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Reizki Habibullah
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INDONESIA
Sorai: Jurnal Pengkajian dan Penciptaan Musik
Published by Institut Seni Indonesia Surakarta
ISSN : 24073938     EISSN : 26849445     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The journal invites original, significant, and rigorous inquiry into all subjects within or across disciplines related to music creation, music studios, and ethnomusicology. It encourages debate and cross-disciplinary exchange across a broad range of approaches. The spectrum of topics include: 1) Review of Nusantara Music 2) Sociology of Music 3) Anthropology of Music 4) World Music Culture 5) Digital Music Studies 6) Archaeology of Music 7) Intercultural Studies of Music 8) Ethnography of Music 9) Music and Multicultural Education 10) Music Criticism 11) Musician Profile and Thought 12) Artistic Review of the Music Creation Process.
Arjuna Subject : Seni dan Humaniora - Musik
Articles 122 Documents
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ORGANOLOGI ALAT MUSIK TRADISIONAL GAMBANG PRODUKSI SALMAN AZIZ DI KECAMATAN BANGKINANG KABUPATEN KAMPAR PROVINSI RIAU Sabri Sabri; Reizki Habibullah; Nurmalinda Nurmalinda
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol 14, No 2 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v14i2.4455

Abstract

Gambang's existence which is getting dimmer, has made the writer call to make it writing in organology studies. As a native of the region, the author feels he has a responsibility in the life of Gambang art. This organological study aims to become a written document of the process of making xylophones; when people want to learn to make xylophones, they can see this article. Thus also reducing the fear of the threat of extinction of the xylophone. This paper uses a descriptive analysis method using qualitative data, namely research conducted by approaching the object under study. The result of this paper is the process of making Gambang from the beginning to the end
NGILO DAN MEULI SEBAGAI IMPROVISASI IDIOMATIK Gempur Sentosa
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol 15, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v15i1.4460

Abstract

AbstractThe quest for musical ideas from a local concept found unique and arresting research objects, namely ngilo and meuli on wawacan singing. Ngilo and meuli are a natural phenomenon in the form of reading and singing wawacan text with spontaneity. The article it's written to solve the problem of how the concept of ngilo and meuli similarities with improvised discourses. The discussion in this article begins with the conception of ngilo and meuli in wawacan singing, with a review of improvisation discourse. This article ends with a discussion of the concepts of ngilo and meuli as improvisation. This article is fieldwork through a qualitative way to apply interview and observation methods to research purposes, capable of transcription, cultivating, and arranging the data into an obvious, focused, and coherent data report. The research takes data from interviews, books, articles, and videos of events, including talk shows. In the study, the author find the concept of ngilo and meuli as an uncertain and naturalist form of musical performance. In addition, the conception of ngilo and meuli has technical similarities with idiomatic improvisation that is structured and holds their cultural idioms.AbstrakPenelusuran ide musikal dari konsep lokal menemukan objek penelitian yang unik dan menarik, yakni ngilo dan meuli pada nyanyian wawacan. Ngilo dan meuli merupakan sebuah fenomena natural berupa aktivitas membaca dan menyanyikan teks wawacan secara spontanitas.  Artikel ini ditulis untuk menjelaskan kesamaan konsep ngilo dan meuli dengan diskursus improvisasi. Pembahasan pada artikel ini diawali dengan membahas konsep ngilo dan meuli pada nyanyian wawacan, dilanjutkan dengan pembahasan wacana improvisasi. Artikel ini diakhiri dengan pembahasan mengenai konsep ngilo dan meuli sebagai improvisasi. Artikel ini ditulis berdasarkan fieldwork yang menggunakan pendekatan kualitatif untuk mengaplikasikan metode wawancara dan pengamatan sebagai keperluan penelitian, mampu mentranskripsikan, mengolah, dan menyusun data menjadi sebuah laporan data yang jelas, fokus, sistematis dan koheren. Penelitian ini mengambil data dari wawancara, buku, artikel, video pertunjukan, dan talk show. Pada penelitian ini, penulis menemukan konsep ngilo dan meuli sebagai peristiwa tidak pasti dan naturalis bentuk pertunjukan musiknya. Selain itu, konsepsi ngilo dan meuli memiliki kesamaan secara teknis dengan improvisasi idiomatik yang terstruktur dan memegang idiom budayanya.
TINJAUAN KOMPARATIF LAGU “PAPATET” GAYA BOJONGHERANGAN DENGAN GAYA PASARBARUAN DALAM TEMBANG SUNDA CIANJURAN Dika Dzikriawan; Heri Herdini; Indra Ridwan; Aloysia Yuliana Yanuartri Widyaningsih
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol 14, No 2 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v14i2.4091

