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Jurnal Ilmu Budaya
ISSN : 18298338     EISSN : 25407651     DOI : -
Jurnal Ilmu Budaya (ISSN 2540-7651; E-ISSN: 1829-8338) is an international journal published by the Faculty of Humanities, Universitas Lancang Kuning and published twice a year. It specializes in humanities, library science, philology, literature, cultural studies and current issues on the subject. This journal warmly welcomes contributions from scholars of related disciplines.
Arjuna Subject : -
Articles 200 Documents
PERKEMBANGAN FILSAFAT ILMU DAN RELEVANSINYA TERHADAP FILSAFAT ISLAM SEBAGAI MATERI AJAR DI PERGURUAN TINGGI Ariyanti Rahayu; Hasnah Faizah; Auzar Auzar
Jurnal Ilmu Budaya Vol. 19 No. 2 (2023)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v19i2.13365

Abstract

Explaining the development and relationship between science philosophy and Islamic philosophy is the aim of this writing. Descriptive qualitative is the method used by collecting data through library research to gain the aim. The result shows that the development of science philosophy can not be separated from the history of developed science which is the main base in the development of science in which science philosophy consists of (ontology, epistemology, and axiology) Islamic philosophy is based on Islamic notions led by revelation from Allah which are the absolute truth. Science philosophy is only the trigger since all theories and concepts have already been given in Al-Qur’an. Thus, science philosophy and Islamic philosophy can work together to create science based on absolute truth.
POTRET KEMASAN MINUMAN JANJI JIWA SEBAGAI MEDIA PENCITRAAN DI SOSIAL MEDIA INSTAGRAM Renzy Ayu Rohmatillah
Jurnal Ilmu Budaya Vol. 19 No. 2 (2023)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v19i2.13366

Abstract

This research mainly discussed the phenomenon of photo-sharing on Instagram with different aims. One of them was to show a person's identity or a particular group. This study specifically examined a beverage brand growing rapidly on Instagram named "Janji Jiwa", which is being popular among society in Indonesia. As an evidence, the brand once was awarded the fastest-growing coffee shop of the year by MURI (Indonesian Record Museum) in 2019. This research applied a theoretical approach that using the spectacle concept proposed by Guy Debord (2002). In addition, this current study aimed to provide an interpretation linked to the phenomenon of conveying self-identity within social media. Distributing the captured the "Janji Jiwa" beverage could be seen as the act of showing one's social class. Spectator saw the performer not as himself, but based on the commodities he was taking or using In this case, the spectator was consumer of the brand itself. Showing a capture of beverage, precisely "Janji Jiwa", was one's manner for presenting themselves as he built a desired reality. It celebrated a pseudo-identity represented on by social media. Showing off a commodity was meant as an effort to point out a desired image because it was able to give the impression of a prestigious social status.
MUSIK BAS DI KECAMATAN BARAKA KABUPATEN ENREKANG (SUATU TINJAUAN ORGANOLOGI) Soekarno B. Pasyah
Jurnal Ilmu Budaya Vol. 19 No. 2 (2023)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v19i2.13367

Abstract

This study aims to find out: 1). Background of Bass Music in Baraka District Enrekang District, 2). Procurement of materials and process of making bass instruments, 3). Function and tone system in a bass instrument in Baraka Sub-district of Erekang District. This research uses observation method, interview, documentation, and study of organology sciences, by collecting data from various relevant sources, then the researcher describes the problem solving validly and descriptively and then draws a conclusion by yielding data: 1). The birth of bass music in District Baraka Regency Enrekang around the 1940s under the colonists of Menado and Ambon. 2). The process of making instruments using traditional tools. 3). Function and tone system on the bass instrument.
KEBEBASAN DAN KESADARAN DALAM NOVEL “SANG ALKEMIS” KARYA PAULO COELHO (EKSISTENSIALISME JEAN PAUL SARTRE) Alpino; Kafrawi, M
Jurnal Ilmu Budaya Vol. 20 No. 1 (2023)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v20i1.15883

