Gramatika: Jurnal Ilmiah Kebahasaan dan Kesastraan
Gramatika is a journal that is the media of publishing the results of language research and literature. The journal is published by Kantor Bahasa Maluku Utara, Badan Pengembangan dan Pembinaan Bahasa, Kementerian Pendidikan dan Kebudayaan, Republik Indonesia. Gramatika is first published in 2013 based on SK No. 0005.0114/JI.3.2/SK.ISSN/2013.08 with ISSN (print) 2338-8285 and EISSN (online) 2599-3283. Kantor Bahasa Maluku Utara publishes the journal twice a year: June and December.
Articles
191 Documents
<![CDATA[FEMINISM IN THE MOVIE MERINDU CAHAYA DE AMSTEL: SARRA MILLS DISCOURSE ANALYSIS ]]>
<![CDATA[Marantika, Eka Ririn]]>
<![CDATA[ Gramatika: Jurnal Ilmiah Kebahasaan dan Kesastraan Vol 12 No 1 (2024): Gramatika, Volume XII, Nomor 1, Januari--Desember 2024 ]]>
Publisher : <![CDATA[Kantor Bahasa Maluku Utara ]]>
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DOI: 10.31813/gramatika/12.1.2024.597.1--9
<![CDATA[Abstract Feminism is always associated with everyday life, especially the female gender. Many media are used as a tool to convey feminism issues, one of which is film. Film or cinema is a mass media that is considered effective in expressing feminism issues that are presented neatly into an audio-visual story. Reflecting on this knowledge, the author will conduct a research on the issue of feminism. This research discusses feminism in a movie entitled Merindu Cahaya De Amstel by Hadrah Daeng Ratu released in 2022 with Sarra Mills' discourse analysis approach. The purpose of this research is to find out the representation of women in the movie Merindu Cahaya De Amstel. Qualitative descriptive method is used as an approach in this research. The results of this study show that Khadijah's character shows women as subjects and Kamila's character as objects. Where, what Khadijah did was a postmodern feminism movement stated by Cixous that women have the right to do what they want and voice it to the public sphere. Keywords: discourse analysis of Sarra Mills, feminism, Merindu Cahaya De Amstel Film]]>
<![CDATA[DISCOURSE OF GRAMMATICAL AND LEXICAL COHESION IN THE NOVEL GALAKSI BY POPPI PERTIWI ]]>
<![CDATA[Saputri, Risma]]>
<![CDATA[ Gramatika: Jurnal Ilmiah Kebahasaan dan Kesastraan Vol 12 No 1 (2024): Gramatika, Volume XII, Nomor 1, Januari--Desember 2024 ]]>
Publisher : <![CDATA[Kantor Bahasa Maluku Utara ]]>
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DOI: 10.31813/gramatika/12.1.2024.598.49--56
<![CDATA[This article aims to: (1) find lexical and grammatical cohesion in Poppi Pertiwi's novel "Galaksi", and (2) determine lexical and grammatical cohesion. Discourse is a unit of language that has the most complete language structure, consisting of one or more sentences, and can be spoken or written. The existence of language relationships in discourse can cause grammatical cohesion. Therefore, from this explanation, it can be concluded that grammatical cohesion is an important component of the full meaning of a discourse. Lexical cohesion, on the other hand, is the lexical relationship that occurs between parts of discourse to achieve cohesive structural harmony. This study uses a qualitative descriptive approach. The listening method, which comes from tapping or listening techniques, is used to collect data. In this research, the method of reading marks, or reading then taking notes, was used to analyze the data. The research results showed that 38 data included grammatical cohesion and lexical cohesion, with the data source from the book "Galaksi" by Poppi Pertiwi.]]>
<![CDATA[STEPMOTHER MYTH IN WOLIO FOLKTALE PUTIRI SATARINA ]]>
<![CDATA[Mulawati, NFN]]>
<![CDATA[ Gramatika: Jurnal Ilmiah Kebahasaan dan Kesastraan Vol 12 No 1 (2024): Gramatika, Volume XII, Nomor 1, Januari--Desember 2024 ]]>
Publisher : <![CDATA[Kantor Bahasa Maluku Utara ]]>
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DOI: 10.31813/gramatika/12.1.2024.600.10--25