Abstract

Tulisan ini merupakan tinjauan komparatif lagu “Papatet” gaya Bojongherangan dengan Pasarbaruan atau Kauman. Sejauh ini, belum banyak orang yang mengetahui perbedaan dari kedua gaya tersebut. Untuk mengetahui perbedaannya, maka dua lagu tersebut akan dikomparasikan dengan cara dianalisis secara musikal dilihat dari struktur dongkari. Hasil dari penelitian ini diketahui bahwa penggunaan dongkari pada gaya bojongherangan lebih sederhana dibandingkan dengan gaya pasarbaruan. Penggunaan dongkari pada setiap gaya cukup mencerminkan identitas dan karakter sesuai dengan kedua gaya tersebut. Hal ini menjadi sebuah kerja dokumentasi guna pelindungan dan pelestarian budaya khususnya pada gaya bojongherangan yang kini hampir mengalami kepunahan. Kata kunci: Gaya bojongherangan, Gaya pasarbaruan, Tembang Sunda Cianjuran, dan Dongkari.
KOMPOSISI MUSIK BAMBU KIDUNG SYAHADAT SRI Teguh Gumilar; A Esza Padil
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol 15, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v15i1.4363

Abstract

Kidung Syahadat Sri is a musical work inspired by the mipit pare procession of Cidadap Village, Pagaden Barat Subang Subang. This work goes through two stages, namely exploration and observation, where in each stage or activity mipit pare is translated into a musical work that is worked on through the media that has been explored, in the mipit pare activity there are ritual prayers that are worked out into a song. In this work, the author also uses several motif developments including interlocking, interplacing, repetition, and liking. In addition, the author also uses several musical elements in this work, namely dynamics and tempo.
TINJAUAN METODE AUDITORY, INTELLECTUALLY, AND REPETITION (AIR) PADA PELAGUAN MATA PELAJARAN BAHASA ARAB DI MADRASAH DINIYAH ROUDLATUT THOLIBIN DESA JRAGANAN Ayu Puji Lestari; Denis Setiaji
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol 14, No 2 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v14i2.4371

Abstract

 Today, the world of education has used a lot of singing methods in studying material,  one of which is Madrasah Diniyah Roudlatut Tholibin at Jraganan Village.  The singing method carried out, specifically in Arabic subjects in grades one and two, was translated into Javanese.  This song is allegedly related to the Auditory, intellectually, and Repetition (AIR) learning model.  To prove this, this research uses qualitative research methods through observation, interviews, and literature study.  This search aims to reveal the signal of the link between the learning methods at the madrasah and the Auditory, Intellectually, and Repetition (AIR) learning model.  In addition, this study also aims to reveal the shortcomings in the singing method in the madrasah.  From the existing searches, it was found that the learning steps in the madrasah reflected the Auditory, Intellectually, and Repetition (AIR) learning model.  In addition, it is revealed that the students understand better when the meaning of Arabic is transmitted into Indonesian.
MUSIK VOKAL TALE NAEK JAI PADA KEGIATAN MALPEH DI KABUPATEN KERINCI PROVINSI JAMBI Dharminta Soeryana; Sulaiman Sulaiman; Desi Susanti
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol 15, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v15i1.4529

Abstract

Tale Naek Jai  merupakan salah satu jenis tradisi musik vokal Kerinci yang digunakan pada upacara Malpeh, yakni  upacara melepas anggota keluarga yang akan melaksanakan ibadah haji ke Baitullah. Penelitian ini dilakukan untuk mengetahui bagaimana Tale Naek Jai  difungsikan dan dimaknai dalam kehidupan masyarakatnya, terutama terkait dengan Tale dalam konteks kesusastraan dan Tale dalam konteks musikal. Penelitian ini menggunakan metode penelitian kualitatif J.R. Raco, yaitu menelusuri suatu gejala, fakta atau realita secara mendalam dan tidak hanya terbatas pada pandangan dipermukaan saja. Adapun data-data yang diperoleh dianalisis dengan pendekatan Vredenbregt, yakni verstehen, interpretasi, dan hermeneutika. Hasil penelitian menunjukkan bahwa pantun Tale Nek Jai yang dinyanyikan memiliki efek psikologis yang mampu mempengaruhi dan menggugah kesadaran (prilaku) akan nilai-nilai keagamaan, silaturrahim antar anggota masyarakat, dan yang paling penting adalah kesadaran akan rasa syukur karena mendapat kesempatan naik haji.
PEMBENTUKAN HABITUS MASYARAKAT SUKU DAYAK BENUAQ PADA RITUAL BELIATN SENTIU DI KESULTANAN KUTAI KARTANEGARA ING MARTADIPURA Yofi Irvan Vivian; Muhammad Bahri Arifin; Ian Wahyuni
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol 15, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v15i1.4562

Abstract

Beliatn Sentiu is used by the Benuaq Dayak people as a non-medical treatment. This is because, The Beliatn Sentiu process uses offerings and mantra readings (bememang). The purpose of this study is to determine the musical characteristics of one of the music played and the formation of habitus that occurs in the Dayak Benuaq tribe in the Beliatn Sentiu Ritual process in Kutai Ing Martadipura. Research Methods The research methods used are Qualitative. This research also uses the approach of field research methods by Bruno Nettl, namely desk work and field work. Pemeliatn is the dominant agent, while Pengugu, Penu'ung, and Rotatn are the dominating agents. This is because Pemeliatn has a large capital, especially in cultural and social capital. The interaction of these two capitals forms a symbolic capital so that in The Beliatn Sentiu Ritual, the command of the Pemeliatn is always followed by The Pengugu, Penu'ung, and Rotatn. The beliefs of the Dayak Benuaq people are influenced by ancestral spirits and supernatural realms, making habitus constructed in the Beliatn Sentiu Ritual. The Beliatn Sentiu process is believed to be the help of ancestral spirits in healing. This is what makes the Beliatn Sentiu still carried out today.
PERAN MUSIK EREEKNG DALAM RITUAL BELIATN KENYONG SUKU DAYAK TONYOOI Yogi Kandola; Santosa Soewarlan
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol 15, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v15i1.4480