Abstract

This research is entitled Freedom and Consciousness in the Novel “The Alchemist” by Paulo Coelho (Existentialism study of Jean Paul Sartre). The problem that will be examined in this study is the freedom that focuses on the main character in this novel. The purpose of this study is to describe the form of Sartre’s existentialism towards the main character. The technique used in this study is the technique of reading and note taking with a intellectual and hermeneutic approach. The result of this reasearch shows that the main character in this novel, is someone who has a tendency to be reflective and authentic.
KHAZANAH EKOLEKSIKON FLORA DAN FAUNA DALAM BOEKOE PANTOEN KARYA THE TIN LAM Nurzuha Nurzuha; Mohd Fauzi; Denni Iskandar
Jurnal Ilmu Budaya Vol. 20 No. 1 (2023)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v20i1.15884

Abstract

This research began with the phenomenon of the endangered language found in the pantun script which contains a lot of richness in the elements of the flora and fauna lexicon. The purpose of this study is to determine the richness of the flora and fauna lexicon and its meaning in Boekoe Pantoen by The Tin Lam. This kind of research is qualitative research in which this research uses the ecolinguistic concept of Aron Meko Mbete. The data of this research is in the form of flora and fauna eco-collection that sourced from Boekoe Pantoen by The Tin Lam. The results showed that there were 73 flora lexicon and 69 fauna lexicon. In the meaning of flora and fauna there is a social meaning, the meaning of love for the environment and culture. Basically people in ancient times were sympathetic to the environment, this nature became their inspiration material to express feelings using flora and fauna features, being grateful for God's favors, as medicine, entertainment, and these flora and fauna features do exist and are not just an illusion but are nowadays the phenomenon has changed. The flora and fauna lexicon is rarely used.
MAKNA TARIAN SIALO PADA RITUAL RAMBU SOLO LUWU SULAWESI SELATAN Harlin Palanta; Tony Tampake
Jurnal Ilmu Budaya Vol. 20 No. 1 (2023)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v20i1.15885

Abstract

This research discusses the meaning of sialo dance. Sialo dance is one of the traditions of the Bastem Luwu community in South Sulawesi which is performed at the death ceremony (rambu solo). Understanding the values and meanings contained in sialo dances is often neglected and lack of concern, including the millennial generation not understanding and not knowing the values and meanings of sialo dances contained therein. The focus of this research explores the meanings contained in the sialo dance at the rambu solo ceremony from the perspective of the sociology of local culture. this writing is useful to increase knowledge about the culture of Luwu South Sulawesi.The author uses qualitative method research realist ethnographic approach to describe the meanings of interaction and cultural values of sialo dance. The author's local cultural sociology study uses the perspective of Herbert Mead's thinking, Herbert Blumer, Clifford Geertz with the perspective of symbolic interactionism studies. The research location is Lalong Village, Luwu Regency, Walenrang District, South Sulawesi. This writing is focused on exploring the meanings and values of the sialo dance which is the local culture of the Bastem community at the rambu solo ceremony. The results of this study indicate the meaning of the sialo dance, which is meaningful to tell the life history of the deceased person who was celebrated. In addition, this dance also has a meaning to welcome government guests who come to share grief with the deceased family.
KEARIFAN LOKAL SASTRA LISAN BATIMANG PADA MASYARAKAT DESA SIMALINYANG KECAMATAN KAMPAR KIRI TENGAH KABUPATEN KAMPAR Siska Armiza; Hermansyah Hermansyah
Jurnal Ilmu Budaya Vol. 20 No. 1 (2023)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v20i1.15886

Abstract

This study aims to describe the values of local wisdom contained in the batimang oral literature by using the theory of Robert Sibarani so that the value of local wisdom is found in the batimang oral literature. The method used is a descriptive qualitative method with data collection techniques of observation, interviews and documentation. The results of the research obtained in the field show that there are six values of local wisdom in batiman oral literature, namely: hard work, education, preservation and cultural creativity, courtesy, harmony and conflict resolution and positive thinking. The local wisdom values obtained aim to achieve prosperity and peace in society.
FIELD WORK: ETNOGRAFI DAN ETNOGRAFI DIGITAL Mita Rosaliza; Hesti Asriwandari; Indrawati Indrawati
Jurnal Ilmu Budaya Vol. 20 No. 1 (2023)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v20i1.15887