<![CDATA[Objection of this research are describing surface and deep structure of step mother’s myth in Wolio’s folktale hope that this research could give some advantages in giving a new paradigm in sciences especially about myth and folktale. The step of analysis are reading in order to get first impression about the story. After that, the researcher divided the story into some episodes, arranging those story’s episodes according to syntagmatic and paradigmatic term, describing some opotitional relation of story’s episode, giving some interpretation to those relation based on etnografic data of community who own the story. The result of the research showed that this folktale describe surface structure such as character and characterization, plot of the folktales, and setting of the folktales. The difference could be seen on main character which act in those folktales, they have different name but in same sex. This research is also describing the deep structure of the folktale, deep structures is relating with some Wolionese cultural values. Those deep structures were not change although the surface structure were transformed. Beside that, the researcher found another deep structure such as the effort of Wolionese maintain good behavior toward god and human. Those effort was supported by some life cycle ritual and religion ceremony which contain life values. Those rituals objection is preserving harmony between human and universe. Those folktales also contain ecological reality of Wolionese and Munanese community.]]>
<![CDATA[THE IMAGE OF WOMEN IN THE POEMS "PEREMPUAN PERKASA" BY SUSILANING SETYOWATI HARDJONO AND "PEREMPUAN-PEREMPUAN PERKASA" BY HARTOJO ANDANGDJAYA (COMPARATIVE LITERARY STUDIES) ]]>
<![CDATA[Fatimah, Siti Nur]]>;
<![CDATA[Destriana, Arivianti]]>;
<![CDATA[Wulandari, Yosi]]>
<![CDATA[ Gramatika: Jurnal Ilmiah Kebahasaan dan Kesastraan Vol 12 No 1 (2024): Gramatika, Volume XII, Nomor 1, Januari--Desember 2024 ]]>
Publisher : <![CDATA[Kantor Bahasa Maluku Utara ]]>
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DOI: 10.31813/gramatika/12.1.2024.610.57--62
<![CDATA[Abstract The problem of women's stereotypes is often exploited by authors in building story structures. The image of women in comparative literary studies in the poem entitled "Perempuan Perkasa" by Susilaning Setyowati Hardjono and "Perempuan-Perempuan Perkasa" by Hartojo Andangdjaja depicts the stereotype of women in society. The purpose of this research is to find out the comparison of the two poems in terms of the image of women. The research method used is descriptive qualitative. The research results obtained are the image of women. The image of women in the poem entitled "Perempuan Perkasa" by Susilaning Setyowati Hardjono found physical aspects, namely women when pregnant, giving birth and giving breast milk; soul image: patience in facing life; psychic image found strong thoughts fighting for freedom of rights; Social image found that women are able to socialize in society without making distinctions. Meanwhile, in the poem "Perempuan-Perempuan Perkasa" by Hartojo Andangdjaja, aspects of the physical image of being able to support hard work are found; the image of a soul full of love for family; a psychic image that is able to use its thinking to earn a living; social image of looking for a living in city markets to meet people's needs.]]>
<![CDATA[SOCIAL CONFLICT IN THE PERFORMANCE PATRI THEATRE “SEMAR MENCARI RAGA (STUDY OF LITERARY SOCIOLOGY) ]]>
<![CDATA[Maulana, Achmad Buchory]]>
<![CDATA[ Gramatika: Jurnal Ilmiah Kebahasaan dan Kesastraan Vol 12 No 1 (2024): Gramatika, Volume XII, Nomor 1, Januari--Desember 2024 ]]>
Publisher : <![CDATA[Kantor Bahasa Maluku Utara ]]>
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DOI: 10.31813/gramatika/12.1.2024.624.26--36
<![CDATA[The research journal entitled "Social Conflict in the Patri Theatre Performance 'Semar Mencari Raga' (Sociological Study of Literature)" aims to describe the various factors behind a social conflict and the types of social conflicts contained in the performance of Teater Patri with the play Semar Mencari Raga. This research is a type of descriptive qualitative research with observational analysis techniques. The subject is a sentence that contains various factors behind a social conflict and the types of social conflicts contained in the performance of Teater Patri with the play Semar Mencari Raga, while the object is dialogue and words of introduction to the dialogue contained in the performance of Teater Patri with the play Semar Mencari Raga. The results of this study, found 21 data describing the factors causing conflict and its types. These are classified into: characteristics that differ from each other (4 data), occurrence of poverty disparity (4 data), inclusive characteristics and behaviors (2 data), latent conflict (3 data), manifest conflict (5 data), and conflict on the surface (3 data).]]>
