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INDONESIA
Sabda: Jurnal Kajian Kebudayaan
Published by Universitas Diponegoro
ISSN : -     EISSN : 25491628     DOI : -
Core Subject : Education,
Education
Arjuna Subject : -
Articles 10 Documents
 1 
Search results for , issue "Vol 7, No 1: 2012" : 10 Documents clear
HUBUNGAN PATRON-CLIENT DAN RITUAL PETIK LAUT - Studi Kasus Masyarakat Desa Tanjung Luar, Kabupaten Lombok Timur, Nusa Tenggara Barat Rahmi, Nurbayu Sutiya
Sabda: Jurnal Kajian Kebudayaan Vol 7, No 1: 2012
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (520.443 KB) | DOI: 10.14710/sabda.7.1.30 - 42

Abstract

Tanjung Luar village, located in East Lombok regency, is around 222 km2 and has good potential fishery. Continual exploitation at Tanjung Luar village with using of inefficient fishing capture would decrease the existing resource abundance. Patron-client in Tanjung Luar village society forms a community group called “Kelompok Masyarakat Pengelola Laut” that manages the fishery resource. Tradition existence “Petik laut” also can help the fishery resource management at Tanjung Luar village, East Lombok Regency.
KESENIAN & MATA PENCAHARIAN - Upaya Seniman Tradisional & Populer dalam Pemenuhan Nafkah Kistanto, Nurdien Harry
Sabda: Jurnal Kajian Kebudayaan Vol 7, No 1: 2012
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2534.522 KB) | DOI: 10.14710/sabda.7.1.43 - 86

Abstract

The traditional and popular artists have their fans, who are associated with levels of society and socio-economic conditions of the artists. Most artists appreciate the arts as a forum for the fulfillment of subsistence and some other artists treat art not merely as the main work in making a living, but as self-actualization and calling in life. Democratization, way of life & lifestyle have encouraged and accelerated development of new traditions in the arts; industrialization that took place since the early 1970s emphasized the political, policy and strategy choices of economy, trade and commercial business and service-based industries, which are very influential on the lives of the type, variety and artistic tastes. Deployment mode of art with industry and trade system applies to the popular performing arts, both departing from the tradition of Java and the growing management and modern technology, which supported the creation and innovation. With such developments, the traditional artists tend to be marginalized and subsistence efforts to meet with arts performances tend to be unprofitable, while popular artists through the art of business and trade industries tend to prosper. This research, among others, find authentic evidence from the field to confirm the truth of these allegations carefully, so that building theory and the concept of "the efforts of traditional and popular artists in the fulfillment of living life" is a field-based, not based on theory and concepts of the social and cultural sciences - called grand theory. In addition to utilizing the resources of media such as newspapers, magazines and internet websites, techniques of field observation and interviews, as well as in-depth interviews, which are commonly used in qualitative research, the mainstay of this research data collection.
TRADISI WIWITAN - Kajian Simbolik-Hermeneutik terhadap Masyarakat Desa Jetak, Kecamatan Wedung, Demak, Jawa Tengah Tajrid, Amir
Sabda: Jurnal Kajian Kebudayaan Vol 7, No 1: 2012
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/sabda.7.1.19 - 29

Abstract

Wiwitan tradition of Jetak villagers, Wedung district, Demak Regency, is a value system in a society which is expressed through symbols. These symbols can be viewed as ritual representation containing confidence, sacrifice and hope of peace, balancing between the physical and the spiritual, and fusion of Hindu-Budha elements and Islamic values. Besides, symbols used in stages and processes of wiwitan tradition were means of expressive communication delivered to mean to convey our hopes to God the Almighty.
STRATEGI PELESTARIAN SINTREN Studi Kasus di Brebes Devi, Wika Soviana
Sabda: Jurnal Kajian Kebudayaan Vol 7, No 1: 2012
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (267.789 KB) | DOI: 10.14710/sabda.7.1.87 - 105

Abstract

The traditional performing art of sintren is distinctive art flourished in northern coast of Java such as Brebes area. This kind of sintren performing art requires some conditions and rites that must be fulfilled for stage performance. The art of sintren has a background folklore who was later appointed into a show which is magical. To understand the art of sintren a collection and an analysis of data were obtained through interview, observation, and study of documents pertaining the art show of sintren. Performances of sintren exercised by some personnels, one is a kawih or sinden as a singer for sintren, to call down the nymphs of sintren, a sintren dancer and musicians. Sintren dancer who was possessed by sintren nymph will change clothes to be beautiful by hand and body bound and put in confinement. Brebes communities have recognized sintren performances as magical performances served at night and on certain occasions.
NILAI-NILAI ETIKA DALAM SERAT WURUK RESPATI Sumiyardana, Kustri
Sabda: Jurnal Kajian Kebudayaan Vol 7, No 1: 2012
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (163.091 KB) | DOI: 10.14710/sabda.7.1.%p

