past. That building also had known as a monument which indicated that at that time there’s an artistic skill and the glory of its art.
Sumbangan Arkeologi dalam Mewujudkan Solidaritas Sosial dan Integrasi Bangsa Gunadi Kasnowihardjo
Berkala Arkeologi Sangkhakala Vol 13 No 26 (2010)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (609.585 KB) | DOI: 10.24832/bas.v13i26.173

Abstract

AbstractTo be utilized, as an unrenewable resources, the archaeological resources must be conserved well. It has the advantages and value added such as environmental conditions or ecological, aesthetic and architectonic, historical, geological etc. in addition, an internal potentials as noted above, archaeological resources also have an external potential, which can be utilized by other sectors.
Bentuk Adaptasi Lingkungan Pada Permukiman Tradisional di Danau Toba Taufiqurrahman Setiawan
Berkala Arkeologi Sangkhakala Vol 13 No 25 (2010)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3027.722 KB) | DOI: 10.24832/bas.v13i25.196

Abstract

AbstractBatak traditional settlements around Toba Lake have pattern and specific forms. Those are very influenced by some supporting factors, ie. environment factors, landform, potential resources and accessibility. There are also important elements that must be exist within.That elements a result of the adaptation process of Batak Toba communities to their environment.