cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
-
Contact Email
-
Phone
-
Journal Mail Official
-
Editorial Address
-
Location
Kota pekanbaru,
Riau
INDONESIA
Jurnal Ilmu Budaya
Published by Universitas Lancang Kuning
ISSN : 18298338     EISSN : 25407651     DOI : -
Core Subject : Humanities, Science, Education, Art, Social,
Arts Humanities Education Languange, Linguistic, Communication & Media Library & Information Science Social Sciences
Jurnal Ilmu Budaya (ISSN 2540-7651; E-ISSN: 1829-8338) is an international journal published by the Faculty of Humanities, Universitas Lancang Kuning and published twice a year. It specializes in humanities, library science, philology, literature, cultural studies and current issues on the subject. This journal warmly welcomes contributions from scholars of related disciplines.
Arjuna Subject : -
Articles 200 Documents
 16   17   18   19   20 
SIMBOL DALAM KAIN ULOS PADA SUKU BATAK TOBA Inestya Fitri Desiani
Jurnal Ilmu Budaya Vol. 18 No. 2 (2022)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v18i2.9466

Abstract

One of the tribes found in the western region of Indonesia, specifically North Sumatra, is the Batak Toba tribe. The Batak Toba tribe is one of the tribes which likes to do the weaving culture, making it one of the local wisdoms for the Batak Toba tribe, namely ulos cloth. Ulos is a traditional cloth obtained through a weaving process carried out by Batak women, producing various patterns. Each ulos cloth symbolizes a different message depending on the type and purpose of making the ulos cloth. The symbol carried by the ulos cloth is reflected in the patterns, patterns, and colors of the ulos cloth made on Martonun Ulos. Therefore, the types and meanings of each type of ulos cloth symbolize something from local wisdom for the Batak Toba tribe. The ulos cloth of the Batak Toba tribe symbolizes several meanings: ulos ragi hotang is usually used to ulos someone with the hope that God will give him the best results, and that person will be diligent in working. Ulos ragi is alive with colors, paintings, and patterns (ragi). giving the impression as if ulos is alive, so people call it live ragi, which is a symbol of life. Ulos sibolang with the ulosi procession is intended so that he is always careful with his family friends, and understands who should be respected, pays respect to all relatives of the wife's side, and as a sign of respect for his services while being the wife of the deceased. The local wisdom of ulos traditional weaving is an ancestral heritage that has high value and can strengthen national identity and identity that needs to be preserved by all parties to maintain the nation's cultural wealth.
SUPERIORITAS BUDAYA ASING DI INSTITUT TEKNOLOGI BANDUNG Naqisya Arifani; Muhammad Duta Wibawa Mawardi; Fiona Angelica Tjahjono; Elizabeth Michele; Maynardo Pratama Soegianto; Fathimah Afra Nailah Adma; Shelly Delfiani; Amelia Rahma Putri; Jesslyn Gracsella Rusli; Fedora Yoshuara; Jeremy Jeremy; Christian August; Tarissa Cindy Fitrian
Jurnal Ilmu Budaya Vol. 18 No. 2 (2022)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v18i2.9467

Abstract

Xenocentrism is a phenomenon that has recently been embedded in people's lives, especially students, where they feel a culture-based tendency to value other cultures more than their own, which can manifest in various ways. In practice, xenocentrism can indirectly pose a threat to the identity and national integrity of the Indonesian nation. Therefore, this study was conducted to show the superiority of foreign cultures within the scope of the observed ITB students and how the decline of nationalism was seen from the implementation of foreign cultures within the scope of ITB students. The research method used in this research is descriptive research. The sample used is the students of the Bandung Institute of Technology with a total of 247 respondents. The respondent sampling method used is the method of convenience samples or accidental samples and also purposive. The benefit of this research is to build awareness of ITB students on the importance of respecting the nation's culture and fostering national integrity in the lives of ITB students. The results showed that the level of xenocentrism in ITB was not too high, although overall the level of xenocentrism in Indonesia was quite high.
RONGGENG DUKUH PARUK DAN PEREMPUAN KEMBANG JEPUN (KAJIAN SASTRA BANDING) Inung Setyami
Jurnal Ilmu Budaya Vol. 18 No. 2 (2022)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v18i2.9468

