CaLLs : Journal of Culture, Arts, Literature, and Linguistics
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) published by Fakultas Ilmu Budaya Universitas Mulawarman and published in June and December. CaLLs welcome articles and research reports utilizing an interdisciplinary approach to the study of culture. The object materials of the study may include aspects of language/linguistics, literature, arts (music and traditional arts).
Articles
216 Documents
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<![CDATA[ CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 3, No 1 (2017): June 2017 ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya Universitas ]]>
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DOI: 10.30872/calls.v3i1.1298
<![CDATA[ANALYZING THE PORTRAYAL OF PATRIARCHAL OPPRESSION TOWARDS THE FEMALE CHARACTERS IN J.K. ROWLING’S THE CASUAL VACANCY: A REFLECTIVE POST-FEMINIST CRITICS ]]>
<![CDATA[Fitri, Nurliana]]>;
<![CDATA[Suparti, Erni]]>
<![CDATA[ CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 2, No 1 (2016): Juni 2016 ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya, Universitas Mulawarman ]]>
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DOI: 10.30872/calls.v2i1.703
<![CDATA[The oppression and subordination towards woman mostly happened because of the patriarchal system which exists in the society. The purposes of this study are to analyze the portrayal of patriarchal symbols in the society of Pagford Town in J.K. Rowling’s The Casual Vacancy and the patriarchal system abuse or oppression towards the female characters in J.K. Rowling’s The Casual Vacancy. The results of the study show six symbols of patriarchy which is found in the novel. They are female as sex objects in public patriarchy, male as villain in public patriarchy, male as villain in private patriarchy, female as the faulty in private patriarchy, female as mother or angel in the house in private patriarchy and female as damsel in distress in private patriarchy. The study also shows the indication of abuse occurred to several female characters. The patriarchy system generated from the participation of the male and female is the main cause of the sustainability of female oppression and subordination in the society.Keywords: patriarchy, symbol, oppression, abuse, victimization, The Casual Vacancy]]>
<![CDATA[INVESTIGATING THE TYPES OF CODE SWITCHING IN LANGUAGE TEACHING INSTRUCTION IN EFL CLASS OF SMA I NEGERI SAMARINDA ]]>
<![CDATA[Rusmawaty, Desy]]>
<![CDATA[ CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 4, No 1 (2018): Juni 2018 ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya, Universitas Mulawarman ]]>
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DOI: 10.30872/calls.v4i1.1284
<![CDATA[Not only as a language interference, code switching was able to be used as one of language teaching strategy. This study investigated the types of code switching used by a teacher in language teaching instruction in EFL class of SMA I Negeri Samarinda. As a case study, an English teacher and third grade students of SMA I Negeri Samarinda were the subjects of this study. The data in the form of utterances between a teacher and her students were collected by taping and recording the natural interaction using video cameras and a voice recording. After transcribed and analyzed the data, this study revealed that a teacher practiced five types of code switching in her language teaching practices, they are (1) inter-sentential code switching, which involves a word within a sentence, a verb phrase, a question tag, and an adverb phrase; (2) inter-sentential code switching; (3) emblematic code switching; (4) intra-lexical code switching; and (5) changing pronunciation features. This study found also as new kind of intra sentential which involves an adverb phrase.]]>
<![CDATA[THE IMPORTANCE OF WORKING MEMORY IN ACQUIRING SECOND LANGUAGE (L2) ]]>
<![CDATA[Hermagustiana, Istanti]]>
<![CDATA[ CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 4, No 1 (2018): Juni 2018 ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya, Universitas Mulawarman ]]>
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DOI: 10.30872/calls.v4i1.1287
<![CDATA[This paper highlights the importance of short term memory and its roles in linking the information acquired from sensory memory into long term memory. Short term-memory, also known as working memory, has significant contribution to transfer information as it is the location where many forms of complex thinking such as problem solving, contemplation, and language comprehension occur. In addition, the instrumental role of working memory in the acquisition of second language will be discussed.]]>
<![CDATA[INTEGRASI ILMU LINGUISTIK DALAM WACANA POLITIK UNDANG-UNDANG OTONOMI KHUSUS PAPUA: PERSPEKTIF STUDI MORFOLOGI ]]>
<![CDATA[Warami, Hugo]]>