Abstract

The presence of digital platforms increasingly permeates contemporary everyday culture, necessitating a re-evaluation of observational studies on social and cultural phenomena. Traditional qualitative research methods that rely on physical locations face challenges in the era of digital platforms. This article aims to explain the use of ethnography and digital ethnography in fieldwork, combining classic ethnographic methods with participant observations in locations where digital platforms are utilized. Technical exploration can uncover social and cultural assumptions embedded in interactions and interviews, as well as how their accessibility can create symbolic meanings. Meanwhile, participant observation focuses on the perspectives of digital platform users within a community. Referring to pioneering works in the field of "digital ethnography," this article critically explores the potential and challenges posed by new technologies that warrant attention. It can be concluded that a balanced combination of physical and digital ethnography not only provides researchers with diverse and intriguing methods but also allows for a better appreciation of respondents' voices. The development of digital ethnography as a research methodology, along with the challenges encountered in addressing classical concepts of fieldwork, participation, and representation, creates opportunities for digital ethnographers to gain professional recognition in conducting research related to society and culture.
LAGEYAN BAWOR DALAM CERITA “BAWOR DADI RATU” SEBAGAI PENDEKATAN PENDAMPINGAN BERBASIS BUDAYA DI ERA GLOBAL Renoardi, Amos; Engel, Jacob Daan; Suwarto, Suwarto
Jurnal Ilmu Budaya Vol. 20 No. 2 (2024)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v20i2.19491

Abstract

This research aims to produce effective culture-based mentoring principles to preserve the value of local wisdom and ethical education in the Banyumasan Javanese community. This research was motivated by the fact that cultural values have been displaced in the modern era while recognizing the importance of exploring the local wisdom of Pakeliran Banyumasan as a value that needs to be explored and preserved. This research uses a qualitative method with an ethnographic approach. Observation, interviews, and documentation were used to collect data in this study, so that the principles of culture-based mentoring based on Bawor's lageyan in the story "Bawor Dadi Ratu" were obtained. The results showed that Bawor's lageyan includes cablaka, mbanyol, semblothongan, ksatria, and cancudan. The five lageyan contain noble values as special capital for the Banyumasan Javanese community to navigate life in the global era. Lageyan ksatria and cancudan are important parts of facing the dualism of modern times that separates humans from nature, so that individuals in society can maintain the value of mutual cooperation. Lageyan cablaka, mbanyol, and semblothongan have become an important part of dealing with the dualism of relationships due to technological developments. Lageyan Bawor emphasizes the principle of legitimacy or partnership that allows the values of mutual feelings, mutual acceptance, unity, harmony, brotherhood, and friendship to be maintained. Lageyan Bawor contains the principle of cultural mentoring as an effort to preserve values and ethical education in the context of relational mentoring.
DISFEMISME BAHASA KLUET DALAM TUTURAN MASYARAKAT DI KABUPATEN ACEH SELATAN Mairoja, Fera; Iskandar, Denni; Iqbal, Muhammad; Fauzi, Mohd.
Jurnal Ilmu Budaya Vol. 20 No. 2 (2024)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v20i2.19492

Abstract

This research intends to (1) explain the form of Kluet language dysphemism, (2) analyze the context of the use of Kluet language dysphemism, and (3) explain the function of Kluet language dysphemism in the speech of the people of South Aceh Regency. This study used a descriptive qualitative method. The researchers took four informants from each sub-district who were used as data sources, namely North Kluet, South Kluet, East Kluet, and Central Kluet Districts. The findings of this research indicate that the form of Kluet language dysphemism contains three forms; the form of words, phrases, and clauses, then context of the use of Kluet language dysphemism consists of the context of habit, anger, talkative/surprised, and prohibiting. Furthermore, the function of using Kluet's dysphemism contains five functions, namely functions to insult, threaten, hurt/annoy, as a joke, and express strong, heavy, and extreme emotions. Conversely, as regards the findings of research and data analysis, the primary forms of dysphemism are phrases and the main context of dysphemism is anger and habit.