Abstract

Serat Wuruk Respati is one text inherited from traditional Java ancestors containing about moral didactic. One is about ethics. However, as of old works the text using archaic language so inclined elusive. To solve the problems analysis can use literary hermeneutic theory. Having performed the interpretation of this text, it may be known that kind of ethics taught is on encountering leader, social ethics, domestic ethics, ethics encountering brothers, parents, and teachers, as well as ethics in science and ethics to be a rich man. All these ethics contain two kinds of principles, these are harmony principles and respect principles.
SOSIALISASI NILAI-NILAI KULTURAL DALAM KELUARGA Studi Perbandingan Sosial-Budaya Bangsa-Bangsa Syarif, Jamal
Sabda: Jurnal Kajian Kebudayaan Vol 7, No 1: 2012
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (273.594 KB) | DOI: 10.14710/sabda.7.1.%p

Abstract

This article presents a comparative study of the socialization of values, norms and practices in various communities around the world. The materials of the study are obtained from the results of the socialization in the family in different countries. In most societies in the world, family holds a central position as the primary agent of socialization. Family has a significant role to prepare individuals in the early period of the development of its members. It is expected that family members have an active role in the community they live in. Values, norms and practices embedded in primary socialization are affected by family background involving ethnic, religion, culture and social strata.
LAMUT DAN MADIHIN Kesenian Tradisional Banjar di Tengah Arus Modernisasi Jahdiah, Jahdiah
Sabda: Jurnal Kajian Kebudayaan Vol 7, No 1: 2012
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (155.056 KB) | DOI: 10.14710/sabda.7.1.105 - 116

Abstract

There are various types of Banjar traditional arts flourishing in South Kalimantan. Among others are rare types of traditional arts that are feared to be extinct. Lamut is one of those rare types of traditional arts, while Madihin seems to have significant progress. In performing Lamut, a big tambourine is played as an interlude by a palamutan, while Madihin is performed by a madihin artist called pemadihinan who also plays a tambourine. The tambourine is played by using two hands beating the tambourine in stomping rhythm of the opening, content and the act of performing rhyming quatrains.
UPACARA TRADISI MASA KEHAMILAN dalam Masyarakat Jawa Suliyati, Titiek
Sabda: Jurnal Kajian Kebudayaan Vol 7, No 1: 2012
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (279.888 KB) | DOI: 10.14710/sabda.7.1.%p

Abstract

Javanese society possesses traditional ceremonies to their life cycle and natural phenomenon. These traditional ceremonies conducted from generation to generation carry symbols of good expectations and moral education as local wisdom rooted from the past sociocultural thoughts and senses.This article discusses traditional ceremonies among the Javanese society, focusing on the pregnancy period of Mapati, Tingkepan, Mrocoti, Ndadung and Ndaweti.
ETNIS MARITIM DAN PERMASALAHANNYA Susilowati, Endang
Sabda: Jurnal Kajian Kebudayaan Vol 7, No 1: 2012
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (367.515 KB) | DOI: 10.14710/sabda.7.1.1 - 18

Abstract

As a maritime country with vast territorial waters and abundant marine resources, Indonesia, a country with diverse ethnics and peculiarities, has a chance to become a great nation. Its natural and human resources are the basis capital to build the nation abreast with other nations in the world. Indonesia was once also known as a victorious maritime country with strong influence to the neighboring countries. Hence, it is an ironic that the maritime ethnic as the “guardian of the sea” has to live in backwardness, deterioration, social and economic adversity, and even social and cultural decline. Support and aid both from the government and the people with commitment toward the advancement of this maritime ethnic are greatly needed. Forcing the maritime ethnic like Suku Bajo or “the Sea People” to stay away from the sea is a futile act. In fact, it will only lead to prolonged conflict. Conversely, involving them in such a program of preserving the sea and its biota is not something that is impossible, even though it is also not easy. Along with recent changes and demands, the “Sea People” or Suku Bajo eventually has to live more open and have the ability to interact with modern life.
KEPERCAYAAN BUBUHAN KUMAI terhadap Tuhan dan Makhluk Halus Al-Kumayi, Sulaiman
Sabda: Jurnal Kajian Kebudayaan Vol 7, No 1: 2012
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (540.076 KB) | DOI: 10.14710/sabda.7.1.%p

Abstract

One important part of the belief system is a belief which covers trust in God the Almighty and trust regarding the presence of supernatural being. In relation to Bubuhan Kumai, this community has built a system of belief which reflects their understanding and interpretation of Islam religious devotion which they embrace. Islam religion is not immediately able to remove local beliefs deeply rooted in the memory of Bubuhan Kumai communities. This article describes about the belief system of Bubuhan Kumai which covers the belief to the God the Almighty and belief of the presence of the supernatural being, employing experiences of the participants of the culture studied.

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