Abstract

This study reveals the role of ereekng music in the ritual of Beliatn Kenyong of the Dayak Tonyooi community in Kutai Barat Regency, Kalimantan Timur. The problem that will be described in this paper is to question the role of ereekng music in implementing the ritual ceremony of Beliatn Kenyong. In answering these problems, this study uses an ethnomusicological approach that is supported by theories and concepts of the role of music in traditional community culture. This qualitative research uses interviews, observation, documentation, and literature studies.This study concludes that the cultural customs of the Tonyooi people generally indicate how the balance of the relationship between humans, nature, and God must always be maintained. If the relationship becomes unbalanced, where one of the people violates customary rules, there will be an impact; namely, that person will experience illness. Through the illness that the person feels, the Beliatn Kenyong ritual and all its accessories, including ereekng music, will be carried out. In general, the Beliatn Kenyong ritual is also a sign of the importance of maintaining the balance of the relationship between humans, nature, and God, and specifically, the process of carrying out the concept of balance is symbolized in the presentation of ereekng music and its very significant role in the implementation of the Beliatn Kenyong ritual.
PERUBAHAN KONSEP PRA PERTUNJUKAN MENJADI PERTUNJUKAN MUSIK HUMOR NYIOER MELAMBUAI Aji, Nurseto Bayu; Muliana, I Nengah
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 15 No. 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v15i2.4461

Abstract

Penelitian ini dilatarbelakangi oleh persoalan dinamika pertunjukan terutama persoalan konsep dan pertunjukan sebuah kelompok musik khususnya Band Humor “Nyioer Melambuai”. Fenomena perubahan konsep sebelum pertunjukan hingga eksekusinya pada pementasan di atas panggung, menjadi sebuah persoalan menarik terutama berkaitan dengan perubahan-perubahan yang terjadi. Perubahan konsep pra pementasan hingga pertunjukan di atas panggung menjadi kebiasaan kelompok Nyioer Melambuai di setiap pentasnya. Hal tersebut pada akhirnya menjadi ciri khas Nyioer Melambuai terutama berkaitan dengan proses kreativitasnya. Penelitian ini membahas mengenai proses perubahan konsep pra pertunjukan ke pertunjukan kelompok band humor Nyioer Melambuai. Bagaimana fenomena tersebut terjadi, faktor-faktor  apakah yang mengakibatkan perubahan-perubahan tersebut, hingga kedua hal tersebut dapat terjadi pada kelompok “Nyioer Melambuai”. Landasan yang digunakan untuk membedah persoalantersebut yakni menggunakan konsep kreativitas, improvisasi, dan perubahan. Definisi landasan konsep tersebut menjadi diaplikasikan pada fenomena di dalam kelompok “Nyioer Melambuai”. Metode kualitatif yang dilakukan dalam proses penelitian menggunakan “Field Reasearch” atau penelitian lapangan, untuk mendapatkan sejumlah data melalui observasi, wawancara, hingga studi lapangan. Fenomena terjadinya perubahan konsep ke pertunjukan faktor-faktornya, dideskripsikan  melalui pemaparan analisis data lapangan. Pada akhirnya penelitian ini memperlihatkan gejala umum praktik-praktik perubahan konsep pra pertunjukan ke pentas di atas panggung di kalangan kelompok musik humor khususnya Nyioer Melambuai. Perubahan-perubahan tersebut terjadi melalui sejumlah faktor. Perubahan tersebut baik pada akhirnya merupakan sebuah bentuk strategi dan kreativitas untuk mencapai kesuksesan sebuah pentas, khususnya oleh Nyioer Melambuai.
Transmisi Musik Lokal-Tradisional Gondang Oguong oleh Salman Azis Habibullah, Reizki; Purwanto, Sigit; Aulia, Riza Alif
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 15 No. 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v15i2.4737

Abstract

Gondang Oguong is a local-traditional music ensemble of the community in the Limo Koto customary area of Kampar Regency. Until now, Gondang Oguong art is still being passed on to the next generation. This study aims to reveal and explain the transmission process of Gondang Oguong by artist Salman Azis, including objects, actors, and transmission mechanisms, using ethnographic methods. Salman Azis carried out the stages of the learning method, which began with efforts to attract children's interest, using close and distant communication patterns, as well as listening and imitating exercises. Transmission is one of the essential aspects of cultural inheritance related to enculturation, internalization, education, and socialization activities. For this reason, this research is expected to support the sustainable practices of local-traditional music as part of the culture.

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