Abstract

This study aims to discribe the form of subordination experienced by geisha in the novel Perempuan Kembang Jepun by Lan Fang and Ronggeng in the novel Ronggeng Dukuh Paruk by Ahmad Tohari. The data source of this research used two novels, namely the novel Perempauan Kembang Jepun (PKJ) by Lan Fang and the novel Ronggeng Dukuh Paruk (RDP) by Ahmad Tohari. The results showed that 1) novel PKJ by Lan Fang and novel RDP by Ahmad Tohar, the central character is a woman who works as a dancer. Ronggeng dancers are included in RDP, while geisha are inclued in PKJ; 2) Both novels present male characters related to the geisha and ronggeng professions; 3) There are similarities in ideas, namely women in both PKJ and RDP novels experience subordination to male power that has been socially constructed; 4) Biologically, dancers in PKL and RDP have the idea of eliminating the absolute nature of women (pregnancy, giving birth); 4) There are absolute requirements for prospective dancers, namely mizuage (virginity auction) for geisha candidates and "bukak klambu" (virginity contest) for ronggeng candidates.
VALENSI VERBA BAHASA MELAYU DIALEK PULAU PADANG KABUPATEN KEPULAUAN MERANTI Mohd. Fauzi; Hermansyah Hermansyah; Juswandi Juswandi; T M Sum
Jurnal Ilmu Budaya Vol. 19 No. 1 (2022)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v19i1.10870

Abstract

This study aimed to explain the valence of Malay verbs in the Akit dialect of Padang island, Regency of Kepulauan Meranti. The method used was qualitative descriptive. The data was collected using the equivalent method and the observation method. The data used were oral and collected using interviews, observation, and intuition methods. The data analysis was used to split, deletion, substitution, and expansion techniques. The results of the data analysis were explained using the informal method. The results showed that Malay people on this island used the Malay language daily. Accordingly, the valence of the verbs found in the conversations of the Malay people on the island of Padang was one valence of verbs, two valences of verbs, and three valences of verbs. Through the passivation process, the three kinds of valence of the verbs could be derived from two valences of verbs became one and from three valences of verbs became two. One-valence verbs were bound by only one argument. Verbs with two valences were bound by two arguments at once, while verbs with three valences were bound by three arguments, while the process of decreasing valence could be done by passivation.
ANALISIS BENTUK FUNGSI DAN MAKNA PANTUN MELAYU DALAM SAMBUTAN SEREMONI RESMI Edward Edward; Sorta Hutahaean
Jurnal Ilmu Budaya Vol. 19 No. 1 (2022)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v19i1.10871

Abstract

This research was aimed at exploring the meaning, form, and function of Malay poem expression uttered during the official ceremony. The analysis was based on the whole context using an operational approach, that is, how a text works within its context. Out of the form and function, meaning is best viewed from its surrounding context and situation. The result shows that text meaning is context-dependent on the cultural value which operates. The text was found unique because of the subject deletion that takes place. The form of the text may be directive, and yet, it sounds as if it was not. This characteristic is due to suffixing the verb with a particle, “lah”. Thus, the function of the directive form is weakening. It tends to be a very polite request instead of an order. 80% dominates the form of representative and the rest was directive.
EKSISTENSI UPACARA ADAT PERANG KETUPAT DI DESA TEMPILANG SEBAGAI KEKAYAAN BUDAYA DI KABUPATEN BANGKA BARAT Dea Amanda Putri; Akbar Al Masjid
Jurnal Ilmu Budaya Vol. 19 No. 1 (2022)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v19i1.10872