<![CDATA[CONFLICT BUILDING TECHNIQUE IN THE NOVEL AZAB DAN SENGSARA BY MERARI SIREGAR ]]>
<![CDATA[Ayudia, Alda Marsya]]>
<![CDATA[ Gramatika: Jurnal Ilmiah Kebahasaan dan Kesastraan Vol 12 No 1 (2024): Gramatika, Volume XII, Nomor 1, Januari--Desember 2024 ]]>
Publisher : <![CDATA[Kantor Bahasa Maluku Utara ]]>
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DOI: 10.31813/gramatika/12.1.2024.625.37--48
<![CDATA[Specifically, this research aims to find and describe the building of conflict in the novel Azab dan Sengsara by Merari Siregar. This research attempts to present the plot pattern of the series of conflicts in the novel Azab and Sengsara through an objective approach and analysis of narratological structuralism studies. The data studied are the actants and conflict events that build the story structure in the novel Azab dan Sengsara. The data were processed and analyzed using the narratological theory of actant schema and functional models from A.J. Greimas. From the results of the analysis of the narrative sequence in the Novel Azab and Sengsara, six complex conflicts were obtained, including; (1) Aminudin's departure to Deli, (2) Helping Mariamin, (3) Educating Sutan Baringin, (4) Fighting over inheritance, (5) Requests from a prospective wife, and (6) Divorce. From the analysis of the six conflicts in the novel, the complexity of the conflict can be seen from the role of the actors who occupy the positions of each component. The plot in the novel Azab dan Sengsara has met the standard of complexity which is characterized by providing a transformation stage in the functional model. Then, the plot in the novel Azab dan Sengsara uses a double plot with several conflicts told from opposite directions.]]>
<![CDATA[PERSONALITY STRUCTURE OF THE MAIN CHARACTER IN THE NOVEL THE GENTLEMAN SECRET BY AQUILEA: SIGMUND FREUD'S PERSONALITY THEORY ]]>
<![CDATA[Nurhayati, Eni]]>
<![CDATA[ Gramatika: Jurnal Ilmiah Kebahasaan dan Kesastraan Vol 12 No 2 (2024): Gramatika, Volume XII, Nomor 2, Juli--Desember 2024 ]]>
Publisher : <![CDATA[Kantor Bahasa Maluku Utara ]]>
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DOI: 10.31813/gramatika/12.2.2024.658.109--123
<![CDATA[Personality is a dynamic organization of individual psychophysical systems that determine the behavior and thinking of individuals in a characteristic way. This study aims to describe the personality structure related to the id, ego, and superego of the main character in the novel “Aisyah Ibunda Kaum Mukmin” by Kamran Pasha. This study uses a discriptive qualitative method with the personality psychology approach of Sigmund Freud. Data collection techniques using note techniques. The data in this study were analyzed using heuristic and hermeneutic reading techniques. The results of this study indicate that there are three forms of the personality structure of the main character in Kamran Pasha’s novel “Aisyah Ibunda Kaum Mukmin”. The personality structure consists of: id, ego, and superego. The three personality structures dominate the main character. The id aspect always suppresses the ego so that its desires are fulfilled. On the other hand, the ego that acts as a personality arbiter does not have much power to suppress the id’s impulses, so Aisyah’s superego appears as a personality that appiles rules and tries to severely punish the ego’s mistakes in the form of regret and self correction]]>
<![CDATA[PORTRAIT OF HEGEMONY IN THE FILM SOUND APRIL: A CRITICAL DISCOURSE ANALYSIS ]]>
<![CDATA[RISALDI, ANTOK]]>
<![CDATA[ Gramatika: Jurnal Ilmiah Kebahasaan dan Kesastraan Vol 12 No 2 (2024): Gramatika, Volume XII, Nomor 2, Juli--Desember 2024 ]]>
Publisher : <![CDATA[Kantor Bahasa Maluku Utara ]]>
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DOI: 10.31813/gramatika/12.2.2024.662.96--108