<![CDATA[ CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 4, No 1 (2018): Juni 2018 ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya, Universitas Mulawarman ]]>
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DOI: 10.30872/calls.v4i1.1296
<![CDATA[This study is part of an effort to understand the true value of basic philosophy that is revealed behind the law is really very meaningful in finding the words and concepts to describe the meaning of a text of the law. The provision of a special autonomy space for Papua is seen as a new sign that becomes a beacon within nationalists from the threat of Papuan nationalist groups (separatists and federalists) who are constantly creating new signs in the social semiotics space in Papua. Language as the home of life, capable of echoing and symbolized as a form of resurrection that is ready to threaten the unitary state system. The purpose of this study is to uncover political discourse in the text of law number 21 on Special Autonomy of Papua laden with linguistic nuances (morphology) which is not only what is understood, but the understanding itself is essentially linguistic as well. The method used in this research refers to qualitative method with descriptive research type which serves to present a detailed picture about a particular situation, social background, relationship, class or certain characteristic in Papua Special Autonomy Law. The main data in this study is the writing data (main) which is derived from the text of the Special Autonomy Law of Papua. The qualitative data derived from the text of the law in the form of words, phrases, clauses and sentences that provide an overview of the integration of morphological studies can then be described and explored in their meaning according to their use in the text.]]>
<![CDATA[CONCERNING CULTURAL AND POLITICAL MOVEMENT; THE ROLE OF INTELLECTUAL AND CIVIL SOCIETY IN GRISHAM’S THE STREET LAWYER ]]>
<![CDATA[Nasrullah, Nasrullah]]>
<![CDATA[ CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 4, No 1 (2018): Juni 2018 ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya, Universitas Mulawarman ]]>
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DOI: 10.30872/calls.v4i1.1270
<![CDATA[This paper is about the role of intellectuals and America’s civil society movement in the struggle of poor people and the homeless in Washington, USA, to claim their rights in Grisham’s The Street Lawyer. Both of these are called cultural and political movement. The author analyzes the discrepancy in USA in Reagan’s era. The interesting aspect of the novel is the role of legal clinic for homeless and the intellectual from NGO and social organization constructed in the novel. This paper uses genetic structuralism in analysis. Aspect of intrinsic and extrinsic of the work is the object of material of the analysis. Otherwise, the theories about intellectual and civil society movement by Antonio Gramsci are the extrinsic tools to describe how the social condition in that era is. The results of the analysis indicates the discrepancy in America, especially in Washington DC. The street lawyer and the intellectuals of some social organizations have the significant roles as the part of America’s social movement in creating equality and social welfare for all. Those case are founded in the analysis of the novel.]]>
<![CDATA[MAKNA MITOS CERITA BURUNG ENGGANG DI KALIMANTAN TIMUR ]]>
<![CDATA[Hanum, Irma Surayya]]>;
<![CDATA[Dahlan, Dahri]]>
<![CDATA[ CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 4, No 1 (2018): Juni 2018 ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya, Universitas Mulawarman ]]>
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DOI: 10.30872/calls.v4i1.1276
<![CDATA[This research will analyze the folklore of East Borneo in the form of myth about the hornbill descended down by Dayak Kenyah people associated with its relevance to the development of nation character. The theory used is the theory of 'layers of social reality'. The theory will reveal five layers of meaning contained in a system or symbol contained in culture and tradition. Starting from the meaning of layers of empirical meaning, to the meaning of the layer of world view at the level of ideas that store local wisdom. These findings will be formulated in the form of recommendations to specific parties, for example for the preparation of curriculum, especially local content subjects at the school level, and or for East Kalimantan Literature courses at the university level.]]>
<![CDATA[POLITIK IDENTITAS DALAM PERSPEKTIF POSKOLONIAL STUDI KASUS HIP HOP DANGDUT GRUP NDX A.K.A ]]>
<![CDATA[Sidjabat, Yedija Remalya]]>;
<![CDATA[Yulianto, Vissia Ita]]>;
<![CDATA[Koapaha, Royke Bobby]]>
<![CDATA[ CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 4, No 2 (2018): December 2018 ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya, Universitas Mulawarman ]]>