Abstract

The tradition of ketupat war held in Air Lintang Village, Tempilang District, West Bangka Regency as a research object aims to introduce and describe one of the cultural wealth in West Bangka Regency. Researchers also worked to find the meaning and values that became the background of the history of the war. This research uses qualitative descriptive research to get descriptive data in the form of oral, and written from a person or group and observe behavior. Data collection is carried out by observing the object to be studied, interviewing cultural figures, and documenting to strengthen the resulting data. This tradition of ketupat war ceremony began in 1883 and was carried out by the chieftain to fight the invaders/pirates. This happened at the same time as a lost girl was eaten by a crocodile demon. Then community leaders flocked to carry out the Village Taber Ritual to avoid disasters by collaborating so as to create a tradition in Tempilang Village, namely the Ketupat War. This ketupat war has the meaning of being able to avoid evil spirit spirits and subtle mahlauk who intend badly to disturb the local community and can clean up all ugly things in the future life. This tradition also contains values including cultural values, social values, local wisdom values, and educational values that can be used as lessons or guidelines in life and can shape the character of the nation's generations.
“TAG” TEMAN DAN #HASTAG REKONSEPSI INTERAKSI SOSIAL DI PLATFORM INSTAGRAM Mita Rosaliza; Raja Syamsidar; Hesti Asriwandari
Jurnal Ilmu Budaya Vol. 19 No. 1 (2022)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v19i1.10873

Abstract

Tag a friend in the comments column on the Instagram platform is one mechanism to start interacting between users on social media. Is it possible to just "tag" friends who have there been social interactions intended by sociologists, psychologists,s and communication experts? This article is to explore how social media carries out the process of social interaction, and whether simply tagging a friend on Instagram can be considered a social interaction. The results of the study show that the use of social media is rarely considered a social interaction, after surfing on social media for approximately the first 7-10 minutes, 116 samples of Instagram users showed that social media behavior rarely chatted and commented, on average they only status updating, stalking and also looking for the information. The use of social media and social interaction sometimes occur together, but only 3% of social interactions occur through the Instagram platform. It is said that social interaction through this platform usually focused on having conversations, and exchanging with relatively closer relational relationships. Secondary data analysis and surveys of Instagram users are used in this article to analyze the process of social interaction on the Instagram platform supported by literature studies from several sociologists, psychologists, and also communication experts who argue about social interaction. It can be said, each media is social in a unique way including the Instagram platform, and needs further discussion in conceptualizing the boundaries of social interaction in social media.
RONGGENG: KUASA TUBUH PEREMPUAN Ela Mutiara Waluya
Jurnal Ilmu Budaya Vol. 19 No. 1 (2022)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v19i1.10874

Abstract

Talking about Ronggeng is talking about women, bodies, and stage. Body with reality, stage with social. Discourse about female dancers in performances is conditioned by the limits of understanding the female body figure itself. Colonialism has shifted the function, meaning, and form of Ronggeng's performances. This event represents that the female body as an object that can be repressed as well as enjoyed, regulated, and asked to be free, is like a dualism of opposite perspectives. Ronggeng's discourse as a ritual body occupies the highest position which is shaded by the birth of social construction. The view of sensuality places the Ronggeng dancer from subject to object, then objectifies the physical form of a woman's body. This study uses a qualitative method with a constructivist paradigm approach, where the truth of social reality is seen as a result of social construction. The truth of social reality is relative/compound and has different meanings for each person. This study aims to find the position of women in power relations by looking at the structure of the Ronggeng performance.
NILAI SOSIAL DALAM TRADISI MAKAN BAJAMBAU PADA PERAYAAN PENYANTUNAN ANAK YATIM PIATU DUSUN JAWI-JAWI DAN DUSUN PADANG TENGAH Yulna Pilpa Sari; Hasnah Faizah; Auzar Auzar
Jurnal Ilmu Budaya Vol. 19 No. 2 (2023)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v19i2.13363