<![CDATA[The April Voice Film is a film that contains education for the public in politics, how to carry out elections healthily and how to defend voting rights for common welfare. The purpose of this study is to find out the meaning of speech and gestures that contain elements of hegemony in films. This research is a type of qualitative research oriented to the analysis of critical discourse to analyze the existence of hegemonic elements in the April sound film. Using data sources from the KPU RI youtube and snippets of several scans as analysis data. The analysis of hegemony in the April sound film uses the fairclough critical discourse analysis technique. to interpret, identify and understand and can be a strong framework in analyzing the power maintained by the anti-political culture in the film Suara April. The research findings are in the form of several scane pieces that contain hegemonic elements and the impact of the hegemony. By using critical discourse analysis, it can be identified through writing, actions, gestures and facial expressions displayed contain hegemony in a group that has a significant impact on the surrounding community. Hegemony is not in the form of coercion or oppression to maintain power but rather leads to thoughts, perceptions that are given consistently so that the community without coercion accepts these thoughts so that together the community rejects election counseling carried out by democracy volunteers.]]>
<![CDATA[YAPPA MAWINE TRADITION AS A MIRROR OF THE TIMES IN THE NOVEL THE WOMAN CRYING TO THE BLACK MOON ]]>
<![CDATA[Afandi, Iswan]]>;
<![CDATA[Juanda, Juanda]]>
<![CDATA[ Gramatika: Jurnal Ilmiah Kebahasaan dan Kesastraan Vol 12 No 2 (2024): Gramatika, Volume XII, Nomor 2, Juli--Desember 2024 ]]>
Publisher : <![CDATA[Kantor Bahasa Maluku Utara ]]>
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DOI: 10.31813/gramatika/12.2.2024.663.72--81
<![CDATA[This study analyzes the novel "Perempuan yang Menangis pada Bulan Hitam" by Dian Purnomo using Alan Swingewood's sociology of literature theory. The purpose of this study is to explore how this novel reflects the socio-cultural conditions of the Sumbanese people, particularly in the context of the Yappa Mawine (catch marriage) tradition, as well as to examine authorship and literary production. The research method used is a qualitative approach with content analysis techniques, assisted by the Nvivo application. The results show that this novel functions as a social document that reflects the norms and traditions of Sumbanese society and illustrates the social tensions that arise from the conflict between traditional values and modernity. This research has implications for a deeper understanding of the role of literature in reflecting and influencing social change, as well as expanding the application of Swingewood's literary sociology theory to contemporary Indonesian literary works.]]>
<![CDATA[IMPACT OF POLITICIAN’S LANGUAGE POLITENESS ON PUBLIC TRUST IN TALK SHOW ]]>
<![CDATA[Kurniawan, Roni]]>
<![CDATA[ Gramatika: Jurnal Ilmiah Kebahasaan dan Kesastraan Vol 12 No 2 (2024): Gramatika, Volume XII, Nomor 2, Juli--Desember 2024 ]]>
Publisher : <![CDATA[Kantor Bahasa Maluku Utara ]]>
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DOI: 10.31813/gramatika/12.2.2024.664.82--95
<![CDATA[This study examines the impact of politeness strategies used by politicians on public trust. The data is sourced from the YouTube channel "Metro TV," specifically the episode "Tangan Besi Sri Mulyani," which features an interview between Andy F. Noya as the host and Sri Mulyani, the Minister of Finance of the Republic of Indonesia, as the guest. Methodologically, the study is divided into three stages: analyzing the politeness strategies used by both the host and the guest, identifying overall polite/impolite behaviors of the host and guest, and analyzing public sentiment through comments on the YouTube channel. The findings reveal that language politeness does not significantly impact public trust. However, in conflict situations, such as disputes between the host and guest, politeness can play a crucial role in restoring positive perceptions. Politeness is generally associated with good ethics and positive attitudes, while impoliteness is seen negatively and can trigger criticism of the impolite party and support for the polite one. Responding to impoliteness with politeness is considered good etiquette that can enhance support, and impoliteness is not always viewed negatively if understood as a defense against prior rudeness from the interlocutor. The conclusion of this study suggest that while politeness strategies in political interviews may not affect public trust, politeness still plays an important role in improving public perception during disputes or conflicts.]]>