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DOI: 10.30872/calls.v4i2.1693
<![CDATA[Hip hop dangdut is music identity of NDX A.K.A group. Hip hop dangdut that became popular in society also bring the pros and cons for some groups. Political identity in this research investigates background in choosing music dangdut and hip hop that integrated in NDX’s songs. Political identity used to see the factor that played a role in formation of hip hop dangdut, but not fully realized by NDX group. Political identity in formation of hip hop dangdut then analyzed in textual and contextual to answer the contestation of hip hop dangdut in postcolonial perspective. The concept postcolonial in this research is criticized dominance or the form of leadership culture (hegemony) conducted by capitalists. Hip hop dangdut formed because of the hegemony of media in popularizing hip hop that occurs massively. Contestation on hip hop dangdut identity is analyzed using the concept of mimicry and hybridity to see ‘in-between’ space or third space that can be described the position of hip hop dangdut. Negotiations between hip hop and dangdut is a form of hybridity that takes place in ambivalence, which is mimicking and mocking, and not entirely subordinated to the cultural discrimination that occurs to the strategy of globalization. The performance and NDX music that performed on stage shows the cultural identity negotiations between hip hop and dangdut that formed in the third space.]]>
<![CDATA[MAKNA SIMBOL NILAI KEBANGSAAN DALAM PERAYAAN ERAU ]]>
<![CDATA[Janah, Ulum]]>;
<![CDATA[Rosdiana, Rosdiana]]>;
<![CDATA[Indriastuty, Nina]]>
<![CDATA[ CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 4, No 2 (2018): December 2018 ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya, Universitas Mulawarman ]]>
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DOI: 10.30872/calls.v4i2.1692
<![CDATA[In local wisdom that has a fair value, the local community has an identity for the nationality of the country. These national values are the basis for national resilience because in these symbols there are patterns in supporting things and as a form of filtering for globalization and support for national resilience. This research aims to find out the national values through symbolic symbols in Erau traditional celebrations in Tenggarong as supporters of national resilience. Descriptive qualitative analysis with Peirce's semiotic approach to interpreting symbols in Erau celebrations that have national values. Its superiority is able to interpret symbols in the Erau context in various other fields. Erau as one of the cultural forms created by the people of Kutai Kartanegara has a symbol of nationality in every ritual in it. Overall, the indigenous people, in this case, the Kutai Kartanegara Sultanate in carrying out Erau is inseparable from the mythology they use based on the Salasilah of the Kutai Kartanegara Sultanate and also the Panji Selaten and Braja Niti books. Mythology is a cultural root that has been passed down from generation to generation as the identity of the Kutai Kartanegara Sultanate and also the patterns of life of its people. In addition, some of the rituals in Erau were designed by the Kutai Sultanate, as well as those that had rules, as a sultanate, they also had separate rules.]]>
<![CDATA[CALABAI DAN BISSU SUKU BUGIS: REPRESENTASI GENDER DALAM NOVEL CALABAI KARYA PEPI AL-BAYQUNIE ]]>
<![CDATA[Rokhmansyah, Alfian]]>;
<![CDATA[Hanum, Irma Surayya]]>;
<![CDATA[Dahlan, Dahri]]>
<![CDATA[ CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 4, No 2 (2018): December 2018 ]]>
Publisher : <![CDATA[Fakultas Ilmu Budaya, Universitas Mulawarman ]]>
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DOI: 10.30872/calls.v4i2.1645
<![CDATA[This study aims to describe the life of calabai and bissu, as well as the views of the people depicted in the Calabai novel by Pepi Al-Bayqunie. This research is library research with a qualitative approach. Data analysis was carried out through several stages, namely the data classification stage, data analysis, and the conclusion of the analysis results. The results of this study indicate that calabai and bissu are gender variations other than men and women in Bugis culture as illustrated in the Calabai novel by Pepi Al-Bayqunie. Calabai who was described by the author in the novel was a Calabai who had privileges and finally he became a bissu. In relation to the existence of calabai and bissu as illustrated in the novel, it turns out that there is a rejection from the group who consider these two gender variations to be incompatible with human nature. The existence of calabai is a problem because it is contrary to the social construction that already exists in the community. However, unlike calabai, the existence of bissu is considered more respectable because it plays an important role in Bugis culture.]]>