Abstract

Makan Bajambau is one of the traditions which is still preserved by the people in Jawi-Jawi village and Padang Tengah village. It is a tradition in which the people eat together in one decided place by using small plates. The biggest tradition held by the Jawi-Jawi and Padang Tengah villages is in the moment of sponsoring orphans. Makan Bajambau is one of the elements in this occasion which is a must. This tradition is conducted every year and villagers participate in vibrant. Makan Bajambau is not just eating together but contains valuable togetherness and brotherhood values. Thus these writings aim to describe the social values in this tradition. The method used is ethnography and data collection uses observation, interviews, and documentation. The results show some social values in the Makan Bajambau tradition among others. The affection, togetherness, and brotherhood. Triggered by the good values of the Makan Bajambau ritual in sponsoring the orphans in Jawi-Jawi and Padang Tengah villages, the villagers preserve this tradition and pass it down to the next generation.
OJUH DALAM PERTUNJUKAN BUKOBA CERITA PANGLIMA AWANG DI PASIR PANGARAIAN Muslim Muslim; Sulaiman Juned; Edwar Zebua
Jurnal Ilmu Budaya Vol. 19 No. 2 (2023)
Publisher : Universitas Lancang Kuning

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/jib.v19i2.13364

Abstract

Ojuh is an allure in the staging of bukoba even though it is not the main element in bukoba. It can be ascertained if the staging of bukoba is not a story that uses Ojuh, not interesting in the staging of bukoba. This research was structured with the aim of investigating and explaining ojuh in bukoba Panglima Awang story shows and explaining the symbolic meaning in Panglima Awang book bukoba story in Pasir Pangarain. This research used a descriptive qualitative method. To answer the problem formulation the researchers directly observed the staging of bukoba. To See the process of the Bukoba story Panglima Awang's performance. Direct observations with bukoba koba (speaker) is done. Researchers used interview techniques, recorded videos, and field notes in the process of collecting data. The participant in this study was Tuk Taslim a carpenter (speaker). The conclusions of the analysis of the meaning of this ojuh, which is something that is excessive, things that are delivered excessively, deliberately done, created in the context of creating trades in the book performance, through ways (techniques, skills, art) such as this is thing audience finally want to wateh this performance. Then, it turns out that ojuh in the kang Panglima Awang implies the meaning of leadership owned by Awang and Anggun Cik Suri. The beauty of Anggun Cik Suri has, the strength that Awang has.

Page 18 of 20 | Total Record : 200

 16   17   18   19   20 

Filter by Year

2004 2025


Reset
Filter By Issues
All Issue Vol. 21 No. 2 (2025): Vol. 21 No. 2 (2025) Vol. 21 No. 1 (2024) Vol. 20 No. 2 (2024) Vol. 20 No. 1 (2023) Vol. 19 No. 2 (2023) Vol. 19 No. 1 (2022) Vol. 18 No. 2 (2022) Vol. 18 No. 1 (2021) Vol. 17 No. 2 (2021) Vol. 17 No. 1 (2020) Vol. 16 No. 2 (2020) Vol. 16 No. 1 (2019) Vol. 15 No. 2 (2019) Vol. 15 No. 1 (2018) Vol. 14 No. 2 (2018) Vol. 14 No. 1 (2017) Vol. 13 No. 2 (2017) Vol. 13 No. 1 (2016) Vol. 12 No. 2 (2016) Vol. 12 No. 1 (2015) Vol. 11 No. 2 (2015) Vol. 11 No. 1 (2014) Vol. 10 No. 2 (2014) Vol. 10 No. 1 (2013) Vol. 9 No. 2 (2013) Vol. 9 No. 1 (2012) Vol. 8 No. 2 (2012) Vol. 8 No. 1 (2011) Vol. 7 No. 2 (2011) Vol. 7 No. 1 (2010) Vol. 6 No. 2 (2010) Vol. 5 No. 2 (2009) Vol. 5 No. 1 (2008) Vol. 4 No. 2 (2008) Vol. 4 No. 1 (2007) Vol. 3 No. 2 (2007) Vol. 3 No. 1 (2006) Vol. 1 No. 2 (2005) Vol. 1 No. 1 (2004) More Issue